{"id":28438,"date":"2025-10-22T18:21:16","date_gmt":"2025-10-22T18:21:16","guid":{"rendered":"https:\/\/www.europesays.com\/lv\/28438\/"},"modified":"2025-10-22T18:21:16","modified_gmt":"2025-10-22T18:21:16","slug":"ka-vairakiem-skatpunktiem-pastavet-lidzas-pirmizradi-piedzivo-kameropera-cantus-firmus-raksts","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/lv\/28438\/","title":{"rendered":"K\u0101 vair\u0101kiem skatpunktiem past\u0101v\u0113t l\u012bdz\u0101s? Pirmizr\u0101di piedz\u012bvo kameropera \u00abCantus Firmus\u00bb \/ Raksts"},"content":{"rendered":"

“Sievietes skatiens”\u00a0m\u0101kslas darb\u0101 nav m\u0113\u0123in\u0101jums pretnostat\u012bt sievietes v\u012brie\u0161iem, k\u0101 sabiedr\u012bb\u0101 to reiz\u0113m m\u0113dz uztvert, bet gan pied\u0101v\u0101jums paraudz\u012bties uz notikumiem no cita, m\u0101ksl\u0101 ret\u0101k p\u0101rst\u0101v\u0113ta skatpunkta. To pied\u0101v\u0101 laikmet\u012bg\u0101 kameropera “Cantus Firmus”, kas pirmizr\u0101di\u00a0\u0122ertr\u016bdes ielas te\u0101tr\u012b piedz\u012bvo 22. oktobr\u012b. Taj\u0101 satiekas \u010detras sievietes, mekl\u0113jot veidus, k\u0101 aizsarg\u0101t k\u0101du Latvijas purvu pret centieniem izb\u016bv\u0113t taj\u0101 spa.\u00a0<\/p>\n

Operas rado\u0161\u0101 komanda Latvijas Radio raid\u012bjum\u0101 “Kult\u016bras rondo” atkl\u0101j, k\u0101p\u0113c ir svar\u012bgi run\u0101t par pasauli no sievie\u0161u skatpunkta un citam citu sadzird\u0113t.<\/p>\n

Dom\u0101jot par laikmet\u012bgo kameroperu “Cantus Firmus”, nevajag b\u012bties no v\u0101rda “laikmet\u012bg\u0101”, jo t\u0101 ir tikpat viegli un saisto\u0161i klaus\u0101ma k\u0101 pirms diviem gadiem \u0161\u012bs pa\u0161as komandas veidot\u0101 “Monstera Deliciosa” \u2013 iestud\u0113jums, ko iem\u012b\u013coja skat\u012bt\u0101ji un kriti\u0137i nomin\u0113ja “Sp\u0113lma\u0146u naktij”. Abas izr\u0101des ir da\u013ca no triptiha, kas top igau\u0146u re\u017eisores Barbaras Lehtnas, dramatur\u0123es Lindas Kr\u016bmi\u0146as un komponistes L\u012bvas Bl\u016bmas kopdarb\u0101. \u0160aj\u0101 kameroper\u0101 piedal\u0101s ar\u012b dzied\u0101t\u0101jas Gita Rebeka Adlere, \u0160ino Jamasaki<\/a> un L\u012bga Paegle, k\u0101 ar\u012b instrument\u0101liste El\u012bza Apine.\u00a0<\/p>\n

Komponiste L\u012bva Bl\u016bma st\u0101sta \u2013 “Cantus Firmus” m\u016bzikas teorij\u0101 ir pa\u0146\u0113miens, ko \u012bpa\u0161i izmantoja renesans\u0113,\u00a0par pamatu \u0146emot k\u0101du iepriek\u0161 past\u0101vo\u0161u melodiju, to p\u0113c konkr\u0113tiem noteikumiem apdarin\u0101ja ar jauniem balss sl\u0101\u0146iem, radot bag\u0101t\u012bgu un harmoniski sare\u017e\u0123\u012btu skan\u0113jumu. \u0160\u0101d\u0101 manier\u0113 veidota ar\u012b jaun\u0101 kameropera, kas nosaukta “Cantus Firmus” v\u0101rd\u0101.\u00a0<\/p>\n

