{"id":274282,"date":"2026-08-21T04:56:18","date_gmt":"2026-08-21T04:56:18","guid":{"rendered":"https:\/\/www.europesays.com\/lv\/274282\/"},"modified":"2026-08-21T04:56:18","modified_gmt":"2026-08-21T04:56:18","slug":"grafika-tevi-vienmer-gaida-parsteigums-kurzemnieks-lv","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/lv\/274282\/","title":{"rendered":"\u201eGrafik\u0101 tevi vienm\u0113r gaida p\u0101rsteigums\u201d \u2013 Kurzemnieks.lv"},"content":{"rendered":"

Vi\u0146a darbi ir ce\u013coju\u0161i uz daudz\u0101m pasaules valst\u012bm, bet pats m\u0101kslinieks n\u0101k no Kuld\u012bgas. Ilggad\u0113jais Latvijas M\u0101kslas akad\u0113mijas (LMA) grafikas katedras vad\u012bt\u0101js GUNTARS SIETI\u0145\u0160 dal\u0101s pieredz\u0113 par savu ce\u013cu m\u0101ksl\u0101 un st\u0101sta, k\u0101p\u0113c grafika ir neprognoz\u0113jams un su\u0123est\u0113jo\u0161s process.<\/p>\n

Ce\u013c\u0161 s\u0101k\u0101s Kuld\u012bg\u0101<\/p>\n

M\u0101kslinieka pirmie skolas gadi aizrit\u0113ju\u0161i Kuld\u012bg\u0101 \u2013 s\u0101kum\u0101 Vi\u013ca Pl\u016bdo\u0146a pamatskol\u0101, v\u0113l\u0101k Kuld\u012bgas 1. vidusskol\u0101. P\u0113c 8. klases vi\u0146\u0161 v\u0113l\u0113jies m\u0101c\u012bties R\u012bgas Lieti\u0161\u0137\u0101s m\u0101kslas vidusskol\u0101, t\u0101p\u0113c sestdien\u0101s un sv\u0113tdien\u0101s R\u012bg\u0101 apmekl\u0113jis sagatavo\u0161anas kursus. Z\u012bm\u0113\u0161anu tur m\u0101c\u012bjies pie \u013coti cien\u012bjama meistara \u2013 pirmskara Latvijas dai\u013ckr\u0101sot\u0101ja Alfr\u0113da Barona.<\/p>\n

Veiksm\u012bgi iest\u0101jies dekorat\u012bv\u0101s noform\u0113\u0161anas noda\u013c\u0101 un p\u0113c absolv\u0113\u0161anas turpin\u0101jis m\u0101c\u012bbas LMA grafikas noda\u013c\u0101, lai gan lieti\u0161\u0137\u0101s skolas audz\u0113k\u0146i vair\u0101k tika virz\u012bti dizaina un interjera jom\u0101.<\/p>\n

\u201eM\u0113\u0123in\u0101ju pat gleznot, bet sapratu, ka tur nekas labs mani negaida, nav izred\u017eu iest\u0101ties glezniec\u012bbas noda\u013c\u0101, un ar\u012b pa\u0161am \u012bpa\u0161i negrib\u0113j\u0101s,\u201d m\u0101kslinieks atceras. Papildus m\u0101c\u012bjies akad\u0113mijas sagatavo\u0161anas kursos un priv\u0101tstudij\u0101 pie grafi\u0137a J\u0101\u0146a Reinberga, kur\u0161 tolaik bija pasniedz\u0113js akad\u0113mijas grafikas noda\u013c\u0101.<\/p>\n

Kandavas prakse un Jap\u0101nas grafi\u0137i<\/p>\n

Studiju gadi akad\u0113mij\u0101 (1982-1988) sakrita ar atmodas laiku. Ceturtaj\u0101 kurs\u0101, esot praks\u0113 Kandav\u0101, pasniedz\u0113js Gun\u0101rs Krollis, pie kura v\u0113l\u0101k tika izstr\u0101d\u0101ts diplomdarbs, tikko bija atgriezies no Krakovas grafikas bienn\u0101les Polij\u0101, kur bija darbojies \u017e\u016brij\u0101 un atvedis studentiem izst\u0101\u017eu katalogus. Tajos jaunais m\u0101kslinieks pirmo reizi ieraudz\u012bja jap\u0101\u0146u grafi\u0137u darbus mecotintas* tehnik\u0101.<\/p>\n

