Latvijas Nacion\u0101l\u0101 te\u0101tra vad\u012bbas ideja s\u0101kt jauno sezonu ar An\u0161lava Egl\u012b\u0161a L\u012bgavu medniekiem kopum\u0101 ir strat\u0113\u0123iski gudra. Egl\u012b\u0161a s\u0101kotn\u0113ji 1939. gad\u0101 \u017eurn\u0101l\u0101 Atp\u016bta turpin\u0101jumos public\u0113tais debijas rom\u0101ns ir \u013coti popul\u0101rs un ticis vair\u0101kk\u0101rt izdots, ar\u012b p\u0113c Latvijas neatkar\u012bbas atjauno\u0161anas. Pa\u0161laik gr\u0101matn\u012bcu plauktos l\u012bdz\u0101s jau eso\u0161ajam Zvaigznes ABC izdevumam rom\u0101ns izn\u0101cis ar\u012b apg\u0101d\u0101 Jumava ar Nacion\u0101l\u0101 te\u0101tra iestud\u0113juma plak\u0101tu uz v\u0101ka.<\/p>\n
Ir t\u0101ds j\u0113dziens “gudr\u0101 izklaide”, un rom\u0101na dramatiz\u0113jumu par t\u0101du var uzskat\u012bt. Nacion\u0101l\u0101 te\u0101tra izr\u0101des m\u0101rketings uzsver j\u016bgendstila dekorat\u012bvismu, lai gan Egl\u012b\u0161a varo\u0146i, st\u0101v\u0113dami Sur\u0123enieka grezn\u0101 nama priek\u0161\u0101, kritiz\u0113 fas\u0101des bezgaum\u012bbu. Tom\u0113r t\u0101 nav glu\u017ei salonkom\u0113dija, vismaz netiek t\u0101 sp\u0113l\u0113ta. Triju jaunek\u013cu centieni izsisties uz aug\u0161u ar bag\u0101tu l\u012bgavu apprec\u0113\u0161anu nav tipiska kom\u0113dija, un smiekli z\u0101l\u0113 nemaz tik bie\u017ei neskan. Nav ar\u012b viegli atrast t\u0113lu, kuram just l\u012bdzi \u0161aj\u0101 ener\u0123iski, tom\u0113r ne karsti mutu\u013cojo\u0161aj\u0101 si\u017eet\u0101. Vai uz skatuves valda atveidot\u0101 laikmeta gars? Pagaid\u0101m n\u0113.<\/p>\n
No Knib\u0113na par Pu\u0146\u0137i <\/p>\n
\u0160is ir otrais m\u0113\u0123in\u0101jums L\u012bgavu mednieku si\u017eetu p\u0101rcelt uz latvie\u0161u profesion\u0101l\u0101 te\u0101tra skatuves, ta\u010du par 1998. gada iestud\u0113jumu Naura Kl\u0113tnieka re\u017eij\u0101 Liep\u0101jas te\u0101tr\u012b zi\u0146as ir paskopas \u2013 vien hronik\u0101 izlas\u0101mi dati par rado\u0161o komandu un aktieru sast\u0101vu. L\u012bgavu mednieki 1990. gad\u0101 (citos avotos \u2013 1991. gad\u0101) iestud\u0113ti Radiote\u0101tr\u012b, un iestud\u0113jums \u010detr\u0101s da\u013c\u0101s joproj\u0101m br\u012bvi pieejams Lsm.lv arh\u012bv\u0101. Savuk\u0101rt Egl\u012b\u0161a negat\u012bv\u0101 attieksme pret latvie\u0161u kino savulaik p\u0101rvilkusi sv\u012btru iecerei rom\u0101nu ekraniz\u0113t, jo, filmas Vilka\u010du mantiniece sakaitin\u0101ts, rom\u0101na autors pateicis Alvim Lapi\u0146am stingru “n\u0113”, liecina literat\u016brzin\u0101tnieces Ingunas Daukstes-Silaspro\u0123es publik\u0101cija interneta vietn\u0113 Literatura.lv.<\/p>\n
