{"id":27584,"date":"2025-10-21T20:43:23","date_gmt":"2025-10-21T20:43:23","guid":{"rendered":"https:\/\/www.europesays.com\/lv\/27584\/"},"modified":"2025-10-21T20:43:23","modified_gmt":"2025-10-21T20:43:23","slug":"latvijas-rezisors-edmunds-jansons-starp-desmit-talantiem-pasaules-expo-osaka-2025-animacijas-rezidence-lente-lv","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/lv\/27584\/","title":{"rendered":"Latvijas re\u017eisors Edmunds Jansons starp desmit talantiem pasaules \u00abExpo Osaka 2025\u00bb anim\u0101cijas rezidenc\u0113\u00a0\u2014\u00a0Lente.lv"},"content":{"rendered":"<p>Latvijas re\u017eisors Edmunds Jansons ieguvis starptautisku atzin\u012bbu \u00abExpo Osaka 2025\u00bb anim\u0101cijas rezidenc\u0113<\/p>\n<p>Neseno notikumu virkn\u0113, kas saist\u012bti ar pasaules m\u0113roga izst\u0101di \u00abExpo 2025 Osaka\u00bb, Latvijas anim\u0101cijas re\u017eisors Edmunds Jansons, paz\u012bstam\u0101s anim\u0101cijas studijas \u00abAtom Art\u00bb dibin\u0101t\u0101js, guvis iev\u0113rojamu starptautisku atzin\u012bbu. Vi\u0146\u0161 bija viens no desmit Eiropas un Jap\u0101nas talant\u012bgajiem m\u0101ksliniekiem, kuri tika izv\u0113l\u0113ti dal\u012bbai presti\u017eaj\u0101 \u00abExpo 2025 Osaka\u00bb Eiropas\u2013Jap\u0101nas anim\u0101cijas rezidenc\u0113. \u0160\u012b noz\u012bm\u012bg\u0101 se\u0161u m\u0113ne\u0161u programma, kas nosl\u0113dz\u0101s \u0161\u012b gada oktobr\u012b, bija velt\u012bta trad\u012bciju un inov\u0101ciju sint\u0113zei anim\u0101cijas m\u0101ksl\u0101, pulc\u0113jot jaun\u0101k\u0101s paaudzes rado\u0161os pr\u0101tus no abiem kontinentiem.<\/p>\n<p>Kult\u016bru dialogs un rado\u0161\u0101 mijiedarb\u012bba<\/p>\n<p>Rezidenci, kas norisin\u0101j\u0101s tr\u012bs posmos no apr\u012b\u013ca l\u012bdz oktobrim, organiz\u0113ja Eiropas \u0100r\u0113j\u0101s darb\u012bbas dienests (E\u0100DD) un Eiropas Savien\u012bbas Kult\u016bras attiec\u012bbu platforma sadarb\u012bb\u0101 ar Tokijas M\u0101kslas un eksperiment\u0101l\u0101 kino centru \u00abImage Forum Tokyo\u00bb un Kioto pa\u0161vald\u012bbu. Programmas m\u0113r\u0137is bija veicin\u0101t dzi\u013c\u0101ku izpratni par da\u017e\u0101du kult\u016bru ietekmi uz anim\u0101cijas att\u012bst\u012bbu, mekl\u0113jot siner\u0123iju starp gadsimtiem sen\u0101m trad\u012bcij\u0101m un m\u016bsdienu tehnolo\u0123iskaj\u0101m inov\u0101cij\u0101m. K\u0101 atkl\u0101j pats Edmunds Jansons, rezidences programma bija unik\u0101ls eksperiment\u0101ls projekts, kas pras\u012bja iztur\u0113t stingru atlasi. \u00abAnimatoru darbs bie\u017ei vien ir vientu\u013c\u0161 process, t\u0101p\u0113c tik\u0161an\u0101s ar kol\u0113\u0123iem un kop\u012bga rado\u0161\u0101 procesa izzin\u0101\u0161ana ir neatsverama un iedvesmojo\u0161a,\u00bb uzsver Jansons.<\/p>\n<p>Iedvesma no Jap\u0101nas sen\u010diem<\/p>\n<p>Rezidenc\u0113 dal\u012bbnieki tika aicin\u0101ti iepaz\u012bt Jap\u0101nas bag\u0101to kult\u016bras mantojumu, s\u0101kot no tradicion\u0101l\u0101 Bunraku le\u013c\u013cu te\u0101tra l\u012bdz pat gregoriskajiem m\u016bku dzied\u0101jumiem (\u0160omjo). \u0160o senu m\u0101kslas formu integr\u0113\u0161ana laikmet\u012bg\u0101 anim\u0101cijas valod\u0101 bija viens no galvenajiem uzdevumiem. Edmunds Jansons dal\u012bj\u0101s sav\u0101s p\u0101rdom\u0101s par at\u0161\u0137ir\u012bb\u0101m rado\u0161aj\u0101 proces\u0101 starp Rietumu un Austrumu kult\u016br\u0101m. \u00abRietumos bie\u017ei vien fokus\u0113jamies uz rezult\u0101tu un konkr\u0113tu m\u0113r\u0137i, kam\u0113r Jap\u0101n\u0101 liela noz\u012bme ir pa\u0161am dar\u012b\u0161anas procesam. Piem\u0113ram, Bunraku te\u0101tr\u012b vienu lelli vada tr\u012bs cilv\u0113ki, un m\u0101ceklis gadiem ilgi apg\u016bst vienas lelles da\u013cas vad\u012b\u0161anu. \u0160\u0101da paciet\u012bba un dzi\u013c\u0101 cie\u0146a pret procesu liek cit\u0101di paskat\u012bties uz m\u016bsdienu pasaules steigu,\u00bb st\u0101sta re\u017eisors. \u0160\u012b pieredze neap\u0161aub\u0101mi bag\u0101tin\u0101s vi\u0146a turpm\u0101ko rado\u0161o darb\u012bbu un \u013caus rad\u012bt jaunus, ori\u0123in\u0101lus anim\u0101cijas darbus.