Kad b\u0113rna ac\u012bs spogu\u013cojas kara \u0161ausmas, sabiedr\u012bba gaida patiesu st\u0101stu. Tom\u0113r britu dokument\u0101l\u0101 filma \u201cGaza: How to Survive a Warzone\u201d non\u0101kusi uzman\u012bbas centr\u0101 ne tikai kara d\u0113\u013c, bet ar\u012b t\u0101p\u0113c, ka filmas galven\u0101 st\u0101st\u012bt\u0101ja t\u0113va politisk\u0101s saites tika noklus\u0113tas. Vai t\u0101 bija neuzman\u012bba, mediju nolaid\u012bba vai taktisks PR g\u0101jiens?\u00a0\u0160is ir st\u0101sts par trauslo robe\u017eu starp \u017eurn\u0101listikas \u0113tiku, cenz\u016bru un m\u0101rketingu, ar kuru iesp\u0113jams iepaz\u012bties britu sabiedrisk\u0101s raidorganiz\u0101cijas BBC m\u0101jaslap\u0101.<\/p>\n
\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\tNoklus\u0113ts fakts, bet taj\u0101 pa\u0161\u0101 laik\u0101 r\u0101d\u012bti re\u0101li notikumi <\/p>\n
Apvienot\u0101s Karalistes mediju un telekomunik\u0101ciju regulatora \u201cOfcom\u201d (Office of Communications) izmekl\u0113\u0161an\u0101 ir konstat\u0113ts, ka dokument\u0101l\u0101 filma \u201cGaza: How to Survive a Warzone\u201d, kuru raidorganiz\u0101cijai BBC<\/a> produc\u0113ja neatkar\u012bga ra\u017eo\u0161anas komp\u0101nija \u201cHoyo Films\u201d, ir p\u0101rk\u0101pusi apraides noteikumus, kas nosaka, ka faktu programmas nedr\u012bkst \u201cb\u016btiski maldin\u0101t\u201d auditoriju, jo taj\u0101 nav atkl\u0101ts svar\u012bgs fakts – st\u0101st\u012bt\u0101ja t\u0113va politisk\u0101 saikne ar \u201cHam\u0101s\u201d vald\u012bbu, nor\u0101d\u012bts \u201cOfcom\u201d 2025. gada 17. oktobra pazi\u0146ojum\u0101.<\/p>\n Filma, kas r\u0101da Gazas joslas civiliedz\u012bvot\u0101ju ikdienu kara apst\u0101k\u013cos, pirmo reizi tika izr\u0101d\u012bta 2025. gada 17. febru\u0101r\u012b kan\u0101l\u0101 \u201cBBC Two\u201d un p\u0113c tam bija pieejama ar\u012b straum\u0113\u0161anas platform\u0101 \u201cBBC iPlayer\u201d. Tom\u0113r jau 21. febru\u0101r\u012b BBC iz\u0146\u0113ma dokument\u0101lo filmu no apraides p\u0113c tam, kad tika atkl\u0101ta filmas saikne ar \u201cHam\u0101s<\/a>\u201d. Film\u0101 tika izmantota 13 gadus veca z\u0113na Abdullas perspekt\u012bva st\u0101st\u012bt\u0101ja lomai, bet v\u0113l\u0101k atkl\u0101j\u0101s, ka vi\u0146a t\u0113vs Aimans Aljazuri ir bijis amat\u0101 Gazas<\/a> vald\u012bb\u0101, proti, lauksaimniec\u012bbas ministra vietnieks. \u0160\u012b saikne netika publiski pazi\u0146ota pirms filmas izplat\u012b\u0161anas.