G.Sieti\u0146\u0161 st\u0101sta: \u201eMani fascin\u0113ja vi\u0146u dom\u0101\u0161anas veids \u2013 k\u0101 ar sal\u012bdzino\u0161i vienk\u0101r\u0161iem pa\u0146\u0113mieniem var izveidot tik su\u0123est\u0113jo\u0161us darbus, par kuriem p\u0113c tam var ilgi un dikti dom\u0101t. \u0160\u012b tehnika man \u013coti iepatik\u0101s, un ceturtaj\u0101 kurs\u0101 m\u0113\u0123in\u0101ju dar\u012bt kaut ko l\u012bdz\u012bgu. Pa\u0161am lik\u0101s, ka ar pan\u0101kumiem. Profesors toreiz aizr\u0101d\u012bja, ka kluso dabu jau jebkur\u0161 var uztais\u012bt, un diplomdarb\u0101 lika veidot lielform\u0101ta figur\u0101las kompoz\u012bcijas. T\u0101 es ar\u012b uztais\u012bju \u010detrus diezgan liela izm\u0113ra darbus.<\/p>\n

Grafi\u0137a darb\u0101 liekas, ka pati gr\u016bt\u0101k\u0101 ir kli\u0161ejas** sagatavo\u0161ana, bet n\u0113 \u2013 z\u012bm\u0113juma izpul\u0113\u0161ana prasa daudz ilg\u0101ku laiku. Maz\u0101ku kli\u0161eju var sagatavot dienas laik\u0101, bet liel\u0101ka var pras\u012bt ned\u0113\u013cu.\u201d<\/p>\n

\"01Ar vec\u0101kiem Ausmu un Egonu Sieti\u0146iem Kuld\u012bgas 1. vidusskolas 8. klases izlaidum\u0101 1978. gad\u0101.<\/p>\n

\"07Miera st\u0101voklis\u00a0(1987), mecotinta, 43 x 50 cm.<\/p>\n

\"02P\u0113c lekcijas Antverpenes Karaliskaj\u0101 m\u0101kslas akad\u0113mij\u0101 Be\u013c\u0123ij\u0101. 2013. gads.<\/p>\n

\"03Ar jap\u0101\u0146u m\u0101ksliniekiem starptautisk\u0101s izst\u0101des\u00a0Mecotintas laiks\u00a0atkl\u0101\u0161an\u0101 Joso Hamagu\u010di muzej\u0101 Tokij\u0101. No kreis\u0101s: Man D\u017euana, Masataka Kurojanagi, Kacunori Hamani\u0161i, Take\u0161i Katori. 2014. gads.<\/p>\n

\"04Skats no person\u0101lizst\u0101des\u00a0Simetrija\u00a0galerij\u0101\u00a0Grafika, Gda\u0146sk\u0101, Polij\u0101. 2026. gads.<\/p>\n

\"Screenshot\"Guntars LMA grafikas katedras darbn\u012bc\u0101. 2022. gads.<\/p>\n

\"\"V\u0113stules\u00a0(2002), mecotinta, akvatinta, 24 x 45 cm.<\/p>\n

\"10Atv\u0113rt\u0101 telpa\u00a0(2026), mecotinta, akvatinta, 23 x 40 cm.<\/p>\n

\"09Rakstz\u012bmes VII \/ Il\u016bzija-realit\u0101te\u00a0(2008), mecotinta, akvatinta, 60 x 90 cm.<\/p>\n

\"1336\"Pirm\u0101 ilustr\u0113t\u0101 gr\u0101mata.<\/p>\n

Starptautisk\u0101 pieredze un neparastas satik\u0161an\u0101s<\/p>\n

M\u0101kslinieka starptautisk\u0101 darb\u012bba s\u0101k\u0101s 1991. gad\u0101 p\u0113c akad\u0113mijas absolv\u0113\u0161anas ar pirmo piedal\u012b\u0161anos m\u0101kslas trienn\u0101l\u0113 Krakov\u0101. Aizs\u016bt\u012btie darbi tika pie\u0146emti.<\/p>\n

\u201e\u0160aj\u0101 laik\u0101 mani \u013coti fascin\u0113ja jap\u0101\u0146u m\u0101kslinieks Kacunori Hamani\u0161i. Toreiz es pat iedom\u0101ties nevar\u0113ju, ka k\u0101dreiz vi\u0146u satik\u0161u.<\/p>\n

