Nosl\u0113pumain\u0101 “Varas sp\u0113le” bez v\u0101rdiem Daugavpil\u012b: dezinform\u0101cijas atspulgi uz skatuves<\/p>\n
Daugavpils, 2025. gada 23. septembris. Te\u0101tra festiv\u0101la “Homo Novus” ietvaros Daugavpils skat\u012bt\u0101jiem tika pied\u0101v\u0101ta unik\u0101la un aizraujo\u0161a izr\u0101de “Varas sp\u0113le”, ko rad\u012bjis \u010dehu m\u0101kslinieku tand\u0113ms Andrea Miltnerova un Jans Komareks. \u0160is darbs, kas norisin\u0101s piln\u012bb\u0101 bez v\u0101rdiem, ir drosm\u012bga un provokat\u012bva izpausme, kas p\u0113ta manipul\u0101cijas un varas \u013caunpr\u0101t\u012bgu izmanto\u0161anu m\u016bsdienu pasaul\u0113. Izr\u0101de ir ne tikai m\u0101kslas baud\u012bjums, bet ar\u012b dzi\u013c\u0161 koment\u0101rs par aktu\u0101lajiem sabiedr\u012bbas izaicin\u0101jumiem, \u012bpa\u0161i dezinform\u0101cijas ietekmi, kas k\u013cuvusi par m\u016bsu ikdienas sast\u0101vda\u013cu.<\/p>\n
Dezinform\u0101cijas \u0113na un t\u0101s atspulgi uz skatuves<\/p>\n
Autori savu darbu veidoju\u0161i k\u0101 person\u012bgu reakciju uz inform\u0101cijas pies\u0101r\u0146ojumu, kas saist\u012bts ar Covid-19 pand\u0113miju, klimata p\u0101rmai\u0146\u0101m un karu Ukrain\u0101. Tas pie\u0161\u0137ir izr\u0101dei \u012bpa\u0161u dzi\u013cumu un aktualit\u0101ti, liekot skat\u012bt\u0101jam aizdom\u0101ties par to, k\u0101 \u0161ie glob\u0101lie notikumi ietekm\u0113 m\u016bsu individu\u0101lo dz\u012bvi un kolekt\u012bvo apzi\u0146u. Neveikl\u012bba, kas s\u0101kum\u0101 var rasties no izr\u0101des bezv\u0101rdu rakstura, \u0101tri vien p\u0101riet fascin\u0113jo\u0161\u0101 pieredz\u0113, kur\u0101 skat\u012bt\u0101js pats mekl\u0113 un atrod savas noz\u012bmes un interpret\u0101cijas. \u0160\u012b klusuma sp\u0113ks \u013cauj izvirz\u012bties fiziskajai darb\u012bbai, simboliem un emocij\u0101m, radot tie\u0161u un sp\u0113c\u012bgu saikni ar publiku.<\/p>\n
Sp\u0113les ar varu un klusuma vara<\/p>\n
Izr\u0101des apraksts v\u0113sta, ka t\u0101 ir drosm\u012bga, atkl\u0101ta un provokat\u012bva fizisk\u0101 te\u0101tra izr\u0101de. Tas attiecas uz t\u0101s saturu \u2013 manipul\u0101cij\u0101m un varas \u013caunpr\u0101t\u012bgu izmanto\u0161anu. Vai t\u0101 ir bezr\u016bp\u012bga vai nopietna? Re\u0101la vai sirre\u0101la? Absurda vai racion\u0101la? \u0160ie jaut\u0101jumi paliek atv\u0113rti, jo izr\u0101de nebaid\u0101s no pretrun\u0101m un ne\u0113rt\u0101m paties\u012bb\u0101m. Tum\u0161\u0101 telp\u0101, kur\u0101 staro vien \u0161aura gaismas str\u0113le, divi t\u0113li uzvalkos izsp\u0113l\u0113 savu varas sp\u0113li. Vi\u0146u saraust\u012bt\u0101s, br\u012b\u017eiem nopietn\u0101s, br\u012b\u017eiem komisk\u0101s vai sat\u012brisk\u0101s kust\u012bbas atspogu\u013co klus\u0113jo\u0161u pak\u013cau\u0161anos varas strukt\u016br\u0101m, kas pamaz\u0101m at\u0146em kontroli p\u0101r pa\u0161u dz\u012bvi. \u0160\u012b klus\u0101 pak\u013cau\u0161an\u0101s ir viena no visb\u012bstam\u0101kaj\u0101m varas form\u0101m, jo t\u0101 bie\u017ei vien notiek neman\u0101mi, l\u012bdz br\u012bdim, kad atgriezenisk\u0101s saites vairs nav iesp\u0113jamas.<\/p>\n
M\u0101kslinieku tand\u0113ms un vi\u0146u rado\u0161ais redz\u0113jums<\/p>\n
Andrea Miltnerova, dejot\u0101ja un horeogr\u0101fe, kop\u0101 ar Janu Komareku, re\u017eisoru, gaismu un ska\u0146as m\u0101kslinieku, veido rado\u0161u tand\u0113mu jau piecpadsmit gadus. Komareka pieredze, kas ieg\u016bta agr\u012bnaj\u0101 jaun\u012bb\u0101 komunistiskaj\u0101 \u010cehoslov\u0101kij\u0101, vi\u0146a emigr\u0101cija uz Kan\u0101du un veiksm\u012bg\u0101 karjera Toronto, kur vi\u0146\u0161 rad\u012bjis unik\u0101las izr\u0101des, apvienojot kust\u012bbu, dz\u012bvo m\u016bziku un gaismu, ir neat\u0146emama sast\u0101vda\u013ca vi\u0146u kop\u012bgaj\u0101 m\u0101kslinieciskaj\u0101 rokrakst\u0101. \u0160is tand\u0113ms sp\u0113j rad\u012bt darbus, kuros kust\u012bba, gaisma un ska\u0146a ir nedal\u0101mi elementi, kas kop\u012bgi veido dzi\u013cu un daudzsl\u0101\u0146ainu pieredzi. Vi\u0146u kop\u012bgajam darbam piem\u012bt gan instinkt\u012bva rado\u0161a piedz\u012bvojumu mekl\u0113\u0161ana, gan est\u0113tisk\u0101 izsmalcin\u0101t\u012bba, kas savijas ar nelielu devu nostal\u0123ijas.<\/p>\n
