{"id":25988,"date":"2025-10-20T06:59:07","date_gmt":"2025-10-20T06:59:07","guid":{"rendered":"https:\/\/www.europesays.com\/lv\/25988\/"},"modified":"2025-10-20T06:59:07","modified_gmt":"2025-10-20T06:59:07","slug":"maestro-paula-busula-un-keisa-kopdarbs-atdzivina-klasiku-lente-lv-2","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/lv\/25988\/","title":{"rendered":"Maestro Paula, Busu\u013ca un Kei\u0161a kopdarbs atdz\u012bvina klasiku\u00a0\u2014\u00a0Lente.lv"},"content":{"rendered":"<p>Jauns kult\u016bras d\u0101rgums: \u0160eksp\u012bra soneti atdz\u012bvojas Maestro Paula m\u016bzik\u0101<\/p>\n<p>Latvijas kult\u016bras telp\u0101 ien\u0101cis jauns, aizraujo\u0161s projekts \u2013 albums &#8220;Pauls. Busulis. Kei\u0161s. \u0160eksp\u012brs. Soneti&#8221;. \u0160is unik\u0101lais kopdarbs apvieno le\u0123end\u0101r\u0101 komponista Raimonda Paula ori\u0123in\u0101lm\u016bziku ar Viljama \u0160eksp\u012bra nemirst\u012bgajiem sonetiem, ko emocion\u0101l\u0101 izpild\u012bjum\u0101 ien\u0101cis harism\u0101tiskais dzied\u0101t\u0101js Intars Busulis un talant\u012bgais aktieris Andris Kei\u0161s. Albums izdots Dzejas dienu laik\u0101, apliecinot, ka klasisk\u0101 dzeja sp\u0113j ieg\u016bt jaunu, svaigu elpu m\u016bsdienu m\u0101kslas kontekst\u0101. Tas ir k\u0101 tilts starp laikmetiem, kur Renesanses dzejas smalkums un dzi\u013cums harmoniski sader ar m\u016bsdienu ska\u0146k\u0101rt\u0101m.<\/p>\n<p>M\u016bzikas un dzejas dialogs laika lokos<\/p>\n<p>Maestro Paula rad\u012bt\u0101 m\u016bzika demonstr\u0113 vi\u0146a dzi\u013co izpratni un sp\u0113ju pieskarties \u0160eksp\u012bra v\u0101rdiem, pie\u0161\u0137irot tiem jaunu emocion\u0101lo dzi\u013cumu. Intara Busu\u013ca hipnotiz\u0113jo\u0161ais dzied\u0101jums un Andra Kei\u0161a kaisl\u012bg\u0101, nians\u0113t\u0101 dzejas interpret\u0101cija kop\u0101 veido neaizmirstamu m\u0101ksliniecisku pieredzi. Vi\u0146u sadarb\u012bba ir dz\u012bvs apliecin\u0101jums tam, ka kult\u016bras mantojums nav tikai v\u0113stures liec\u012bba, bet gan nep\u0101rtraukts dialogs ar pag\u0101tni un t\u0101s m\u016bsdien\u012bga interpret\u0101cija. \u0160eksp\u012bra soneti, kas s\u0101kotn\u0113ji rad\u012bti 16. gadsimt\u0101, piedz\u012bvo jaunu elpo\u0161anu Maestro Paula rad\u012btaj\u0101 m\u016bzik\u0101, \u013caujot mums tos izjust ar 21. gadsimta j\u016bt\u012bgumu un izpratni. Tas ir k\u0101 ce\u013cojums laik\u0101, kur Renesanses dzejas smalkums un dzi\u013cums harmoniski sader ar m\u016bsdienu ska\u0146k\u0101rt\u0101m, radot unik\u0101lu ska\u0146u ainavu, kas sp\u0113j aizkustin\u0101t un iedvesmot.<\/p>\n<p>M\u0101ksliniecisk\u0101 komanda un rado\u0161ais process<\/p>\n<p>Albuma tap\u0161ana notikusi Latvijas Radio 1. studij\u0101. Par ieraksta produc\u0113\u0161anu r\u016bp\u0113jies pieredz\u0113ju\u0161ais M\u0101ris Brie\u017ekalns, bet par ska\u0146as ierakstu un miks\u0113\u0161anu atbild\u0113jis P\u0101vels Mali\u0161kins. Brie\u017ekalns, kur\u0161 paz\u012bstams ar\u012b k\u0101 bundzinieks, producents un festiv\u0101la &#8220;R\u012bgas Ritmi&#8221; dibin\u0101t\u0101js, ir devis savu ieguld\u012bjumu daudzos noz\u012bm\u012bgos m\u016bzikas projektos Latvij\u0101. Aktiera Andra Kei\u0161a iesaist\u012b\u0161an\u0101s projekt\u0101 pie\u0161\u0137ir albumam papildu dimensiju, ieaicinot klaus\u012bt\u0101jus ne tikai muzik\u0101l\u0101, bet ar\u012b teatr\u0101l\u0101 ce\u013cojum\u0101. Kei\u0161s, ar savu spilgto un juteklisko sonetu las\u012bjumu, atdz\u012bvina dzeju t\u0101s prim\u0101raj\u0101 form\u0101 \u2013 run\u0101t\u0101 v\u0101rd\u0101. Vi\u0146a balss ir sp\u0113c\u012bga, nians\u0113ta un piepild\u012bta ar emocion\u0101lu dzi\u013cumu, kas \u013cauj iedzi\u013cin\u0101ties \u0160eksp\u012bra tekstos pat tiem, kuriem tie varb\u016bt \u0161\u0137itu\u0161i p\u0101r\u0101k sare\u017e\u0123\u012bti vai t\u0101li. Vi\u0146\u0161 darbojas k\u0101 starpnieks starp dzejnieku un klaus\u012bt\u0101ju, pal\u012bdzot at\u0161ifr\u0113t sonetu sl\u0113pt\u0101s noz\u012bmes un izcelt to univers\u0101l\u0101s t\u0113mas. \u0160\u012b aktierisk\u0101 interpret\u0101cija ir ne tikai papildin\u0101jums Busu\u013ca dzied\u0101jumam, bet ar\u012b neat\u0146emama da\u013ca no kop\u0113j\u0101 m\u0101kslas darba, radot kontrastu un harmoniju vienlaikus. T\u0101 ir iesp\u0113ja dzird\u0113t \u0160eksp\u012bra dzeju t\u0101s piln\u012bg\u0101 sp\u0113k\u0101, ko pastiprina Maestro m\u016bzika un Busu\u013ca vok\u0101lais sniegums. Kei\u0161s sp\u0113j katru sonetu padar\u012bt par miniat\u016bru lugu, kas skat\u012bt\u0101ja (\u0161aj\u0101 gad\u012bjum\u0101 \u2013 klaus\u012bt\u0101ja) priek\u0161\u0101 atkl\u0101j cilv\u0113ka dabas sare\u017e\u0123\u012bt\u012bbu un skaistumu.