“Pirms s\u0101k\u0101m str\u0101d\u0101t pie \u0161\u012b darba, m\u0113s trijat\u0101 dom\u0101j\u0101m \u2013 kas tad mums pa\u0161\u0101m r\u016bp un \u0161\u0137iet interesanti? Un daudzbals\u012bba vai t\u0101da kolekt\u012bva esam\u012bba mums lik\u0101s \u013coti saisto\u0161a.\u00a0<\/p>\n

\n

Dom\u0101jot par to, ko “Cantus Firmus” noz\u012bm\u0113 muzik\u0101li, mums lik\u0101s, ka tas gana labi atbilst ar\u012b m\u016bsu\u00a0interes\u0113m\u00a0t\u0113mu zi\u0146\u0101, \u2013 tas, k\u0101 vair\u0101kas balsis past\u0101v l\u012bdz\u0101s, kas starp vi\u0146\u0101m notiek un k\u0101 tas viss att\u012bst\u0101s,” st\u0101sta dramatur\u0123e Linda Kr\u016bmi\u0146a.\u00a0<\/p>\n<\/blockquote>\n

Turpin\u0101jums run\u0101t par pasauli no sievietes skatpunkta\u00a0<\/p>\n

Pirms diviem gadiem rado\u0161\u0101 komanda re\u017eisores Barbaras Lehtnas, dramatur\u0123es Lindas Kr\u016bmi\u0146as un komponistes L\u012bvas Bl\u016bmas sast\u0101v\u0101 skat\u012bt\u0101jus jau p\u0101rsteidza ar savu pirmo iestud\u0113jumu “Monstera Deliciosa”, kas nosl\u0113dz\u0101s ar tekstu “un varb\u016bt, ka t\u0101s v\u0113l nav beigas”.\u00a0Tas rosin\u0101ja\u00a0skat\u012bt\u0101jus b\u016bt cer\u012bbu pilniem attiec\u012bb\u0101 pret to, kas pirms diviem gadiem norisin\u0101j\u0101s pasaul\u0113, st\u0101sta igau\u0146u re\u017eisore Barbara Lehtna. Nu ir pag\u0101ju\u0161i divi gadi\u00a0un tapis pirm\u0101s kameroperas turpin\u0101jums. “Kad \u0137\u0113r\u0101mies pie “Cantus Firmus”, mums bija sev j\u0101jaut\u0101, kur m\u0113s k\u0101 sievietes pa\u0161laik esam? K\u0101 m\u0113s j\u016btamies par visu, kas ir noticis p\u0113d\u0113jos divos gados? Jo Rietumu pasaule ir pavisam citur\u00a0nek\u0101 pirms diviem gadiem.\u00a0<\/p>\n

\n

T\u0101d\u0101 zi\u0146\u0101 “Cantus Firmus”, iesp\u0113jams, ir nopietn\u0101ka un vair\u0101k pieskaras t\u0101diem “pasaules gala” narat\u012bviem, ja run\u0101jam par klimatu vai sievie\u0161u ties\u012bb\u0101m.\u00a0<\/p>\n<\/blockquote>\n

M\u0113s jut\u0101m, ka situ\u0101cija ir main\u012bjusies tik \u013coti, ka j\u0101main\u0101s ar\u012b tam, par ko rakst\u0101m operu. T\u0101p\u0113c “Cantus Firmus” beidzas ar v\u0101rdiem, ka t\u0101 ir privil\u0113\u0123ija \u2013 c\u012bn\u012bties kop\u0101,” ieskatu izr\u0101d\u0113 sniedz re\u017eisore.\u00a0<\/p>\n

