{"id":29219,"date":"2025-10-23T14:29:12","date_gmt":"2025-10-23T14:29:12","guid":{"rendered":"https:\/\/www.europesays.com\/lv\/29219\/"},"modified":"2025-10-23T14:29:12","modified_gmt":"2025-10-23T14:29:12","slug":"legenda-kurai-vajag-izmekletaju-filmas-testaments-veidotaji-atklaj-detektiva-aizkulises-raksts","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/lv\/29219\/","title":{"rendered":"Le\u0123enda, kurai vajag izmekl\u0113t\u0101ju. Filmas \u00abTestaments\u00bb veidot\u0101ji atkl\u0101j detekt\u012bva aizkulises \/ Raksts"},"content":{"rendered":"

Cig\u0101ri, kafija, plikavas\u00a0un nozudusi rakstnieka pelnu urna\u00a0\u2013 lielisks s\u0101kuma komplekts, no kura rad\u012bt\u00a0po\u0113zijas pilnu\u00a0detekt\u012bvu\u00a0dokument\u0101l\u0101 kino \u017eanra un lab\u0101kaj\u0101s fran\u010du jaun\u0101 vi\u013c\u0146a trad\u012bcij\u0101s. Nesen pirmizr\u0101di piedz\u012bvojusi\u00a0J\u0101\u0146a \u0100beles filma “Testaments”, kas\u00a0st\u0101sta par Latvijas detekt\u012bvrom\u0101nu \u017eanra pioniera un dzejnieka Anatola Imerma\u0146a pelnu urnu, kas mistiski nozuda 1998. gad\u0101.<\/p>\n

Bet tas v\u0113l nav viss \u2013 rakstnieka kv\u0113l\u0101k\u0101 v\u0113l\u0113\u0161an\u0101s bijusi, lai vi\u0146a pelnus izkaisa Par\u012bzes “sarkano lukturu” rajon\u0101. Filmas rado\u0161\u0101 komanda \u2013 re\u017eisors J\u0101nis \u0100bele, operators Toms \u0160\u0137\u0113le un scen\u0101rija autors J\u0101nis Jo\u0146evs \u2013 Latvijas Radio raid\u012bjum\u0101 “Kult\u016bras rondo” atkl\u0101j ne tikai, k\u0101 norit\u0113jusi filmas veido\u0161ana, bet ar\u012b \u2013\u00a0vai t\u0101s laik\u0101\u00a0izdevies sajust dzejnieka Anatola Imerma\u0146a kl\u0101tb\u016btni.<\/p>\n

“Es esmu viens no vec\u0101kajiem Rakstnieku savien\u012bbas biedriem, t\u0101ds jau no 1945. gada, turkl\u0101t uz\u0146emts bez nevienas gr\u0101matas, jo gan m\u016bsu Rakstnieku savien\u012bbas mazajiem priek\u0161niekiem, gan lielajiem priek\u0161niekiem bija piln\u012bgi skaidrs, ka es esmu tie\u0161i tas, kas rakst\u012bs tie\u0161i to, kas ir vajadz\u012bgs,” reiz teicis dzejnieks Anatols Imermanis. Kur\u0101 br\u012bd\u012b vi\u0146\u0161 run\u0101 nopietni un kur\u0101 \u2013 joko \u2013\u00a0ar dzejnieku nekad neesot bijis l\u012bdz galam skaidrs. Vi\u0146a smalko prasmi run\u0101t vienlaikus nopietni un sat\u012briski\u00a0nav palaidusi gar\u0101m ar\u012b filmas “Testaments” veidot\u0101ju komanda, iek\u013caujot film\u0101 vair\u0101kas sat\u012briskas un apsl\u0113ptu joku pilnas ainas.<\/p>\n

\n

Vi\u0146i ir p\u0101rliecin\u0101ti \u2013 da\u017eus jokus film\u0113\u0161anas gait\u0101 ar komandu izsp\u0113l\u0113jis ar\u012b dzejnieka gars.<\/p>\n<\/blockquote>\n

