{"id":286646,"date":"2026-09-05T21:18:17","date_gmt":"2026-09-05T21:18:17","guid":{"rendered":"https:\/\/www.europesays.com\/lv\/286646\/"},"modified":"2026-09-05T21:18:17","modified_gmt":"2026-09-05T21:18:17","slug":"starptautisks-notikums-kino-dazadas-pasaules","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/lv\/286646\/","title":{"rendered":"STARPTAUTISKS NOTIKUMS\/KINO Da\u017e\u0101d\u0101s pasaules"},"content":{"rendered":"

Personiskie st\u0101sti<\/p>\n

Atskatoties uz Dokument\u0101lo filmu foruma iespaid\u012bgo past\u0101v\u0113\u0161anas laiku, “Baltic Sea Docs” ilggad\u0113j\u0101 vad\u012bt\u0101ja Zane Kr\u016bmi\u0146a nor\u0101da, ka tas tika “izveidots laik\u0101, kad Eirop\u0101 un citur pasaul\u0113 pamaz\u0101m festiv\u0101lu ietvaros veidoj\u0101s \u0161\u0101di uz profesion\u0101\u013ciem v\u0113rsti pas\u0101kumi ar m\u0113r\u0137i veicin\u0101t jaunu filmu tap\u0161anu un nodro\u0161inot pieeju finans\u0113\u0161anas partneriem, k\u0101 ar\u012b kontaktus starp producentiem, kas rezult\u0113tos kopprodukcij\u0101s. “Baltic Sea Docs” jau s\u0101kotn\u0113ji tika veidots k\u0101 re\u0123ion\u0101ls pas\u0101kums, laika gait\u0101 to papla\u0161inot un tagad aptverot diezgan lielu \u0123eogr\u0101fisko teritoriju \u2013 valstis ap Baltijas j\u016bru, Austrumeiropu un Kauk\u0101zu. Forums ir \u013coti pieejams profesion\u0101\u013ciem, kas gan tikai ies\u0101k savas karjeras, gan ir jau pieredz\u0113ju\u0161i autori, ko ar\u012b \u0161ogad reprezent\u0113 atlas\u012bto projektu loks. Gadu gait\u0101 forumam ir izdevies ne tikai saglab\u0101t savu poz\u012bciju, bet ar\u012b papla\u0161in\u0101t starptautisko noz\u012bmi, par ko liecina pla\u0161ais pas\u0101kumu apmekl\u0113jo\u0161ais nozares p\u0101rst\u0101vju loks un projektu pieteikumu apjoms.”<\/p>\n

\u0160ogad projektiem bija pieteiktas vair\u0101k nek\u0101 130 topo\u0161\u0101s filmas, no kur\u0101m 26 tiks prezent\u0113tas foruma laik\u0101 R\u012bg\u0101. T\u0101s p\u0101rst\u0101v 13 valstis, un septi\u0146i projekti top Latvijas studij\u0101s vai ar to l\u012bdzdal\u012bbu \u2013 \u010detros Latvija ir galven\u0101 producente: Ivara Zviedra “Eiropas garoza”, Armanda Za\u010da “Patv\u0113rums”, Elzas Gaujas “Kapusv\u0113tki” un Ievas Ozoli\u0146as “Par\u0101d\u0101 nepaliks neviens”. Ar\u012b projektu atlases komisijas locekle Zane Kr\u016bmi\u0146a nor\u0101da, ka \u0161ogad “pieteikumos izteikti kl\u0101teso\u0161a ir robe\u017eu t\u0113ma \u2013 gan piev\u0113r\u0161oties aktu\u0101laj\u0101m \u0123eopolitiskaj\u0101m noris\u0113m, gan v\u0113sturisk\u0101 ietvar\u0101. Tas apliecina trauslo un labilo st\u0101vokli, k\u0101d\u0101 \u0161obr\u012bd dz\u012bvojam. Lai ar\u012b personiski st\u0101sti, kuros filmas autors ir ar\u012b galvenais varonis vai akt\u012bvs notikumu v\u0113st\u012bt\u0101js, nav jauna tendence, \u0161oreiz tas bija j\u016btams v\u0113l sp\u0113c\u012bg\u0101k, \u013caujot gan ieskat\u012bties \u0123ime\u0146u situ\u0101cij\u0101s \u0161obr\u012bd, gan ar\u012b sen\u0101kos v\u0113sturiskos posmos, kas sk\u0101ru\u0161i filmu veidot\u0101jus un vi\u0146u tuviniekus. \u0160ogad \u013coti sp\u0113c\u012bga konkurence bija ar\u012b Ukrainas projektu vid\u016b, jo diem\u017e\u0113l \u012bpa\u0161as atbalsta programmas starptautiski ukrai\u0146u filmu veidot\u0101jiem pak\u0101peniski mazin\u0101s.”<\/p>\n

