Par mei\u010d\u0101m un pui\u0161iem savulaik neb\u0113dn\u012bgi v\u0101rsmoja “Blur”, tikm\u0113r pieaugu\u0161i cilv\u0113ki nebeidz spriest par l\u012bdzties\u012bgu dzimumu p\u0101rst\u0101vniec\u012bbu. “Radio Naba” oktobra pirm\u0101s puses jaunumi n\u0101k ar sp\u0113c\u012bgu sievi\u0161\u0137o ener\u0123iju \u2013 da\u017eas m\u016bzi\u0137u apvien\u012bbas simtprocent\u012bgi sast\u0101v no d\u0101m\u0101m, cit\u0101s sievie\u0161u balsis skan spilgti un izteiksm\u012bgi. Tikai D\u017eims E. Brauns un “Salna” st\u0101v pie maskul\u012bnajiem ratiem.<\/p>\n
“Tribes of the City” \u2013 “To the Future”<\/p>\n
Pa\u0161m\u0101ju \u0161\u016bgeiza\/dr\u012bmpopa apvien\u012bba “Tribes of the City” lai\u017e klaj\u0101 pirmo singlu no gaid\u0101m\u0101 albuma. Grupas sestais studijas ieraksts “Evidence of Embrace” tapis R\u012bg\u0101 un Berl\u012bn\u0113 ar vair\u0101ku viesm\u0101kslinieku piedal\u012b\u0161anos un izn\u0101ks 2026. gada s\u0101kum\u0101.\u00a0<\/p>\n
\n“To the Future” ir refleksija par saj\u016bt\u0101m, kas p\u0101r\u0146em, dz\u012bvojot sare\u017e\u0123\u012btos laikos. Par tagadnes spiedienu un v\u0113l\u0113\u0161anos nov\u0113rsties un par apzin\u0101tu v\u0113r\u0161anos n\u0101kotn\u0113 bez bail\u0113m. Tas ir gai\u0161\u0101ko gaidu un cer\u012bbu apliecin\u0101jums br\u012bd\u012b, kad t\u0101s var \u0161\u0137ist v\u0101ji pamatotas vai naivas.\u00a0<\/p>\n<\/blockquote>\n
Nesen atgriezusies no m\u016bzikas konferences “Ireland Music Week”, grupa gatavojas n\u0101kamajam koncertam oktobra beig\u0101s Budape\u0161tas m\u016bzikas konferenc\u0113 “Bush”. Kop\u0161 2003. gada “Tribes of the City” izdevu\u0161i piecus albumus, ir ieguvu\u0161i vair\u0101kas Latvijas M\u016bzikas ierakstu gada balvas, k\u0101 ar\u012b “Austras balvu” 2020. gad\u0101 par plati “Rust and Gold”, kas ar\u012b tika nomin\u0113ts Eiropas neatkar\u012bg\u0101s m\u016bzikas balvai “IMPALA”.<\/p>\n
“Salna” \u2013 “Saule noriet”<\/p>\n
Viena cilv\u0113ka black\/pagan metal projekt\u0101 “Salna” gan balss, gan visi instrumenti, gan m\u016bzika, teksti un pat albuma noform\u0113jums ir viena m\u0101kslinieka p\u0101rzi\u0146\u0101. Vi\u0146u sauc L\u016bsis, un muzik\u0101lo darb\u012bbu vi\u0146\u0161 s\u0101ka 2014. gad\u0101 ar ambient un dark folk projektu “D\u016bmaka”, kam 2018. gad\u0101 sekoja “Salna”.<\/p>\n
P\u0113d\u0113j\u0101 laik\u0101 “Salna” izdod pa jaunam albumam vismaz reizi gad\u0101. Projekta diskogr\u0101fij\u0101 ir ieraksti “Salna” (2021), “Zalktis, krup\u012btis un velis” (2022), “Krampus n\u0101k” (2023), “Baisa tumsa” (2024) un v\u0113l vair\u0101ki ieska\u0146ojumi. Septembr\u012b izn\u0101ca “Salnas” jaunais albums “Vien purvs”.<\/p>\n
“Daba San” \u2013 “Mi\u0137e\u013cam”<\/p>\n
