{"id":30944,"date":"2025-10-25T17:49:07","date_gmt":"2025-10-25T17:49:07","guid":{"rendered":"https:\/\/www.europesays.com\/lv\/30944\/"},"modified":"2025-10-25T17:49:07","modified_gmt":"2025-10-25T17:49:07","slug":"baiba-ozolina-svin-velna-ducis-ar-jaunu-dziesmu-un-pirmo-mi-radito-video-lente-lv","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/lv\/30944\/","title":{"rendered":"Baiba Ozoli\u0146a svin &#8220;velna ducis&#8221; ar jaunu dziesmu un pirmo MI rad\u012bto video\u00a0\u2014\u00a0Lente.lv"},"content":{"rendered":"<p>Jubilejas singls un netradicion\u0101ls video klips<\/p>\n<p>M\u016bzi\u0137e Baiba Ozoli\u0146a, kura paz\u012bstama ar savu rado\u0161o un bie\u017ei vien person\u012bgo dziesmu rad\u012b\u0161anu, ir laidusi klaj\u0101 savu tr\u012bspadsmito singlu, ko d\u0113v\u0113 par &#8220;velna ducis&#8221; jeb &#8220;Par\u0101di man&#8221;. \u0160is notikums ir \u012bpa\u0161s ne tikai ar jubil\u0113jas skait\u013ca noz\u012bmi Baibas karjer\u0101, bet ar\u012b ar netradicion\u0101lu pieeju m\u016bzikas videoklipa veido\u0161an\u0101. \u0160oreiz Baiba sadarb\u012bb\u0101 ar profesion\u0101\u013ciem ir izmantojusi m\u0101ksl\u012bg\u0101 intelekta (MI) sp\u0113kus, lai rad\u012btu vizu\u0101lo pavad\u012bjumu savam jaunajam ska\u0146darbam. \u0160is solis iez\u012bm\u0113 jaunu \u0113ru gan vi\u0146as rado\u0161aj\u0101 darb\u012bb\u0101, gan ar\u012b Latvijas m\u016bzikas industrij\u0101 kopum\u0101, demonstr\u0113jot potenci\u0101lu apvienot m\u0101ksliniecisko izpausmi ar modern\u0101kaj\u0101m tehnolo\u0123ij\u0101m. 11<\/p>\n<p>&#8220;Par\u0101di man&#8221; \u2013 dzi\u013c\u0101ks skat\u012bjums uz attiec\u012bb\u0101m un sevis pie\u0146em\u0161anu<\/p>\n<p>Singla &#8220;Par\u0101di man&#8221; v\u0101rdu un m\u016bzikas autore ir pati Baiba Ozoli\u0146a, kas apliecina vi\u0146as sp\u0113ju rad\u012bt dziesmas, kas rezon\u0113 ar klaus\u012bt\u0101ju dv\u0113sel\u0113m. Dziesmas aran\u017eiju un produc\u0113\u0161anu veicis Gints Stankevi\u010ds no &#8220;Factory Sounds studio&#8221;, pie\u0161\u0137irot tai ritmisku un pievilc\u012bgu skan\u0113jumu. 5 Tekstualit\u0101te atspogu\u013co sare\u017e\u0123\u012btus attiec\u012bbu dinamikas aspektus, kur bie\u017ei vien v\u0101rdi un j\u016btas nesakr\u012bt, radot nezi\u0146u un vajadz\u012bbu p\u0113c skaidr\u012bbas. Dziesm\u0101 tiek uzdoti jaut\u0101jumi par patiesumu, par to, vai redzamais atbilst \u012bsten\u012bbai, un par sp\u0113ju par\u0101d\u012bt sevi t\u0101du, k\u0101ds patie\u0161\u0101m esi. &#8220;Par\u0101di man, par\u0101di, k\u0101 tev san\u0101k, par\u0101di man, par\u0101di, k\u0101 var lab\u0101k,&#8221; skan dziesmas kodol\u012bgaj\u0101 piegriezien\u0101, aicinot gan sevi, gan otru cilv\u0113ku uz atkl\u0101t\u012bbu un autentiskumu. \u0160\u012b dziesma var\u0113tu tikt uztverta k\u0101 atbilde uz dz\u012bves izaicin\u0101jumiem un nepiecie\u0161am\u012bbu past\u0101v\u0113t par sevi, ne\u013caujoties citu uzspiestiem viedok\u013ciem vai kritikai. 