<\/p>\n<p>Pieejam\u012bba un koncertu pied\u0101v\u0101jums<\/p>\n<p>Albums &#8220;Pauls. Busulis. Kei\u0161s. \u0160eksp\u012brs. Soneti&#8221; ir pieejams vis\u0101s popul\u0101r\u0101kaj\u0101s straum\u0113\u0161anas un lejupiel\u0101des platform\u0101s. CD izdevumu iesp\u0113jams pas\u016bt\u012bt izdevniec\u012bbas &#8220;MicRec&#8221; m\u0101jaslap\u0101, nodro\u0161inot pla\u0161u pieejam\u012bbu gan digit\u0101lajiem, gan fiziskajiem albuma form\u0101tiem. L\u012bdz gada beig\u0101m pl\u0101nots izdot ar\u012b vinila ska\u0146uplati. Albuma vizu\u0101lo noform\u0113jumu veidojis talant\u012bgais m\u0101kslinieks br\u0101lis Y, savuk\u0101rt v\u0101ka fotogr\u0101fijas autors ir fotogr\u0101fs J\u0101nis Deinats. Dziesmai &#8220;\u0160\u012bs l\u016bpas, kur\u0101s m\u012bla kv\u0113l&#8221; tapusi ar\u012b videoversija, ko veidojis Kaspars Dvinskis. Koncertuzvedumi notiek m\u016bzikas nam\u0101 &#8220;Daile&#8221;. Izr\u0101des paredz\u0113tas 13., 14. un 20. septembr\u012b, k\u0101 ar\u012b 16. oktobr\u012b. Uz pirmaj\u0101m div\u0101m izr\u0101d\u0113m bi\u013cetes jau izp\u0101rdotas. \u0160is projekts var kalpot par iedvesmas avotu n\u0101kamaj\u0101m m\u0101kslinieku paaudz\u0113m, mudinot t\u0101s mekl\u0113t jaunus veidus, k\u0101 interpret\u0113t un atdz\u012bvin\u0101t klasiskos darbus, pied\u0101v\u0101jot tiem jaunas formas un perspekt\u012bvas. Tas ir drosm\u012bgs solis, kas par\u0101da, cik bag\u0101ta un daudzveid\u012bga var b\u016bt m\u0101kslinieku sadarb\u012bba, kad tiek p\u0101rvar\u0113tas \u017eanru un laikmetu robe\u017eas. \u0160eksp\u012brs, Pauls, Busulis un Kei\u0161s \u2013 \u010detri v\u0101rdi, kas tagad saviju\u0161ies vien\u0101, radot unik\u0101lu m\u0101kslas darbu, kas apliecina m\u0101kslas transform\u0113jo\u0161o sp\u0113ku. T\u0101 ir d\u0101vana Latvijas un pasaules klaus\u012bt\u0101jiem, aicin\u0101jums apst\u0101ties un ieklaus\u012bties laikmetu krustpunkt\u0101, kur cilv\u0113ka balss un m\u016bzika sapl\u016bst ar nemirst\u012bgu dzeju, radot harmoniju, kas p\u0101rsniedz ikdieni\u0161\u0137o un aizskar m\u016b\u017e\u012bgo.<\/p>\n","protected":false},"excerpt":{"rendered":"Jauns kult\u016bras d\u0101rgums: \u0160eksp\u012bra soneti atdz\u012bvojas Maestro Paula m\u016bzik\u0101 Latvijas kult\u016bras telp\u0101 ien\u0101cis jauns, aizraujo\u0161s projekts \u2013 albums&hellip;\n","protected":false},"author":2,"featured_media":25989,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[19],"tags":[5391,89,4322,90,309,35,39,38,36,37,34,40,2672,5570],"class_list":{"0":"post-25988","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-izklaide","8":"tag-andris-keiss","9":"tag-entertainment","10":"tag-intars-busulis","11":"tag-izklaide","12":"tag-jauns-albums","13":"tag-latvia","14":"tag-latvian","15":"tag-latviesu","16":"tag-latviesu-valoda","17":"tag-latviesuvaloda","18":"tag-latvija","19":"tag-lv","20":"tag-raimonds-pauls","21":"tag-sekspira-soneti"},"share_on_mastodon":{"url":"","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/25988","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/comments?post=25988"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/25988\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media\/25989"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media?parent=25988"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/categories?post=25988"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/tags?post=25988"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}