“Solomamma”: vientu\u013c\u0101s m\u0101tes dilemma un sabiedr\u012bbas spiediens<\/p>\n
R\u012bgas Starptautisk\u0101 kinofestiv\u0101la (Riga IFF) ietvaros 24. oktobr\u012b Latvijas pirmizr\u0101di piedz\u012bvojusi norv\u0113\u0123u re\u017eisores Janikes Askevollas filma “Solomamma”, kas ir gan int\u012bms st\u0101sts par m\u0101tes m\u012blest\u012bbu un identit\u0101tes mekl\u0113jumiem, gan ar\u012b drosm\u012bgs skat\u012bjums uz sabiedr\u012bbas spriedumiem un stereotipiem attiec\u012bb\u0101 uz \u0123imenes form\u0101tiem. Filmas viens no kopproducentiem ir Latvijas studija “Mistrus Media”, kas apliecina m\u016bsu valsts iesaisti starptautisku kino projektu tap\u0161an\u0101.<\/p>\n
Ed\u012btes ce\u013c\u0161 uz m\u0101ti\u0161\u0137\u012bbu: izv\u0113le un t\u0101s sekas<\/p>\n
Filmas centr\u0101 ir Ed\u012bte, zin\u0101tk\u0101ra \u017eurn\u0101liste, kura apzin\u0101ti izv\u0113las k\u013c\u016bt par vientu\u013co m\u0101ti, izmantojot spermas donora pakalpojumus. Vi\u0146a r\u016bp\u012bgi sagatavojusies, radot pat b\u0113rnu gr\u0101matu ar v\u0113st\u012bjumu, ka “reiz\u0113m neviens t\u0113tis nav pieejams”, un sagatavojot atbildes uz potenci\u0101liem jaut\u0101jumiem. Ta\u010du realit\u0101te izr\u0101d\u0101s krietni sare\u017e\u0123\u012bt\u0101ka nek\u0101 teorija. Ed\u012bte saskaras ar solo audzin\u0101\u0161anas izaicin\u0101jumiem, kas ir smag\u0101ki, nek\u0101 vi\u0146a sp\u0113jusi iedom\u0101ties, un vi\u0146a s\u0101k \u0161aub\u012bties par savu sp\u0113ju b\u016bt pietiekami labai m\u0101tei savam d\u0113lam Siguram. Sievietes ap\u0146\u0113m\u012bba un pa\u0161p\u0101rliecin\u0101t\u012bba s\u0101k \u0161\u0137ob\u012bties, \u012bpa\u0161i p\u0113c neieciet\u012bgiem jokiem draugu lok\u0101 par donora identit\u0101tes nosl\u0113p\u0161anu un vi\u0146a iesp\u0113jamo nepatieso inform\u0101ciju par vesel\u012bbas st\u0101vokli. Tas liek vi\u0146ai non\u0101kt aps\u0113st\u012bb\u0101 ar d\u0113la introvertumu un neparastaj\u0101m interes\u0113m.<\/p>\n
Donora identit\u0101tes atkl\u0101\u0161ana un t\u0101s sekas<\/p>\n
Situ\u0101cija k\u013c\u016bst v\u0113l sare\u017e\u0123\u012bt\u0101ka, kad negaid\u012bti atkl\u0101jas b\u0113rna donora identit\u0101te. Ed\u012bte nolemj vi\u0146u uzmekl\u0113t, izmantojot viltus aizsegu \u2013 it k\u0101 lai ierakst\u012btu interviju par vi\u0146a tehnolo\u0123iju uz\u0146\u0113mumu. \u0160is l\u0113mums satricina ne tikai vi\u0146as, bet ar\u012b apk\u0101rt\u0113jo dz\u012bvi, uzjundot sp\u0113c\u012bgas emocijas un atkl\u0101jot jaunas realit\u0101tes. Filmas re\u017eisore Janike Askevolda raksturo filmu k\u0101 st\u0101stu par “saspringto situ\u0101ciju starp v\u0113lm\u0113m, pien\u0101kumiem un identit\u0101ti”, kur\u0101 galven\u0101 varone sav\u0101 “dzi\u013ci person\u012bgaj\u0101 ce\u013cojum\u0101 saskaras ar m\u012blest\u012bbu, \u0113tiku un m\u0101ti\u0161\u0137\u012bbu”.<\/p>\n
Starptautiski atzinumi un Latvijas l\u012bdzdal\u012bba<\/p>\n
Filmas galvenaj\u0101s lom\u0101s redzami talant\u012bgi aktieri: Lisa Lovena Kongsli, kura iepriek\u0161 piedal\u012bjusies R\u016bbena Estlunda film\u0101 “Force Majeure” un ir paz\u012bstama no “Br\u012bnumsievietes”, k\u0101 ar\u012b Herberts Nordrums, kur\u0161 ieguvis atpaz\u012bstam\u012bbu ar savu sniegumu Joahima Tr\u012bra film\u0101 “Pasaul\u0113 slikt\u0101kais cilv\u0113ks”. Vi\u0146u aktiersp\u0113le pie\u0161\u0137ir filmai dzi\u013cumu un emocion\u0101lu sp\u0113ku, padarot st\u0101stu par cilv\u0113cisk\u0101m attiec\u012bb\u0101m un identit\u0101tes mekl\u0113jumiem v\u0113l uzrun\u0101jo\u0161\u0101ku.<\/p>\n