Jaun\u0101s skatuves versijas autors ir Kl\u0101vs Mellis, kuram ir gana liela pieredze dramatiz\u0113jumu rakst\u012b\u0161an\u0101. Kl\u0101vs Mellis ir sp\u0113jis sav\u0101kt laika zi\u0146\u0101 nedaudz izstiepto rom\u0101na norises gaitu gana kompakt\u0101 v\u0113st\u012bjum\u0101, \u012bsin\u0101dams to, ko gr\u016bti par\u0101d\u012bt uz skatuves (piem\u0113ram, izv\u0113rsti epistul\u0101r\u0101 Epalta veikt\u0101 Nikol\u012bnes aplido\u0161ana atspogu\u013cota teju hronikas veid\u0101, iesaistot Sur\u0123enieku jaun\u0101ko d\u0113lu Imantu, sauktu par Imal\u012bnu). Marginaliz\u0113ta ar\u012b Imal\u012bna organiz\u0113t\u0101 slepen\u0101 orde\u0146a darb\u012bba, jo ar\u012b t\u0101 k\u0101 blakusl\u012bnija \u012bsti neiek\u013caujas v\u0113st\u012bjum\u0101, ja to koncentr\u0113 uz jauno v\u012brie\u0161u trijotnes un vi\u0146u izredz\u0113to sievie\u0161u attiec\u012bb\u0101m. Dramatiz\u0113juma autors vienk\u0101r\u0161ojis un pat brutaliz\u0113jis ar\u012b divas Egl\u012b\u0161a izdom\u0101t\u0101s varo\u0146u iesaukas, \u0136ebelk\u0101jas viet\u0101 lietojot \u0136eb\u013cak\u0101ju, savuk\u0101rt gr\u0101fs Deguns de Knib\u0113ns p\u0101rv\u0113rties par gr\u0101fu Pu\u0146\u0137i. Glu\u017ei objekt\u012bvi no rom\u0101na visas si\u017eeta l\u012bnijas un ar\u012b t\u0113lus nav iesp\u0113jams adekv\u0101ti ietilpin\u0101t dramatiz\u0113jum\u0101, t\u0101p\u0113c visai epizodisks ir Kurta Spruku\u013ca jeb Vanckara t\u0113ls, bez k\u0101 var\u0113tu iztikt, ja vien vi\u0146\u0161 neb\u016btu ierakst\u012bts k\u0101 likten\u012bgais nodev\u0113js epizod\u0113 ar konsulam Majoram atkl\u0101to Sur\u0123enieku par\u0101da nosl\u0113pumu. Da\u017ei skat\u012bt\u0101ji p\u0113c izr\u0101des noskat\u012b\u0161an\u0101s iev\u0113roju\u0161i zin\u0101mu l\u012bdz\u012bbu ar P\u0101vila Roz\u012b\u0161a Cepli, kas gan sarakst\u012bts krietni agr\u0101k \u2013 1928. gad\u0101 \u2013, bet, ja apl\u016bkojam abu rom\u0101nu l\u012bnijas no neizdevu\u0161\u0101s uz\u0146\u0113m\u0113jdarb\u012bbas viedok\u013ca, k\u0101 ar\u012b paman\u0101m, ka jau\u0161i vai nejau\u0161i abu rom\u0101nu varo\u0146i, kurus padara par finan\u0161u mahin\u0101ciju gr\u0113k\u0101\u017eiem, nosaukti par C\u0113zaru, nosac\u012btas paral\u0113les tie\u0161\u0101m var vilkt.<\/p>\n
Izk\u0101p\u0161ana no l\u016bkas<\/p>\n
Skatoties L\u012bgavu medniekus 10. septembr\u012b, atmi\u0146\u0101 n\u0101ca Silvijas Radzobes kaism\u012bgais k\u0101das recenzijas virsrakst\u0101 paustais aicin\u0101jums: “Neapmekl\u0113jiet pirmizr\u0101des!” \u012apa\u0161i pirmaj\u0101 c\u0113lien\u0101 no skatuves str\u0101voja nervoza cent\u012bba, aktieriem r\u016bp\u0113joties par temporitmu un \u0101r\u0113jo lomas z\u012bm\u0113jumu, bet maz\u0101k \u2013 par t\u0113lu attiec\u012bb\u0101m un, kas iz\u0161\u0137iro\u0161i svar\u012bgi, pa\u0161u t\u0113lu b\u016bt\u012bbu. Sur\u0123enieku vies\u012bbu ainas, kur\u0101m vajadz\u0113tu b\u016bt vieglpr\u0101t\u012bgi draisk\u0101m, br\u012b\u017eiem izskat\u012bj\u0101s p\u0113c uzbudin\u0101tu neirast\u0113ni\u0137u saieta. Skat\u012bt\u0101ju z\u0101l\u0113 savuk\u0101rt sabiez\u0113ja attur\u012bba, lai neteiktu \u2013 v\u0113sums, kas pusl\u012bdz izgaisin\u0101j\u0101s vien otraj\u0101 c\u0113lien\u0101.<\/p>\n