Re\u017eisors J\u0101nis \u0100bele atz\u012bst \u2013 kaut ar\u012b rakstnieku\u00a0t\u0101 ar\u012b nesastapa, kad vi\u0146\u0161 v\u0113l bija dz\u012bvs, p\u0113c filmas pabeig\u0161anas un nodo\u0161anas skat\u012bt\u0101jiem ir saj\u016bta, ka kop\u0101 pavad\u012bts ilgs laiks:\u00a0“Mums ir bijis nekl\u0101tien\u0113 kop\u0101 pavad\u012bts laiks, kas ir pieci gadi. Un t\u0101 rezult\u0101t\u0101 ir tapusi m\u016bsu kop\u012bg\u0101 filma.”<\/p>\n

\"Kadrs<\/p>\n

Kadrs no filmas “Testaments”<\/p>\n

Foto: publicit\u0101tes att\u0113ls<\/p>\n<\/p>\n

Bezr\u016bp\u012bgas sarunas p\u0101raug rado\u0161aj\u0101 misij\u0101<\/p>\n

Re\u017eisors J\u0101nis \u0100bele un rakstnieks J\u0101nis Jo\u0146evs jau reiz sadarboju\u0161ies, kop\u012bgi str\u0101d\u0101jot pie filmas “Jelgava ’94”<\/a>.\u00a0Izr\u0101d\u0101s, doma par filmu “Testaments” radusies jau tolaik. “Es to le\u0123endu biju dzird\u0113jis, bet nebiju aptv\u0113ris t\u0101s v\u0113rt\u012bbu. Man tas dr\u012bz\u0101k bija k\u0101 sarunu temats, ko apspriest savies\u012bgos pas\u0101kumos. T\u0101 nu es to iz\u0161\u0101vu ar\u012b \u0161aj\u0101 komp\u0101nij\u0101, kad film\u0113j\u0101m,” st\u0101sta J\u0101nis Jo\u0146evs.<\/p>\n

“Bija burtiski ned\u0113\u013ca pirms “Jelgava ’94” pirmizr\u0101des, un filma bija tikko pabeigta. M\u0113s visi satik\u0101mies pies\u0113st un aprun\u0101ties par dz\u012bvi.\u00a0Tad es J\u0101nim, k\u0101 jau liter\u0101tam, kur\u0161 zina visu par latvie\u0161u literat\u016bru, vaic\u0101ju,<\/p>\n

\n

k\u0101 tas ir gad\u012bjies, ka Anatola Imerma\u0146a dzeja, kura ir gana at\u0161\u0137ir\u012bga no visa p\u0101r\u0113j\u0101, kas skol\u0101 bija j\u0101lasa, ir piln\u012bb\u0101 aizmirsta. Uz to man J\u0101nis nem\u0101c\u0113ja atbild\u0113t, bet tad izs\u0101st\u012bja \u0161o le\u0123endu,” atceras J\u0101nis \u0100bele.<\/p>\n<\/blockquote>\n

Le\u0123enda esot bijusi \u0161\u0101da \u2013 kad k\u0101da Rakstnieku savien\u012bbas darbiniece esot st\u0101jusies amat\u0101, vi\u0146ai ier\u0101d\u012bts kabinets. Sieviete s\u0101kusi to iek\u0101rtot p\u0113c savas patik\u0161anas un mest \u0101r\u0101 lieko, l\u012bdz mantu kaudz\u0113 atradusi urnu, uz kuras rakst\u012bts: Anatols Imermanis. “Tas vi\u0146u satrauca, pajaut\u0101ja vec\u0101k\u0101m kol\u0113\u0123\u0113m \u2013 k\u0101p\u0113c man, atvainojiet, kabinet\u0101 miris rakstnieks? Darbinieces teica: “Ak, j\u0101, pareizi, tas tak Anatoli\u0146\u0161. Vi\u0146am tak bija t\u0101 v\u0113l\u0113\u0161an\u0101s, lai vi\u0146a pelnus izkaisa Par\u012bz\u0113, bet neviens jau t\u0101dam komand\u0113jumam nav sa\u0146\u0113mies. Un t\u0101 nu Anatols te dz\u012bvo.”\u00a0Vi\u0146a v\u0113l\u0113j\u0101s, lai Anatols no kabineta paz\u016bd, un t\u0101l\u0101kais ce\u013c\u0161 ir m\u012bklains,” atkl\u0101j J\u0101nis Jo\u0146evs.<\/p>\n