Operas dramatur\u0123e Linda Kr\u016bmi\u0146a papildina: “Lai gan m\u0113s varb\u016bt nerun\u0101jam par konkr\u0113tiem notikumiem, tie tom\u0113r rezon\u0113 taj\u0101, kas \u0161obr\u012bd notiek ne tikai Latvij\u0101, bet ar\u012b pla\u0161\u0101k.” Tom\u0113r rado\u0161\u0101 komanda uzsver \u2013\u00a0“sievietes skatiens” m\u0101kslas darb\u0101 nav m\u0113\u0123in\u0101jums pretnostat\u012bt sievietes v\u012brie\u0161iem, k\u0101 to reiz\u0113m m\u0113dz uztvert, bet gan pied\u0101v\u0101jums vienk\u0101r\u0161i paraudz\u012bties uz notikumiem no cita, m\u0101ksl\u0101 ret\u0101k p\u0101rst\u0101v\u0113ta skatpunkta.<\/p>\n

\"Kameropera<\/p>\n

Kameropera “Cantus Firmus”<\/p>\n

Foto: Anna Konovalova<\/p>\n<\/p>\n

Nevaram gl\u0101bt pasauli, ja uzbr\u016bkam viens otram\u00a0<\/p>\n

M\u016bzi\u0137e L\u012bga Paegle ir piedal\u012bjusies abos iestud\u0113jumos \u2013\u00a0pirmoreiz vi\u0146a bija pavado\u0161aj\u0101 sast\u0101v\u0101 un sp\u0113l\u0113ja klavieres, bet \u0161oreiz m\u016bzi\u0137ei pie\u0161\u0137irta solistes loma. Vi\u0146a atz\u012bst \u2013 k\u0101 sieviete nav vienm\u0113r izjutusi nepiecie\u0161am\u012bbu c\u012bn\u012bties par sav\u0101m ties\u012bb\u0101m:\u00a0“Iesp\u0113jams, \u0161\u012bs izr\u0101des tematika mani rosina dom\u0101t par kaut ko t\u0101du, ko es ikdien\u0101 tik daudz nep\u0101rdom\u0101ju. Piem\u0113ram, par sievie\u0161u kop\u0101b\u016b\u0161anu, sievie\u0161u sp\u0113ku un par to, cik \u013coti paties\u012bb\u0101 sieviet\u0113m ir j\u0101turas kop\u0101.\u00a0<\/p>\n

\n

Man laikam ir t\u0101 palaim\u0113jies, ka es ikdien\u0101 nej\u016btu diskrimin\u0101ciju pret sevi k\u0101 pret sievieti\u00a0un es neizj\u016btu netaisn\u012bbu. Bet t\u0101du st\u0101stu ir tik \u0161ausm\u012bgi daudz!”\u00a0<\/p>\n<\/blockquote>\n

Vi\u0146aspr\u0101t, ir aplami, ka sabiedr\u012bb\u0101 tiek izdal\u012bti dzimumi un ka b\u016btu par k\u0101da ties\u012bb\u0101m \u012bpa\u0161i j\u0101run\u0101:\u00a0“Visam b\u016btu j\u0101b\u016bt k\u0101rt\u012bb\u0101. Diem\u017e\u0113l m\u016bsdien\u0101s m\u0113s to v\u0113l joproj\u0101m nevaram. It k\u0101 ir liel\u0101kas lietas, par ko run\u0101t \u2013 dabas gl\u0101b\u0161ana, pasaules gl\u0101b\u0161ana \u2013,\u00a0tom\u0113r apk\u0101rt notieko\u0161ais mums ne\u013cauj atsl\u0101bt, visu laiku j\u0101c\u012bn\u0101s ar\u012b par sievietes ties\u012bb\u0101m, jo k\u0101ds visu laiku cen\u0161as k\u0101du apspiest un izjaukt l\u012bdzsvaru.”<\/p>\n

\"Kameropera<\/p>\n

Kameropera “Cantus Firmus”<\/p>\n

Foto: Anna Konovalova<\/p>\n<\/p>\n

K\u0101 sievietes skatiens at\u0161\u0137iras no v\u012brie\u0161a?\u00a0<\/p>\n

Daudziem var\u0113tu rasties jaut\u0101jums \u2013 ja jau tik \u013coti v\u0113lamies pan\u0101kt vienl\u012bdz\u012bbu, k\u0101p\u0113c uz pasauli j\u0101raug\u0101s atsevi\u0161\u0137i \u2013 no sievietes un v\u012brie\u0161a skatpunkta? Un k\u0101 tie visp\u0101r at\u0161\u0137iras? Izr\u0101d\u0101s, kameroperas rado\u0161\u0101 komanda \u0161o terminu \u2013 “sievietes skatiens” aizguvusi no kino pasaules.\u00a0<\/p>\n