Scenogr\u0101fs Kristaps Krami\u0146\u0161 ir izveidojis ar skatuves ripu groz\u0101mus Sur\u0123enieku nama interjerus, kas gan sa\u0161aurina kop\u0113jo sp\u0113les laukumu, t\u0101d\u0113j\u0101di ainas, kur\u0101s piedal\u0101s ar\u012b studentu korpor\u0101cijas Kubezele biedri ar draudzen\u0113m, izskat\u0101s sabl\u012bv\u0113tas. Savuk\u0101rt bibliot\u0113kas skati aspr\u0101t\u012bgi atrisin\u0101ti, ievietojot gr\u0101matplauktus telefona b\u016bdi\u0146\u0101 (nezinu, vai t\u0101das bija aprakst\u012btaj\u0101 laika period\u0101, bet m\u016bsdien\u0101s gan ir redz\u0113tas). Savrupnams izr\u0101des beig\u0101s k\u013c\u016bst par simbolisku airu liellaivu, ar kuru Epalts dodas prom no Latvijas. Z\u012bm\u012bgi iecer\u0113ta ir Epalta un \u0136urz\u0113na pirm\u0101 par\u0101d\u012b\u0161an\u0101s uz skatuves \u2013 vi\u0146i izlien no kanaliz\u0101cijas l\u016bkas ar An\u0161lava Egl\u012b\u0161a portretu (ar autoru saist\u012btas z\u012bmes scenogr\u0101fs iestr\u0101d\u0101jis ar\u012b interjer\u0101). L\u016bkas v\u0113l\u0101k\u0101 izmanto\u0161ana atkl\u0101j ieceri \u2013 t\u0101 ir pacel\u0161an\u0101s no zem\u0101ka soci\u0101l\u0101 sl\u0101\u0146a uz augst\u0101ku, bet neveiksmes gad\u012bjum\u0101 var n\u0101kties iekrist l\u016bk\u0101 atpaka\u013c.<\/p>\n
Bertas Vilipsones-Ielejas veidotie kost\u012bmi gan iez\u012bm\u0113 laikmetu kopum\u0101, gan raksturo da\u017eas varo\u0146u \u012bpa\u0161\u012bbas, piem\u0113ram, \u0136urz\u0113na neveikl\u012bbu izce\u013c p\u0101r\u0101k lielais uzvalks, Dagnes aizrau\u0161anos ar lauku dz\u012bvi \u2013 tambor\u0113ta jaci\u0146a, Majora kundzes bag\u0101t\u012bbu \u2013 elegants ka\u017eoks. Sur\u0123enieku laul\u0101t\u0101 p\u0101ra miesas ir uzkr\u012bto\u0161i polster\u0113tas.<\/p>\n
Izr\u0101des stilistiku liel\u0101 m\u0113r\u0101 nosaka Sintijas Skrabes horeogr\u0101fija, kas izpau\u017eas ne tikai deju ain\u0101s, bet jau no pa\u0161a s\u0101kuma galvenajiem varo\u0146iem ar sinhroniz\u0113t\u0101m kust\u012bb\u0101m m\u0113\u0123inot iekarot Sur\u0123enieku namu, k\u0101 ar\u012b v\u0113l\u0101k, piem\u0113ram, Sur\u0123enieku t\u0113va un d\u0113la dialogu groteski izk\u0101pinot un liekot abiem p\u0101rvietoties pa gr\u012bdu. Deja ir v\u0113l viens veids, k\u0101 atkl\u0101ties raksturiem un nol\u016bkiem, un vair\u0101ki aktieri prot \u0161o iesp\u0113ju izmantot.<\/p>\n
Teksta brav\u016br\u012bgums<\/p>\n
Re\u017eisorei nav izdevies ieviest vienotu sp\u0113les stilu, ja vien t\u0101ds visp\u0101r ir bijis nol\u016bks. Ir skaidrs, ka izk\u0101pin\u0101ta groteska pal\u012bdz attaisnot autora fant\u0101zij\u0101 savirkn\u0113tos notikumus, kam jau si\u017eeta l\u012bmen\u012b piem\u012bt ironiska ekstravagance, ta\u010du Raimonds Celms Visval\u017ea lom\u0101 un liel\u0101 m\u0113r\u0101 ar\u012b Elza R\u016bta Jord\u0101ne k\u0101 Nikol\u012bne nek\u0101du formas izk\u0101pin\u0101jumu nerespekt\u0113. No galveno varo\u0146u v\u012bri\u0161\u0137\u0101s trijotnes p\u0101rliecino\u0161\u0101kais pa\u0161laik ir R\u016bdolfs Sprukulis M\u0101rti\u0146a \u0136urz\u0113na lom\u0101. Tas nav tikai neveikls provinci\u0101lis ar mal\u0113nie\u0161a akcentu, ne tikai cilv\u0113ks, kur\u0161 visveiksm\u012bg\u0101k izveido karjeru un izmanto apr\u0113\u0137ina laul\u012bbas m\u0113r\u0137a sasnieg\u0161anai. Izr\u0101des beig\u0101s dialogos