Kad J\u0101nis Jo\u0146evs izst\u0101st\u012bjis \u0161o st\u0101stu J\u0101nim \u0100belem, re\u017eisoram uzreiz tas \u0161\u0137itis interesants:\u00a0“Man \u0161\u0137ita \u2013\u00a0nu gan ori\u0123in\u0101ls st\u0101sts, jo t\u0101du p\u0113cn\u0101ves v\u0113lmi nebiju dzird\u0113jis. Kad v\u0113l\u0101k pamekl\u0113ju, k\u0101das citas p\u0113cn\u0101ves v\u0113lmes cilv\u0113ki izteiku\u0161i, neko l\u012bdzv\u0113rt\u012bgu nesan\u0101ca uziet. Tad m\u0113s s\u0101k\u0101m \u0161\u0137etin\u0101t. Veic\u0101m da\u017eus telefona zvanus gados vec\u0101kiem rakstniekiem, kas var\u0113tu kaut ko zin\u0101t, un izr\u0101d\u012bj\u0101s, ka neviens Par\u012bz\u0113\u00a0pie d\u0101m\u0101m vi\u0146u nav kais\u012bjis, un ar\u012b pati urna bija pazudusi.”<\/p>\n

\n

T\u0101 radusies doma veidot filmu ar detekt\u012bv\u017eanra elementiem \u2013 nevis t\u0101p\u0113c, ka ar\u012b pats Anatols Imermanis bijis detekt\u012bvu\u00a0autors, bet\u00a0t\u0101p\u0113c, ka pati dz\u012bve glu\u017ei vienk\u0101r\u0161i “sag\u0101d\u0101jusi” detekt\u012bvu.<\/p>\n<\/blockquote>\n

“\u0160is projekts \u0101tri ieguva ar\u012b t\u0101du virsuzdevumu \u2013\u00a0m\u016bsu m\u0113r\u0137is bija ne tikai uz\u0146emt filmu un sevi rado\u0161i realiz\u0113t, bet ar\u012b veikt misiju \u2013\u00a0piepild\u012bt dzejnieka p\u0113d\u0113jo v\u0113l\u0113\u0161anos. Tas ir tas dokument\u0101lisms, kas tika film\u0113ts “dz\u012bvaj\u0101”. Tas k\u013cuva par m\u016bsu uzdevumu. Atrast vi\u0146a urnu un izkais\u012bt pelnus “sarkano lukturu” kvart\u0101l\u0101 k\u013cuva ar\u012b par m\u016bsu pien\u0101kumu,” st\u0101sta J\u0101nis \u0100bele.<\/p>\n

\"Kadrs<\/p>\n

Kadrs no filmas “Testaments”<\/p>\n

Foto: publicit\u0101tes att\u0113ls<\/p>\n<\/p>\n

Kad paliku\u0161as tikai le\u0123endas, j\u0101piesaista izmekl\u0113t\u0101js<\/p>\n

