{"id":27672,"date":"2025-10-22T00:31:07","date_gmt":"2025-10-22T00:31:07","guid":{"rendered":"https:\/\/www.europesays.com\/lv\/27672\/"},"modified":"2025-10-22T00:31:07","modified_gmt":"2025-10-22T00:31:07","slug":"ryuichi-sakamoto-mantojums-pievienojas-nav-muzikas-genocidam-iniciativai-blokejot-muziku-izraela-lente-lv","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/lv\/27672\/","title":{"rendered":"Ryuichi Sakamoto mantojums pievienojas \u00abNav m\u016bzikas genoc\u012bdam\u00bb iniciat\u012bvai, blo\u0137\u0113jot m\u016bziku Izra\u0113l\u0101\u00a0\u2014\u00a0Lente.lv"},"content":{"rendered":"<p>Le\u0123end\u0101r\u0101 komponista Ryuichi Sakamoto mantojums pievienojas \u00abNav m\u016bzikas genoc\u012bdam\u00bb kampa\u0146ai<\/p>\n<p>Slaven\u0101 jap\u0101\u0146u komponista Ryuichi Sakamoto \u012bpa\u0161ums ir izv\u0113l\u0113jies pievienoties glob\u0101lai kampa\u0146ai \u00abNo Music For Genocide\u00bb (Nav m\u016bzikas genoc\u012bdam), iz\u0146emot m\u0101kslinieka ska\u0146darbus no straum\u0113\u0161anas platform\u0101m Izra\u0113l\u0101. \u0160is solis ir izteikta reakcija uz notikumiem G\u0101z\u0113, pau\u017eot stingru nost\u0101ju pret cilv\u0113kties\u012bbu p\u0101rk\u0101pumiem.<\/p>\n<p>Sakamoto mantojuma solidarit\u0101tes apliecin\u0101jums<\/p>\n<p>P\u0113c komponista aizie\u0161anas m\u016b\u017e\u012bb\u0101 2023. gad\u0101, 71 gada vecum\u0101, vi\u0146a mantojuma p\u0101rst\u0101vji paudu\u0161i savu nost\u0101ju, izmantojot soci\u0101lo t\u012bklu Facebook. Pazi\u0146ojum\u0101 rakst\u012bts: \u00abCikt\u0101l tas ir iesp\u0113jams, mantojums ir iz\u0146\u0113mis vai iesniedzis ofici\u0101lus piepras\u012bjumus izdev\u0113jiem iz\u0146emt vi\u0146a m\u016bziku no visiem digit\u0101l\u0101s izplat\u012b\u0161anas pakalpojumiem (straum\u0113\u0161ana un lejupiel\u0101de) Izra\u0113l\u0101. Liel\u0101kajai da\u013cai vi\u0146a katalogu tas jau ir st\u0101jies sp\u0113k\u0101.\u00bb \u0160is apzin\u0101tais un emocion\u0101li pies\u0101tin\u0101tais l\u0113mums liecina par dzi\u013cu l\u012bdzj\u016bt\u012bbu un v\u0113lmi izmantot kult\u016bras sp\u0113ku, lai piev\u0113rstu uzman\u012bbu svar\u012bg\u0101m soci\u0101lpolitisk\u0101m probl\u0113m\u0101m.<\/p>\n<p>\u00abNav m\u016bzikas genoc\u012bdam\u00bb \u2014 sp\u0113c\u012bga kult\u016bras boikota iniciat\u012bva<\/p>\n<p>Kampa\u0146a \u00abNo Music For Genocide\u00bb ir apvienojusi vair\u0101k nek\u0101 400 m\u0101kslinieku un ties\u012bbu \u012bpa\u0161nieku, aicinot vi\u0146us blo\u0137\u0113t savu m\u016bziku straum\u0113\u0161anas pakalpojumos Izra\u0113l\u0101. Starp iev\u0113rojam\u0101kajiem dal\u012bbniekiem ir t\u0101di m\u016bzi\u0137i k\u0101 Bj\u00f6rk, Massive Attack, Fontaines D.C., Paramore, Kneecap un Wednesday. \u0160\u012b iniciat\u012bva mudina ar\u012b liel\u0101s m\u016bzikas izdevniec\u012bbas, piem\u0113ram, Sony, UMG un Warner, sekot \u0161im piem\u0113ram. K\u0101 v\u0113st\u012bts, \u0161\u012bs izdevniec\u012bbas jau iepriek\u0161 blo\u0137\u0113ja savus m\u016bzikas katalogus Krievij\u0101 p\u0113c pilna m\u0113roga iebrukuma Ukrain\u0101, demonstr\u0113jot savu sp\u0113ju r\u012bkoties politiski motiv\u0113tos jaut\u0101jumos.