ar Lauras Sili\u0146as Grizeldu un Mat\u012bsa Ku\u010dinska P\u0101vilu Epaltu R\u016bdolfs Sprukulis savu varoni par\u0101da k\u0101 labest\u012bgu cilv\u0113ku, un vi\u0146a iepriek\u0161 izteikt\u0101s nievas it k\u0101 tikai naudas d\u0113\u013c apprec\u0113tajai sievai izk\u016bst, uzzinot, ka vi\u0146a ir gaid\u012bb\u0101s. An\u0161lava Egl\u012b\u0161a un Kl\u0101va Me\u013c\u013ca teksts gan turpina \u0161\u0137ist brav\u016br\u012bgs, topo\u0161ajam t\u0113vam spriedel\u0113jot, k\u0101 vi\u0146\u0161 savam d\u0113lam var\u0113tu m\u0101c\u012bt, “k\u0101dus sku\u0137us aplidot, k\u0101 mantu apgroz\u012bt”, ta\u010du aktieris ieliek sava varo\u0146a bals\u012b zin\u0101mu briedumu un \u2013 j\u0101, ar\u012b cilv\u0113cisku siltumu. Labi, ka re\u017eisore iz\u0161\u0137\u012brusies augum\u0101 sam\u0113r\u0101 nelielajam aktierim pie\u0161\u0137irt tie\u0161i \u0161o lomu, nevis Grizeldas jaun\u0101k\u0101 br\u0101\u013ca Imal\u012bna lomu, kas liktos diezgan lo\u0123iski un ko R\u016bdolfs Sprukulis ar\u012b bez probl\u0113m\u0101m nosp\u0113l\u0113tu, ta\u010du Paulas P\u013cavnieces izr\u0101d\u0113 pusaudzi ar atz\u012bstamu organiku atveido \u012bsts pusaudzis Gustavs \u0160v\u0113denbergs (cit\u0101 vakar\u0101 ar\u012b Pauls J\u0113kabs Eldrid\u017es).<\/p>\n
Mat\u012bss Ku\u010dinskis Epalta lom\u0101 visu dara atdev\u012bgi un m\u0113r\u0137tiec\u012bgi, bet pirmizr\u0101d\u0113 v\u0113l pagr\u016bti bija uztvert vi\u0146a t\u0113la kodolu. Vi\u0146\u0161 vienlaikus it k\u0101 ir izdom\u0101jis pl\u0101nu, tom\u0113r nesp\u0113j to realiz\u0113t bez pa\u0161lepnuma, un, skatoties, k\u0101 Lauras Sili\u0146as \u0161pl\u012bn\u012bg\u0101 Grizelda teroriz\u0113 Igora \u0160elegovska Ati Du\u0161eli, Epalts iedegas zin\u0101m\u0101 sp\u012bt\u0101 un, iesp\u0113jams, t\u0113lot\u0101, iesp\u0113jams, tom\u0113r paties\u0101 pa\u0161lepnum\u0101. Viegls laup\u012bjums b\u016btu Grizeldas jaun\u0101k\u0101 m\u0101sa, ta\u010du Epalts \u0161o ce\u013cu nolemj neiet. Ta\u010du vai vi\u0146a j\u016btas pret ma\u0161\u012bnrakst\u012bt\u0101ju Nikol\u012bni ir patiesas vai ar\u012b t\u0101s uzkurina fakts, ka uz vi\u0146as labv\u0113l\u012bbu Epaltam ir s\u0101ncen\u0161i? Otro sezonu p\u0113c k\u0101rtas Elza R\u016bta Jord\u0101ne atveido likten\u012bgo sievieti, p\u0113c kuras tv\u012bkst vismaz tr\u012bs v\u012brie\u0161i, tikai Nikol\u012bnei nav j\u0101cie\u0161 k\u0101 Blauma\u0146a Krist\u012bnei.<\/p>\n
Igors \u0160elegovskis savu varoni iekr\u0101so p\u0113c vienk\u0101r\u0161as sh\u0113mas \u2013 l\u012bdz k\u0101z\u0101m verdziska padev\u012bba, p\u0113c t\u0101m \u2013 provinci\u0101la augstpr\u0101t\u012bba un rij\u012bba tie\u0161\u0101 un p\u0101rnest\u0101 noz\u012bm\u0113. Ta\u010du nav izskaidrojams, k\u0101p\u0113c nupat v\u0113l tik lepn\u0101 Grizelda to piecie\u0161, kas liek vi\u0146ai k\u013c\u016bt tik pak\u013c\u0101v\u012bgai un kaut k\u0101d\u0101 zi\u0146\u0101 apjuku\u0161ai \u2013 tie\u0161\u0101m priek\u0161stati par prec\u0113tas sievas statusa pak\u0101rtot\u012bbu v\u012bra gribai? Laura Sili\u0146a cilv\u0113ciskas kr\u0101sas savai varonei pie\u0161\u0137ir tikai izr\u0101des beig\u0101s, jau min\u0113taj\u0101 dialog\u0101 ar \u0136urz\u0113nu. Otra m\u0101sa Dagne Janas \u013bisovas atveidojum\u0101 ieg\u016bst raksturlomai piem\u0113rotu nefors\u0113tu komismu, \u0161\u0137ietamu biklumu kombin\u0113jot ar temperamentu, kas atkl\u0101jas dej\u0101.<\/p>\n