K\u0101 \u0161\u0101du le\u0123end\u0101m apv\u012btu st\u0101stu, kas papildin\u0101ts ar m\u016bsdienu detekt\u012bvu, savienot kop\u0101 scen\u0101rij\u0101? J\u0101nis Jo\u0146evs atz\u012bst \u2013 scen\u0101rijs tapa v\u0113l br\u012bd\u012b, kad filmu jau film\u0113ja, jo t\u0101 vienlaikus ir gan sp\u0113lfilma, gan dokument\u0101l\u0101 filma:\u00a0“Daudzi notikumi att\u012bst\u012bj\u0101s film\u0113\u0161anas gait\u0101. Sare\u017e\u0123\u012bt\u0101kais bija izk\u0101rtot to sec\u012bbu. Bet, k\u0101 jau daudziem, ar\u012b man pa\u0161am pat\u012bk justies k\u0101 detekt\u012bvam un izmekl\u0113t\u0101jam. T\u0101p\u0113c es k\u0101 scen\u0101rists ar\u012b dom\u0101ju \u2013 kur v\u0113l m\u0113s var\u0113tu mekl\u0113t k\u0101du pavedienu? Es to tie\u0161\u0101m var\u0113tu\u00a0sal\u012bdzin\u0101t ar t\u0101du detekt\u012bva darbu, bet t\u0101 bija ar\u012b sp\u0113le.”<\/p>\n

\n

Lai non\u0101ktu l\u012bdz arvien z\u012bm\u012bg\u0101kiem pavedieniem, bija nepiecie\u0161ams piesaist\u012bt filmai k\u0101du galveno varoni, kas iej\u016btas izmekl\u0113t\u0101ja lom\u0101. J\u0101nis \u0100bele atz\u012bst \u2013 glu\u017ei vienk\u0101r\u0161i t\u0101p\u0113c, ka, s\u0101kot film\u0113t, nek\u0101 cita bez pa\u0161as le\u0123endas\u00a0vi\u0146iem nebija.<\/p>\n<\/blockquote>\n

“Anatols Imermanis padomju laikos bija izdevis diezgan daudz gr\u0101matu, bet vi\u0146\u0161 bija neprognoz\u0113jams. Vi\u0146\u0161 tika atz\u012bts par neaicin\u0101mu uz tie\u0161o \u0113teru, jo var\u0113ja pateikt jebko. Vi\u0146u ar\u012b daudz neiem\u016b\u017ein\u0101ja. Arh\u012bvu materi\u0101lu\u00a0\u012bsti nebija. Par vi\u0146u tie\u0161\u0101m bija paliku\u0161as tikai le\u0123endas, un tikai da\u017ei par vi\u0146u var\u0113ja past\u0101st\u012bt. Tad rad\u0101s nepiecie\u0161am\u012bba p\u0113c izmekl\u0113t\u0101ja, ar ko kop\u0101 doties \u0161aj\u0101 ce\u013c\u0101. Un kas var b\u016bt lab\u0101ks izmekl\u0113t\u0101js, ja ne cilv\u0113ks, kur\u0161 ar\u012b ir dzejnieks?” par filmas rado\u0161ajiem risin\u0101jumiem st\u0101sta J\u0101nis \u0100bele.<\/p>\n

\n

T\u0101p\u0113c galven\u0101 varo\u0146a lom\u0101 iejut\u0101s dzejnieks Semjons Ha\u0146ins, \u012bstaj\u0101 v\u0101rd\u0101 \u2013 Aleksandrs Zapo\u013cs, kur\u0161 sevi uzskata par Anatola Imerma\u0146a dv\u0113seles radinieku.<\/p>\n<\/blockquote>\n

Film\u0101 ar saviem atmi\u0146u st\u0101stiem kl\u0101teso\u0161i ir ar\u012b citi latvie\u0161u dzejnieki, piem\u0113ram\u00a0\u2013 Guntars Godi\u0146\u0161, Knuts Skujenieks, J\u0101nis Rokpelnis un Eduards Aivars. “Man \u013coti pat\u012bk \u0161o lielo v\u0101rdu kl\u0101tesam\u012bba film\u0101 ar\u012b no t\u0101 aspekta, ka vi\u0146i par\u0101da \u2013 \u0161ie cilv\u0113ki ir ne tikai kult\u016bras \u0161\u0137irk\u013ci, bet ar\u012b dz\u012bvoju\u0161i, atz\u012bm\u0113ju\u0161i un kop\u0101 vad\u012bju\u0161i laiku,” uzskata filmas re\u017eisors.<\/p>\n

