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Laimdotas Malles darbs izst\u0101d\u0113\u00a0Es iekodos stikla lag\u016bnas \u0101d\u0101.\u00a0Foto \u2013 P\u0113teris R\u016bcis<\/p>\n\u0160oruden satikos ar senu draudzeni, un m\u0113s nol\u0113m\u0101m iel\u016bkoties R\u012bgas Laikmet\u012bg\u0101s m\u0101kslas telp\u0101. Apskatot daudzveid\u012bgo vides m\u0101kslas izst\u0101di Virzienmai\u0146as, draudzene, kura profesion\u0101li izkopusi arhitektes struktur\u0101lo redz\u0113jumu uz pasauli, kritiz\u0113ja k\u0101da formas un satura zi\u0146\u0101 visnota\u013c veiksm\u012bga darba papildin\u0101jumu, \u0161\u0137ietami lieku un trauc\u0113jo\u0161u. Mana reakcija uz to bija vieglpr\u0101t\u012bgs ieteikums likties mier\u0101 un ignor\u0113t neieder\u012bgo papildin\u0101jumu, uztverot to k\u0101 nodevu laikmetam vai modei \u2013 m\u016bsdienu m\u0101kslas nerakst\u012btai pras\u012bbai p\u0113c “\u0137esk\u0101m”. Drisku, skrandu, lausku elements nudien ir iek\u013cauts teju katr\u0101 p\u0113d\u0113jo gadu ekspoz\u012bcij\u0101 ar pretenziju uz laikmet\u012bgumu, tom\u0113r proporcion\u0101li reti tas dar\u012bts j\u0113gpilni un p\u0101rliecino\u0161i.<\/p>\n
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Viss reiz beigsies<\/p>\n
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Dodoties t\u0101l\u0101k, nok\u013cuv\u0101m R\u012bgas Laikmet\u012bg\u0101s m\u0101kslas telpas Mazaj\u0101 z\u0101l\u0113, un m\u016bsu acu priek\u0161\u0101 pav\u0113r\u0101s br\u012bnumskaista aina, ko piepilda nekas cits k\u0101 nupat tik kritiski apspriest\u0101s “\u0137eskas”. \u0160oreiz tie bija smalki, biomorfi,\u00a0skulptur\u0101li fragment\u0101ri\u00a0vaska un stikla veidojumi l\u012bdz\u0101s roz\u012bgi gais\u012bg\u0101m drap\u0113rij\u0101m. Jau ar pirmajiem so\u013ciem telp\u0101 p\u0101r\u0146\u0113ma saj\u016bta par ieie\u0161anu sve\u0161\u0101 valst\u012bb\u0101, kur\u0101 valda maiguma, smalkuma, iej\u016bt\u012bbas likumi, vienlaikus bez ierun\u0101m respekt\u0113jot zud\u012bbu bezgal\u012bgas turpin\u0101\u0161an\u0101s v\u0101rd\u0101. T\u0101da paz\u012bstama saj\u016bta, k\u0101 no laivas l\u016bkojoties z\u012bdain\u0101 ezera \u016bden\u012b, k\u0101 lasot teiksmas par \u0161au\u0161al\u012bgu iem\u012btnieku apdz\u012bvoto \u016bdens pasauli, ko sp\u0113jam izt\u0113loties tikai dzidras saules gaismas cauraustu, vai k\u0101 skatoties zem\u016bdens kameru video, kur vienas rad\u012bbas \u0161ad tad aprij citas, izsp\u013caujot kauli\u0146us, kas noder par m\u012btni cit\u0101m, kur austeres apvalk\u0101 ieviesies paraz\u012bts izraisa p\u0113rles ra\u0161anos, kur kora\u013c\u013cu skeleti pal\u0113n\u0101m konstru\u0113 fantastiskas b\u016bves. Bija skaidrs, ka \u0161eit izmantotie fragmenti nav tikai form\u0101la laika gara z\u012bme, bet apdom\u012bgi konstru\u0113ta veseluma elementi.<\/p>\n
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Laimdotas Malles darbs izst\u0101d\u0113\u00a0Es iekodos stikla lag\u016bnas \u0101d\u0101.\u00a0Foto \u2013 P\u0113teris R\u016bcis<\/p>\n