2013. gad\u0101 piedal\u012bjos starptautisk\u0101 grafikas izst\u0101d\u0113\u00a0Mecotintas laiks, kas norisin\u0101j\u0101s Latvijas Nacion\u0101l\u0101 m\u0101kslas muzeja izst\u0101\u017eu z\u0101les\u00a0Arsen\u0101ls\u00a0Rado\u0161aj\u0101 darbn\u012bc\u0101. Tolaik kop\u0101 ar amerik\u0101ni Kristoferu Novicki tika izveidota 12 m\u0101kslinieku grupa no Latvijas, Polijas un Jap\u0101nas, un pirm\u0101 grupas izst\u0101de notika R\u012bg\u0101. \u0160ai izst\u0101dei tika aizlien\u0113ti ar\u012b divi izcil\u0101s latvie\u0161u izcelsmes ASV gleznot\u0101jas un grafi\u0137es Vijas Celmi\u0146as darbi mecotint\u0101 no J\u0101\u0146a Zuz\u0101na priv\u0101tkolekcijas. P\u0113c tam izst\u0101de ce\u013coja uz Poliju, \u0136\u012bnu un Jap\u0101nu. Tas bija 2014. gad\u0101 Tokij\u0101. Uz \u0161o izst\u0101di bija atn\u0101ku\u0161i vair\u0101ki grafikas m\u0101kslinieki un ar\u012b mecotintas meistars Kacunori Hamani\u0161i. Toreiz es jutos k\u0101 katolis pie p\u0101vesta,\u201d smaidot atceras m\u0101kslinieks.<\/p>\n

\u0160ogad Gda\u0146skas M\u0101kslas akad\u0113mijas galerij\u0101\u00a0Grafika\u00a0Polij\u0101 notiku\u0161ajai izst\u0101dei\u00a0Simetrija\u00a0bija nepiecie\u0161ami lielform\u0101ta darbi.<\/p>\n

\u201eMan tik lielu darbu nav nemaz tik daudz. S\u0101ku skat\u012bties grafiku, ko biju pirms se\u0161iem gadiem jau izst\u0101d\u012bjis un par kuru toreiz lik\u0101s, ka to vairs ner\u0101d\u012b\u0161u, bija ar\u012b v\u0113l otrs darbs, kur\u0161 nebija izst\u0101d\u012bts. \u0160ie darbi bija izst\u0101d\u0113 un izskat\u012bj\u0101s labi, ieder\u0113j\u0101s ekspoz\u012bcij\u0101.\u201d<\/p>\n

No ilustratora l\u012bdz katedras vad\u012bt\u0101jam<\/p>\n

P\u0113c akad\u0113mijas absolv\u0113\u0161anas G.Sieti\u0146\u0161 \u012bsu br\u012bdi str\u0101d\u0101jis av\u012bz\u0113\u00a0R\u012bgas Rekl\u0101ma. Laikrakst\u0101\u00a0Pionieris\u00a0z\u012bm\u0113jis ilustr\u0101cijas Vijas Upmales st\u0101stam\u00a0Slepenais r\u0113buss\u00a0par puik\u0101m un pa\u0161u b\u016bv\u0113tiem mop\u0113diem. \u201eP\u0113c tam izdevniec\u012bba\u00a0Liesma\u00a0v\u0113l\u0113j\u0101s izdot \u0161o st\u0101stu gr\u0101mat\u0101 un pieaicin\u0101ja mani k\u0101 m\u0101kslinieku, bet izbr\u0101\u0137\u0113ja manus z\u012bm\u0113jumus, ko biju tais\u012bjis av\u012bzei. Aivars Spr\u016bd\u017es tolaik bija izdevniec\u012bbas m\u0101kslinieciskais redaktors, vi\u0146a vad\u012bb\u0101 m\u0101c\u012bjos z\u012bm\u0113t ilustr\u0101cijas,\u201d st\u0101sta G.Sieti\u0146\u0161. Lai ar\u012b ilustr\u0113tas vair\u0101kas gr\u0101matas, sevi par ilustratoru vi\u0146\u0161 neuzskata. \u201eTas \u012bsti nav mans profils, p\u0113d\u0113j\u0101 laik\u0101 esmu gatavojis maketus vair\u0101kiem m\u0101kslas albumiem.\u201d<\/p>\n

