Diri\u0123enta \u017diljena Masmond\u0113 v\u012bzija: M\u016bzika prasa klaus\u012bt\u0101ja iesaisti un izpratni<\/p>\n
Fran\u010du diri\u0123ents \u017dilj\u0113ns Masmond\u0113, kur\u0161 \u0161\u012b gada 31. oktobr\u012b atgriez\u012bsies pie Latvijas Nacion\u0101l\u0101 simfonisk\u0101 or\u0137estra (LNSO) diri\u0123enta pults R\u012bgas Kongresu nam\u0101, uzsver, ka m\u016bziku varam lab\u0101k uztvert un nov\u0113rt\u0113t, kad to saprotam. Vi\u0146\u0161 uzskata, ka, sniedzot klaus\u012bt\u0101jiem vair\u0101k “atsl\u0113gu” un sagatavojot vi\u0146us klaus\u012b\u0161an\u0101s pieredzei, tiek veicin\u0101ta dzi\u013c\u0101ka emocion\u0101l\u0101 un intelektu\u0101l\u0101 saikne ar ska\u0146darbu. \u0160\u012b ir Masmond\u0113 jau ilgsto\u0161\u0101s sadarb\u012bbas ar LNSO jaun\u0101k\u0101 noda\u013ca, kas turpin\u0101sies ar programmu “LNSO, Gl\u0101ss un Bartoks”.<\/p>\n
Muzik\u0101l\u0101 ce\u013cojuma s\u0101kums un starptautisk\u0101 karjera<\/p>\n
Masmond\u0113 muzik\u0101l\u0101 izaugsme aizs\u0101k\u0101s jau b\u0113rn\u012bb\u0101, sp\u0113l\u0113jot bungu komplektu un aizraujoties ar rokm\u016bziku un d\u017eezu, v\u0113l\u0101k piev\u0113r\u0161oties kompoz\u012bcijai. Vi\u0146a spo\u017e\u0101 karjera ir apliecin\u0101jums talantam un neatlaid\u012bbai. Paman\u012bts k\u0101 diri\u0123enta asistents P\u0101vo Jerv\u012b vad\u012btaj\u0101 Par\u012bzes or\u0137estr\u012b, vi\u0146\u0161 strauji ieguva atzin\u012bbu un sa\u0146\u0113ma uzaicin\u0101jumus diri\u0123\u0113t presti\u017eos or\u0137estrus vis\u0101 pasaul\u0113, tostarp Par\u012bz\u0113, Lion\u0101, Lozann\u0101 un ar\u012b R\u012bg\u0101. Masmond\u0113 tiek augstu v\u0113rt\u0113ts gan simfonisk\u0101s m\u016bzikas, gan operm\u016bzikas \u017eanr\u0101, \u012bpa\u0161u iev\u0113r\u012bbu guvu\u0161as vi\u0146a debijas oper\u0101s, piem\u0113ram, Reinaldo H\u0101na “Sap\u0146u sala”, kuru vi\u0146\u0161 sp\u0113ja atdz\u012bvin\u0101t jaun\u0101 gaism\u0101.<\/p>\n
Kop\u0161 2018. gada septembra Masmond\u0113 ir ar\u012b or\u0137estra diri\u0123\u0113\u0161anas pasniedz\u0113js Par\u012bzes M\u016bzikas instit\u016bt\u0101, daloties sav\u0101s zin\u0101\u0161an\u0101s un pieredz\u0113 ar n\u0101kamo m\u016bzi\u0137u paaudzi. Vi\u0146\u0161 regul\u0101ri vada diri\u0123\u0113\u0161anas sesijas un meistarklases, veicinot jaunu talantu att\u012bst\u012bbu un m\u016bsdienu m\u016bzikas izpratni.<\/p>\n
Darb\u012bbasprincipi: Iesaiste un saikne ar publiku<\/p>\n
Diri\u0123enta filozofija balst\u0101s uz akt\u012bvu dialogu ar klaus\u012bt\u0101ju. “Ir svar\u012bgi run\u0101t ar klaus\u012bt\u0101jiem z\u0101l\u0113,” uzsver Masmond\u0113. Vi\u0146\u0161 uzskata, ka jo vair\u0101k inform\u0101cijas un “atsl\u0113gu” tiek sniegts, jo bag\u0101t\u012bg\u0101ka k\u013c\u016bst klaus\u012bt\u0101ja pieredze. \u0160\u012b pieeja, kad m\u016bzika tiek pasniegta ne tikai k\u0101 ska\u0146u virkne, bet k\u0101 st\u0101sts, k\u0101 emocion\u0101ls un intelektu\u0101ls ce\u013cojums, ir \u012bpa\u0161i v\u0113rt\u012bga m\u016bsdienu dinamiskaj\u0101 pasaul\u0113. At\u0161\u0137ir\u012bb\u0101 no tradicion\u0101lajiem koncertiem, Masmond\u0113 cen\u0161as veidot izgl\u012btojo\u0161us pas\u0101kumus, piem\u0113ram, jaunie\u0161u cikla “Simfoniskais hits ar Goran Gora” ietvaros, kur\u0101 vi\u0146\u0161 iepriek\u0161 ir piedal\u012bjies kop\u0101 ar LNSO. \u0160\u0101ds izgl\u012btojo\u0161ais aspekts pal\u012bdz sagraut barjeras starp sare\u017e\u0123\u012bto klasisko m\u016bziku un pla\u0161\u0101ku publiku, padarot to pieejam\u0101ku un interesant\u0101ku. Masmond\u0113 uzskata, ka m\u016bzika ir k\u0101 valoda, kas sp\u0113j saist\u012bt cilv\u0113kus, un vi\u0146a m\u0113r\u0137is ir \u0161o valodu padar\u012bt saprotam\u0101ku un tuv\u0101ku katram klaus\u012bt\u0101jam. Vi\u0146a pieredze ar multimedi\u0101liem uzvedumiem, piem\u0113ram, Berlioza “Fantastisk\u0101s simfonijas” interpret\u0101ciju, apliecina vi\u0146a v\u0113lmi eksperiment\u0113t un ieviest jaunin\u0101jumus koncertu form\u0101tos, radot pat\u012bkamu un pat “pozit\u012bvu \u0161oku” skat\u012bt\u0101jiem.<\/p>\n