L\u012bdz deta\u013c\u0101m izsl\u012bp\u0113tu m\u0101jskolot\u0101ja C\u0113zara \u0160eturi\u0146a t\u0113lu izvirpin\u0101jis Mat\u012bss Budovskis, tom\u0113r neviens cits \u0161\u0101d\u0101 atsl\u0113g\u0101 nesp\u0113l\u0113, t\u0101p\u0113c \u0161is aktierdarbs paliek savrups. Jau rom\u0101n\u0101 un attiec\u012bgi dramatiz\u0113jum\u0101 akt\u012bv\u0101 darb\u012bb\u0101 netiek iesaist\u012bta bag\u0101t\u0101 konsula meita Irisa Majore, t\u0101p\u0113c par Agati Mariju Buk\u0161u varam teikt tikai to, ka vi\u0146a tur bija, un vienlaikus pateikties rado\u0161ajai komandai, ka t\u0101 nav m\u0113\u0123in\u0101jusi \u0161o t\u0113lu padar\u012bt par klus\u0113jo\u0161u karikat\u016bru, ko Egl\u012b\u0161a dotais raksturojums, starp citu, pie\u013cautu. No Egona Dombrovska un Daigas Gaismi\u0146as Sur\u0123enieku p\u0101ra lom\u0101 netiek pras\u012bts nekas vair\u0101k par tipiz\u0113tu, mazliet aprobe\u017eotu bag\u0101tu vec\u0101ku atveido\u0161anu, t\u0101pat ir ar Egila Melb\u0101r\u017ea un Evijas Kr\u016bzes Majoru p\u0101ri.<\/p>\n
Grib\u0113tos skat\u012bties L\u012bgavu medniekus ar aizraut\u012bbu un priec\u0101ties par aktieru organisku darbo\u0161anos. Varb\u016bt p\u0113c laika izdosies ko t\u0101du izbaud\u012bt.<\/p>\n
L\u012aGAVU MEDNIEKI
Nacion\u0101laj\u0101 te\u0101tr\u012b 17.IX\u201322.XI
Bi\u013cetes Bi\u013ce\u0161u parad\u012bzes t\u012bkl\u0101 EUR 21\u201345<\/p>\n","protected":false},"excerpt":{"rendered":"Latvijas Nacion\u0101l\u0101 te\u0101tra vad\u012bbas ideja s\u0101kt jauno sezonu ar An\u0161lava Egl\u012b\u0161a L\u012bgavu medniekiem kopum\u0101 ir strat\u0113\u0123iski gudra. Egl\u012b\u0161a…\n","protected":false},"author":2,"featured_media":297626,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_share_on_mastodon":"0"},"categories":[19],"tags":[89,90,35,39,38,36,37,34,40],"class_list":["post-297625","post","type-post","status-publish","format-standard","has-post-thumbnail","category-izklaide","tag-entertainment","tag-izklaide","tag-latvia","tag-latvian","tag-latviesu","tag-latviesu-valoda","tag-latviesuvaloda","tag-latvija","tag-lv"],"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@lv\/117297005342070758","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/297625","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/comments?post=297625"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/297625\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media\/297626"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media?parent=297625"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/categories?post=297625"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/tags?post=297625"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}