R\u012bgas Tehnisk\u0101s universit\u0101tes postfolkloras grupa\u00a0“Daba San”\u00a0darbojas gandr\u012bz 20 gadus, s\u0101kotn\u0113ji k\u0101 “Vecpils\u0113tas dzied\u0101t\u0101ji”. Sekojot savam aicin\u0101jumam populariz\u0113t kult\u016bras mantojumu, ansamblis izdevis tr\u012bs albumus “Puzrs” (2013), “Vai\u0146ags” (2016), “Jumi dzinu” (2022) un vair\u0101kus singlus. Jaunaj\u0101 dziesm\u0101 “Mi\u0137e\u013cam” m\u016bzi\u0137i apvieno latvie\u0161u trad\u012bciju sp\u0113ku ar roka un bl\u016bza elementiem, veltot \u0161o kompoz\u012bciju aizejo\u0161ai vasarai.<\/p>\n
“Automatic” \u2013 “Black Box”<\/p>\n
“Tematiski \u0161is ieraksts meistar\u012bgi iedzi\u013cin\u0101s m\u016bsdienu sabiedr\u012bbas svar\u012bg\u0101kajos jaut\u0101jumos, bet muzik\u0101li tas balst\u0101s uz neatvair\u0101mi ritmiskiem b\u012btiem, kas liks galvai \u0161\u016bpoties un k\u0101j\u0101m kust\u0113ties. To p\u0101rpilda ar\u012b iespaid\u012bgas sintezatoru partijas un vok\u0101la melodijas, kas paliks pr\u0101t\u0101 v\u0113l ilgi p\u0113c tam, kad atska\u0146ot\u0101ja adata b\u016bs no\u0146emta no plates,” m\u016bzikas izdevums “Occult Magazine” slav\u0113 Losand\u017eelosas trio “Automatic” tre\u0161o studijas albumu “Is It Now”.\u00a0<\/p>\n
“Automatic” kop\u0161 2017. gada sp\u0113l\u0113 postpanku, kas ir diezgan likumsakar\u012bgi, ja zin\u0101m, ka grupas bundziniece un dzied\u0101t\u0101ja Lola Domp\u0113 (Lola Domp\u00e9) ir gotisk\u0101 roka klasi\u0137u “Bauhaus” sitamo instrumentu p\u0101rvaldnieka Kevina Haskinsa meita, bet grupas nosaukums palien\u0113ts no E\u0146\u0123e\u013cu pils\u0113tas d\u0101mu rokgrupas “The Go Go\u2019s” (ar Belindu K\u0101rlailu pie mikrofona) 1981. gada dziesmas nosaukuma.<\/p>\n
“Archive” \u2013 “Look At Us”<\/p>\n
1994. gad\u0101 izveidot\u0101 grupa no Londonas ar pla\u0161u muzik\u0101lu tv\u0113rienu, kas iek\u013cauj elektroniku, triphopu un postroku, k\u0101 ar\u012b lielu un main\u012bgu dal\u012bbnieku sast\u0101vu, 27. febru\u0101r\u012b laid\u012bs klaj\u0101 savu 13. studijas albumu “Glass Minds”.<\/p>\n
\n“Viena no aizraujo\u0161\u0101kaj\u0101m liet\u0101m jaun\u0101 albuma sakar\u0101 ir,\u00a0cik lieliski \u0161\u012bs dziesmas skan\u0113s dz\u012bvaj\u0101 izpild\u012bjum\u0101. “Glass Minds” turneja b\u016bs episka!” pat\u012bkami satraukts ir viens no “Archive” dibin\u0101t\u0101jiem Dariuss K\u012blers (Darius Keeler).\u00a0<\/p>\n<\/blockquote>\n
M\u016bzi\u0137u apvien\u012bbai izsenis izveidojies uzticams fanu loks Eirop\u0101, \u012bpa\u0161i Francij\u0101, kas tiks iepriecin\u0101ts neliel\u0101 pavasara turnej\u0101. T\u0101 s\u0101ksies 30. mart\u0101 Amsterdam\u0101, bet nosl\u0113gsies 11. apr\u012bl\u012b “Archive” dzimtaj\u0101 pils\u0113t\u0101 London\u0101, “Shepherd\u2019s Bush Empire” koncertz\u0101l\u0113.\u00a0<\/p>\n
“Chicks on Speed” \u2013 “Cookies”<\/p>\n
