Franc\u016bzis \u017dilj\u0113ns Masmond\u0113 atkal diri\u0123\u0113s Latvijas Nacion\u0101lo simfonisko or\u0137estri<\/p>\n
Latvijas Nacion\u0101lais simfoniskais or\u0137estris (LNSO) ar aizraut\u012bbu gatavojas savai jaunajai koncertprogrammai, kur\u0101 pie diri\u0123enta pults st\u0101sies talant\u012bgais fran\u010du diri\u0123ents \u017dilj\u0113ns Masmond\u0113. \u0160is satik\u0161an\u0101s br\u012bdis sol\u0101s b\u016bt \u012bpa\u0161s, jo Masmond\u0113 jau iepriek\u0161 ir guvis pla\u0161u atzin\u012bbu par savu darbu ar LNSO, apliecinot dzi\u013cu muzik\u0101lo izpratni un ener\u0123isku interpret\u0101ciju. Vi\u0146a atgrie\u0161an\u0101s pie or\u0137estra diri\u0123enta pults ir k\u0101 apliecin\u0101jums veiksm\u012bgajai sadarb\u012bbai un sol\u012bjums klaus\u012bt\u0101jiem par neaizmirstamu m\u016bzikas baud\u012bjumu. \u0160\u012b pieredz\u0113jus\u012b diri\u0123enta kl\u0101tb\u016btne sola pie\u0161\u0137irt koncertam \u012bpa\u0161u \u0161armu un dzi\u013cumu, pulc\u0113jot kop\u0101 20. gadsimta un m\u016bsdienu simfonisk\u0101s m\u016bzikas \u0161edevrus.<\/p>\n
Koncerta programma: Starp pag\u0101tni un tagatni<\/p>\n
31. oktobr\u012b pulksten 19.00 R\u012bgas Kongresu nam\u0101 skan\u0113s koncerts ar nosaukumu “LNSO, Gl\u0101ss un Bartoks”. \u0160\u012b programma ir r\u016bp\u012bgi veidota, lai pied\u0101v\u0101tu klaus\u012bt\u0101jiem ieskatu da\u017e\u0101dos laikmetos un kompoz\u012bciju stilos. Programm\u0101 iek\u013cauta Ung\u0101rijas komponista B\u0113la Bartoka baletsv\u012bta “Br\u012bni\u0161\u0137\u012bgais mandar\u012bns”, kas ir viens no vi\u0146a noz\u012bm\u012bg\u0101kajiem darbiem un joproj\u0101m sp\u0113j p\u0101rsteigt ar savu sp\u0113c\u012bgo emocion\u0101lo pies\u0101tin\u0101jumu un ritmisko dinamiku. \u0160is ska\u0146darbs, kas pirmatska\u0146ots 1926. gad\u0101, atspogu\u013co 20. gadsimta s\u0101kuma modernistisk\u0101s tendences un ir pies\u0101tin\u0101ts ar ung\u0101ru tautas m\u016bzikas ietekm\u0113m, radot iespaid\u012bgu un br\u012b\u017eiem pat \u0161ok\u0113jo\u0161u klaus\u012b\u0161an\u0101s pieredzi. Bartoka dai\u013crade vienm\u0113r bijusi izaicin\u0101jums gan izpild\u012bt\u0101jiem, gan klaus\u012bt\u0101jiem, un “Br\u012bni\u0161\u0137\u012bgais mandar\u012bns” nav iz\u0146\u0113mums, pied\u0101v\u0101jot gan kaisl\u012bgu dr\u0101mu, gan virtuozu instrument\u0101lo partiju. K\u0101 pirmo reizi Latvij\u0101 izskan\u0113s m\u016bsdienu fran\u010du komponistes Kamillas Pep\u0113nas opuss “Inlandsis”. \u0160is ska\u0146darbs, rad\u012bts p\u0113c Francijas Radio pas\u016bt\u012bjuma 2023. gad\u0101, ir da\u013ca no autores “Klimatisk\u0101s trilo\u0123ijas” un piev\u0113r\u0161as cilv\u0113ka un dabas attiec\u012bbu tematikai. Pep\u0113na savu darbu raksturo k\u0101 “ledainu or\u0137estra fresku”, kas sniedz aizraujo\u0161u ieskatu m\u016bsdienu komponistu rado\u0161aj\u0101 pasaul\u0113 un vi\u0146u sp\u0113j\u0101 atspogu\u013cot aktu\u0101las t\u0113mas caur m\u016bziku.<\/p>\n
Filips Gl\u0101ss un latvie\u0161u talanti<\/p>\n