Atk\u0101rtota tik\u0161an\u0101s ar LNSO un gaid\u0101mais koncerts<\/p>\n
\u017diljena Masmond\u0113 sadarb\u012bba ar Latvijas Nacion\u0101lo simfonisko or\u0137estri aizs\u0101k\u0101s 2016. gad\u0101 ar programmu “LNSO, Biz\u0113 un Sidorova”. Kop\u0161 t\u0101 laika ir notiku\u0161i vair\u0101ki veiksm\u012bgi kop\u012bgi projekti, tostarp Vecgada koncerti “Ar fran\u010du \u0161armu” 2021. gad\u0101 un jaunie\u0161u koncerts “Simfoniskais hits ar Goran Gora. Klods Debis\u012b un fran\u010du impresionisms” 2024. gad\u0101. \u0160\u012b nep\u0101rtraukt\u0101 un augl\u012bg\u0101 sadarb\u012bba ir apliecin\u0101jums savstarp\u0113jai uztic\u012bbai un muzik\u0101lajai sader\u012bbai.<\/p>\n
Gaid\u0101mais koncerts “LNSO, Gl\u0101ss un Bartoks” 31. oktobr\u012b R\u012bgas Kongresu nam\u0101 sol\u0101s b\u016bt \u012bpa\u0161s notikums. Programm\u0101 iek\u013cauts B\u0113la Bartoka ener\u0123iskais un emocion\u0101li pies\u0101tin\u0101tais balets “Br\u012bni\u0161\u0137\u012bgais mandar\u012bns”, k\u0101 ar\u012b pirmoreiz Latvij\u0101 izskan\u0113s m\u016bsdienu fran\u010du komponistes Kamillas Pep\u0113nas opuss “Inlandsis”. \u0160\u012b programma ir r\u016bp\u012bgi izstr\u0101d\u0101ta, lai pied\u0101v\u0101tu klaus\u012bt\u0101jiem ieskatu da\u017e\u0101dos laikmetos un kompoz\u012bciju stilos, vienlaikus demonstr\u0113jot Masmond\u0113 sp\u0113ju dzi\u013ci izprast un interpret\u0113t gan 20. gadsimta, gan m\u016bsdienu m\u016bzikas \u0161edevrus. Masmond\u0113 pan\u0101kumi un atzin\u012bba, ko apliecina ar\u012b balva “Gada atkl\u0101jums m\u016bzik\u0101” 2018. gad\u0101, liecina par vi\u0146a sp\u0113c\u012bgo poz\u012bciju m\u016bsdienu muzik\u0101laj\u0101 pasaul\u0113.<\/p>\n","protected":false},"excerpt":{"rendered":"Diri\u0123enta \u017diljena Masmond\u0113 v\u012bzija: M\u016bzika prasa klaus\u012bt\u0101ja iesaisti un izpratni Fran\u010du diri\u0123ents \u017dilj\u0113ns Masmond\u0113, kur\u0161 \u0161\u012b gada 31.…\n","protected":false},"author":2,"featured_media":32963,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[19],"tags":[9860,89,90,2527,35,39,38,36,37,34,2923,40,9859,8791],"class_list":{"0":"post-32962","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-izklaide","8":"tag-dirigenta-interpretacija","9":"tag-entertainment","10":"tag-izklaide","11":"tag-klasiska-muzika","12":"tag-latvia","13":"tag-latvian","14":"tag-latviesu","15":"tag-latviesu-valoda","16":"tag-latviesuvaloda","17":"tag-latvija","18":"tag-latvijas-nacionalais-simfoniskais-orkestris","19":"tag-lv","20":"tag-muzikas-izpratne","21":"tag-ziljens-masmonde"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@lv\/115448984598242064","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/32962","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/comments?post=32962"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/32962\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media\/32963"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media?parent=32962"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/categories?post=32962"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/tags?post=32962"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}