“Procesa laik\u0101 m\u0113s skat\u012bj\u0101mies daudz filmu\u00a0un m\u0113\u0123in\u0101j\u0101m saprast, kas tad ir sievietes un v\u012brie\u0161a skatiens.\u00a0<\/p>\n

\n

Tie at\u0161\u0137iras, ar k\u0101du perspekt\u012bvu m\u0113s l\u016bkojamies pasaul\u0113. Kas ir tas skatiens? Cik tas skatiens ir piel\u0101d\u0113ts, un ar ko tas ir piel\u0101d\u0113ts, kad m\u0113s k\u0101du gleznojam vai v\u0113rojam?\u00a0<\/p>\n<\/blockquote>\n

Bie\u017ei vien to var nov\u0113rot tie\u0161i film\u0101s, jo tur\u00a0skatiens ir nofiks\u0113ts\u00a0un varam spriest, cik \u0137erme\u0146i vai person\u0101\u017ei tiek objektiviz\u0113ti.\u00a0Vai ar\u012b \u2013 kam tiek pie\u0161\u0137irta uzman\u012bba un kam ne. Cik daudzpus\u012bgi tiek par\u0101d\u012btas person\u012bbas vai \u2013\u00a0cik kli\u0161ejiskas t\u0101s ir?” skaidro Linda Kr\u016bmi\u0146a. Vi\u0146aspr\u0101t, viena no at\u0161\u0137ir\u012bb\u0101m ar “sievietes skatienu” rad\u012btajos m\u0101kslas darbos ir t\u0101da, ka \u0161\u0101d\u0101 pasaul\u0113 p\u0101rsvaru nerada radik\u0101li varo\u0146i vai antivaro\u0146i:\u00a0“M\u0113s mazliet pietuvin\u0101mies realit\u0101tei, kur visi vienlaikus gr\u0113kojam un neesam varo\u0146i. M\u0113s vienlaikus esam viss, un ar\u012b konflikti l\u012bdz ar to ir da\u017e\u0101di \u2013\u00a0<\/p>\n

\n

nav t\u0101ds lielais konflikts, bet ir daudzsl\u0101\u0146ainas situ\u0101cijas, kas ir daudz sare\u017e\u0123\u012bt\u0101kas, un nav\u00a0tikai “melns vai balts”. Varb\u016bt tas skatiens vienk\u0101r\u0161i ir mazliet nians\u0113t\u0101ks un detaliz\u0113t\u0101ks.”\u00a0<\/p>\n<\/blockquote>\n

\"kadrs<\/p>\n

kadrs no kameroperas “Cantus Firmus”<\/p>\n

Foto: publicit\u0101tes att\u0113ls<\/p>\n<\/p>\n

Pasaul\u0113 l\u012bdz\u0101s past\u0101v vair\u0101ki skat\u012bjumi\u00a0<\/p>\n

Kameroperas rado\u0161\u0101 komanda uzskata \u2013 \u0161\u0101da veida skatiens uz skatuves ir sastopams reti, jo p\u0101rsvar\u0101 tur joproj\u0101m domin\u0113 ierasti, ar “v\u012brie\u0161u skatienu” rad\u012bti\u00a0st\u0101sti, kur valda varo\u0146i ar episka m\u0113roga\u00a0probl\u0113m\u0101m. Barbara Lehtna nor\u0101da \u2013 \u0161\u0101di st\u0101sti ne\u013cauj iedz\u012bvoties uz skatuves notieko\u0161aj\u0101, jo glu\u017ei vienk\u0101r\u0161i ir saj\u016bta, ka to varo\u0146i un t\u0113lotais\u00a0neattiecas uz re\u0101lo pasauli, kur\u0101 dz\u012bvojam.\u00a0<\/p>\n