Ekstravagantais, m\u0101kslinieciski daudzveid\u012bgais, bet sast\u0101v\u0101 vienm\u0113r stingri fem\u012bnais kolekt\u012bvs izveidoj\u0101s 1997. gad\u0101 Minhenes M\u0101kslas akad\u0113mij\u0101. S\u0101kotn\u0113ji “\u010diksas” vienoja vizu\u0101l\u0101 m\u0101ksla, elektrokle\u0161a m\u016bzika un neleg\u0101las ball\u012btes dadaistu kust\u012bbas ra\u0161an\u0101s vietas C\u012brihes kafejn\u012bcas “Cabaret Voltaire” stil\u0101.<\/p>\n
Nepilnu 30 gadu laik\u0101 ansamblis da\u017e\u0101d\u0101s kombin\u0101cij\u0101s ir vienojis vismaz duci m\u0101kslinie\u010du, kuru darb\u012bba t\u0101lu p\u0101rsniegusi margin\u0101la m\u0101kslas projekta robe\u017eas \u2013 “Chicks on Speed” ir ar\u012b politiskas un sabiedriskas akt\u012bvistes, vi\u0146u m\u0101kslas, m\u016bzikas un modes projekti izv\u0113r\u0161as v\u0113rien\u012bg\u0101s multimediju performanc\u0113s un izst\u0101d\u0113s pasaules slaven\u0101kajos modern\u0101s m\u0101kslas muzejos un galerij\u0101s.\u00a0<\/p>\n
\u0160is rudens “Chicks on Speed” ir notikumiem bag\u0101ts \u2013 17. oktobr\u012b izn\u0101k ne vien grupas sestais albums “HEARandNOWtopia”, bet ar\u012b ierakstu retrospekcija “HEARTopia”, kas apkopo t\u0101s darb\u012bbu no pirms\u0101kumiem l\u012bdz m\u016bsdien\u0101m, savuk\u0101rt Minhenes muzej\u0101 “Villa Stuck” tiks atkl\u0101ta izst\u0101de “UTOPIA”, kuru var\u0113s skat\u012bt l\u012bdz 1. martam.<\/p>\n
Jim E. Brown \u2013 “I Am at My Happiest When I\u2019m Unconscious”<\/p>\n
D\u017eims E. Brauns m\u016bzikas industrijas seno principu \u2013 ja j\u0101izv\u0113las starp paties\u012bbu un labu st\u0101stu, vienm\u0113r izv\u0113lies labu st\u0101stu \u2013 veiksm\u012bgi novedis l\u012bdz piln\u012bgam absurdam. Vi\u0146a ofici\u0101l\u0101 biogr\u0101fija v\u0113sta, ka D\u017eims ir no Man\u010destras Anglij\u0101, vi\u0146am ir 19 gadu un liekais svars, k\u0101 ar\u012b vi\u0146\u0161 ir alkoholi\u0137is.\u00a0<\/p>\n
Intervij\u0101s vi\u0146\u0161 labpr\u0101t st\u0101sta v\u0113l vis\u0101das mu\u013c\u0137\u012bbas, piem\u0113ram, ka esot \u010detrgad\u012bga d\u0113la t\u0113vs, bet nav zin\u0101ms, kas ir puikas m\u0101te. Nesen vi\u0146am piedzimis otrs d\u0113ls, t\u0101 m\u0101ti gan vi\u0146\u0161 zinot, vi\u0146u saucot Britnija. Bez liek\u0101 svara un dzer\u0161anas ligas vi\u0146\u0161 cie\u0161ot ar\u012b no cit\u0101m slim\u012bb\u0101m, k\u0101 ar\u012b no past\u0101v\u012bgas nom\u0101kt\u012bbas un aizvainojuma, ko rada \u0161is no\u017e\u0113lojamais st\u0101voklis. Par to esot visas vi\u0146a dziesmas.\u00a0<\/p>\n
Nevar noliegt, ka dziesmu nosaukumi par to liecina \u2013 jaunaj\u0101 singl\u0101 Brauns dzied, ka vislaim\u012bg\u0101k j\u016btas, esot bezsama\u0146\u0101, vi\u0146am ir ar\u012b kompoz\u012bcija “I Found a Dead Fox Outside Sainsbury\u2019s in Fallowfield” (Es atradu beigtu lapsu pie “Sainsbury\u2019s” veikala Folovf\u012bld\u0101).\u00a0<\/p>\n
