{"id":281548,"date":"2026-08-31T17:20:33","date_gmt":"2026-08-31T17:20:33","guid":{"rendered":"https:\/\/www.europesays.com\/lv\/281548\/"},"modified":"2026-08-31T17:20:33","modified_gmt":"2026-08-31T17:20:33","slug":"vakarveja-melodijas-izskanejusas-valmieras-novads","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/lv\/281548\/","title":{"rendered":"Vakarv\u0113ja melodijas izskan\u0113ju\u0161as – Valmieras novads"},"content":{"rendered":"

\u0160\u012b gada M\u016bzikas sv\u0113tku Burk\u0101nciem\u0101 kamerm\u016bzikas koncerti izskan\u0113ju\u0161i. Sestdiena, 22. augusts, pas\u0101kumu r\u012bkot\u0101jiem vis\u0101 Latvij\u0101 bija nopietns p\u0101rbaud\u012bjums. Lai iev\u0113rotu dro\u0161\u012bbas noteikumus, daudzi pl\u0101notie notikumi tika atcelti. Atminos laikus, kad Be\u0101tes ielas M\u016bzikas skolas d\u0101rz\u0101 Jautr\u012btes Putni\u0146as vad\u012btajos koncertos s\u0113d\u0113ts zem lietussargiem vair\u0101kas stundas, kam\u0113r Jautr\u012bte st\u0101sta par Higsa bozonu un aktieru p\u0101ris, Roberts un Rita Meir\u0101ne deklam\u0113 somu eposa \u201cKalevala\u201d burvju dzirnavu Sampo kal\u0161anas r\u016bnas. Un b\u0113rnu or\u0137estris sp\u0113l\u0113 operu, kam libreta un m\u016bzikas autors ir teiksmainais KristJautriTapsP\u0113tPutni\u0146sons.<\/p>\n

Paldies kult\u016brvietai \u201cAkustika\u201d, kura t\u0101s saimnieces Al\u012bnas person\u0101 p\u0113d\u0113j\u0101 br\u012bd\u012b piekrita uz\u0146emt koncertu ekstr\u0113majos laikapst\u0101k\u013cos. Koncert\u0101, k\u0101 alla\u017e, bija p\u0101rst\u0101v\u0113ta gan akad\u0113misk\u0101, gan neakad\u0113misk\u00e4 m\u016bzika. Koncertu gaisotni \u201cAkustikas\u201d z\u0101le mazliet ier\u0101m\u0113ja elegant\u0101k\u0101 un svin\u012bg\u0101k\u0101 ton\u012b, tom\u0113r nemain\u012bj\u0101s rakstur\u012bg\u0101 iez\u012bme \u2013 r\u016bp\u012bgi, atbild\u012bgi gatavoti priek\u0161nesumi, m\u0101kslinieku uzrunas un pieteikumi, sirsn\u012bga un atbalsto\u0161a publika. Un vakara saimnieki: Aivars Cep\u012btis un Ritma P\u0113tersone-Cep\u012bte. Ritma ir visa organizatorisk\u0101 darba dar\u012bt\u0101ja, stundas un telefona sarunas neskaitot, k\u0101 m\u016bsdien\u0101s teiktu, koncerta producente. Savuk\u0101rt Aivars pal\u012bdz ar m\u0101ksliniecisko un tehnisko vad\u012bbu un ir koncertu dv\u0113sele \u2013 vad\u012bt\u0101js ar lielisku takta un humora izj\u016btu, vienlaikus sniedzot spilgtus muzik\u0101lus ekskursus, \u201croz\u012bn\u012btes\u201d. Vi\u0146iem ar organiz\u0113\u0161anu, repertu\u0101ru, lo\u0123istiku, sabiedriskaj\u0101m attiec\u012bb\u0101m pal\u012bdz koncertorganiz\u0101cija klasisk\u0101s m\u016bzikas \u0123ilde \u201cEuterpe\u201d.<\/p>\n

Ik gadus m\u016bzi\u0137u izlasi veido gan profesion\u0101\u013ci, gan da\u017e\u0101du m\u016bzikas skolu spilgt\u0101kie audz\u0113k\u0146i, gan da\u017e\u0101du stilu un novirzienu kamerm\u016bzikas entuziasti. Raiba, tom\u0113r vienm\u0113r kvalitat\u012bva bu\u0137ete. Dom\u0101ju, ka \u0161o veiksm\u012bgo apvienojumu \u2013 zin\u0101ma pieteik\u0161an\u0101s un repertu\u0101ra br\u012bv\u012bba, tom\u0113r iev\u0113roti kvalit\u0101tes krit\u0113riji \u2013 nodro\u0161ina organizatoru sp\u0113ja sadarboties un koncertu patroneses Jautr\u012btes Putni\u0146as iedz\u012bvin\u0101tie standarti. Burk\u0101nciema koncerti ir neat\u0146emams vaibsts Valmieras pils\u0113tas kult\u016brdz\u012bves sej\u0101, un tikai lab\u0101kie v\u0113l\u0113jumi \u0161ai trad\u012bcijai un t\u0101s uztur\u0113t\u0101jiem.<\/p>\n