“Daudzk\u0101rt esmu sev jaut\u0101jusi, k\u0101p\u0113c es nesatieku sevi uz skatuves. Vismaz Baltijas valst\u012bs es pieaugu\u0161\u0101 dz\u012bves laik\u0101 neesmu redz\u0113jusi uz skatuves nevienu t\u0101du k\u0101 es. Tas, protams, nav nekas krimin\u0101ls, bet liek jaut\u0101t: cik v\u0113l sievie\u0161u vai cilv\u0113ku, kas dz\u012bvo sievietes \u0137ermen\u012b, k\u0101du iemeslu d\u0113\u013c netiek p\u0101rst\u0101v\u0113tas uz skatuves? Vai \u2013 k\u0101p\u0113c to apdz\u012bvo tikai konkr\u0113ti arhetipi? T\u0101 pat nav probl\u0113ma, vienk\u0101r\u0161i jaut\u0101jums \u2013 k\u0101p\u0113c t\u0101 ir? K\u0101 m\u0113s \u2013 m\u0101kslinieki \u2013 varam nevis st\u0101ties tam pret\u012b, jo tas noz\u012bm\u0113tu v\u0113l pastiprin\u0101t \u0161o melnbalto narat\u012bvu, bet gan rad\u012bt tam alternat\u012bvu?” re\u017eisore pr\u0101to.<\/p>\n

\n

“Uzaugot \u0161eit, Baltijas valst\u012bs, m\u0113s esam pieredz\u0113ju\u0161as vienu konkr\u0113tu diskursu. T\u0101p\u0113c es teiktu, ka ir labi, ja \u0161aub\u0101mies. Galu gal\u0101 \u2013 nav jau vienas pareiz\u0101s atbildes, kam ir j\u0101b\u016bt uz skatuves, k\u0101 tur ir j\u0101izskat\u0101s vai j\u0101uzvedas.\u00a0<\/p>\n<\/blockquote>\n

Bet \u0161aubas m\u016bs var aizvest pie daudz pla\u0161\u0101k\u0101m izv\u0113les iesp\u0113j\u0101m,” vi\u0146a uzsver un atz\u012bst \u2013 viens vai otrs narat\u012bvs nav lab\u0101ks vai slikt\u0101ks, bet tas pied\u0101v\u0101 cit\u0101du skat\u012bjumu uz pasauli. Tas\u00a0savuk\u0101rt\u00a0tuvina m\u016bs realit\u0101tei, jo ar\u012b cilv\u0113ku viedok\u013ci un skat\u012bjums uz vien\u0101m un t\u0101m pa\u0161\u0101m t\u0113m\u0101m at\u0161\u0137iras.<\/p>\n","protected":false},"excerpt":{"rendered":"“Sievietes skatiens”\u00a0m\u0101kslas darb\u0101 nav m\u0113\u0123in\u0101jums pretnostat\u012bt sievietes v\u012brie\u0161iem, k\u0101 sabiedr\u012bb\u0101 to reiz\u0113m m\u0113dz uztvert, bet gan pied\u0101v\u0101jums paraudz\u012bties…\n","protected":false},"author":2,"featured_media":28439,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[12],"tags":[23,28,29,32,33,22,30,31,35,39,38,36,37,34,40,20,26,27,24,25,21],"class_list":{"0":"post-28438","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-latvija","8":"tag-aktualitates","9":"tag-breaking-news","10":"tag-breakingnews","11":"tag-featured-news","12":"tag-featurednews","13":"tag-headlines","14":"tag-latest-news","15":"tag-latestnews","16":"tag-latvia","17":"tag-latvian","18":"tag-latviesu","19":"tag-latviesu-valoda","20":"tag-latviesuvaloda","21":"tag-latvija","22":"tag-lv","23":"tag-news","24":"tag-popularakas-zinas","25":"tag-popularakaszinas","26":"tag-top-stories","27":"tag-topstories","28":"tag-zinas"},"share_on_mastodon":{"url":"","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/28438","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/comments?post=28438"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/28438\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media\/28439"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media?parent=28438"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/categories?post=28438"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/tags?post=28438"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}