\"kadrs<\/p>\n

kadrs no filmas “Testaments”<\/p>\n

Foto: publicit\u0101tes att\u0113ls<\/p>\n<\/p>\n

\u00a0Anatola Imerma\u0146a nemirsto\u0161ais gars<\/p>\n

Filma tika veidota vair\u0101ku\u00a0gadu garum\u0101, ieskaitot laiku, kad gan Latvij\u0101, gan \u0101rzem\u0113s bija j\u0101staig\u0101 ar sejas mask\u0101m. Galvenais operators Toms\u00a0\u0160\u0137\u0113le atkl\u0101j, ka kop\u012bg\u0101 v\u0113st\u012bjum\u0101 savienot citu citam sekojo\u0161us kadrus, kurus nereti \u0161\u0137ir vair\u0101ki gadi, pal\u012bdz\u0113jusi p\u0113capstr\u0101des ma\u0123ija:\u00a0“Mont\u0101\u017e\u0101 un kr\u0101su korekcij\u0101 da\u017e\u0101di laiki\u00a0labi satiekas. Un ainas ar tr\u012bs vai \u010detru gadu atstarpi p\u0113k\u0161\u0146i savelkas kop\u0101.”\u00a0<\/p>\n

\n

Lai neapmald\u012btos gadu gait\u0101 safilm\u0113taj\u0101 materi\u0101l\u0101, mont\u0101\u017eas process esot ies\u0101kts jau br\u012bd\u012b, kad notiku\u0161as pirm\u0101s film\u0113\u0161anas dienas.<\/p>\n<\/blockquote>\n

“T\u0101 m\u0113s ar\u012b var\u0113j\u0101m saprast filmas kop\u0113jo un v\u0113l topo\u0161o kadru nepiecie\u0161amo dinamiku,” ieskatu mont\u0101\u017eas proces\u0101 sniedz J\u0101nis \u0100bele.<\/p>\n

\"kadrs<\/p>\n

kadrs no filmas “Testaments”<\/p>\n

Foto: publicit\u0101tes att\u0113ls<\/p>\n<\/p>\n

Tom\u0113r paredz\u0113t, k\u0101di kadri v\u0113l taps, nudien nebija iesp\u0113jams \u2013 film\u0113\u0161anas komandai ne reizi vien bijusi saj\u016bta, ka pats Anatols Imermanis vi\u0146us ved aiz rokas un rauj nepl\u0101notos piedz\u012bvojumos. “\u013boti daudzos virzienos tas viss var\u0113ja aiziet, bet man \u0161\u0137iet, ka \u0161\u012b pieredze pier\u0101d\u012bja \u2013 dzejnieki nemirst. \u0160aj\u0101 gad\u012bjum\u0101 tas tika izsp\u0113l\u0113ts tie\u0161\u0101 veid\u0101 \u2013 m\u0113s tik\u0101m ierauti k\u0101d\u0101 piedz\u012bvojum\u0101 ar Anatolu, kur vi\u0146\u0161 ir centr\u0101. Vi\u0146\u0161 bija m\u016bsu piedz\u012bvojumu vad\u012bt\u0101js, neap\u0161aub\u0101mi kl\u0101teso\u0161s, un tas viss, kur m\u0113s iek\u016bl\u0101mies, mier\u012bgi var\u0113ja b\u016bt k\u0101ds Anatola detekt\u012bvst\u0101sts.<\/p>\n