<\/p>\n Saska\u0146\u0101 ar \u201cOfcom\u201d l\u0113mumu, \u0161\u0101da noklus\u0113\u0161ana bija \u201cmateri\u0101li maldino\u0161a\u201d, jo ne\u013c\u0101va skat\u012bt\u0101jiem ieg\u016bt piln\u012bgu inform\u0101ciju, kas var\u0113tu ietekm\u0113t vi\u0146u uztveri par dokument\u0101lo materi\u0101lu. \u201cOfcom\u201d ir pie\u0146\u0113mis l\u0113mumu piem\u0113rot sankcijas pret BBC, nosakot raidorganiz\u0101cijai pien\u0101kumu sav\u0101s zi\u0146u programm\u0101s izplat\u012bt pazi\u0146ojumu par regulatora atzinumu, lai inform\u0113tu sabiedr\u012bbu par p\u0101rk\u0101pumu un t\u0101 sek\u0101m. \u201cOfcom\u201d v\u0113l noteiks pazi\u0146ojuma datumu.<\/p>\n Raidorganiz\u0101cija BBC bez iebildumiem pie\u0146\u0113musi regulatora l\u0113mumu un jau iepriek\u0161, p\u0113c iek\u0161\u0113ja p\u0101rskata veik\u0161anas, atzinusi, ka filma p\u0101rk\u0101pusi redakcion\u0101l\u0101s vadl\u012bnijas. V\u0113l pirms \u201cOfcom\u201d ofici\u0101la l\u0113muma atvainoj\u0101s un zi\u0146oja par pl\u0101niem pastiprin\u0101t iek\u0161\u0113jos p\u0101rbaudes meh\u0101nismus.<\/p>\n Min\u0113taj\u0101 p\u0101rskat\u0101 gan nav rasti pier\u0101d\u012bjumi, ka st\u0101st\u012bt\u0101ja t\u0113vs vai \u0123imene jebk\u0101d\u0101 veid\u0101 b\u016btu ietekm\u0113ju\u0161i filmas saturu. P\u0101rskatu veica BBC redakcion\u0101lo s\u016bdz\u012bbu un recenziju direktors P\u012bters D\u017eonstons p\u0113c tam, kad filma tika p\u0101rraid\u012bta \u201cBBC Two\u201d un \u201cBBC iPlayer\u201d \u0161\u012b gada febru\u0101r\u012b. P. D\u017eonstons ir neatkar\u012bgs no BBC zi\u0146\u0101m un aktu\u0101laj\u0101m liet\u0101m un kop\u0161 2023. gada marta organiz\u0101cij\u0101 ie\u0146em redakcion\u0101lo s\u016bdz\u012bbu un recenziju direktora amatu.<\/p>\n “Neatkar\u012bgi no t\u0101, k\u0101 tika v\u0113rt\u0113ta st\u0101st\u012bt\u0101ja t\u0113va poz\u012bcijas noz\u012bme, auditorijai par to vajadz\u0113ja b\u016bt inform\u0113tai,” teikts P. D\u017eonstona zi\u0146ojum\u0101.<\/p>\n BBC zi\u0146u izpilddirektore Debora T\u0113rnesa atz\u012bst, ka pie\u013cauta b\u016btiska k\u013c\u016bda un ir izstr\u0101d\u0101ts stingrs r\u012bc\u012bbas pl\u0101ns, lai p\u0101rliecin\u0101tos, ka visi P. D\u017eonstona ieteikumi tiek \u012bstenoti, teikts BBC 14. j\u016blija publik\u0101cij\u0101. Tie paredz, ka BBC ir proakt\u012bv\u0101k j\u0101iesaist\u0101s neatkar\u012bgu producentu darb\u0101, \u012bpa\u0161i jut\u012bgos vai politiski sare\u017e\u0123\u012btos projektos, k\u0101 ar\u012b nopietn\u0101k j\u0101izv\u0113rt\u0113 redakcion\u0101lie riski gan pirms, gan p\u0113c projektu realiz\u0101cijas.<\/p>\n “M\u0113s joproj\u0101m esam ap\u0146\u0113mu\u0161ies zi\u0146ot no Gazas, neskatoties uz to, ka starptautiskie \u017eurn\u0101listi netiek ielaisti,” D. T\u0113rnesa sola turpin\u0101t inform\u0113t sabiedr\u012bbu par notieko\u0161o Gaz\u0101.