<\/p>\n<p>\u00abExpo 2025 Osaka\u00bb \u2013 platforma n\u0101kotnes sabiedr\u012bbas dizainam<\/p>\n<p>\u00abExpo 2025 Osaka\u00bb ir glob\u0101la m\u0113roga izst\u0101de, kas pulc\u0113 159 valstis un vair\u0101k nek\u0101 28 miljonus apmekl\u0113t\u0101ju ar m\u0113r\u0137i p\u0113t\u012bt un dizain\u0113t n\u0101kotnes sabiedr\u012bbu. Izst\u0101des galven\u0101 t\u0113ma ir \u00abDesigning Future Society for Our Lives\u00bb (N\u0101kotnes sabiedr\u012bbas dizains m\u016bsu dz\u012bv\u0113m), kas ietver sev\u012b tr\u012bs apak\u0161t\u0113mas: \u00abSaving Lives\u00bb (Dz\u012bv\u012bbu gl\u0101b\u0161ana), \u00abEmpowering Lives\u00bb (Sp\u0113cinot dz\u012bvi) un \u00abConnecting Lives\u00bb (Savienojot dz\u012bvi). \u0160\u012b rezidence bija da\u013ca no pla\u0161\u0101kas Eiropas Savien\u012bbas kult\u016bras programmas, kas izst\u0101des ietvaros uzsver Eiropas un Jap\u0101nas rado\u0161o sadarb\u012bbu. T\u0101pat rezidences laik\u0101 notika ar\u012b Eiropas filmu dienas, kas demonstr\u0113ja Eiropas anim\u0101cijas filmu izlasi. \u00abExpo 2025\u00bb ir noz\u012bm\u012bga platforma jaun\u0101m idej\u0101m, tehnolo\u0123ij\u0101m un inov\u0101cij\u0101m, kas v\u0113rstas uz glob\u0101lu probl\u0113mu risin\u0101\u0161anu un lab\u0101kas n\u0101kotnes veido\u0161anu.<\/p>\n<p>Latvijas anim\u0101cijas starptautiskais spo\u017eums<\/p>\n<p>Edmunds Jansons nav pirmais latvie\u0161u anim\u0101cijas profesion\u0101lis, kur\u0161 guvis pla\u0161u starptautisku atzin\u012bbu. P\u0113d\u0113jo gadu laik\u0101 Latvijas anim\u0101cijas filmas ir iekaroju\u0161as pasaules festiv\u0101lu skatuves un sa\u0146\u0113mu\u0161as presti\u017eas balvas. Iev\u0113rojams piem\u0113rs ir Ginta Zilbalod\u017ea anim\u0101cijas filma \u00abFlow\u00bb, kas ir sa\u0146\u0113musi Zelta globusa balvu un pat Amerikas Kinoakad\u0113mijas Oskara balvu par lab\u0101ko anim\u0101cijas pilnmetr\u0101\u017eas filmu, atnesot Latvijai pirmo Oskaru kino v\u0113stur\u0113. Ar\u012b Edmunds Jansons, \u00abAtom Art\u00bb dibin\u0101t\u0101js, ir paz\u012bstams ar saviem iepriek\u0161\u0113jiem darbiem, piem\u0113ram, pilnmetr\u0101\u017eas anim\u0101cijas filmu \u00abJ\u0113kabs, Mimmi un run\u0101jo\u0161ie su\u0146i\u00bb un \u012bsfilm\u0101m, kas guvu\u0161as atzin\u012bbu starptautiskos festiv\u0101los. Vi\u0146a dal\u012bba \u00abExpo Osaka 2025\u00bb anim\u0101cijas rezidenc\u0113 apliecina Latvijas anim\u0101cijas sp\u0113ju konkur\u0113t un ie\u0146emt spilgtu vietu pasaules kino ain\u0101, demonstr\u0113jot unik\u0101lu rado\u0161o talantu un kult\u016bras daudzveid\u012bbu.<\/p>\n","protected":false},"excerpt":{"rendered":"Latvijas re\u017eisors Edmunds Jansons ieguvis starptautisku atzin\u012bbu \u00abExpo Osaka 2025\u00bb anim\u0101cijas rezidenc\u0113 Neseno notikumu virkn\u0113, kas saist\u012bti ar&hellip;\n","protected":false},"author":2,"featured_media":27585,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[19],"tags":[8509,8510,5385,89,8508,90,35,39,38,36,37,34,40,8511],"class_list":{"0":"post-27584","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-izklaide","8":"tag-animacijas-rezidence","9":"tag-atom-art","10":"tag-edmunds-jansons","11":"tag-entertainment","12":"tag-expo-osaka-2025","13":"tag-izklaide","14":"tag-latvia","15":"tag-latvian","16":"tag-latviesu","17":"tag-latviesu-valoda","18":"tag-latviesuvaloda","19":"tag-latvija","20":"tag-lv","21":"tag-tradicijas-un-inovacijas-animacija"},"share_on_mastodon":{"url":"","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/27584","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/comments?post=27584"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/27584\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media\/27585"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media?parent=27584"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/categories?post=27584"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/tags?post=27584"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}