Ap 1997. gadu akad\u0113mijas rektors J\u0101nis Osis uzaicin\u0101ja G.Sieti\u0146u str\u0101d\u0101t LMA. Tolaik profes\u016bra bija sasniegusi cien\u012bjamu vecumu un akad\u0113mijas vad\u012bba uzskat\u012bja, ka grafikas noda\u013c\u0101 vajadz\u012bgas p\u0101rmai\u0146as. P\u0113c trim gadiem G.Sieti\u0146\u0161 k\u013cuva par katedras vad\u012bt\u0101ju, un rektors vi\u0146u dele\u0123\u0113ja izveidot savu komandu. \u201e\u0160obr\u012bd vairs neesmu grafikas katedras vad\u012bt\u0101js, amat\u0101 iev\u0113l\u0113j\u0101m Pauli Liepu. N\u0101k jaun\u0101 mai\u0146a, un tas ir \u013coti labi.\u201d<\/p>\n

Grafikas tehniku iesp\u0113jas un vil\u0161an\u0101s<\/p>\n

\u201eSal\u012bdzinot ar iepriek\u0161\u0113jiem gadiem, studenti \u0161obr\u012bd ir k\u013cuvu\u0161i daudz zino\u0161\u0101ki, vi\u0146i \u013coti daudz lasa. Man ar vi\u0146iem ir \u0101rk\u0101rt\u012bgi interesanti run\u0101t,\u201d priec\u0101jas m\u0101kslinieks.<\/p>\n

\u201eS\u0101kot studijas, studentiem ir svar\u012bgi saprast grafikas tehniku iesp\u0113jas. Tas s\u0101kum\u0101 ir gr\u016bt\u0101kais. Ar\u012b man studiju s\u0101kum\u0101 bija \u013coti liels br\u0101\u0137u procents. T\u0101 grafik\u0101 gad\u0101s, ik pa laikam k\u0101ds ir v\u012blies. Parasti studentus mierinu, ka ne vienm\u0113r darbs, izejot cauri visiem apstr\u0101des procesiem, atbild\u012bs s\u0101kotn\u0113jam priek\u0161statam.<\/p>\n

Pirmaj\u0101 kurs\u0101 studenti apg\u016bst visas grafikas tehniku grupas \u2013 augstspiedumu, litogr\u0101fiju, dobspiedumu, sietspiedi. T\u0101 ir oblig\u0101t\u0101 programma. Otraj\u0101 studiju gad\u0101 jau var izv\u0113l\u0113ties tehnikas, kur\u0101s str\u0101d\u0101t un kuras lab\u0101k pat\u012bk. Ar varu vairs neko nespie\u017eam.\u201d<\/p>\n

\u201eLiel\u0101k\u0101 probl\u0113ma \u0161obr\u012bd \u2013 ko studentiem dar\u012bt p\u0113c akad\u0113mijas absolv\u0113\u0161anas,\u201d p\u0101rdom\u0101s dal\u0101s m\u0101kslinieks. \u201eLatvij\u0101 nav labi apr\u012bkotu un iek\u0101rtotu publisko grafikas darbn\u012bcu, kuras apsaimniekotu k\u0101da m\u0101kslinieku grupa. T\u0101das ir redz\u0113tas D\u0101nij\u0101, Zviedrij\u0101, V\u0101cij\u0101. Tur m\u0101kslinieks, ja vi\u0146am nepiecie\u0161ams kaut ko nodruk\u0101t, var \u012br\u0113t darbn\u012bcu un str\u0101d\u0101t. Lai veiktu visus \u0137\u012bmiskos procesus \u2013 kodin\u0101\u0161anu, sl\u012bp\u0113\u0161anu \u2013, ir nepiecie\u0161amas speci\u0101li apr\u012bkotas telpas.\u201d<\/p>\n

Gad\u0101s ar\u012b p\u0101rpratumi<\/p>\n

\u201eReiz t\u0101 sapinos pats sav\u0101 meistar\u012bb\u0101! Veidoju darbu s\u0113riju, kur tekstam met\u0101la lod\u0113 vajadz\u0113ja atspogu\u013coties pareizi. Kaut k\u0101 p\u0101rr\u0113\u0137in\u0101jos, s\u0101ku jau druk\u0101t, skatos \u2013 burti otr\u0101di! Ned\u0113\u013cas darbs bija v\u0113j\u0101.\u201d<\/p>\n

