{"id":28621,"date":"2025-10-22T23:37:21","date_gmt":"2025-10-22T23:37:21","guid":{"rendered":"https:\/\/www.europesays.com\/lv\/28621\/"},"modified":"2025-10-22T23:37:21","modified_gmt":"2025-10-22T23:37:21","slug":"francu-maestro-zans-kristofs-spinozi-diriges-lnso-unikala-koncertprogramma-lente-lv-2","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/lv\/28621\/","title":{"rendered":"Fran\u010du maestro \u017dans Kristofs Spinozi diri\u0123\u0113s LNSO unik\u0101l\u0101 koncertprogramm\u0101\u00a0\u2014\u00a0Lente.lv"},"content":{"rendered":"<p>Latvijas Nacion\u0101lais simfoniskais or\u0137estris (LNSO) aicina uz diviem neaizmirstamiem koncertiem, kas notiks 26. septembr\u012b plkst. 19.00 R\u012bgas Kongresu nam\u0101 un 27. septembr\u012b plkst. 17.00 Ventspils koncertz\u0101l\u0113 \u201cLatvija\u201d. \u0160ie notikumi iez\u012bm\u0113 pirmo reizi, kad pie LNSO diri\u0123enta pults st\u0101sies izcilais fran\u010du maestro \u017dans Kristofs Spinozi, kur\u0161 ir iekarojis pasaules slavu ar sav\u0101m baroka un klasicisma laikmeta interpret\u0101cij\u0101m. Vi\u0146a unik\u0101l\u0101 pieeja m\u016bzikai sola klaus\u012bt\u0101jiem aizraujo\u0161u un dzi\u013ci emocion\u0101lu pieredzi, kas p\u0101rsniedz laiku un telpu.<\/p>\n<p>Muzik\u0101ls dialogs ar laikmetiem<\/p>\n<p>Koncertprogramma \u201cLNSO, Vasks, zelta baroks un For\u0113 Rekvi\u0113ms\u201d ir r\u016bp\u012bgi veidota moza\u012bka, kas aicina klaus\u012bt\u0101jus ce\u013cojum\u0101 cauri da\u017e\u0101diem muzik\u0101lajiem laikmetiem un stiliem. Sezonas atkl\u0101\u0161anas koncerts s\u0101ksies ar LNSO 100. sezonas rezid\u0113jo\u0161\u0101 komponista P\u0113tera Vaska darbu \u201cCantabile\u201d st\u012bginstrumentiem. \u0160is 1979. gad\u0101 rad\u012btais ska\u0146darbs ir k\u013cuvis par vienu no latvie\u0161u m\u016bzikas simboliem, pau\u017eot dzi\u013cas filozofiskas p\u0101rdomas un harmoniju, un aicinot ieklaus\u012bties klusum\u0101 un cilv\u0113ka iek\u0161\u0113j\u0101 pasaul\u0113. P\u0113c Vaska meditat\u012bv\u0101s m\u016bzikas klaus\u012bt\u0101ji tiks ievesti spo\u017eaj\u0101 baroka laikmet\u0101 ar fragmentu \u201cSit nomen Domini\u201d no Antonio Vivaldi cikla \u201cLaudate pueri\u201d. \u0160aj\u0101 ska\u0146darb\u0101 \u012bpa\u0161i izcili skan\u0113s jaun\u0101 fran\u010du sopr\u0101na Ninas Spinozi balss, radot elegantu un dv\u0113selisku dialogu ar LNSO st\u012bgu grupu.<\/p>\n<p>Pirm\u0101s da\u013cas nosl\u0113gum\u0101 atskan\u0113s Johana Sebasti\u0101na Baha Koncerts klaves\u012bnam un or\u0137estrim re minor\u0101 BWV 1052. \u0160is baroka laikmeta paraugs demonstr\u0113 m\u016bzikai rakstur\u012bgo dramatisko spriegumu un melodisko izsmalcin\u0101t\u012bbu, bet klaves\u012bna solo partiju izpild\u012bs talant\u012bg\u0101 latvie\u0161u klaves\u012bniste Ieva Saliete. Vi\u0146as sp\u0113lei rakstur\u012bga ori\u0123inalit\u0101te, aizraut\u012bba un dzi\u013ca izpratne par v\u0113sturisko instrumentu nians\u0113m. Saliete ir br\u012bvm\u0101ksliniece, kura sadarbojas ar or\u0137estri \u201cSinfonietta R\u012bga\u201d baroka projektos un piedal\u0101s solo un kamerm\u016bzikas projektos V\u0101cij\u0101 un \u0160veic\u0113, k\u0101 ar\u012b ir Bernes sen\u0101s m\u016bzikas or\u0137estra \u201cLes Passions de l\u2019Ame\u201d klaves\u012bniste. Vi\u0146as interpret\u0101cij\u0101s vienm\u0113r j\u016btama dzi\u013ca izpratne un kaisl\u012bba pret sen\u0101s m\u016bzikas pasauli.<\/p>\n<p>For\u0113 Rekvi\u0113ms: cer\u012bba un dv\u0113seles mierin\u0101jums<\/p>\n<p>Koncerta paties\u0101 kulmin\u0101cija sagaid\u012bs klaus\u012bt\u0101jus otraj\u0101 da\u013c\u0101 ar Gabriela For\u0113 monument\u0101lo Rekvi\u0113mu. At\u0161\u0137ir\u012bb\u0101 no tradicion\u0101laj\u0101m s\u0113ru mes\u0101m, \u0161is darbs p\u0101rv\u0113r\u0161 n\u0101ves t\u0113mu cer\u012bb\u0101, gaism\u0101 un dv\u0113seles mier\u0101. For\u0113 savu Rekvi\u0113mu raksturojis k\u0101 \u201cmiera rekvi\u0113mu\u201d, un tas ir caurstr\u0101dots ar cer\u012bbu, apceri par m\u016b\u017e\u012bbu un dz\u012bves skaistumu. Komponists \u0161o darbu rad\u012bja personisku p\u0101rdz\u012bvojumu ietekm\u0113, tom\u0113r vi\u0146a skat\u012bjums uz n\u0101vi ir p\u0101rsteidzo\u0161i mierpilns un pacil\u0101jo\u0161s. \u0160is darbs tiek uzskat\u012bts par vienu no emocion\u0101li aizkustino\u0161\u0101kajiem un klaus\u012bt\u0101ju visvair\u0101k iem\u012b\u013cotajiem m\u016bzikas \u0161edevriem.