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Tr\u012bs m\u0101kslinieces \u2013 Laimdota Malle, Anastasija \u0160nepe-\u0160nepe un Rebeka Korna \u2013 telpu p\u0101rv\u0113rtu\u0161as m\u0101kslas darb\u0101, kas ir burtiski piedz\u012bvojams, jo vair\u0101k pateicoties komponistes Sarmas Gabr\u0113nas rad\u012btajai ska\u0146u ainavai. Tom\u0113r izst\u0101de Es iekodos stikla lag\u016bnas \u0101d\u0101 ir uztverama vair\u0101kos sl\u0101\u0146os, ne tikai k\u0101 vizu\u0101li iespaid\u012bgs, ma\u0146as un izt\u0113li rosino\u0161s telpisks artefakts. Tas gan iesp\u0113jams, tikai mazliet pap\u016bloties un izzinot, kas m\u0101ksliniec\u0113m pr\u0101t\u0101 un ko vi\u0146as p\u0113t\u012b. T\u0101 nu man n\u0101c\u0101s pamekl\u0113t vair\u0101k inform\u0101cijas un sev las\u0101m\u0101 dzi\u013cum\u0101 (gan jau citi redz cit\u0101di) izst\u0101d\u0113 konstat\u0113t v\u0113l vismaz tr\u012bs savstarp\u0113ji savienotus sl\u0101\u0146us.<\/p>\n
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Pirmais saist\u0101ms ar Laimdotas Malles p\u0113d\u0113jo gadu darb\u012bbu, kas liel\u0101 m\u0113r\u0101 ir velt\u012bta jaut\u0101jumiem par zaud\u0113juma p\u0101rdz\u012bvojumu, s\u0113r\u0101m, pa\u0161dziedniec\u012bbu un ir vainagojusies ar jaunu izteiksmes l\u012bdzek\u013cu atra\u0161anu, l\u012bdz tam iecien\u012bto melnbalto figur\u0101lo z\u012bm\u0113jumu un gaismas kastes aizst\u0101jot ar satrauco\u0161i trausliem skulptur\u0101liem lipin\u0101jumiem no vaska un paraf\u012bna roz\u012bgos purpurto\u0146os. V\u0113rojot dab\u0101 pa\u0161saprotamos sair\u0161anas un atdzim\u0161anas ciklus un rezid\u0113jot anatomijas muzej\u0101 l\u012bdz\u0101s aizg\u0101ju\u0161u cilv\u0113ku \u0137erme\u0146u deta\u013c\u0101m, Laimdotai Mallei ir izdevies piev\u0113rst uzman\u012bbu atkl\u0101smei, ka traumatiski ir nerun\u0101t, ka vajag run\u0101t par dz\u012bves un n\u0101ves trauslo robe\u017eu. Vi\u0146as valoda ir maiga un iedro\u0161ino\u0161a, autore r\u0101da, ka m\u0101ksla var remd\u0113t un dzied\u0113t ilgtsp\u0113j\u012bg\u0101k nek\u0101 tabletes, un to ar\u012b m\u0101ksla dara, tie\u0161i vai improviz\u0113ti atdarinot dab\u0101 notieko\u0161o, \u2013 viss reiz beigsies, sairs un satums\u012bs, lai p\u0113c br\u012b\u017ea atkal s\u0101ktos ar skaistu r\u012btausmu.<\/p>\n
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Forma un saturs<\/p>\n
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Otrais sl\u0101nis vislab\u0101k saskat\u0101ms Londonas un Hertford\u0161\u012bras Universit\u0101t\u0113 skoloto m\u0101kslinie\u010du Anastasijas \u0160nepes-\u0160nepes (Latvija) un Rebekas Kornas (Lielbrit\u0101nija) izmantotaj\u0101 metodolo\u0123ij\u0101, kas apvieno pa\u0161laik jauno m\u0101kslinieku vid\u0113 \u012bpa\u0161i aktu\u0101lo autoetnogr\u0101fiju, hidrofeministisko teoriju un jauno materialit\u0101ti. Vi\u0146as str\u0101d\u0101 kop\u0101, apce\u013cojot vietas, kas ir saist\u012btas ar vi\u0146u \u0123ime\u0146u v\u0113sturi, un iev\u0101cot tur \u016bdens paraugus, ko p\u0113ta hidrobiolo\u0123ijas laboratorij\u0101 un izmanto gan analogo fotogr\u0101fiju att\u012bst\u012b\u0161anai, gan stikla skulpt\u016bru model\u0113\u0161anai. Jautri peldo\u0161us mikroorganismus atg\u0101dino\u0161ie stikla objekti ilustr\u0113 Austr\u0101lij\u0101 str\u0101d\u0101jo\u0161\u0101s latvie\u0161u izcelsmes kan\u0101dietes Astr\u012bdas Neimanis teoriju par \u016bdeni, kas ir dz\u012bv\u012bbas kl\u0113pis un visu dz\u012bvo b\u016bt\u0146u mijiedarb\u012bbas medijs. Nerimsto\u0161i pl\u016bsto\u0161\u0101, cirkul\u0113jo\u0161\u0101, nenotveram\u0101 un visaptvero\u0161\u0101 \u016bdens atmi\u0146a nodro\u0161ina ar\u012b \u013cau\u017eu atmi\u0146u saglab\u0101\u0161anos, turkl\u0101t \u013cauj sazin\u0101ties cauri laikiem un da\u017e\u0101d\u0101m paaudz\u0113m.<\/p>\n