Intervij\u0101 izdevumam “Stat”, kas atspogu\u013co kult\u016bras un m\u0101kslas norises Anglijas zieme\u013crietumos, \u017eurn\u0101lists m\u0113\u0123in\u0101ja noskaidrot: “Man ir teiku\u0161i, ka tu nemaz neesi devi\u0146padsmitgad\u012bgs aptaukojies alkoholi\u0137is no Man\u010destras. Da\u017ei pat run\u0101, ka tu var\u0113tu b\u016bt amerik\u0101nis\u2026”<\/p>\n
\n“To pa\u0161u es varu teikt par tevi. Es ar\u012b nedom\u0101ju, ka tu esi man\u010destrietis. Tu man neesi devis nek\u0101dus pier\u0101d\u012bjumus, kas to apliecin\u0101tu. Un visp\u0101r man ir vienalga,” attrauca D\u017eims E Brauns.<\/p>\n<\/blockquote>\n
Marta feat. Marcela Rybska, Tricky \u2013 “Way Up In”<\/p>\n
2017. gada Eiropas turnejas laik\u0101 britu triphopa veter\u0101ns Trikijs negaid\u012bti palika bez pavado\u0161\u0101s grupas dzied\u0101t\u0101jas un ar steigu vajadz\u0113ja samekl\u0113t aizvietot\u0101ju. T\u0101da atrad\u0101s k\u0101d\u0101 Krakovas b\u0101r\u0101, kur str\u0101d\u0101ja po\u013cu dzied\u0101t\u0101ja Marta Zlakovska (Marta Z\u0142akowska). Marta bija nopietni m\u0101c\u012bjusies d\u017eezu, t\u0101p\u0113c vi\u0146ai nebija gr\u016bti \u0101tri apg\u016bt repertu\u0101ru, nodzied\u0101t turnejas koncertus un v\u0113l\u0101k pievienoties Trikijam ar\u012b ierakstu studij\u0101. “Martai slava ir vienaldz\u012bga, vi\u0146a vienk\u0101r\u0161i grib dzied\u0101t,” k\u0101d\u0101 intervij\u0101 teicis Trikijs.\u00a0<\/p>\n
P\u0113c da\u017eiem cie\u0161as sadarb\u012bbas gadiem Marta bija gatava savam pirmajam soloalbumam “When It\u2019s Going Wrong” (2023) un, protams, to produc\u0113ja Trikijs. Oktobra s\u0101kum\u0101 izn\u0101ca Martas otrais soloieraksts “Out The Way”, ar\u012b Trikija produc\u0113ts un izdots vi\u0146a m\u016bzikas apg\u0101d\u0101 “False Idols”. Pie tam producents pats dzirdams gandr\u012bz katr\u0101 dziesm\u0101, bet “Way Up In” viesojas v\u0113l viena jauna dzied\u0101t\u0101ja no Polijas Marcela Ribska.\u00a0<\/p>\n
“Pva” \u2013 “Boyface”<\/p>\n
Ang\u013cu grupa “Pva” rad\u0101s taj\u0101 neparastaj\u0101 muzik\u0101li magn\u0113tiskaj\u0101 anom\u0101lij\u0101, kas pag\u0101ju\u0161\u0101s desmitgades otraj\u0101 pus\u0113 bija izveidojusies ap klubu “The Windmill” Londonas dienvidu apkaim\u0113 Brikston\u0101. No turienes gandr\u012bz vienlaic\u012bgi izspr\u0101ga vair\u0101kas spilgt\u0101k\u0101s jauno laiku britu m\u016bzikas apvien\u012bbas, tostarp “Black Country, New Road”, “Squid”, “Goat Girl”, “Black Midi” un “Shame”.<\/p>\n