Jaut\u0101ts, vai kli\u0161ejas izmanto ar\u012b p\u0113c desmit vai vair\u0101k gadiem, G.Sieti\u0146\u0161 st\u0101sta: \u201eParasti no vienas kli\u0161ejas novelk ne vair\u0101k k\u0101 35 darbus. T\u0101s ar laiku nolietojas, t\u0101p\u0113c ir svar\u012bgi, no k\u0101da met\u0101la t\u0101s gatavotas. Ja gad\u012bjusies m\u012bkst\u0101ka loksne, tad p\u0113c 30\u201340 novilkumiem kli\u0161eja vairs neatbilst t\u0101m pras\u012bb\u0101m, k\u0101 darbam vajadz\u0113tu izskat\u012bties. Nedruk\u0101ju vair\u0101k, lai nepies\u0101r\u0146otu vidi ar saviem darbiem (smejas).\u201d<\/p>\n

Pap\u012bra nosl\u0113pumi<\/p>\n

K\u0101 pieredz\u0113jis grafi\u0137is G.Sieti\u0146\u0161 labi p\u0101rzina sava amata materi\u0101lu v\u0113sturi. K\u0101p\u0113c m\u0101kslas muzeju kolekcij\u0101s pirmskara un padomju laika grafikas darbi bie\u017ei vien ir stipri nodzelt\u0113ju\u0161i?<\/p>\n

Pirmo pap\u012bru r\u016bpnieciski s\u0101ka ra\u017eot no celulozes, un to izmantoja ar\u012b poligr\u0101fij\u0101. Pap\u012bra sast\u0101v\u0101 bija liels daudzums l\u012bmes un da\u017e\u0101du koksn\u0113 eso\u0161u sk\u0101bju. Tam neatt\u012br\u012bja lign\u012bnu \u2013 dabisku l\u012bmi, kas satur kop\u0101 auga \u0161\u016bnas. Laika gait\u0101 lign\u012bns rea\u0123\u0113 ar gaismu un sk\u0101bekli, t\u0101p\u0113c tas dzelt\u0113. Ar\u012b vecas av\u012bzes kaut kur b\u0113ni\u0146os parasti ir ar apdrupu\u0161iem st\u016briem, trauslas un sadzelt\u0113ju\u0161as.<\/p>\n

Padomju laik\u0101 pieejamais Krievij\u0101 ra\u017eotais estampa pap\u012brs (\u012bpa\u0161i biezs, elast\u012bgs pap\u012brs grafikas m\u0101kslai ar gludu virsmu, kas labi uzs\u016bc kr\u0101su) un r\u016bpnieciskais celulozes pap\u012brs satur\u0113ja lign\u012bnu un sk\u0101bes, kas laika gait\u0101 boj\u0101ja pap\u012bru. Turpretim 17. un 18. gadsimt\u0101 pap\u012bru ra\u017eoja no kokvilnas lupat\u0101m, kuru sast\u0101v\u0101 nav lign\u012bna, t\u0101p\u0113c tas laika gait\u0101 nedzelt\u0113. Restauratori, skaidrojot, k\u0101p\u0113c \u013coti saudz\u0113jami grafikas darbi tiek izst\u0101d\u012bti aptum\u0161ot\u0101s telp\u0101s, nor\u0101da, ka tas tiek dar\u012bts nevis pap\u012bra, bet gan kr\u0101sas d\u0113\u013c \u2013 t\u0101 j\u0101saudz\u0113, jo var izbalot. Sen\u0101k kr\u0101sas pigmentiem pievienoja lins\u0113klu e\u013c\u013cu un kr\u0101sas jauca m\u0101kslinieki pa\u0161i.<\/p>\n

\u0160obr\u012bd G.Sieti\u0146\u0161 savus darbus druk\u0101 uz m\u0101kslinieku vajadz\u012bb\u0101m ra\u017eota, \u012bpa\u0161i att\u012br\u012bta un augstv\u0113rt\u012bga pap\u012bra. To var tur\u0113t saules gaism\u0101, un tam nekas nenotiks. Pirmo reizi \u0161\u0101du pap\u012bru vi\u0146\u0161 iepazinis Saksijas simpozija laik\u0101 V\u0101cij\u0101.<\/p>\n