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![\"\"](\"https:\/\/www.europesays.com\/lv\/wp-content\/uploads\/2025\/10\/anastasija.jpg\")
Anastasijas \u0160nepes-\u0160nepes un Rebekas Hornas\u00a0darbs izst\u0101d\u0113\u00a0Es iekodos stikla lag\u016bnas \u0101d\u0101.\u00a0Foto \u2013 P\u0113teris R\u016bcis<\/p>\n
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Ar iepriek\u0161min\u0113to cie\u0161\u0101 saist\u012bb\u0101 atkl\u0101jas tre\u0161ais sl\u0101nis \u2013 m\u0101kslinie\u010du attiec\u012bbas ar materialit\u0101ti un formu, kas ir izst\u0101des liel\u0101k\u0101 veiksme. Pat tikai ar ac\u012bm skatoties, \u0161\u0137ietami fiziski ir saj\u016btams piesk\u0101riens kaut kam trauslam, realit\u0101t\u0113 nenotveramam un neaptaust\u0101mam. Vaska veidojumi atg\u0101dina t\u0101dus k\u0101 audus, membr\u0101nas un ziedlapas, savuk\u0101rt stikla darbi l\u012bdzin\u0101s rasas l\u0101s\u0113m un \u016bdens \u0161\u013cakstiem, turkl\u0101t atsauc atmi\u0146\u0101 L\u012bv\u0101nu stikla fabrikas lielisko produkciju l\u012bdz ar st\u0101stu par Latvij\u0101 p\u0113d\u0113jo meistaru, kur\u0161 pieprot seno stikla p\u016bt\u0113ja amatu. Var apgalvot, ka r\u016bp\u012bg\u0101, ieinteres\u0113t\u0101 attieksme pret materi\u0101lu \u0161aj\u0101 gad\u012bjum\u0101 nodro\u0161ina formas un satura vienot\u012bbu \u2013 formu abstrah\u0113\u0161ana un fragment\u0113\u0161ana pau\u017e iecer\u0113to v\u0113sti, telpas perfektais vizu\u0101lais risin\u0101jums rada est\u0113tiski un emocion\u0101li iedarb\u012bgu t\u0113lu.<\/p>\n
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Izst\u0101de<\/p>\n
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Laimdota Malle, Anastasija \u0160nepe-\u0160nepe un Rebeka Korna<\/p>\n
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Es iekodos stikla lag\u016bnas \u0101d\u0101<\/p>\n
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R\u012bgas Laikmet\u012bg\u0101s m\u0101kslas telpas Mazaj\u0101 z\u0101l\u0113 l\u012bdz 26.X<\/p>\n
<\/p>\n","protected":false},"excerpt":{"rendered":"\u0160oruden satikos ar senu draudzeni, un m\u0113s nol\u0113m\u0101m iel\u016bkoties R\u012bgas Laikmet\u012bg\u0101s m\u0101kslas telp\u0101. Apskatot daudzveid\u012bgo vides m\u0101kslas izst\u0101di…\n","protected":false},"author":2,"featured_media":30052,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[19],"tags":[89,90,35,39,38,36,37,34,40],"class_list":{"0":"post-30051","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-izklaide","8":"tag-entertainment","9":"tag-izklaide","10":"tag-latvia","11":"tag-latvian","12":"tag-latviesu","13":"tag-latviesu-valoda","14":"tag-latviesuvaloda","15":"tag-latvija","16":"tag-lv"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@lv\/115429138978066318","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/30051","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/comments?post=30051"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/30051\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media\/30052"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media?parent=30051"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/categories?post=30051"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/tags?post=30051"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}