Dezinform\u0101cijas spogulis un person\u012bg\u0101s noz\u012bmes mekl\u0113jumi<\/p>\n
Izr\u0101des bezv\u0101rdu raksturs, kas s\u0101kum\u0101 var rad\u012bt nelielu satraukumu par izpratnes tr\u016bkumu, paties\u012bb\u0101 k\u013c\u016bst par t\u0101s stipro pusi. Tas \u013cauj skat\u012bt\u0101jam br\u012bvi interpret\u0113t redz\u0113to, ielasot taj\u0101 savas person\u012bg\u0101s noz\u012bmes un pieredzes. \u0160is pieg\u0101jiens ir \u012bpa\u0161i noz\u012bm\u012bgs laik\u0101, kad dezinform\u0101cija plaukst un zied, cen\u0161oties dikt\u0113t sabiedr\u012bbas domas un uzskatus. Izr\u0101des kontekst\u0101 teksta neesam\u012bba var tikt uztverta k\u0101 apzin\u0101ts m\u0101ksliniecisks l\u0113mums \u2013 vai teksts k\u0101 tie\u0161s orientieris neizpau\u017eas k\u0101 varas instruments, kas nosaka, k\u0101 redz\u0113to uztvert? Un vai tie\u0161i t\u0101p\u0113c izr\u0101de ir bezv\u0101rdu? \u0160\u012b metaforisk\u0101 sp\u0113le liek aizdom\u0101ties par inform\u0101cijas aprites meh\u0101nismiem un t\u0101s ietekmi uz m\u016bsu r\u012bc\u012bbu un dom\u0101\u0161anu. P\u0113d\u0113j\u0101 ain\u0101, kur uz skatuves par\u0101d\u0101s anon\u012bms un kolekt\u012bvs “m\u0113s” marionetes veidol\u0101, ko piln\u012bb\u0101 kontrol\u0113 “varonis”, k\u013c\u016bst \u012bpa\u0161i skaidra varas un inform\u0101cijas cie\u0161\u0101 saist\u012bba. Inform\u0101cija patie\u0161\u0101m ir sp\u0113c\u012bg\u0101kais varas un kontroles instruments, kas veido m\u016bsu uzskatus un attieksmes par pasauli.<\/p>\n
Festiv\u0101la “Homo Novus” sv\u0113tki Daugavpil\u012b<\/p>\n
Izr\u0101de “Varas sp\u0113le” bija da\u013ca no starptautisk\u0101 jaun\u0101 te\u0101tra festiv\u0101la “Homo Novus” 30. jubilejas programmas Daugavpil\u012b. Festiv\u0101ls, kas norisin\u0101j\u0101s no 3. l\u012bdz 13. septembrim, \u0161ogad \u012bpa\u0161i godin\u0101ja savu pirmo norises vietu, atgrie\u017eoties Daugavpil\u012b ar bag\u0101t\u012bgu un daudzveid\u012bgu 24 stundu kult\u016bras programmu. “Homo Novus” vienm\u0113r ir bijis platforma m\u0101ksliniekiem, kas piev\u0113r\u0161as t\u0113m\u0101m, par kur\u0101m sabiedr\u012bba bie\u017ei vien klus\u0113 vai baid\u0101s run\u0101t, un “Varas sp\u0113le” lieliski iek\u013c\u0101v\u0101s \u0161aj\u0101 trad\u012bcij\u0101. Festiv\u0101ls pied\u0101v\u0101ja ne tikai spilgtas izr\u0101des, bet ar\u012b ekskursijas un citus pas\u0101kumus, radot unik\u0101lu un neaizmirstamu pieredzi skat\u012bt\u0101jiem, kuri kop\u0101 ar m\u0101ksliniekiem dev\u0101s \u0161aj\u0101 kult\u016bras ce\u013cojum\u0101.<\/p>\n","protected":false},"excerpt":{"rendered":"Nosl\u0113pumain\u0101 “Varas sp\u0113le” bez v\u0101rdiem Daugavpil\u012b: dezinform\u0101cijas atspulgi uz skatuves Daugavpils, 2025. gada 23. septembris. Te\u0101tra festiv\u0101la “Homo…\n","protected":false},"author":2,"featured_media":3160,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[19],"tags":[1602,1604,89,1601,90,1603,35,39,38,36,37,34,40,1600],"class_list":{"0":"post-3159","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-izklaide","8":"tag-andrea-miltnerova","9":"tag-dezinformacija","10":"tag-entertainment","11":"tag-homo-novus","12":"tag-izklaide","13":"tag-jans-komareks","14":"tag-latvia","15":"tag-latvian","16":"tag-latviesu","17":"tag-latviesu-valoda","18":"tag-latviesuvaloda","19":"tag-latvija","20":"tag-lv","21":"tag-varas-spele"},"share_on_mastodon":{"url":"","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/3159","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/comments?post=3159"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/3159\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media\/3160"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media?parent=3159"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/categories?post=3159"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/tags?post=3159"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}