Filmas \u00abAtgrie\u0161an\u0101s\u00bb skarbo realit\u0101ti atkl\u0101j \u0160ar\u016bns Barts<\/p>\n
Slavenais lietuvie\u0161u re\u017eisors \u0160ar\u016bns Barts ar savu jaun\u0101ko sp\u0113lfilmu \u00abAtgrie\u0161an\u0101s\u00bb pied\u0101v\u0101 dzi\u013ci personisku un emocion\u0101li pies\u0101tin\u0101tu ieskatu ciema iedz\u012bvot\u0101ju skarbaj\u0101 ikdien\u0101. Filma, kas savu nacion\u0101lo pirmizr\u0101di piedz\u012bvoja R\u012bgas Starptautiskaj\u0101 kino festiv\u0101l\u0101 (RIGA IFF) 2025. gada 23. oktobr\u012b, izce\u013cas ar ori\u0123in\u0101lu pieeju, kur\u0101 visus filmas varo\u0146us atveido pa\u0161i \u012bstie ciema iedz\u012bvot\u0101ji. Tas pie\u0161\u0137ir st\u0101stam neatsl\u0101bsto\u0161u autentiskumu un rada \u012bpa\u0161i int\u012bmu saikni ar skat\u012bt\u0101ju.<\/p>\n
\u00abAtgrie\u0161an\u0101s\u00bb nav vienk\u0101r\u0161s st\u0101sts par cilv\u0113ku likte\u0146iem, bet gan r\u016bp\u012bga m\u0101jas vides anal\u012bze, kur\u0101 re\u017eisors ar gandr\u012bz zin\u0101tnisku precizit\u0101ti atkl\u0101j dzi\u013ci iesak\u0146oju\u0161os aizvainojumus un starppaaud\u017eu traumas. \u0160\u012b filma aicina skat\u012bt\u0101jus nevis ties\u0101t, bet gan v\u0113rot un m\u0113\u0123in\u0101t saprast sare\u017e\u0123\u012btos cilv\u0113cisko attiec\u012bbu meandrus, bie\u017ei vien atspogu\u013cojot pa\u0161u skat\u012bt\u0101ju \u0123imenes dr\u0101mas. \u0160\u012b pieeja padara \u00abAtgrie\u0161anos\u00bb par noz\u012bm\u012bgu notikumu kino pasaul\u0113, kas liek aizdom\u0101ties par svar\u012bg\u0101m dz\u012bves v\u0113rt\u012bb\u0101m un cilv\u0113cisk\u0101s pieredzes sare\u017e\u0123\u012bt\u012bbu.<\/p>\n
St\u0101sta b\u016bt\u012bba: Atgrie\u0161an\u0101s pie sakn\u0113m un s\u0101p\u012bg\u0101s paties\u012bbas atkl\u0101\u0161ana<\/p>\n
Filmas centr\u0101 ir jaun\u0101s sievietes Simonas atgrie\u0161an\u0101s dzimtaj\u0101 ciem\u0101 p\u0113c daudzu gadu promb\u016btnes. Vi\u0146a dodas m\u0101jup, sa\u0146\u0113musi zi\u0146u par vecm\u0101mi\u0146as tuvo\u0161anos n\u0101vei, ta\u010du \u0161is ce\u013c\u0161 nav vienk\u0101r\u0161s. Simona spiesta konfront\u0113ties ne tikai ar pag\u0101tnes \u0113niem, bet ar\u012b ar savu vec\u0101ku existen\u010du, ko sagr\u0101vis alkoholisma posto\u0161ais sp\u0113ks. Filma atkl\u0101j s\u0101p\u012bgu paties\u012bbu par to, ka da\u017eas dz\u012bves br\u016bces ir tik dzi\u013cas, ka \u0161\u0137iet neiesp\u0113jamas sadzied\u0113t. \u0160is emocion\u0101li pies\u0101tin\u0101tais st\u0101sts par\u0101da, ka da\u017ereiz atgrie\u0161an\u0101s nav gl\u0101bi\u0146\u0161, bet gan atkl\u0101sme par dzi\u013c\u0101m probl\u0113m\u0101m, kuras nav viegli p\u0101rvar\u0113t.<\/p>\n
\u0160ar\u016bna Barta kino bie\u017ei vien sal\u012bdzina ar teju zin\u0101tnisku precizit\u0101ti sadal\u012btu m\u0101jas vides anal\u012bzi, kur\u0101 tiek atkl\u0101ti aizvainojumi un traumas, kas veidoju\u0161i varo\u0146u raksturu. Filmas \u00abAtgrie\u0161an\u0101s\u00bb skat\u012bt\u0101ji tiek aicin\u0101ti v\u0113rot un m\u0113\u0123in\u0101t saprast, nevis ties\u0101t, radot emocion\u0101li int\u012bmu pieredzi. \u0160is dzi\u013cais psiholo\u0123iskais st\u0101st\u012bjums un unik\u0101l\u0101 kino valoda \u013cauj izbaud\u012bt Barta meistar\u012bbu un piespiest aizdom\u0101ties par dz\u012bves gr\u016bt\u012bb\u0101m un to ietekmi uz cilv\u0113ka likteni.<\/p>\n
Starppaaud\u017eu traumas un sabiedr\u012bbas spogulis<\/p>\n
\u00abAtgrie\u0161an\u0101s\u00bb neaprobe\u017eojas tikai ar person\u012bgo dr\u0101mu, bet dzi\u013ci p\u0113ta starppaaud\u017eu traumu ietekmi uz indiv\u012bdu un sabiedr\u012bbu kopum\u0101. Filma piev\u0113r\u0161as b\u0113rn\u012bbas pieredzei toksisk\u0101 un vardarb\u012bg\u0101 vid\u0113, k\u0101 ar\u012b \u0161\u0101du piered\u017eu ilgtermi\u0146a psiholo\u0123iskaj\u0101m sek\u0101m. T\u0101 pieskaras ar\u012b aktu\u0101l\u0101m soci\u0101l\u0101m probl\u0113m\u0101m, piem\u0113ram, lauku re\u0123ionu iztuk\u0161o\u0161an\u0101s un soci\u0101l\u0101s degrad\u0101cijas riskiem, k\u0101 ar\u012b soci\u0101l\u0101s izol\u0101cijas t\u0113mai. Bartas darbs uzdod jaut\u0101jumu \u2013 vai v\u0113stures netaisn\u012bba nav viens no iemesliem \u0161ai sabiedr\u012bbas plaisai?<\/p>\n