3<\/p>\n<p>K\u0101 nor\u0101da pati Baiba, dziesma &#8220;K\u0101 es gribu, t\u0101 es daru&#8221; iepriek\u0161 izskan\u0113jusi k\u0101 atbilde tiem, kuri m\u0113dz &#8220;m\u0101c\u012bt dz\u012bvot&#8221;. \u0160oreiz &#8220;Par\u0101di man&#8221; turpina \u0161o t\u0113mu, akcent\u0113jot vajadz\u012bbu p\u0113c patiesas sevis par\u0101d\u012b\u0161anas un sp\u0113ju pie\u0146emt sevi ar vis\u0101m sav\u0101m nepiln\u012bb\u0101m un \u0161aub\u0101m. Dziesmas v\u0113st\u012bjums ir par iek\u0161\u0113jo kriti\u0137i un iek\u0161\u0113jo atbalsta komandu, uzsverot, cik svar\u012bgi ir sp\u0113t uzklaus\u012bt sevi un pie\u0146emt savus l\u0113mumus, pat ja tie at\u0161\u0137iras no apk\u0101rt\u0113jo gaid\u0101m. 2, 3<\/p>\n<p>M\u0101ksl\u012bgais intelekts m\u016bzikas video rad\u012b\u0161an\u0101 \u2013 tehnolo\u0123iju un m\u0101kslas sint\u0113ze<\/p>\n<p>Viena no jaun\u0101kaj\u0101m tendenc\u0113m m\u016bzikas industrij\u0101 ir m\u0101ksl\u012bg\u0101 intelekta (MI) izmanto\u0161ana rado\u0161aj\u0101 proces\u0101. Baiba Ozoli\u0146a, izmantojot MI video klipa veido\u0161an\u0101, demonstr\u0113, k\u0101 \u0161\u012bs tehnolo\u0123ijas var papildin\u0101t tradicion\u0101lo m\u0101ksliniecisko izpausmi. \u0160is nav pirmais gad\u012bjums, kad MI tiek izmantots m\u016bzikas videoklipu veido\u0161an\u0101, ta\u010du Baibas gad\u012bjum\u0101 tas ir \u012bpa\u0161i izcelti k\u0101 &#8220;pirmais ar MI veidotais video&#8221;. Tas nor\u0101da uz vi\u0146as gatav\u012bbu eksperiment\u0113t un ieviest inov\u0101cijas sav\u0101 dai\u013crad\u0113. 11<\/p>\n<p>M\u016bsdien\u0101s m\u0101ksl\u012bgajam intelektam ir pieejami da\u017e\u0101di r\u012bki, kas sp\u0113j rad\u012bt m\u016bziku un vizu\u0101lo saturu. T\u0101di pakalpojumi k\u0101 SunoAI \u013cauj lietot\u0101jiem \u0123ener\u0113t dziesmas, pat ja vi\u0146iem nav muzik\u0101las izgl\u012bt\u012bbas, izmantojot vienk\u0101r\u0161i ievad\u012btu tekstu un v\u0113lamo \u017eanru. 7, 9 Savuk\u0101rt citi MI r\u012bki, piem\u0113ram, &#8220;Stable Diffusion&#8221;, var pal\u012bdz\u0113t veidot anim\u0113tus video no teksta aprakstiem vai att\u0113liem. 8 Lai gan tehnolo\u0123ijas att\u012bst\u0101s strauji, rodas ar\u012b jaut\u0101jumi par to, cik &#8220;m\u0101ksl\u012bga&#8221; ir m\u016bzika, kas rad\u012bta ar MI pal\u012bdz\u012bbu, un k\u0101da b\u016bs t\u0101s loma n\u0101kotn\u0113. 6 Baibas pieeja, apvienojot savu rado\u0161o redz\u0113jumu ar MI iesp\u0113j\u0101m, ir interesants piem\u0113rs tam, k\u0101 cilv\u0113ks un tehnolo\u0123ija var sadarboties, radot ko jaunu un aizraujo\u0161u. \u0160\u0101da sadarb\u012bba var ne tikai pal\u012bdz\u0113t m\u0101ksliniekiem paust savas idejas, bet ar\u012b atv\u0113rt durvis jaun\u0101m izpausmes form\u0101m un auditorij\u0101m.<\/p>\n<p>Lai gan prec\u012bza inform\u0101cija par to, k\u0101 tie\u0161i MI ir ticis izmantots Baibas Ozoli\u0146as jaun\u0101k\u0101 singla video veido\u0161an\u0101, nav detaliz\u0113ta, pati atsauce uz MI nor\u0101da uz m\u016bsdien\u012bgu pieeju un iesp\u0113ju izp\u0113t\u012bt jaunus rado\u0161os horizontus. \u0160\u0101da tehnolo\u0123ijas integr\u0101cija m\u016bzikas videoklipu produc\u0113\u0161an\u0101 var noz\u012bm\u0113t gan vizu\u0101lo efektu \u0123ener\u0113\u0161anu, gan ar\u012b si\u017eeta elementu izstr\u0101di, vai pat veselu vizu\u0101lo koncepciju, ko rad\u012bjis MI, balstoties uz dziesmas noska\u0146u un v\u0113st\u012bjumu.