Koncerta centr\u0101lais elements b\u016bs amerik\u0101\u0146u minim\u0101lisma ikonas Filipa Gl\u0101sa “Koncerts vijolei, \u010dellam un or\u0137estrim”. Lai gan \u0161is darbs s\u0101kotn\u0113ji tika rad\u012bts k\u0101 m\u016bzika baleta izr\u0101dei “Gulbja dziesma”, tas ir ieguvis milz\u012bgu popularit\u0101ti k\u0101 patst\u0101v\u012bgs koncertdarbs. Gl\u0101sa unik\u0101lais stils, kas raksturojas ar atk\u0101rtojo\u0161\u0101m melodisk\u0101m fr\u0101z\u0113m un ritmisko puls\u0101ciju, rad\u012bs hipnotiz\u0113jo\u0161u atmosf\u0113ru. Kas \u0161o interpret\u0101ciju padara \u012bpa\u0161i gaid\u012btu, ir solistu lom\u0101s iej\u016btos izcilie latvie\u0161u m\u016bzi\u0137i \u2013 vijolniece El\u012bna Buk\u0161a un \u010dellists Kristaps Bergs. Abi m\u016bzi\u0137i ir guvu\u0161i starptautisku atzin\u012bbu un apliecin\u0101ju\u0161i savu meistar\u012bbu neskait\u0101mos koncertos gan Latvij\u0101, gan \u0101rzem\u0113s. Vi\u0146u kop\u012bg\u0101 muzic\u0113\u0161ana sol\u0101s b\u016bt gan tehniski nevainojama, gan emocion\u0101li dzi\u013ca, pie\u0161\u0137irot Gl\u0101sa koncertam jaunas kr\u0101sas un nianses. Filipa Gl\u0101sa m\u016bzika bie\u017ei vien tiek sal\u012bdzin\u0101ta ar meditat\u012bvu ce\u013cojumu, kur atk\u0101rto\u0161an\u0101s nevis apn\u012bksina, bet gan dzi\u013c\u0101k iesaista klaus\u012bt\u0101ju ska\u0146u pasaul\u0113. Dubultkoncerta atska\u0146ojum\u0101 dzird\u0113sim, k\u0101 vijole un \u010dells izdz\u012bvo savus izteiksm\u012bgos galvenos t\u0113lus, mijiedarbojoties ar or\u0137estra pla\u0161o skan\u0113jumu.<\/p>\n
\u017dilj\u0113ns Masmond\u0113 \u2013 diri\u0123ents ar starptautisku pieredzi<\/p>\n
\u017dilj\u0113ns Masmond\u0113 nav sve\u0161inieks Latvijas Nacion\u0101lajam simfoniskajam or\u0137estrim. Vi\u0146a sadarb\u012bba ar LNSO s\u0101k\u0101s jau pirms gandr\u012bz desmit gadiem, 2016. gad\u0101, kad vi\u0146\u0161 diri\u0123\u0113ja koncertu C\u0113s\u012bs kop\u0101 ar izcilo latvie\u0161u akordionisti Kseniju Sidorovu. Kop\u0161 t\u0101 laika Masmond\u0113 ir veidojis veiksm\u012bgu starptautisku karjeru, vadot daudzus presti\u017eus or\u0137estrus Eirop\u0101, tostarp Tul\u016bzas Nacion\u0101lo Kapitolija or\u0137estri, Lilles Nacion\u0101lo or\u0137estri un Bordo\u2013Akvit\u0101nijas Nacion\u0101lo or\u0137estri. Vi\u0146a pieredze ir pla\u0161a un daudzveid\u012bga, aptverot gan simfonisk\u0101s m\u016bzikas \u017eanru, gan operm\u016bziku. 2018. gad\u0101 vi\u0146\u0161 sa\u0146\u0113ma Profesion\u0101l\u0101s kriti\u0137u asoci\u0101cijas balvu “Gada atkl\u0101jums m\u016bzik\u0101”, kas apliecina vi\u0146a talantu un straujo karjeras izaugsmi. Masmond\u0113 paz\u012bstams ar savu ener\u0123isko un inovat\u012bvo diri\u0123\u0113\u0161anas stilu, dzi\u013co muzik\u0101lo izpratni un dedz\u012bgo v\u0113lmi populariz\u0113t laikmet\u012bgo m\u016bziku. Vi\u0146a kl\u0101tb\u016btne pie LNSO pults sola ne tikai tehniski nevainojamu, bet ar\u012b emocion\u0101li aizraujo\u0161u koncertu, kur\u0101 katra ska\u0146a un fr\u0101ze tiks izdz\u012bvota ar pilnu atdevi. Diri\u0123ents ir ar\u012b vair\u0101kk\u0101rt sadarbojies ar Latvijas Nacion\u0101lo simfonisko or\u0137estri, piem\u0113ram, vadot to 2021. gada Vecgada koncert\u0101, kur skan\u0113ja fran\u010du m\u016bzika. Masmond\u0113 instinkt\u012bv\u0101 muzikalit\u0101te, izcil\u0101 inteli\u0123ence un ener\u0123ija ir tr\u012bs galvenie faktori, kas padara vi\u0146a uzst\u0101\u0161anos par gaid\u012btu notikumu.<\/p>\n