Koncerts nosac\u012bti bija divda\u013c\u012bgs. Pirmaj\u0101 da\u013c\u0101 vair\u0101k akad\u0113misk\u0101s m\u016bzikas, otraj\u0101 \u2013 da\u017e\u0101di ekskursi neakad\u0113mism\u0101. Robe\u017eu veidoja dzejnieces Margaritas \u0160p\u016bles lirikas las\u012bjumi. Margarita ir valmieriete, izdevusi ar\u012b dzejas kr\u0101jumu, dzej\u0101 atveido romantisku, emocion\u0101lu sievietes pasauli.
\u201cK\u0101 grib\u0113tos, Gauja, Tev pieglausties,
Piesmelties sp\u0113ku un patiesi j\u016bsmot.
K\u0101 grib\u0113tos, Gauja, man pieglausties
p\u0113d\u0101m kailaj\u0101m z\u0101\u013cain\u0101 krast\u0101,
L\u012bdzi v\u0113jiem vairs nenesties, nesteigties
un Tev savas bailes par r\u012btdienu atst\u0101t.\u201d<\/p>\n

J\u0101piemin ar\u012b Ritmas P\u0113tersones-Cep\u012btes gleznu izst\u0101de, kur\u0101 \u012bpa\u0161i izc\u0113l\u0101s plen\u0113r\u0101 gleznot\u0101s Gaujas ainavas. Ritma glezno otro gadu, m\u016bzi\u0137ei \u0161\u012b nodarbe ir medit\u0101cija un rado\u0161a izpausme. Izst\u0101de l\u012bdz septembra beig\u0101m ir apskat\u0101ma Br\u012bv\u012bbas iel\u0101 7.<\/p>\n

\u0160oreiz koncerta klasikas sada\u013c\u0101 v\u0113rojama flautu dominante. Jautr\u012btes domubiedre, flautiste un M\u016bzikas akad\u0113mijas vad\u012bt\u0101ja, profesore Ilona Meija bija sagatavojusi programmu kop\u0101 ar Baltkrievijas sen\u0101s m\u016bzikas speci\u0101listu Mihailu Martsinkevi\u010du. Starp vair\u0101kiem baroka ska\u0146darbiem v\u0113rien\u012bg\u0101kais, manupr\u0101t, bija G. F. T\u0113lemana se\u0161da\u013c\u012bga sv\u012bta sol minor\u0101, iestud\u0113ta piln\u0101 apjom\u0101 \u2013 ne tikai tradicion\u0101l\u0101s baroka dejas gavote un paspj\u0113, bet ar\u012b \u012aru deja, \u201cRadzi\u0146\u0161\u201d (p\u016b\u0161aminstruments) un iedvesmojo\u0161\u0101 da\u013ca \u201cBez r\u016bp\u0113m\u201d (Sans soucis). Abi m\u016bzi\u0137i un koncertmeistare Hel\u0113na Laukmane lieliski sasp\u0113l\u0113ju\u0161ies. Valmierie\u0161iem br\u012bni\u0161\u0137a iesp\u0113ja iepaz\u012bt autentiskas baroka blokflautas tembru un profesion\u0101lu sp\u0113li. Ilona Meija ar\u012b atkl\u0101ja koncertu ar vienu da\u013cu no J. S. Baha son\u0101tes flautai Mibemol ma\u017eor\u0101 un v\u0113l\u0101k atska\u0146oja Mocarta Andanti.<\/p>\n

Jau piemin\u0113ju gandr\u012bz simtprocent\u012bgi neiztr\u016bksto\u0161u Burk\u0101nciema koncertu seju, Operetes solistu Nauri Indzeri. Vi\u0146\u0161 g\u0101d\u0101ja par vair\u0101kiem priek\u0161nesumiem, no kuriem k\u0101 smaguma punkts noteikti minams kop\u0101 ar Hel\u0113nu Laukmani iestud\u0113tais v\u0113rien\u012bgais prologs no R. Leonkavallo operas \u201cPajaci\u201d. Tra\u0123iska satura fragments, kas bija nolas\u012bts tehniski veikli, kontrastaini, verisma stilam atbilsto\u0161i. P\u0101r\u0113jie Naura vok\u0101lie numuri bija mazliet lirisk\u0101ki \u2013 agr\u012bn\u0101 romantisma melodiskums Fr. \u0160\u016bberta \u201cSeren\u0101d\u0113\u201d un operetes \u0161ampanie\u0161a gar\u0161a E. Piafas \u201cHimn\u0101 m\u012blest\u012bbai\u201d.<\/p>\n