<\/p>\n \u201cM\u0113s joproj\u0101m v\u0113lamies past\u0101st\u012bt dokument\u0101laj\u0101 film\u0101 redzamo cilv\u0113ku st\u0101stus un tagad izp\u0113t\u012bsim iesp\u0113ju to izdar\u012bt, izmantojot atk\u0101rtoti redi\u0123\u0113tas un p\u0101rveidotas \u012bs\u0101kas filmas,\u201d teikts BBC r\u012bc\u012bbas pl\u0101n\u0101.<\/p>\n \u201cGaza: How to Survive a Warzone\u201d <\/p>\n K\u0101 izdz\u012bvot kara zon\u0101? T\u0101ds ir centr\u0101lais jaut\u0101jums britu dokument\u0101laj\u0101 film\u0101, kuras re\u017eisori ir D\u017eeimijs Robertss un Jusefs Hama\u0161s no \u201cHoyo Films\u201d.<\/p>\n Filma seko \u010detru jaunie\u0161u dz\u012bvei Gaz\u0101, atkl\u0101jot vi\u0146u ikdienu kara apst\u0101k\u013cos un centienus saglab\u0101t cilv\u0113c\u012bbu izn\u012bc\u012bbas vid\u016b. Filmas galvenais st\u0101st\u012bt\u0101js ir jau piemin\u0113tais 13 gadus vecais Abdulla Aljazuri, kur\u0161 dz\u012bvo telt\u012b p\u0113c tam, kad bijis spiests pamest savas m\u0101jas. Vi\u0146\u0161 k\u013c\u016bst par vienu no centr\u0101laj\u0101m bals\u012bm, caur kuru skat\u012bt\u0101ji iepaz\u012bst Gazas realit\u0101ti. Bie\u017ei redzam ar\u012b Renadu – desmit gadus vecu meiteni, kura m\u0113\u0123ina sadz\u012bvot ar karast\u0101vokli, veidojot savus nelielos \u0113diena gatavo\u0161anas \u0161ovus vietn\u0113 \u201cTikTok\u201d. Film\u0101 redzams ar\u012b tas, k\u0101 vi\u0146a priec\u0101jas, redzot 2024. gada apr\u012b\u013ca Ir\u0101nas gaisa uzbrukumus Izra\u0113lai, tikai t\u0101p\u0113c, ka beidzot uzbr\u016bk k\u0101dam citam.<\/p>\n T\u0101pat starp filmas varo\u0146iem ir 11 gadus vecs z\u0113ns Zakarija, kur\u0161 str\u0101d\u0101 k\u0101 br\u012bvpr\u0101t\u012bgais slimn\u012bc\u0101, pal\u012bdzot feld\u0161eriem un saskaroties ar kara upuriem no pirm\u0101s l\u012bnijas, un 24 gadus veca sieviete Rana, kura piedz\u012bvo dzemd\u012bbas kara laik\u0101 un cen\u0161as par\u016bp\u0113ties par savu jaundzimu\u0161o b\u0113rnu, neskatoties uz nep\u0101rtrauktajiem gaisa uzlidojumiem un tr\u016bkumu.<\/p>\n Viens no filmas \u0161ausmino\u0161\u0101kajiem br\u012b\u017eiem ir aina, kas uz\u0146emta 2024. gada 14. oktobr\u012b, kad Izra\u0113las gaisa sp\u0113ki tr\u0101p\u012bja telt\u012bm Al Aksas slimn\u012bcas teritorij\u0101 Gazas josl\u0101. Izra\u0113las puse toreiz apgalvoja, ka slimn\u012bca tika izmantota k\u0101 teroristu komandcentrs. Soci\u0101lajos t\u012bklos izplat\u012bj\u0101s video, kur redzams 19 gadus vecs jaunietis, kur\u0161 tika sadedzin\u0101ts dz\u012bvs sav\u0101 slimn\u012bcas gult\u0101. Filmas skatpunkts r\u0101da \u0161o pa\u0161u notikumu no s\u0101na – fokus\u0113joties uz gl\u0101b\u0113jiem, kuri nesp\u0113j pietuvoties ugunsgr\u0113ka karstumam.