<\/p>\n<p>Baibas Ozoli\u0146as muzik\u0101lais ce\u013c\u0161: no debijas l\u012bdz &#8220;velna ducim&#8221;<\/p>\n<p>Baiba Ozoli\u0146a savu muzik\u0101lo karjeru ir veidojusi pak\u0101peniski un m\u0113r\u0137tiec\u012bgi. Vi\u0146as debijas singls &#8220;Viegli sirds mana sitas&#8221; tika izdots 2021. gada 4. novembr\u012b, un divus gadus v\u0113l\u0101k, 2023. gada novembr\u012b, klaj\u0101 n\u0101ca vi\u0146as debijas albums &#8220;Liku b\u0113du zem&#8221;. 4 Jau agr\u0101kajos darbos Baiba demonstr\u0113jusi savu talantu dziesmu autor\u0113\u0161an\u0101, un vi\u0146as singli, piem\u0113ram, &#8220;Liku b\u0113du zem&#8221; un &#8220;Vair\u0101k k\u0101 v\u0101rdi&#8221;, ir guvu\u0161i atzin\u012bbu un iek\u013cuvu\u0161i popul\u0101r\u0101ko dziesmu topos Latvijas radiostacij\u0101s. 4<\/p>\n<p>Singls &#8220;Par\u0101di man&#8221;, kas ir jau tr\u012bspadsmitais Baibas kont\u0101, apliecina vi\u0146as sp\u0113ju uztur\u0113t rado\u0161o ener\u0123iju un regul\u0101ri pied\u0101v\u0101t klaus\u012bt\u0101jiem jaunu un interesantu materi\u0101lu. Katrs jaunais darbs ir solis uz priek\u0161u, gan muzik\u0101laj\u0101, gan tehnolo\u0123iskaj\u0101 zi\u0146\u0101, k\u0101 to apliecina ar\u012b MI izmanto\u0161ana jaun\u0101kaj\u0101 videoklip\u0101. \u0160\u012b nep\u0101rtraukt\u0101 att\u012bst\u012bba un v\u0113lme eksperiment\u0113t padara Baibu Ozoli\u0146u par vienu no spilgt\u0101kaj\u0101m un interesant\u0101kaj\u0101m person\u012bb\u0101m Latvijas m\u016bzikas ainav\u0101.<\/p>\n","protected":false},"excerpt":{"rendered":"Jubilejas singls un netradicion\u0101ls video klips M\u016bzi\u0137e Baiba Ozoli\u0146a, kura paz\u012bstama ar savu rado\u0161o un bie\u017ei vien person\u012bgo&hellip;\n","protected":false},"author":2,"featured_media":30945,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[19],"tags":[9326,89,90,35,39,38,36,37,34,40,9329,3183,9328,9327],"class_list":{"0":"post-30944","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-izklaide","8":"tag-baiba-ozolina","9":"tag-entertainment","10":"tag-izklaide","11":"tag-latvia","12":"tag-latvian","13":"tag-latviesu","14":"tag-latviesu-valoda","15":"tag-latviesuvaloda","16":"tag-latvija","17":"tag-lv","18":"tag-maksligais-intelekts-muzika","19":"tag-muzikas-video","20":"tag-paradi-man","21":"tag-velna-ducis"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@lv\/115436071438179789","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/30944","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/comments?post=30944"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/30944\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media\/30945"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media?parent=30944"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/categories?post=30944"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/tags?post=30944"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}