Pi\u010dingos jeb projektu prezent\u0101cij\u0101s k\u0101 eksperti piedal\u012bsies starptautisku TV kan\u0101lu, filmu p\u0101rdo\u0161anas a\u0123enti un kinofestiv\u0101lu p\u0101rst\u0101vji, producenti no da\u017e\u0101diem kontinentiem, un \u0161ogad forums pirmo reizi sadarbosies ar vienu no vado\u0161ajiem Eiropas kult\u016bras TV t\u012bkliem “Arte”, kas veicina kult\u016bras, dokument\u0101l\u0101 kino un sabiedrisk\u0101s domas att\u012bst\u012bbu un atbalsta inovat\u012bvus audiovizu\u0101los projektus. “Arte” Eiropas talantu atbalsta balvas apm\u0113rs ir 10 t\u016bksto\u0161i eiro, un to sa\u0146ems viens no forum\u0101 prezent\u0113tajiem projektiem.<\/p>\n

Kara \u0113na un koloni\u0101lisma gar\u0101 roka\"Kadrs<\/p>\n

Par \u0161\u012b gada Dokument\u0101lo filmu foruma atkl\u0101\u0161anas filmu izv\u0113l\u0113ta J\u016blijas Hontarukas “T\u0113rauda br\u0101l\u012bba”, kuras starptautiskais ce\u013c\u0161 aizs\u0101k\u0101s Karlovi Varu kinofestiv\u0101l\u0101. Latvijas studijas “VFS Films” l\u012bdzproduc\u0113tais darbs jau sa\u0146\u0113mis \u013coti augstu nov\u0113rt\u0113jumu, un t\u0101 centr\u0101 \u2013 tr\u012bs Ukrainas karot\u0101ji, kuru portreti veidoti 12 gadu garum\u0101, s\u0101kot ar 2014. gadu. J. Hontaruka b\u016bs viena no filmu autoriem, kurus var\u0113s sastapt p\u0113c filmu seansiem kinote\u0101tr\u012b “Splendid Palace”.<\/p>\n

Re\u017eisora un operatora Dmitro Dokunova videodienasgr\u0101matas “Kur viss z\u016bd” (2026) fons ar\u012b ir kar\u0161, un t\u0101s autors skat\u012bt\u0101ju ved l\u012bdzi gar\u0101 ce\u013c\u0101, kas aizs\u0101kas gleznain\u0101 ekociemat\u0101 un turpin\u0101s, st\u0101joties pret\u012b Krievijas armijai. “Kur viss z\u016bd” ir viena no \u010detr\u0101m film\u0101m, kas bez maksas skat\u0101ma Nacion\u0101l\u0101 kino centra platform\u0101 “filmas.lv”. P\u0101r\u0113j\u0101s ir vit\u0101l\u0101s Zieme\u013cpolijas zivju k\u016bpin\u0101t\u0101jas Mje\u010das st\u0101sts “D\u016bmu karalien\u0113” (2025), iev\u0113rojam\u0101 un ar\u012b Latvij\u0101 labi zin\u0101m\u0101 lietuvie\u0161u fotogr\u0101fa Romualda Po\u017eerska c\u012b\u0146a ar cenz\u016bru padomju laik\u0101 film\u0101 “Romualds un j\u016bra” (2025), k\u0101 ar\u012b “Ukrai\u0146u \u0161erifi” (2015).<\/p>\n