<\/p>\n \u201cEs pats redz\u0113ju, k\u0101 z\u0113ns dega,\u201d saka Zakarija, viens no galvenajiem varo\u0146iem.<\/p>\n Filma \u201cHow to Survive a Warzone\u201d satur ar\u012b citas neizdz\u0113\u0161amas ainas – piem\u0113ram, epizodi, kur\u0101 \u0137irurgs veic p\u0101rbaudes oper\u0101ciju desmit gadus vecam z\u0113nam, lai noteiktu, vai vi\u0146a ievainoto roku var gl\u0101bt. Da\u017eas min\u016btes v\u0113l\u0101k redzams, k\u0101 tas pats \u0101rsts nodod amput\u0113tu apak\u0161delmu kol\u0113\u0123im utiliz\u0113\u0161anai. P\u0113c oper\u0101cijas \u0101rsts atz\u012bst, ka iek\u0161\u0113ji deg no dusm\u0101m un izmisuma, bet mierin\u0101jumu rod p\u0101rliec\u012bb\u0101, ka z\u0113ns dr\u012bz piel\u0101gosies un atkal k\u013c\u016bs dz\u012bvespriec\u012bgs.<\/p>\n Cenz\u016bra, pa\u0161cenz\u016bra vai veiksm\u012bgs m\u0101rketings? <\/p>\n \u201cOfcom\u201d (Office of Communications) ir Apvienot\u0101s Karalistes mediju un telekomunik\u0101ciju regulators. T\u0101 uzdevums ir uzraudz\u012bt telev\u012bzijas, radio, interneta un sakaru nozares, lai nodro\u0161in\u0101tu, ka satura veidot\u0101ji iev\u0113ro noteikumus par precizit\u0101ti, objektivit\u0101ti, \u0113tiku un sabiedr\u012bbas intere\u0161u aizsardz\u012bbu.<\/p>\n Regulatora l\u0113mum\u0101 par filmu \u201cGaza: How to Survive a Warzone\u201d nav nek\u0101du citu sankciju, iz\u0146emot jau min\u0113to pazi\u0146ojuma izplat\u012b\u0161anas pien\u0101kumu par pie\u013cauto maldin\u0101\u0161anu, tostarp filma nav ofici\u0101li aizliegta, lai gan \u201cOfcom\u201d izskat\u012bjusi 20 s\u016bdz\u012bbas par to. Iesp\u0113jams, \u0161\u0101ds l\u0113mums da\u013c\u0113ji saist\u012bts ar to, ka filma p\u0113c pa\u0161as BBC iniciat\u012bvas iz\u0146emta no apraides v\u0113l ilgi pirms regulatora l\u0113muma. \u0160\u0101da raidorganiz\u0101cijas r\u012bc\u012bba toreiz izrais\u012bja lielu sa\u0161utuma vilni sabiedr\u012bb\u0101, k\u0101 ar\u012b izpeln\u012bj\u0101s daudzu slaven\u012bbu un mediju p\u0101rst\u0101vju kritiku.<\/p>\n Febru\u0101ra beig\u0101s vair\u0101k nek\u0101 800 slaven\u012bbu un mediju jomas p\u0101rst\u0101vju – tostarp re\u017eisors Kens Lou\u010ds, aktieris Rizs Ahmeds, seri\u0101la \u201cTop Boy\u201d autors Ronans Benets un biju\u0161ais futbolists un sporta koment\u0113t\u0101js Gerijs Linekers – parakst\u012bja v\u0113stuli, kur\u0101 kritiz\u0113 BBC par dokument\u0101l\u0101s filmas iz\u0146em\u0161anu no straum\u0113\u0161anas platformas.<\/p>\n \u201c\u0160\u012b filma ir b\u016btisks \u017eurn\u0101listikas darbs, kas pied\u0101v\u0101 p\u0101r\u0101k retu perspekt\u012bvu uz palest\u012bnie\u0161u b\u0113rnu pieredzi, kuri dz\u012bvo neiedom\u0101jamos apst\u0101k\u013cos, pastiprinot tik bie\u017ei apklusin\u0101t\u0101s balsis. \u0160is darbs ir peln\u012bjis atzin\u012bbu, nevis politiski motiv\u0113tu cenz\u016bru,” teikts \u201cArtists For Palestine UK\u201d atkl\u0101t\u0101 v\u0113stul\u0113.