Filmas “P\u0113c med\u012bb\u0101m” pirmizr\u0101de Latvij\u0101: D\u017e\u016blija Robertsa par ne\u0113rt\u0101m paties\u012bb\u0101m un izaicin\u0101jumiem ekr\u0101n\u0101<\/p>\n
R\u012bgas Starptautiskaj\u0101 kinofestiv\u0101l\u0101 (Riga IFF) notika gaid\u012bt\u0101s filmas “P\u0113c med\u012bb\u0101m” (After the Hunt) Latvijas pirmizr\u0101de, sniedzot skat\u012bt\u0101jiem ekskluz\u012bvu ieskatu gan filmas rado\u0161\u0101s komandas darba proces\u0101, gan dzi\u013c\u0101k\u0101 t\u0101s noz\u012bmes izpratn\u0113. \u0160\u012b it\u0101\u013cu kinore\u017eisora Lukas Gvadanj\u012bno jaun\u0101k\u0101 darba galvenaj\u0101 lom\u0101 redzama viena no Holivudas ikon\u0101m \u2013 D\u017e\u016blija Robertsa, kura kop\u0101 ar kol\u0113\u0123iem dal\u012bj\u0101s ar sav\u0101m p\u0101rdom\u0101m par izaicin\u0101jumiem, ko rad\u012bjis darbs pie \u0161\u012b sare\u017e\u0123\u012bt\u0101 projekta.<\/p>\n
Ne\u0113rt\u0101s paties\u012bbas un akad\u0113misk\u0101s vides spriedze<\/p>\n
Filmas nosaukums “P\u0113c med\u012bb\u0101m” aizg\u016bts no Oto fon Bismarka atzi\u0146as: “Cilv\u0113ki nekad nemelo tik daudz k\u0101 p\u0113c med\u012bb\u0101m, kara laik\u0101 vai pirms v\u0113l\u0113\u0161an\u0101m.” \u0160is cit\u0101ts, kas atg\u016bst savu aktualit\u0101ti ar\u012b m\u016bsdien\u0101s, filmas kontekst\u0101 ieg\u016bst jaunu noz\u012bmi, nor\u0101dot uz to, ka paties\u012bba un taisn\u012bgums pret citiem ir iesp\u0113jami tikai tad, ja vispirms esam god\u012bgi pret sevi. St\u0101sts risin\u0101s Jeila Universit\u0101tes akad\u0113miskaj\u0101 vid\u0113 2019. gad\u0101, pirms pla\u0161\u0101k\u0101m glob\u0101l\u0101m p\u0101rmai\u0146\u0101m, kas iez\u012bm\u0113ja p\u0113d\u0113j\u0101s “liber\u0101l\u0101s, br\u012bv\u0101s vides atbl\u0101zmas”, k\u0101 to raksturo D\u017e\u016blija Robertsa. \u0160is laikaposms pirms pand\u0113mijas ir apzin\u0101ti izv\u0113l\u0113ts, lai atspogu\u013cotu specifisku sabiedr\u012bbas noska\u0146ojumu un ide\u0101lu pasauli, kas dr\u012bzum\u0101 tiks konfront\u0113ta ar skarbo realit\u0101ti.<\/p>\n
Filmas centr\u0101 ir D\u017e\u016blijas Robertsas atveidot\u0101 filosofijas profesore Alma Olsone, kura ir ne tikai akad\u0113misk\u0101s aprind\u0101s cien\u012bta person\u012bba, bet ar\u012b studentu vid\u016b popul\u0101ra feminisma aizst\u0101ve. Vi\u0146as ide\u0101lus un nost\u0101ju s\u0101k ap\u0161aub\u012bt br\u012bd\u012b, kad atkl\u0101jas skand\u0101ls saist\u012bb\u0101 ar k\u0101du vi\u0146as tuvu kol\u0113\u0123i (Endrj\u016b G\u0101rf\u012blds), kur\u0161 tiek aps\u016bdz\u0113ts par robe\u017eu p\u0101rk\u0101p\u0161anu attiec\u012bb\u0101s ar Megiju (Ajo Edebiri) \u2013 jaunu un talant\u012bgu studenti, kuru vec\u0101ki ir universit\u0101tes mecen\u0101ti. \u0160\u012b situ\u0101cija liek Almai p\u0101rskat\u012bt savus principus un pag\u0101tni, saskaroties ar sare\u017e\u0123\u012btu mor\u0101lu dilemmu.<\/p>\n