<\/p>\n<p>Kult\u016bras loma kr\u012bzes laik\u0101<\/p>\n<p>Kampa\u0146as organizatori uzsver, ka kult\u016bra pati par sevi neaptur\u0113s bru\u0146otus konfliktus, ta\u010du t\u0101 sp\u0113j pretoties politiskai represijai, virz\u012bt sabiedrisko domu uz taisn\u012bgumu un atteikties no \u00abm\u0101kslas skalo\u0161anas\u00bb un jebkura uz\u0146\u0113muma vai n\u0101cijas normaliz\u0101cijas, kas pastr\u0101d\u0101 noziegumus pret cilv\u0113ci. Tas ir sp\u0113c\u012bgs aicin\u0101jums izmantot m\u0101kslu k\u0101 mor\u0101lu un \u0113tisk\u0101s poz\u012bcijas paud\u0113ju. Ryuichi Sakamoto pievieno\u0161an\u0101s \u0161ai kust\u012bbai ir \u012bpa\u0161i noz\u012bm\u012bga, \u0146emot v\u0113r\u0101 vi\u0146a starptautisko atzin\u012bbu un ietekmi.<\/p>\n<p>Ryuichi Sakamoto \u2014 elektronisk\u0101s m\u016bzikas pionieris un godalgots komponists<\/p>\n<p>Ryuichi Sakamoto bija ne tikai izcils komponists, bet ar\u012b elektronisk\u0101s m\u016bzikas pionieris. 20. gadsimta 70. gadu beig\u0101s vi\u0146\u0161 kop\u0101 ar Haruomi Hosono un Yukihiro Takahashi dibin\u0101ja Yellow Magic Orchestra (YMO). V\u0113l\u0101k vi\u0146a karjera guva pla\u0161u starptautisku atzin\u012bbu, radot m\u016bziku t\u0101d\u0101m ikonisk\u0101m film\u0101m k\u0101 \u00abThe Last Emperor\u00bb, par kuru vi\u0146\u0161 1987. gad\u0101 sa\u0146\u0113ma \u00abOskara\u00bb balvu. Citas noz\u012bm\u012bg\u0101k\u0101s filmas, kur\u0101m Sakamoto kompon\u0113jis m\u016bziku, ir \u00abMerry Christmas, Mr. Lawrence\u00bb, \u00abThe Sheltering Sky\u00bb, \u00abLittle Buddha\u00bb un \u00abThe Revenant\u00bb. Vi\u0146a m\u016bzikas mantojums turpina iedvesmot un ietekm\u0113t jaun\u0101s paaudzes m\u0101ksliniekus.<\/p>\n","protected":false},"excerpt":{"rendered":"Le\u0123end\u0101r\u0101 komponista Ryuichi Sakamoto mantojums pievienojas \u00abNav m\u016bzikas genoc\u012bdam\u00bb kampa\u0146ai Slaven\u0101 jap\u0101\u0146u komponista Ryuichi Sakamoto \u012bpa\u0161ums ir izv\u0113l\u0113jies&hellip;\n","protected":false},"author":2,"featured_media":27673,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[19],"tags":[89,90,493,8543,8544,35,39,38,36,37,34,40,8542,8541],"class_list":{"0":"post-27672","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-izklaide","8":"tag-entertainment","9":"tag-izklaide","10":"tag-izraela","11":"tag-kampana","12":"tag-kulturas-boikots","13":"tag-latvia","14":"tag-latvian","15":"tag-latviesu","16":"tag-latviesu-valoda","17":"tag-latviesuvaloda","18":"tag-latvija","19":"tag-lv","20":"tag-no-music-for-genocide","21":"tag-ryuichi-sakamoto"},"share_on_mastodon":{"url":"","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/27672","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/comments?post=27672"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/27672\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media\/27673"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media?parent=27672"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/categories?post=27672"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/tags?post=27672"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}