\"D\u0101\u0146u<\/p>\n

Neitana Grosmana filma “Amazonm\u0101nija” (2026) ir darbs, kas rosina p\u0101rdom\u0101t koloni\u0101l\u0101 skatiena sekas. Proti, t\u0101 centr\u0101 ir zviedru \u017eurn\u0101lists \u0112rlings S\u0113derstroms, kur\u0161 1996. gad\u0101 pasaulei atkl\u0101ja l\u012bdz tam no\u0161\u0137irt\u012bb\u0101 Braz\u012blijas lietusme\u017eos dz\u012bvojo\u0161o korubo cilti. Vi\u0146a karjera praktiski balst\u0101s uz iezemie\u0161u st\u0101stu, ar ko korubo nav mier\u0101, jo iem\u0101c\u012bju\u0161ies r\u012bkoties ar modern\u0101s pasaules tehnolo\u0123ij\u0101m un apguvu\u0161i savas ties\u012bbas. Par ko daudz bied\u0113jo\u0161\u0101ku \u2013 m\u0101ksl\u012bg\u0101 intelekta pieaugo\u0161o ietekmi uz m\u016bsdien\u0101m \u2013 dom\u0101ju\u0161i d\u0101\u0146u filmas “Tehplom\u0101tija” (2026) veidot\u0101ji ar re\u017eisori Suzanni Kovacu priek\u0161pl\u0101n\u0101. T\u0101s centr\u0101 ir Anne Marija Engtofta Meldgarda \u2013 pirm\u0101 tehnolo\u0123iju v\u0113stnese vis\u0101 pasaul\u0113, un vi\u0146as pien\u0101kumos ietilpst ar\u012b klauv\u0113\u0161ana pie lielo komp\u0101niju (“Meta”, “Amazon”, “Tesla”, “Apple” u.c.) sirdsapzi\u0146\u0101m, kas izv\u0113r\u0161as par Holivudas cien\u012bgu neiesp\u0113jamo misiju. P\u0113c filmas seansa 10. septembr\u012b “Splendid Palace” notiks diskusija par tehnolo\u0123iju kontroli un digit\u0101laj\u0101m cilv\u0113kties\u012bb\u0101m.<\/p>\n

Ties\u012bbas run\u0101t un dz\u012bvot\"Igau\u0146u<\/p>\n

Vair\u0101kas \u0161\u012b gada foruma programm\u0101 iek\u013caut\u0101s filmas risina \u0123imenes, pieaug\u0161anas un savstarp\u0113ju attiec\u012bbu t\u0113mas. Igau\u0146u filmas “Mana \u0123imene un citi klauni” (2025) centr\u0101 ir kaimi\u0146valsts slaven\u0101kie klauni P\u012bps un T\u016bta, kuri, no\u0146\u0113mu\u0161i grimu, ir v\u012brs un sieva un tr\u012bs b\u0113rnu vec\u0101ki. Dilemmas un probl\u0113mas, ar kur\u0101m vi\u0146i ik dienas sastopas \u2013 un pand\u0113mija ir tikai viena no t\u0101m \u2013, skatoties vi\u0146u priek\u0161nesumos, neviens pat nenojau\u0161, jo klauniem asaras nepiest\u0101v. Vit\u0101l\u0101 titulvarone film\u0101 “Par ko k\u013c\u016bs Rozi?” (2025) ir spilgta savas paaudzes c\u012bn\u012bt\u0101ja par lab\u0101ku n\u0101kotni, turkl\u0101t meitenes iepriek\u0161\u0113j\u0101 pieredze \u2013 daudzus gadus vi\u0146a ar \u0123imeni pavad\u012bjusi hipiju ekokom\u016bn\u0101 \u2013 un ap\u0146\u0113m\u012bba \u013cauj dom\u0101t, ka reiz vi\u0146a g\u0101z\u012bs augstus kalnus.<\/p>\n

Krietni pesimistisk\u0101ka n\u0101kotnes ainava paveras, raugoties uz somu filmas “K\u013c\u016bd\u012bties ir skaisti” (2026) varo\u0146iem. Tero un Henri dz\u012bves ir rut\u012bnas, un lielu da\u013cu taj\u0101 ie\u0146em alkohols, protams, sauna, telefonu skroll\u0113\u0161ana un puiciska ampel\u0113\u0161an\u0101s. Ta\u010du tad, kad d\u0113ls m\u0101j\u0101s p\u0101rved draudzeni, Tero j\u0101iem\u0101c\u0101s pie\u0146emt, ka paties\u012bb\u0101 vi\u0146\u0161 ir viens pats. To jau sen sapratusi viena no \u0161\u012b gada filmu programmas visspilgt\u0101kaj\u0101m varon\u0113m Daro, kuras st\u0101stu vi\u0146a pati lipin\u0101jusi daudzu gadu garum\u0101. “Mekl\u0113jot Daro” (2026) ir Hansenas videodienasgr\u0101mata, kas dokument\u0113jusi gan vi\u0146as pirmo laul\u012bbu, kas, par laimi, tika \u0161\u0137irta p\u0113c v\u012bra vardarb\u012bbas, gan da\u017e\u0101dos sevis mekl\u0113jumus, gan tik sare\u017e\u0123\u012bt\u0101s attiec\u012bbas ar m\u0101ti, kura, nesp\u0113jot sacelties pret S\u012brijas trad\u012bcij\u0101m, reiz nenost\u0101j\u0101s meitas pus\u0113.<\/p>\n