<\/p>\n \u0160aj\u0101 gad\u012bjum\u0101 vispirms j\u0101saprot, ka cenz\u016bra ir m\u0113r\u0137tiec\u012bga inform\u0101cijas, satura vai izteikumu aizlieg\u0161ana, sl\u0101p\u0113\u0161ana vai izplat\u012b\u0161anas ierobe\u017eo\u0161ana, ko veic politisk\u0101 vara vai citas tai pak\u013cautas instit\u016bcijas ar m\u0113r\u0137i – kontrol\u0113t, ierobe\u017eot vai likvid\u0113t piek\u013cuvi \u0161ai inform\u0101cijai. Lai gan akad\u0113miskaj\u0101 literat\u016br\u0101 defin\u012bcijas var nedaudz at\u0161\u0137irties, skaidrs, ka BBC gad\u012bjum\u0101 runa nav par cenz\u016bru, jo filma nav aizliegta ne ar vienu ofici\u0101lu varas iest\u0101des l\u0113mumu.<\/p>\n Slaven\u012bbas c\u012bn\u0101s pret pa\u0161cenz\u016bru vai piedal\u0101s m\u0101rketinga kampa\u0146\u0101? <\/p>\n R\u012bgas Stradi\u0146a universit\u0101tes (RSU) profesore Anda Ro\u017eukalne publik\u0101cij\u0101 Latvijas \u017eurn\u0101listu asoci\u0101cijas t\u012bmek\u013cvietn\u0113 defin\u0113 viedokli, ka pa\u0161cenz\u016bra ir \u201cviedok\u013ca pau\u0161anas ierobe\u017eo\u0161anas\u201d veids, kas netiek realiz\u0113ts ofici\u0101li, bet ko izmanto par izteikumu saturu atbild\u012bgie indiv\u012bdi vai to grupas, lai nov\u0113rstu jebk\u0101du negat\u012bvu reakciju. Pa\u0161cenz\u016bru \u017eurn\u0101listik\u0101 v\u0113rt\u0113 k\u0101 kait\u012bg\u0101ko no cenz\u016bras veidiem, jo t\u0101 ierobe\u017eo sabiedr\u012bbai b\u016btisku tematu nok\u013c\u016b\u0161anu uzman\u012bbas centr\u0101. Visbie\u017e\u0101k auditorija nekad neuzzina par to, ka da\u013ca inform\u0101cija tiek sl\u0113pta.<\/p>\n No profesores skat\u012bjuma izriet, ka pa\u0161cenz\u016bra ir pirm\u0101m k\u0101rt\u0101m prevent\u012bva darb\u012bba. Tas noz\u012bm\u0113, ka da\u017ek\u0101rt materi\u0101li par politiski jut\u012bg\u0101m t\u0113m\u0101m var netikt public\u0113ti, lai izvair\u012btos no konflikta, saglab\u0101tu reput\u0101ciju un finans\u0113jumu vai attiec\u012bbas ar varu un auditoriju.<\/p>\n Ir skaidrs, ka prevent\u012bva pa\u0161cenz\u016bra BBC gad\u012bjum\u0101 netika realiz\u0113ta. Glu\u017ei otr\u0101di – P. D\u017eonstona iek\u0161\u0113j\u0101 p\u0101rskat\u0101 p\u0113c b\u016bt\u012bbas konstat\u0113ta nolaid\u012bba pa\u0161cenz\u016bras piem\u0113ro\u0161an\u0101. Cit\u0101di filma \u201cGaza: How to Survive a Warzone\u201d nemaz neb\u016btu public\u0113ta vai ar\u012b skat\u012bt\u0101js uzreiz tiktu inform\u0113ts par t\u0101s galven\u0101 varo\u0146a saikni ar \u201cHam\u0101s\u201d.