Latvijas Nacion\u0101lais m\u0101kslas muzejs un Deivida Hoknija izst\u0101de Mons\u0101<\/p>\n
No 2025. gada 4. oktobra l\u012bdz 2026. gada 25. janv\u0101rim Monsas M\u0101kslas muzej\u0101 Be\u013c\u0123ij\u0101 apmekl\u0113t\u0101jiem ir atv\u0113rta v\u0113rien\u012bga starptautiska izst\u0101de \u201cDeivids Hoknijs: Dziesma par zemi\u201d. \u0160aj\u0101 iespaid\u012bgaj\u0101 notikum\u0101 Latvijas Nacion\u0101lais m\u0101kslas muzejs (LNMM) lepni piedal\u0101s ar diviem noz\u012bm\u012bgiem latvie\u0161u m\u0101kslas klasi\u0137u \u2013 Johana Valtera un Vilhelma Purv\u012b\u0161a \u2013 darbiem. \u0160\u012b l\u012bdzdal\u012bba ir ne tikai apliecin\u0101jums Latvijas m\u0101kslas augstajai v\u0113rt\u012bbai pasaules kontekst\u0101, bet ar\u012b fascin\u0113jo\u0161s dialogs starp da\u017e\u0101du laikmetu un stilu meistariem.<\/p>\n
M\u0101kslas dialogs cauri laikiem un kult\u016br\u0101m<\/p>\n
Izst\u0101des koncepcijas pamat\u0101 ir slaven\u0101 britu m\u0101kslinieka Deivida Hoknija (David Hockney) dai\u013crade, ta\u010du t\u0101 sniedz unik\u0101lu iesp\u0113ju iepaz\u012bt ar\u012b citu iev\u0113rojamu m\u0101kslinieku darbus. Ekspoz\u012bcija, kuras vadmot\u012bvs ir Gustava M\u0101lera monument\u0101l\u0101 simfonija-kant\u0101te \u201cDziesma par zemi\u201d (\u201cDas Lied von der Erde\u201d), p\u0113ta cilv\u0113ka un dabas, zemes, gadalaiku, ziedu, vientul\u012bbas un dzejas cie\u0161o saikni. \u0160is filozofiskais un emocion\u0101li pies\u0101tin\u0101tais st\u0101sts, kas izkl\u0101sts se\u0161\u0101s da\u013c\u0101s, savijas ar vizu\u0101l\u0101s m\u0101kslas, m\u016bzikas un dzejas elementiem, radot bag\u0101t\u012bgu un daudzsl\u0101\u0146ainu pieredzi apmekl\u0113t\u0101jiem. Izst\u0101de pied\u0101v\u0101 izv\u0113rstu emocion\u0101li pies\u0101tin\u0101tu st\u0101stu, ko papildina tr\u012bs imers\u012bv\u0101s telpas. Katr\u0101 z\u0101l\u0113 notiek sasp\u0113le starp glezniec\u012bbu, m\u016bziku un tekstu, atspogu\u013cojot M\u0101lera ska\u0146darba noska\u0146u, kas velt\u012bts dabai, t\u0101s trauslajam skaistumam un dz\u012bv\u012bbas sp\u0113kam. Tas atkl\u0101jas k\u0101 kop\u012bga t\u0113ma \u2013 univers\u0101ls gars, kas caurvij darbus, savieno m\u0101ksliniekus un pavada apmekl\u0113t\u0101ju vizu\u0101lo un ska\u0146as instal\u0101ciju pasaul\u0113.<\/p>\n
Latvie\u0161u meistaru ieguld\u012bjums pasaules m\u0101kslas ain\u0101<\/p>\n
Izst\u0101d\u0113 sevi\u0161\u0137i izce\u013cas Johana Valtera glezna \u201cZemnieku meitene\u201d (ap 1904. gadu), kas iek\u013cauta ekspoz\u012bcijas sada\u013c\u0101 \u201cAlma mater\u201d. \u0160is darbs, kas reiz ieguva vizu\u0101l\u0101s identit\u0101tes statusu izst\u0101d\u0113 Ors\u0113 muzej\u0101, tagad dialog\u0101 ar citiem zemnieku t\u0113lojumiem, piem\u0113ram, \u017dana-Fransu\u0101 Mil\u0113 un \u017dila Bretona darbiem, pied\u0101v\u0101 jaunu perspekt\u012bvu uz darba cilv\u0113ka att\u0113lojumu. Izst\u0101des kuratore, m\u0101kslas v\u0113sturniece Izabella K\u0101na, ir veidojusi ekspoz\u012bciju, kas aptver ne tikai Deivida Hoknija iespaid\u012bg\u0101s gleznas un uz iPad rad\u012btos darbus, bet ar\u012b citu izcilu m\u0101kslinieku, piem\u0113ram, Vinsenta van Goga, Konstant\u012bna Menj\u0113, Alberta Edelfelta un Edvarda Munka, dai\u013cradi. \u0160aj\u0101 elpu aizraujo\u0161aj\u0101 ain\u0101 savu goda vietu ie\u0146em ar\u012b latvie\u0161u m\u0101kslas korifeji, radot sp\u0113c\u012bgu un daudzpus\u012bgu m\u0101kslas kopumu, kas iepriecina un iedvesmo apmekl\u0113t\u0101jus no visas pasaules. Latvijas Nacion\u0101lais m\u0101kslas muzejs ar \u0161o l\u012bdzdal\u012bbu apliecina savu akt\u012bvo lomu starptautiskaj\u0101 m\u0101kslas aprit\u0113, nodro\u0161inot latvie\u0161u klasisk\u0101s m\u0101kslas pieejam\u012bbu pla\u0161\u0101kai auditorijai un veicinot t\u0101s atpaz\u012bstam\u012bbu glob\u0101l\u0101 m\u0113rog\u0101.<\/p>\n","protected":false},"excerpt":{"rendered":"Latvijas Nacion\u0101lais m\u0101kslas muzejs un Deivida Hoknija izst\u0101de Mons\u0101 No 2025. gada 4. oktobra l\u012bdz 2026. gada 25.…\n","protected":false},"author":2,"featured_media":27648,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[19],"tags":[8523,89,90,8201,35,39,38,36,37,34,159,40,8525,8524],"class_list":{"0":"post-27647","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-izklaide","8":"tag-deivids-hoknijs","9":"tag-entertainment","10":"tag-izklaide","11":"tag-johans-valters","12":"tag-latvia","13":"tag-latvian","14":"tag-latviesu","15":"tag-latviesu-valoda","16":"tag-latviesuvaloda","17":"tag-latvija","18":"tag-latvijas-nacionalais-makslas-muzejs","19":"tag-lv","20":"tag-makslas-izstade","21":"tag-mona"},"share_on_mastodon":{"url":"","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/27647","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/comments?post=27647"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/27647\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media\/27648"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media?parent=27647"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/categories?post=27647"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/tags?post=27647"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}