Filma ir Norv\u0113\u0123ijas, D\u0101nijas, Latvijas, Lietuvas un Somijas kopra\u017eojums, ko produc\u0113ju\u0161as t\u0101das komp\u0101nijas k\u0101 “Mistrus Media” no Latvijas. Latvijas puses ieguld\u012bjums ietver ar\u012b komponista K\u0101r\u013ca Auz\u0101na rad\u012bto muzik\u0101lo noform\u0113jumu un p\u0113capstr\u0101des komp\u0101nijas “BB Post House” darbu. Filmas producente Inese Boka-Gr\u016bbe uzsver, ka sadarb\u012bba ar Skandin\u0101vijas valst\u012bm ir \u013coti noz\u012bm\u012bga, dodot iesp\u0113ju Latvijas profesion\u0101\u013ciem papla\u0161in\u0101t kopra\u017eojuma trad\u012bcijas starp Baltijas un Skandin\u0101vijas re\u0123ioniem. Muriel Del Don no Cineuropa “Solomamma” raksturo k\u0101 “est\u0113tiski elegantu un ask\u0113tisku, bet ar\u012b pilnu ar atsvaidzino\u0161u humoru”, kas “drosm\u012bgi p\u0113ta, ko noz\u012bm\u0113 c\u012bn\u012bties, lai \u012bstenotu alternat\u012bvas izv\u0113les un paliktu uztic\u012bgi sav\u0101m v\u0113rt\u012bb\u0101m par sp\u012bti citu spriedumiem”.<\/p>\n
Sabiedr\u012bbas attieksme un aizspriedumi<\/p>\n
Filma “Solomamma” nebaid\u0101s pieskarties aktu\u0101lai t\u0113mai par da\u017e\u0101diem \u0123imenes mode\u013ciem un sabiedr\u012bbas reakciju uz tiem. K\u0101 nor\u0101da k\u0101da recenzija, filma prec\u012bzi iez\u012bm\u0113 to, k\u0101 sabiedr\u012bba mekl\u0113 “nenorm\u0101l\u012bbas \u0101rpus sevis, lai gan, iesp\u0113jams, t\u0101s ir m\u016bsos pa\u0161os”. Daudzi cilv\u0113ki saskaras ar aizspriedumiem attiec\u012bb\u0101 uz b\u0113rnu audzin\u0101\u0161anu un stereotipiem, kas saist\u012bti ar nebiolo\u0123iskiem vec\u0101kiem vai at\u0161\u0137ir\u012bgu dzimuma identit\u0101ti. Koment\u0101ri “tie nav tavi b\u0113rni” vai “vajadz\u0113tu jau pa\u0161ai sav\u0113jos” izskan arvien bie\u017e\u0101k, liecinot par sabiedr\u012bbas stingrajiem priek\u0161statiem par to, k\u0101dai j\u0101b\u016bt “norm\u0101lai” \u0123imenei.<\/p>\n
Filmas garums ir 1 stunda un 39 min\u016btes, un t\u0101 ir dr\u0101ma, kas ar humoru un inteli\u0123enci piev\u0113r\u0161as m\u016bsdienu dz\u012bves izaicin\u0101jumiem, liekot skat\u012bt\u0101jam aizdom\u0101ties par sav\u0101m v\u0113rt\u012bb\u0101m un izv\u0113l\u0113m.<\/p>\n","protected":false},"excerpt":{"rendered":"“Solomamma”: vientu\u013c\u0101s m\u0101tes dilemma un sabiedr\u012bbas spiediens R\u012bgas Starptautisk\u0101 kinofestiv\u0101la (Riga IFF) ietvaros 24. oktobr\u012b Latvijas pirmizr\u0101di piedz\u012bvojusi…\n","protected":false},"author":2,"featured_media":29884,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[19],"tags":[89,8652,3824,90,35,39,38,8654,36,37,34,40,8409,8653],"class_list":{"0":"post-29883","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-izklaide","8":"tag-entertainment","9":"tag-filmu-recenzija","10":"tag-gimenes-attiecibas","11":"tag-izklaide","12":"tag-latvia","13":"tag-latvian","14":"tag-latviesu","15":"tag-latviesu-kino-koprazojums","16":"tag-latviesu-valoda","17":"tag-latviesuvaloda","18":"tag-latvija","19":"tag-lv","20":"tag-solomamma","21":"tag-vientula-mate"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@lv\/115428266051400197","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/29883","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/comments?post=29883"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/29883\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media\/29884"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media?parent=29883"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/categories?post=29883"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/tags?post=29883"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}