Re\u017eisors izmanto kino k\u0101 sp\u0113c\u012bgu komunik\u0101cijas instrumentu, lai piev\u0113rstos soci\u0101l\u0101s nevienl\u012bdz\u012bbas t\u0113mai un mekl\u0113tu iesp\u0113jamos risin\u0101jumus. Viens no galvenajiem jaut\u0101jumiem, ko filma izvirza, ir piedo\u0161anas iesp\u0113jam\u012bba \u2013 vai ir sp\u0113j\u012bgi piedot vec\u0101kiem, kuri rad\u012bju\u0161i s\u0101pes, un turpin\u0101t veidot veselas attiec\u012bbas? \u0160\u012b emocion\u0101l\u0101 un filozofisk\u0101 atsl\u0113ga padara filmu par noz\u012bm\u012bgu notikumu kino pasaul\u0113, rosinot diskusijas par piedo\u0161anas noz\u012bmi un iesp\u0113jam\u012bbu.<\/p>\n
Filmas ce\u013c\u0161 uz skat\u012bt\u0101ju: no festiv\u0101liem l\u012bdz Latvijas kinote\u0101triem<\/p>\n
Filmas \u00abAtgrie\u0161an\u0101s\u00bb starptautisk\u0101 pirmizr\u0101de notika Roterdamas Starptautiskaj\u0101 kinofestiv\u0101l\u0101, kur t\u0101 tika iek\u013cauta pilnmetr\u0101\u017eas filmu konkurs\u0101, apliecinot t\u0101s kvalit\u0101ti un noz\u012bm\u012bgumu. P\u0113c nacion\u0101l\u0101s pirmizr\u0101des R\u012bgas Starptautiskaj\u0101 kino festiv\u0101l\u0101, filmas izr\u0101d\u012b\u0161ana Latvijas kinote\u0101tros s\u0101k\u0101s no 2025. gada 1. novembra. \u012apa\u0161ais seanss kinote\u0101tr\u012b \u201cSplendid Palace\u201d R\u012bg\u0101 1. novembr\u012b plkst. 19.00, kam sekoja ekspertu diskusija, k\u013cuva par platformu, kur\u0101 tika padzi\u013cin\u0101ti apl\u016bkotas filmas centr\u0101l\u0101s t\u0113mas: starppaaud\u017eu traumas, toksisk\u0101s \u0123imenes attiec\u012bbu dinamikas un piedo\u0161anas noz\u012bme.<\/p>\n
Diskusij\u0101 piedal\u012bj\u0101s gan kino profesion\u0101\u013ci, gan psihologi un soci\u0101lie darbinieki, lai rastu jaunus ieskatus un veicin\u0101tu sabiedr\u012bbas diskusiju par \u0161iem j\u016bt\u012bgajiem jaut\u0101jumiem. Filmas m\u0101kslinieki ir pieredz\u0113ju\u0161i Latvijas kino profesion\u0101\u013ci, tostarp J\u0101nis Kalni\u0146\u0161 un Sab\u012bne \u0160lesere, kas apliecina sp\u0113c\u012bgo starpvalstu sadarb\u012bbu filmu veido\u0161an\u0101. \u00abAtgrie\u0161an\u0101s\u00bb ir ne tikai kino notikums, bet ar\u012b aicin\u0101jums uz dzi\u013c\u0101ku izpratni par cilv\u0113ku attiec\u012bbu sare\u017e\u0123\u012bt\u012bbu un traumas dziedin\u0101\u0161anas ce\u013cu. T\u0101 ir filma, kas paliek atmi\u0146\u0101 un rosina diskusijas v\u0113l ilgi p\u0113c seansa noskat\u012b\u0161an\u0101s.<\/p>\n","protected":false},"excerpt":{"rendered":"Filmas \u00abAtgrie\u0161an\u0101s\u00bb skarbo realit\u0101ti atkl\u0101j \u0160ar\u016bns Barts Slavenais lietuvie\u0161u re\u017eisors \u0160ar\u016bns Barts ar savu jaun\u0101ko sp\u0113lfilmu \u00abAtgrie\u0161an\u0101s\u00bb pied\u0101v\u0101…\n","protected":false},"author":2,"featured_media":31236,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[19],"tags":[2018,89,3824,90,35,39,38,36,37,34,100,40,7563,9374],"class_list":{"0":"post-31235","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-izklaide","8":"tag-atgriesanas","9":"tag-entertainment","10":"tag-gimenes-attiecibas","11":"tag-izklaide","12":"tag-latvia","13":"tag-latvian","14":"tag-latviesu","15":"tag-latviesu-valoda","16":"tag-latviesuvaloda","17":"tag-latvija","18":"tag-latvijas-kino","19":"tag-lv","20":"tag-saruns-bartas","21":"tag-starppaaudzu-traumas"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@lv\/115439059857338450","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/31235","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/comments?post=31235"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/31235\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media\/31236"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media?parent=31235"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/categories?post=31235"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/tags?post=31235"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}