Iepriek\u0161\u0113j\u0101s tik\u0161an\u0101s un n\u0101kotnes perspekt\u012bvas<\/p>\n
\u017dilj\u0113na Masmond\u0113 sadarb\u012bba ar Latvijas Nacion\u0101lo simfonisko or\u0137estri nav pirm\u0101 reize. Vi\u0146\u0161 ir iepriek\u0161 diri\u0123\u0113jis LNSO, tostarp 2021. gada Vecgada koncert\u0101, kas bija velt\u012bts fran\u010du m\u016bzikai. \u0160\u012b atk\u0101rtot\u0101 sadarb\u012bba ir apliecin\u0101jums veiksm\u012bgajai iepriek\u0161\u0113jai pieredzei un kop\u012bgajai v\u012bzijai par m\u016bzikas atska\u0146o\u0161anu. Masmond\u0113 tiek rakteteriz\u0113ts k\u0101 diri\u0123ents, kur\u0161 sp\u0113j rad\u012bt spilgtas un neaizmirstamas interpret\u0101cijas, vienlaikus populariz\u0113jot gan klasisko, gan laikmet\u012bgo repertu\u0101ru. Vi\u0146a sp\u0113ja atkl\u0101t jaunas perspekt\u012bvas paz\u012bstamos ska\u0146darbos un iepaz\u012bstin\u0101t publiku ar jaunumiem ir \u013coti v\u0113rt\u012bga. Turkl\u0101t Masmond\u0113 ir ar\u012b akt\u012bvs laikmet\u012bg\u0101s m\u016bzikas populariz\u0113t\u0101js, bie\u017ei vien iek\u013caujot sav\u0101s programm\u0101s jaunus un aizraujo\u0161us ska\u0146darbus. Vi\u0146a instinkt\u012bv\u0101 muzikalit\u0101te, izcil\u0101 inteli\u0123ence un ener\u0123ija ir tr\u012bs galvenie faktori, kas padara vi\u0146a uzst\u0101\u0161anos par gaid\u012btu notikumu jebkur\u0101 koncertz\u0101l\u0113.<\/p>\n","protected":false},"excerpt":{"rendered":"Franc\u016bzis \u017dilj\u0113ns Masmond\u0113 atkal diri\u0123\u0113s Latvijas Nacion\u0101lo simfonisko or\u0137estri Latvijas Nacion\u0101lais simfoniskais or\u0137estris (LNSO) ar aizraut\u012bbu gatavojas savai…\n","protected":false},"author":2,"featured_media":28630,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[19],"tags":[8793,89,8792,90,35,39,38,36,37,34,2923,5365,40,8791],"class_list":{"0":"post-28629","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-izklaide","8":"tag-bela-bartoka","9":"tag-entertainment","10":"tag-filips-glass","11":"tag-izklaide","12":"tag-latvia","13":"tag-latvian","14":"tag-latviesu","15":"tag-latviesu-valoda","16":"tag-latviesuvaloda","17":"tag-latvija","18":"tag-latvijas-nacionalais-simfoniskais-orkestris","19":"tag-lnso","20":"tag-lv","21":"tag-ziljens-masmonde"},"share_on_mastodon":{"url":"","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/28629","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/comments?post=28629"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/28629\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media\/28630"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media?parent=28629"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/categories?post=28629"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/tags?post=28629"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}