Line\u013c\u013ca no Livonijas<\/p>\n

Interesantu faktu m\u0101kslinieks uzzin\u0101jis no holandie\u0161u m\u0101kslas zin\u0101tnieka Arta St\u012bmana. Vi\u0146\u0161 Holandes ostas gr\u0101mat\u0101s atradis inform\u0101ciju, ka 15. un 16. gadsimt\u0101 tur tikusi ievesta lins\u0113klu e\u013c\u013ca no Livonij\u0101 audz\u0113tiem liniem. Vi\u0146\u0161 izteicis pie\u0146\u0113mumu, ka Rembrants savos ofortos kr\u0101su jauk\u0161anai var\u0113tu b\u016bt izmantojis no Livonijas n\u0101ku\u0161o lins\u0113klu e\u013c\u013cu. Baltijas klimats esot bijis piem\u0113rots linu audz\u0113\u0161anai, jo tie nogatavoj\u0101s pak\u0101peniski un l\u0113n\u0101m.<\/p>\n

Rado\u0161\u0101 darb\u012bba un atp\u016bta<\/p>\n

\u0160is pavasaris m\u0101ksliniekam izv\u0113rties \u013coti akt\u012bvs \u2013 ar person\u0101lizst\u0101di\u00a0Simetrija\u00a0Gda\u0146skas M\u0101kslas akad\u0113mijas galerij\u0101 Polij\u0101, kur vi\u0146\u0161 vad\u012bja ar\u012b meistarklases po\u013cu studentiem par mecotintas un akvatintas apvieno\u0161anu. P\u0113c tam sekoja brauciens uz Zieme\u013cvalstu grafikas festiv\u0101lu D\u0101nij\u0101. Priek\u0161\u0101 v\u0113l dal\u012bba izst\u0101d\u0113 Rum\u0101nij\u0101, bet jau decembr\u012b pl\u0101nota person\u0101lizst\u0101de galerij\u0101\u00a0XO\u00a0R\u012bg\u0101.<\/p>\n

Vasar\u0101s m\u0101kslinieks atp\u016b\u0161as lauku m\u0101j\u0101s C\u0113su pus\u0113, vienk\u0101r\u0161i p\u013caujot z\u0101li. Par savu dzimto pusi vi\u0146\u0161 saka: \u201eEsmu saj\u016bsm\u0101 par to, k\u0101 Kuld\u012bga main\u0101s un att\u012bst\u0101s. Man te \u013coti pat\u012bk!\u201d<\/p>\n

*Mecotinta (no it\u0101\u013cu val.\u00a0mezzo-tinto\u00a0\u2013 pustonis) jeb meln\u0101 maniere ir grafikas dobspiedes tehnikas paveids.
**Kli\u0161eja (jeb iespiedforma) ir speci\u0101la forma vai matrica no linoleja, koka, met\u0101la vai gumijas. To izmanto z\u012bm\u0113juma p\u0101rne\u0161anai uz pap\u012bra.<\/p>\n","protected":false},"excerpt":{"rendered":"Vi\u0146a darbi ir ce\u013coju\u0161i uz daudz\u0101m pasaules valst\u012bm, bet pats m\u0101kslinieks n\u0101k no Kuld\u012bgas. Ilggad\u0113jais Latvijas M\u0101kslas akad\u0113mijas…\n","protected":false},"author":2,"featured_media":274283,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_share_on_mastodon":"0"},"categories":[19],"tags":[89,26524,41824,90,2429,41825,828,35,39,38,36,37,34,28206,40,2286,41826,41827,3246],"class_list":["post-274282","post","type-post","status-publish","format-standard","has-post-thumbnail","category-izklaide","tag-entertainment","tag-grafika","tag-guntars-sietins","tag-izklaide","tag-izstades","tag-japanas-grafika","tag-kuldiga","tag-latvia","tag-latvian","tag-latviesu","tag-latviesu-valoda","tag-latviesuvaloda","tag-latvija","tag-lma","tag-lv","tag-maksla","tag-mecotinta","tag-papira-vesture","tag-rembrants"],"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@lv\/117131725560475864","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/274282","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/comments?post=274282"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/274282\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media\/274283"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media?parent=274282"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/categories?post=274282"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/tags?post=274282"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}