\"Kadrs<\/p>\n

Bet, protams, zin\u0101m\u0101k\u0101 person\u012bba no \u0161\u012b gada foruma filmu programmas ir Salmans Ru\u0161di, p\u0113c kura gr\u0101matas mot\u012bviem tapusi amerik\u0101\u0146u dokument\u0101lista Aleksa Gibnija jaun\u0101k\u0101 filma “Asmens. Salmana Ru\u0161di slepkav\u012bbas m\u0113\u0123in\u0101jums” (2026). Iem\u016b\u017einot indie\u0161u\u2013britu rakstnieka atvese\u013co\u0161an\u0101s periodu p\u0113c tam, kad 2022. gad\u0101 \u0145ujork\u0101 priek\u0161las\u012bjuma laik\u0101 pilnas auditorijas acu priek\u0161\u0101 vi\u0146am uzbruka k\u0101ds ar nazi bru\u0146ojies v\u012brietis, k\u0101 rezult\u0101t\u0101 cien\u012bjamu vecumu sasniegu\u0161ais v\u012brs krietnu laiku pavad\u012bja \u0101rstniec\u012bbas iest\u0101d\u0113s, ta\u010du nekas nesp\u0113ja gl\u0101bt sakrop\u013coto aci, Sandensas kinofestiv\u0101l\u0101 pirmizr\u0101di piedz\u012bvoju\u0161\u0101s filmas re\u017eisors no pa\u0161a film\u0113t\u0101, arh\u012bvu materi\u0101liem un Ru\u0161di \u0123imenes arh\u012bva izveidojis gadu desmitiem ilgi vaj\u0101ta v\u012bra portretu, ta\u010du ar\u012b n\u0101ves draudi nav sp\u0113ju\u0161i Ru\u0161di at\u0146emt ties\u012bbas uz v\u0101rda br\u012bv\u012bbu. “S\u0101tanisko v\u0101rsmu” public\u0113\u0161ana 1988. gad\u0101 vi\u0146a dz\u012bvi sadal\u012bja divos nogrie\u017e\u0146os \u2013 pirms un p\u0113c \u2013, un Ir\u0101n\u0101 vi\u0146am pasludin\u0101ts n\u0101vessods.<\/p>\n

Filmas tap\u0161ana \u2013 izst\u0101d\u0113<\/p>\n

Foruma jubilejas gad\u0101 sadarb\u012bb\u0101 ar biedr\u012bbu “Avantis” M\u0101kslas stacij\u0101 “Dubulti” b\u016bs apskat\u0101ma ukrai\u0146u re\u017eisora Romana Bondar\u010duka izst\u0101de “Ukrainas \u0161erifi. Nepazaud\u0113t m\u0101jas”, kas ir atsauce uz 2015. gad\u0101 tapu\u0161o Ukrainas, Latvijas (studija “VFS Films”) un V\u0101cijas kopra\u017eojuma filmu “Ukrai\u0146u \u0161erifi”, kas bija nomin\u0113ta Nacion\u0101lajai kino balvai “Lielais Kristaps” kategorij\u0101 “Lab\u0101k\u0101 maz\u0101kuma kopra\u017eojuma filma”. Foruma laik\u0101 \u0161o filmu var noskat\u012bties “filmas.lv”, bet uz liel\u0101 ekr\u0101na \u2013 12. septembr\u012b plkst. 13 J\u016brmalas kult\u016bras centr\u0101, un p\u0113c tam b\u016bs tik\u0161an\u0101s ar rado\u0161o komandu \u2013 re\u017eisoru Rom\u0101nu Bondar\u010duku un producenti, scen\u0101rija l\u012bdzautori Darju Aver\u010denko. No 10. septembra l\u012bdz 1. oktobrim M\u0101kslas stacij\u0101 “Dubulti” b\u016bs apskat\u0101ma filmai velt\u012bt\u0101 izst\u0101de, un 10. septembr\u012b plkst. 18.30 galerij\u0101 “ISSP” notiks re\u017eisora autorvakars ar fotogr\u0101fij\u0101m un sarun\u0101m par Hersonas re\u0123iona dokument\u0113\u0161anu.<\/p>\n

UZZI\u0145A<\/p>\n