Aktieru un rado\u0161\u0101s komandas ieskats<\/p>\n
D\u017e\u016blija Robertsa, kura paz\u012bstama ar sav\u0101m ikoniskaj\u0101m lom\u0101m t\u0101d\u0101s film\u0101s k\u0101 “Jauk\u0101 sieviete” un “\u0112rina Brokovi\u010da”, atz\u012bst, ka \u0161\u012b loma bijusi \u012bpa\u0161i izaicino\u0161a. “Es dom\u0101ju, ka, tikl\u012bdz tu esi ko ap\u0146\u0113mies, tu to vairs nedr\u012bksti ap\u0161aub\u012bt. Tu nedr\u012bksti \u0161aub\u012bties. Tev ir j\u0101b\u016bt piln\u012bb\u0101 uztic\u012bgam \u0161ai personai un vi\u0146as past\u0101v\u012bgi main\u012bgajai paties\u012bbai,” st\u0101sta Robertsa par savas varones atveido\u0161anu. Vi\u0146a nor\u0101da, ka filmas varone ir vi\u0146as piln\u012bgs pretstats, un aktrise jutusi nepiecie\u0161am\u012bbu dzi\u013ci izprast varones motiv\u0101ciju, pat ja t\u0101 \u0161\u0137iet pretrun\u012bga vai ne\u0113rtu paties\u012bbu atkl\u0101jo\u0161a.<\/p>\n
Re\u017eisors Luka Gvadanj\u012bno, kur\u0161 iepriek\u0161 guvis atzin\u012bbu par t\u0101d\u0101m film\u0101m k\u0101 “Sauc mani sav\u0101 v\u0101rd\u0101” un “Esmu m\u012blest\u012bba”, \u0161aj\u0101 projekt\u0101 piev\u0113r\u0161as sare\u017e\u0123\u012bt\u0101m t\u0113m\u0101m par robe\u017eu p\u0101rk\u0101p\u0161anu, akad\u0113misko vidi un #MeToo \u0113ras sek\u0101m. Vi\u0146a kinom\u0101ksla, kas bie\u017ei raksturota k\u0101 izsmalcin\u0101ta un vizu\u0101li bag\u0101ta, ar\u012b \u0161oreiz nepievi\u013c, radot spriedzi un dzi\u013cumu, kas liek skat\u012bt\u0101jam ne tikai izbaud\u012bt st\u0101stu, bet ar\u012b p\u0101rdom\u0101t sabiedr\u012bb\u0101 aktu\u0101lus jaut\u0101jumus. Gvadanj\u012bno uzsver \u0137erme\u0146a centr\u0101l\u0101s noz\u012bmes svar\u012bgumu st\u0101sta atkl\u0101\u0161an\u0101, atz\u012bstot ar\u012b influenci no t\u0101diem re\u017eisoriem k\u0101 Deivids Kronenbergs.<\/p>\n
Filmas scen\u0101riste Nora Gareta, kurai \u0161is ir debijas darbs scen\u0101rija rakst\u012b\u0161an\u0101, iepriek\u0161 str\u0101d\u0101jusi ar m\u0101ksl\u012bg\u0101 intelekta sist\u0113m\u0101m uz\u0146\u0113mum\u0101 “Meta”, kas pie\u0161\u0137ir papildu dimensiju vi\u0146as izpratnei par m\u016bsdienu tehnolo\u0123ij\u0101m un to ietekmi uz cilv\u0113ku attiec\u012bb\u0101m un sabiedr\u012bbu. \u0160\u012b pieredze, iesp\u0113jams, ir pal\u012bdz\u0113jusi rad\u012bt st\u0101stu, kas savij personisk\u0101s dr\u0101mas ar dzi\u013c\u0101kiem sabiedr\u012bbas procesiem.<\/p>\n
T\u0113ma un t\u0101s aktualit\u0101te<\/p>\n