<\/p>\n Otrs veids – reakt\u012bv\u0101 pa\u0161cenz\u016bra (jeb post-publication self-censorship) ir process, kur\u0101 medijs vai autors, rea\u0123\u0113jot uz \u0101r\u0113jiem vai iek\u0161\u0113ji internaliz\u0113tiem spiedieniem, p\u0113c public\u0113\u0161anas ierobe\u017eo vai dz\u0113\u0161 inform\u0101ciju, kas s\u0101kotn\u0113ji bija br\u012bvi pieejama. \u0160\u0101da r\u012bc\u012bba form\u0101li saglab\u0101 redakcion\u0101lo autonomiju, ta\u010du faktiski darbojas k\u0101 \u201cpa\u0161uzlikts sankcijas meh\u0101nisms\u201d inform\u0101cijas pl\u016bsmas kontrolei (Doyle, 2013; M\u00fcller, 2019).<\/p>\n Var piekrist, ka \u0161\u0101du pa\u0161cenz\u016bru BBC ir form\u0101li \u012bstenojusi, maksim\u0101li no\u0146emot no sevis atbild\u012bbu. Raidorganiz\u0101cijas iek\u0161\u0113jais p\u0101rskats un publiska atvaino\u0161an\u0101s v\u0113l ilgi pirms jebk\u0101diem ofici\u0101liem uzraugo\u0161o iest\u0101\u017eu l\u0113mumiem pal\u012bdz saglab\u0101t t\u0101s t\u0113lu neskartu. Tre\u0161k\u0101rt, faktisk\u0101 atbild\u012bba par maldin\u0101\u0161anu ir tie\u0161i novelta uz tre\u0161o personu – neatkar\u012bgu ra\u017eo\u0161anas komp\u0101niju \u201cHoyo Films\u201d. J\u0101atz\u012bm\u0113, ka \u0161\u0101da pa\u0161cenz\u016bra neatst\u0101j b\u016btisku iespaidu inform\u0101cijas pieejam\u012bb\u0101 kopum\u0101, jo filma tik un t\u0101 ir atrodama un skat\u0101ma da\u017e\u0101d\u0101s platform\u0101s, piem\u0113ram, \u201cYouTube\u201d.<\/p>\n Apzin\u0101ti vai n\u0113, bet situ\u0101cija ir veiksm\u012bga m\u0101rketinga piem\u0113rs, jo \u0161aj\u0101 gad\u012bjum\u0101 cenz\u016bra tiek izmantota k\u0101 komunik\u0101cijas strat\u0113\u0123ija. T\u0101 ir mediju kr\u012bzes dramatiz\u0101cija uzman\u012bbas kapit\u0101la m\u0113r\u0137iem – tas, ko komunik\u0101cijas teorij\u0101 d\u0113v\u0113 par \u201ccontroversy marketing\u201d jeb kr\u012bzes m\u0101rketingu. J\u0113dziens gan bie\u017e\u0101k lietots biznesa strat\u0113\u0123iju kontekst\u0101. Vienk\u0101r\u0161iem v\u0101rdiem – runa ir par uzman\u012bbas piev\u0113r\u0161anu provokat\u012bv\u0101 veid\u0101.<\/p>\n S\u0101kotn\u0113ji BBC pied\u0101v\u0101ja filmu ar ac\u012bmredzami jut\u012bgu politisko saturu – dokument\u0101lu materi\u0101lu par kara zonu, kas pati par sevi jau bija sp\u0113c\u012bgs emocion\u0101ls un \u0113tisks sign\u0101ls. P\u0113c tam, rea\u0123\u0113jot uz iek\u0161\u0113j\u0101m un \u0101r\u0113j\u0101m diskusij\u0101m, BBC pie\u0146\u0113ma l\u0113mumu filmu iz\u0146emt no apraides. No komunik\u0101cijas viedok\u013ca \u0161is solis rad\u012bja narat\u012bva otro l\u012bmeni – no filmas par karu t\u0101 p\u0101rtapa ar\u012b st\u0101st\u0101 par to, k\u0101 medijs risina jaut\u0101jumus par redakcion\u0101lo br\u012bv\u012bbu un \u0113tiku.