<\/p>\n<p>For\u0113 Rekvi\u0113ma atska\u0146ojum\u0101 kop\u0101 ar LNSO un Valsts Akad\u0113misko kori \u201cLatvija\u201d piedal\u012bsies ar\u012b sopr\u0101ns Nina Spinozi un norv\u0113\u0123u baritons Halvors Meliens. Meliens ir daudzpus\u012bgs m\u0101kslinieks ar iev\u0113rojamu skatuves pieredzi, kur\u0161 dzied oper\u0101s, kamerm\u016bzikas koncertos un atska\u0146o m\u016bsdienu komponistu darbus. Vi\u0146a interpret\u0101cij\u0101s apvienojas zieme\u013cniecisks smalkums ar emocion\u0101lu dzi\u013cumu, padarot katru uzst\u0101\u0161anos par m\u0101ksliniecisku notikumu.<\/p>\n<p>M\u0101kslinieku spo\u017eums<\/p>\n<p>\u017dans Kristofs Spinozi, Ensemble Matheus dibin\u0101t\u0101js un m\u0101kslinieciskais vad\u012bt\u0101js, ir regul\u0101rs viesis presti\u017e\u0101s koncertz\u0101l\u0113s vis\u0101 pasaul\u0113, tostarp Par\u012bzes \u0160atl\u0113 te\u0101tr\u012b un V\u012bnes Konzerthaus. Vi\u0146a ener\u0123ija, precizit\u0101te un rado\u0161\u0101 harizma koncerta programmas atska\u0146ojumam vienm\u0113r pie\u0161\u0137ir \u012bpa\u0161u noz\u012bmi un padara koncertu par neaizmirstamu notikumu. Spinozi pats atz\u012bst, ka m\u016bsdienu pasaul\u0113 m\u016bzika ir k\u0101 dievi\u0161\u0137\u0101 gaisma, kas sp\u0113j vienot un iedvesmot. Vi\u0146a prieks un saj\u016bsma par pirmo uzst\u0101\u0161anos Latvij\u0101 ir j\u016btama katr\u0101 intervij\u0101, un vi\u0146\u0161 cer uz aizraujo\u0161iem atkl\u0101jumiem gan par R\u012bgu, gan par saviem jaunajiem kol\u0113\u0123iem \u2013 m\u016bzi\u0137iem.<\/p>\n<p>Fran\u010du sopr\u0101ns Nina Spinozi, dzimusi m\u016bzi\u0137u \u0123imen\u0113, ir iekarojusi atzin\u012bbu gan oper\u0101, gan koncertos, atveidojot lomas pasaulslavenos darbos. Vi\u0146as repertu\u0101rs aptver pla\u0161u \u017eanru spektru, tostarp baroka m\u016bziku, operas un kamerm\u016bziku. Norv\u0113\u0123u baritons Halvors Meliens ir \u012bpa\u0161i piev\u0113rsies baroka m\u016bzikai un v\u0101cu vok\u0101lajai kamerm\u016bzikai, apliecinot savu dzi\u013co izpratni par \u0161iem \u017eanriem.<\/p>\n<p>\u0160is koncerts ir ne tikai augstv\u0113rt\u012bgs muzik\u0101ls notikums, bet ar\u012b emocion\u0101la satik\u0161an\u0101s vieta \u2013 starp klaus\u012bt\u0101jiem un m\u0101ksliniekiem, starp ska\u0146darbiem un to nesto v\u0113st\u012bjumu. LNSO un t\u0101 viesi aicina iegrimt m\u016bzikas skaistum\u0101 un atv\u0113rties jaun\u0101m, iedvesmojo\u0161\u0101m saj\u016bt\u0101m.<\/p>\n","protected":false},"excerpt":{"rendered":"Latvijas Nacion\u0101lais simfoniskais or\u0137estris (LNSO) aicina uz diviem neaizmirstamiem koncertiem, kas notiks 26. septembr\u012b plkst. 19.00 R\u012bgas Kongresu&hellip;\n","protected":false},"author":2,"featured_media":28622,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[19],"tags":[896,89,5955,90,104,35,39,38,36,37,34,5365,40,2922],"class_list":{"0":"post-28621","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-izklaide","8":"tag-baroka-muzika","9":"tag-entertainment","10":"tag-gabriels-fore-rekviems","11":"tag-izklaide","12":"tag-koncertprogramma","13":"tag-latvia","14":"tag-latvian","15":"tag-latviesu","16":"tag-latviesu-valoda","17":"tag-latviesuvaloda","18":"tag-latvija","19":"tag-lnso","20":"tag-lv","21":"tag-zans-kristofs-spinozi"},"share_on_mastodon":{"url":"","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/28621","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/comments?post=28621"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/28621\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media\/28622"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media?parent=28621"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/categories?post=28621"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/tags?post=28621"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}