Savuk\u0101rt etnomuzikolo\u0123e un pedago\u0123e, romu m\u016bzikas speci\u0101liste Ieva V\u012bvere iepriecin\u0101ja ar retumu \u2013 div\u0101m romu (\u010dig\u0101nu) dziesm\u0101m, vienu no Emi\u013ca Melngai\u013ca kolekcijas, otru no pa\u0161as sav\u0101ktaj\u0101m. Ievas p\u0113t\u012bjums las\u0101ms un klaus\u0101ms ar\u012b gr\u0101mat\u0101. Vi\u0146as priek\u0161nesumu raksturoja r\u016bp\u012bba, nesam\u0101kslot\u012bba, kr\u0101sain\u012bba un \u013coti \u012bsta kl\u0101tb\u016btne, k\u0101 ieelpojot lauku p\u013cavas gaisu. Var daudz m\u0101c\u012bties no Ievas ievadv\u0101rdiem \u2013 da\u017ei vienk\u0101r\u0161i, bet grodi, r\u016bp\u012bgi izsv\u0113rti teikumi par dzied\u0101t\u0101jiem, vi\u0146u gait\u0101m un dziesmas saturu.<\/p>\n

R\u012bgas kult\u016brdz\u012bves p\u0113tnieks, komponists un mediju profesion\u0101lis Edgars Raginskis atveda \u013coti sirsn\u012bgus atmi\u0146u st\u0101stus par Jautr\u012bti Putni\u0146u un vi\u0146ai velt\u012bja tr\u012bs savas kompoz\u012bcijas \u2013 dziesmas ar Oj\u0101ra V\u0101cie\u0161a dzeju, kuras pats atska\u0146oja. Edgars ir lielisks pianists, k\u0101 dzied\u0101t\u0101ju Valmiera vi\u0146u redz\u0113ja pirmoreiz. Gaid\u012bsim v\u0113l.<\/p>\n

Komponists, Nacion\u0101l\u0101 simfonisk\u0101 or\u0137estra un Kremerata Baltica m\u016bzi\u0137is kontrabasists Kristaps P\u0113tersons koncert\u0101 uzst\u0101j\u0101s divreiz. Pirmais priek\u0161nesums bija baroka \u010della m\u016bzikas p\u0113rle, divas da\u013cas no J. S. Baha Sol ma\u017eora sv\u012btas. \u0160os ska\u0146darbus past\u0101v\u012bgi sp\u0113l\u0113 lab\u0101kie \u010dellisti, un Kristaps bija uz\u0146\u0113mies izaicin\u0101jumu \u2013 to pa\u0161u izdar\u012bt ar \u010della vec\u0101ko br\u0101li. Kontrabass nav \u201cliel\u0101ks \u010dells\u201d, tas nav tik virtuozs instruments, l\u012bdz ar to izsp\u0113l\u0113t visos re\u0123istros vienl\u012bdz melodiski, tembr\u0101li kr\u0101\u0161\u0146i un veikli nav viegls uzdevums. Lati\u0146a p\u0101rvar\u0113ta \u2013 ar konferansj\u0113 ce\u013cav\u0101rdiem, ka n\u0101kamgad gaidot jau visu sv\u012btu.<\/p>\n

Koncerta otraj\u0101 da\u013c\u0101 Kristaps jau k\u013cuva par pianistu koncertmeistaru un uzveduma vad\u012bt\u0101ju. Vi\u0146\u0161 ar meit\u0101m R\u016btu un M\u0101ru bija sagatavojis dziesmu mont\u0101\u017eu \u2013 Arv\u012bda \u017dilinska labi zin\u0101mos, ar\u012b Veras Singajevskas ieska\u0146otos ska\u0146darbus b\u0113rniem. \u201cTauren\u012btis\u201d, \u201cVasari\u0146a kl\u0101t\u201d, \u201cS\u0113\u0146ot\u0101ji\u201d, \u201cKrusas m\u0101te\u201d. Uzvedum\u0101 izmantoti ar\u012b t\u0113rpi un sitaminstrumenti. R\u016bp\u012bgi sagatavots, tas \u013coti atg\u0101din\u0101ja piemin\u0113t\u0101s Jautr\u012btes b\u0113rnu operas. Vec\u0101k\u0101 meiti\u0146a R\u016bta godam tur\u0113j\u0101s k\u0101 soliste; vi\u0146a ar\u012b sp\u0113l\u0113ja koncertkokles ska\u0146darbu.<\/p>\n