<\/p>\n Turpin\u0101jum\u0101 sekoja publisk\u0101 reakcija – paz\u012bstamu cilv\u0113ku atkl\u0101t\u0101s v\u0113stules un mediju diskusijas par cenz\u016bru. T\u0101 rezult\u0101t\u0101 pati BBC k\u013cuva par galveno diskusijas objektu, bet filma – par simbolu debat\u0113m par mediju br\u012bv\u012bbu.<\/p>\n Ar to palielin\u0101ta uzman\u012bba filmai un t\u0101s tematam, k\u0101 ar\u012b pastiprin\u0101ta BBC atpaz\u012bstam\u012bba un autorit\u0101te k\u0101 medijam, kas nebaid\u0101s no \u0113tisk\u0101m dilemm\u0101m, bet pats t\u0101s atz\u012bst un risina. L\u0113mums publiski atz\u012bt \u201cpie\u013caut\u0101s k\u013c\u016bdas\u201d nostiprina \u0161o t\u0113lu un rada iespaidu par mediju, kas ir pa\u0161reflekt\u012bvs, caursp\u012bd\u012bgs un mor\u0101li atbild\u012bgs.<\/p>\n Rezult\u0101t\u0101, ja \u0161is b\u016btu apzin\u0101ts strat\u0113\u0123isks g\u0101jiens, BBC b\u016btu ieguvusi pla\u0161u redzam\u012bbu bez b\u016btiska reput\u0101cijas riska. Filmas t\u0113ma k\u013cuva v\u0113l paz\u012bstam\u0101ka, \u201ccenz\u016bras\u201d diskurss rad\u012bja rezonansi starptautiski, bet ofici\u0101lais regulators piem\u0113roja tikai simbolisku pien\u0101kumu – pazi\u0146ot par k\u013c\u016bd\u0101m.<\/p>\n \t\t\t\t\t\tinfo<\/p>\n Uzzini pirmais
kas interesants noticis Latvij\u0101 un pasaul\u0113,
pievienojoties mums Telegram<\/a> vai Whatsapp<\/a> kan\u0101l\u0101<\/p>\n","protected":false},"excerpt":{"rendered":"Kad b\u0113rna ac\u012bs spogu\u013cojas kara \u0161ausmas, sabiedr\u012bba gaida patiesu st\u0101stu. Tom\u0113r britu dokument\u0101l\u0101 filma \u201cGaza: How to Survive…\n","protected":false},"author":2,"featured_media":33129,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[19],"tags":[89,90,35,39,38,36,37,34,40],"class_list":{"0":"post-33128","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-izklaide","8":"tag-entertainment","9":"tag-izklaide","10":"tag-latvia","11":"tag-latvian","12":"tag-latviesu","13":"tag-latviesu-valoda","14":"tag-latviesuvaloda","15":"tag-latvija","16":"tag-lv"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@lv\/115450427731208175","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/33128","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/comments?post=33128"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/33128\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media\/33129"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media?parent=33128"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/categories?post=33128"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/tags?post=33128"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}