Kad trijotnes karjeras ritenis tikko bija iegriezies un s\u0101ka uz\u0146emt \u0101trumu, t\u0101 spie\u0137os krietnu sprunguli iegr\u016bda kovids, t\u0101p\u0113c lielie 2020. gada pl\u0101ni \u2013 uzst\u0101ties ietekm\u012bgaj\u0101 m\u016bzikas konferenc\u0113 “SXSW” Ostin\u0101, Teksas\u0101, un doties Jap\u0101nas turnej\u0101 \u2013 bija j\u0101atce\u013c. Ar\u012b “Pva” pirmais albums “Blush” izn\u0101ca tikai 2022. gad\u0101. Nu ir gatavs otrais “No More Like This”, kas pie klaus\u012bt\u0101jiem non\u0101ks 23. janv\u0101r\u012b.<\/p>\n
Yasmine Hamdan \u2013 “I Remember I Forget”<\/p>\n
90. gadu beig\u0101s Jasm\u012bne Hamdana kop\u0101 ar Zeidu Hamdanu (abi nav radinieki, vienk\u0101r\u0161i vien\u0101di uzv\u0101rdi) Lib\u0101n\u0101 bija zin\u0101mi k\u0101 duets “Soap Kills”. Apvienojot tradicion\u0101lo ar\u0101bu m\u016bziku ar m\u016bsdien\u012bg\u0101m elektronikas ska\u0146\u0101m, ind\u012b m\u016bzikas cien\u012bt\u0101ju aprind\u0101s vi\u0146i dr\u012bz iemantoja kulta grupas statusu.\u00a0<\/p>\n
“Soap Kills” tre\u0161ais un p\u0113d\u0113jais albums izn\u0101ca 2005. gad\u0101, p\u0113c tam Jasm\u012bne atst\u0101ja Beir\u016btu un p\u0101rc\u0113l\u0101s uz Par\u012bzi, kur sav\u0101 rado\u0161aj\u0101 darb\u012bb\u0101 turpina sp\u0113l\u0113ties ar muzikalit\u0101ti, valodu zin\u0101\u0161an\u0101m un humora izj\u016btu. Vi\u0146a sacer\u0113jusi ska\u0146u celi\u0146us vair\u0101k\u0101m film\u0101m un ar\u012b not\u0113lojusi pati sevi D\u017eima D\u017e\u0101rmu\u0161a kinolent\u0113 “Only Lovers Left Alive” (2013). Jasm\u012bnes Hamdanas jaunais soloalbums “I Remember I Forget” ir tapis dramatisku notikumu pilnu asto\u0146u gadu laik\u0101 kop\u0161 iepriek\u0161\u0113j\u0101 ieraksta “Al Jamilat”.<\/p>\n","protected":false},"excerpt":{"rendered":"Par mei\u010d\u0101m un pui\u0161iem savulaik neb\u0113dn\u012bgi v\u0101rsmoja “Blur”, tikm\u0113r pieaugu\u0161i cilv\u0113ki nebeidz spriest par l\u012bdzties\u012bgu dzimumu p\u0101rst\u0101vniec\u012bbu. “Radio…\n","protected":false},"author":2,"featured_media":28390,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[19],"tags":[89,90,35,39,38,36,37,34,40],"class_list":{"0":"post-28389","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-izklaide","8":"tag-entertainment","9":"tag-izklaide","10":"tag-latvia","11":"tag-latvian","12":"tag-latviesu","13":"tag-latviesu-valoda","14":"tag-latviesuvaloda","15":"tag-latvija","16":"tag-lv"},"share_on_mastodon":{"url":"","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/28389","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/comments?post=28389"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/28389\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media\/28390"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media?parent=28389"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/categories?post=28389"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/tags?post=28389"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}