Koncert\u0101, k\u0101 alla\u017e, p\u0101rst\u0101v\u0113ts jauno m\u016bzi\u0137u loks. Mariuss Grencis sagatavojis kompoz\u012bciju \u201cKaleidoskops\u201d, mazliet austrumniecisku, labi izteiktu muzik\u0101lu domu. Saska\u0146\u0101 ar intervij\u0101s izteikto kredo \u2013 populariz\u0113t akad\u0113misko un latvie\u0161u m\u016bziku \u2013 vi\u0146\u0161 sp\u0113l\u0113ja ar\u012b P\u0113tera Barisona \u201cPrel\u016bdiju\u201d klavier\u0113m. J\u016btama p\u0101rliec\u012bba.<\/p>\n

Flautas sp\u0113les pedago\u0123e Iveta L\u0101ri\u0146a atvedusi savas audz\u0113knes, spo\u017eas zvaigzn\u012btes R\u016btu Paleju un Evu Auzi\u0146u. Kr\u0101sains izv\u0113l\u0113tais repertu\u0101rs, kura starp\u0101 latvie\u0161a Andra Balo\u017ea velt\u012bjums p\u0101ragri m\u016b\u017e\u012bb\u0101 aizg\u0101ju\u0161ajam kol\u0113\u0123im, komponistam Robertam Liedem. Priec\u0113 ar\u012b jaunie\u0161u sp\u0113les kult\u016bra un flautas tonis.<\/p>\n

Klaus\u012bt\u0101jus iepriecin\u0101ja ar\u012b pianists Bruno Georgs Rautenbergs, m\u0101sas L\u012bva (flauta) un Lote (vijole) Mi\u0137elsones.D\u0101rzi\u0146skolas me\u017eradzniece Paula P\u016bce, aska\u0146oja romantisko E\u017e\u0113na Bocas po\u0113mu \u201c\u012arij\u0101\u201d. Pirmo reizi Valmier\u0101, \u0161\u0137iet, redzam meiteni sp\u0113l\u0113jam me\u017eragu un dar\u0101m to lieliski.<\/p>\n

Valmiera var b\u016bt priec\u012bga un lepna par kamerm\u016bzikas sv\u0113tkiem \u2013 mazu, daudzkr\u0101sainu p\u0113rli. Gaid\u012bsim n\u0101kamo gadu.<\/p>\n

Inform\u0101ciju sagatavoja:<\/p>\n

Linda \u0160arkova<\/p>\n

\"\"<\/a>R\u016bta, M\u0101ra un Kristaps P\u0113tersoni<\/p>\n

\"\"<\/a>R\u016bta P\u0113tersone<\/p>\n

\"\"<\/a>Linda \u0160arkova<\/p>\n

\"\"<\/a>L\u012bva un Lote Mi\u0137elsones<\/p>\n

\"\"<\/a>Koncertu vada Aivars Cep\u012btis<\/p>\n

\"\"<\/a>Ieva V\u012bvere<\/p>\n

\"\"<\/a>Eva Auzi\u0146a<\/p>\n

\"\"<\/a>Savu dzeju lasa Margarita \u0160p\u016ble<\/p>\n

\"\"<\/a>Ilona Meija, Hel\u0113na Laukmane<\/p>\n

\"\"<\/a>Paula P\u016bce<\/p>\n

\"\"<\/a>Nauris Indzeris<\/p>\n

\"\"<\/a>Koncerta dal\u012bbnieki<\/p>\n

\"\"<\/a>Ilona Meija<\/p>\n

\"\"<\/a>Hel\u0113na Laukmane, R\u016bta Paleja, Aivars Cep\u012btis<\/p>\n

\"\"<\/a>Edgars Raginskis<\/p>\n

\"\"<\/a>Bruno Georgs Rautenbergs, R\u016bta Paleja, Hel\u0113na Laukmane, Ritma P\u0113tersone-Cep\u012bte<\/p>\n","protected":false},"excerpt":{"rendered":"\u0160\u012b gada M\u016bzikas sv\u0113tku Burk\u0101nciem\u0101 kamerm\u016bzikas koncerti izskan\u0113ju\u0161i. Sestdiena, 22. augusts, pas\u0101kumu r\u012bkot\u0101jiem vis\u0101 Latvij\u0101 bija nopietns p\u0101rbaud\u012bjums.…\n","protected":false},"author":2,"featured_media":281549,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_share_on_mastodon":"0"},"categories":[19],"tags":[89,90,35,39,38,36,37,34,40],"class_list":["post-281548","post","type-post","status-publish","format-standard","has-post-thumbnail","category-izklaide","tag-entertainment","tag-izklaide","tag-latvia","tag-latvian","tag-latviesu","tag-latviesu-valoda","tag-latviesuvaloda","tag-latvija","tag-lv"],"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@lv\/117191274572003357","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/281548","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/comments?post=281548"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/281548\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media\/281549"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media?parent=281548"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/categories?post=281548"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/tags?post=281548"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}