“P\u0113c med\u012bb\u0101m” pied\u0101v\u0101 medit\u0101ciju par robe\u017eu p\u0101rk\u0101p\u0161anu un m\u016bsdienu “raganu med\u012bb\u0101m”, liekot aizdom\u0101ties par cilv\u0113ka autonomijas ideju un sp\u0113ju pie\u0146emt zin\u0101mo k\u0101 eso\u0161o. Filma nebaid\u0101s uzdot gr\u016btus jaut\u0101jumus par to, vai mor\u0101les un \u0113tikas normas, ko tik viegli apsprie\u017eam akad\u0113misk\u0101 vid\u0113 pie v\u012bna gl\u0101zes, ir tikpat vienk\u0101r\u0161i attiecin\u0101mas uz re\u0101lo dz\u012bvi. Robertsa pau\u017e satraukumu par sievie\u0161u naid\u012bgo vidi Holivud\u0101, atz\u012bstot, ka vi\u0146a savas karjeras laik\u0101 c\u012bn\u012bjusies ar domin\u0113jo\u0161o v\u012brie\u0161u kult\u016bru, bie\u017ei vien esot vien\u012bg\u0101 sieviete pie sarunu galda. \u0160\u012b person\u012bg\u0101 pieredze dro\u0161i vien bag\u0101tin\u0101jusi vi\u0146as izpratni par varo\u0146u izaicin\u0101jumiem un sare\u017e\u0123\u012btaj\u0101m attiec\u012bb\u0101m, kas atspogu\u013cojas ar\u012b filmas st\u0101st\u0101.<\/p>\n
Filma, kas tika izr\u0101d\u012bta ar\u012b Ven\u0113cijas kinofestiv\u0101l\u0101, ir k\u013cuvusi par noz\u012bm\u012bgu notikumu R\u012bgas Starptautiskaj\u0101 kinofestiv\u0101l\u0101, sniedzot skat\u012bt\u0101jiem iesp\u0113ju kl\u0101tien\u0113 iepaz\u012bties ar Ajo Edebiri, Endrj\u016b G\u0101rf\u012bldu un Maiklu Stulbargu, kuri ar\u012b piedal\u0101s \u0161aj\u0101 spriedzes pilnaj\u0101 dr\u0101m\u0101. “P\u0113c med\u012bb\u0101m” ir ne tikai st\u0101sts par varo\u0146u savstarp\u0113j\u0101m attiec\u012bb\u0101m, bet ar\u012b par sabiedr\u012bbas tikumu evol\u016bciju un m\u016bsdienu izaicin\u0101jumiem, ar kuriem saskaras gan indiv\u012bdi, gan kopienas.<\/p>\n","protected":false},"excerpt":{"rendered":"Filmas “P\u0113c med\u012bb\u0101m” pirmizr\u0101de Latvij\u0101: D\u017e\u016blija Robertsa par ne\u0113rt\u0101m paties\u012bb\u0101m un izaicin\u0101jumiem ekr\u0101n\u0101 R\u012bgas Starptautiskaj\u0101 kinofestiv\u0101l\u0101 (Riga IFF)…\n","protected":false},"author":2,"featured_media":28542,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[19],"tags":[8310,909,89,90,35,39,38,36,37,34,8309,40,8308,7491],"class_list":{"0":"post-28541","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-izklaide","8":"tag-akademiska-vide","9":"tag-dzulija-robertsa","10":"tag-entertainment","11":"tag-izklaide","12":"tag-latvia","13":"tag-latvian","14":"tag-latviesu","15":"tag-latviesu-valoda","16":"tag-latviesuvaloda","17":"tag-latvija","18":"tag-luka-gvadanjino","19":"tag-lv","20":"tag-pec-medibam","21":"tag-rigas-starptautiskais-kinofestivals"},"share_on_mastodon":{"url":"","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/28541","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/comments?post=28541"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/28541\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media\/28542"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media?parent=28541"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/categories?post=28541"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/tags?post=28541"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}