\n

Raupjums, erotikas uzplaiksn\u012bjumi\u00a0un\u00a0bland\u012b\u0161an\u0101s pa kapiem \u2013 tie visi ir Anatola literat\u016bras mot\u012bvi. Vi\u0146\u0161 pan\u0101ca, ka m\u0113s tos izp\u0113l\u0113jam dz\u012bv\u0113, k\u013c\u016bstot par varo\u0146iem vi\u0146a st\u0101st\u0101 vai dzejol\u012b,” apgalvo J\u0101nis \u0100bele.<\/p>\n<\/blockquote>\n

Sap\u0146u pils\u0113ta Par\u012bze<\/p>\n

Anatols Imermanis sav\u0101 dzej\u0101 \u013coti daudz aprakst\u012bjis Par\u012bzi, kaut ar\u012b realit\u0101t\u0113 pats tur t\u0101 ar\u012b nekad nenok\u013cuva. “M\u0113s ar vizu\u0101lo valodu m\u0113\u0123in\u0101j\u0101m transl\u0113t vi\u0146a romantisko “Imerma\u0146a brilli”, ko rakstnieks bija Par\u012bzei uzlicis,” atkl\u0101j Toms \u0160\u0137\u0113le.<\/p>\n

“Tas bija vi\u0146a neaizsniedzamais sapnis, kuru pats bija nosl\u012bp\u0113jis. Kad vi\u0146\u0161 saprata, ka tur t\u0101 ar\u012b nenok\u013c\u016bs, vismaz bija uzdarin\u0101jis pats savu Par\u012bzi.<\/p>\n

\n

Tur ir gan kli\u0161ejas, gan viss cits, bet tas jau ar\u012b caur laiku ieg\u016bst citas noska\u0146as \u2013 padomju dzejniekam Par\u012bze bija k\u0101 br\u012bv\u012bbas simbols.<\/p>\n<\/blockquote>\n

T\u0101p\u0113c jau ar\u012b vi\u0146am tas bija tik svar\u012bgi,” teic J\u0101nis Jo\u0146evs.<\/p>\n

Par\u012bzes noska\u0146u filmai “Testaments” pie\u0161\u0137ir ar\u012b \u012bpa\u0161i izv\u0113l\u0113t\u0101 m\u016bzika. “T\u0101da saj\u016bta, ka Anatols ar\u012b par to daudz ko teica priek\u0161\u0101. Film\u0101 ir roz\u0101 titri, klaves\u012bna m\u016bzika. Tas noteikti pastiprina Anatola fant\u0101ziju par Franciju,” nor\u0101da J\u0101nis \u0100bele.<\/p>\n","protected":false},"excerpt":{"rendered":"Cig\u0101ri, kafija, plikavas\u00a0un nozudusi rakstnieka pelnu urna\u00a0\u2013 lielisks s\u0101kuma komplekts, no kura rad\u012bt\u00a0po\u0113zijas pilnu\u00a0detekt\u012bvu\u00a0dokument\u0101l\u0101 kino \u017eanra un lab\u0101kaj\u0101s…\n","protected":false},"author":2,"featured_media":29220,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5],"tags":[23,28,29,32,33,22,30,31,35,39,38,36,37,34,40,20,26,27,24,25,21],"class_list":{"0":"post-29219","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-aktualitates","8":"tag-aktualitates","9":"tag-breaking-news","10":"tag-breakingnews","11":"tag-featured-news","12":"tag-featurednews","13":"tag-headlines","14":"tag-latest-news","15":"tag-latestnews","16":"tag-latvia","17":"tag-latvian","18":"tag-latviesu","19":"tag-latviesu-valoda","20":"tag-latviesuvaloda","21":"tag-latvija","22":"tag-lv","23":"tag-news","24":"tag-popularakas-zinas","25":"tag-popularakaszinas","26":"tag-top-stories","27":"tag-topstories","28":"tag-zinas"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@lv\/115423960462604051","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/29219","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/comments?post=29219"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/29219\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media\/29220"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media?parent=29219"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/categories?post=29219"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/tags?post=29219"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}