{"id":33428,"date":"2025-10-28T11:41:13","date_gmt":"2025-10-28T11:41:13","guid":{"rendered":"https:\/\/www.europesays.com\/lv\/33428\/"},"modified":"2025-10-28T11:41:13","modified_gmt":"2025-10-28T11:41:13","slug":"operetes-skatitajs-bauda-un-mil-dzivi-saruna-ar-operetes-dzudita-radoso-komandu-raksts","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/lv\/33428\/","title":{"rendered":"\u00abOperetes skat\u012bt\u0101js bauda un m\u012bl dz\u012bvi.\u00bb Saruna ar operetes \u00abD\u017eudita\u00bb rado\u0161o komandu \/ Raksts"},"content":{"rendered":"

“Operet\u0113\u00a0ir \u0101rk\u0101rt\u012bgi skaista m\u016bzika\u00a0un patie\u0161\u0101m daudz prieka. To var just gan m\u0113\u0123in\u0101jumu proces\u0101, gan taj\u0101, ar k\u0101du azartu un degsmi mani kol\u0113\u0123i un m\u0113s visi str\u0101d\u0101jam,” Latvijas Telev\u012bzijas raid\u012bjum\u0101 “Kult\u016brdeva” saka\u00a0Operetes te\u0101tra valdes priek\u0161s\u0113d\u0113t\u0101ja\u00a0un rado\u0161\u0101\u00a0direktore Agija\u00a0Ozoli\u0146a-Kozlovska, kura kop\u0101 ar dzied\u0101t\u0101ju Antu\u00a0Jankovsku skaidro, ar ko operete at\u0161\u0137iras no operas un k\u0101p\u0113c\u00a0v\u0113rts piev\u0113rst \u012bpa\u0161u uzman\u012bbu Operetes te\u0101tra jaun\u0101kajam iestud\u0113jumam “D\u017eudita”.<\/p>\n

Henrieta Verhoustinska: Es sveicinu studij\u0101 Operetes te\u0101tra valdes priek\u0161s\u0113d\u0113t\u0101ju un rado\u0161o direktori Agiju Ozoli\u0146u-Kozlovsku un dzied\u0101t\u0101ju, Fran\u010da Leh\u0101ra operetes “D\u017eudita” galven\u0101s lomas izpild\u012bt\u0101ju Antu Jankovsku. (..) Agija, k\u0101p\u0113c par j\u016bsu dz\u012bves kaisl\u012bbu ir k\u013cuvusi tie\u0161i operete?<\/p>\n

Agija Ozoli\u0146a-Kozlovska: Operete ir \u017eanrs, kas dod milz\u012bgu prieku. Es esmu m\u016bzi\u0137e tre\u0161aj\u0101 paaudz\u0113, pianiste tre\u0161aj\u0101 paaudz\u0113, un m\u012blest\u012bba pret m\u016bziku man n\u0101k gan no mammas, gan no vecm\u0101mi\u0146as. Vecm\u0101mi\u0146a bija koncert\u0113jo\u0161a pianiste, kas \u013coti daudz str\u0101d\u0101ja ar dzied\u0101t\u0101jiem \u2013 vi\u0146iem bija Latvijas karte vienos punkti\u0146os saz\u012bm\u0113ta ar viet\u0101m, kur\u0101s vi\u0146a ir sp\u0113l\u0113jusi un uzst\u0101jusies. Es v\u0113l pieredz\u0113ju to, ka vi\u0146a l\u012bdz pat saviem 95 gadiem sp\u0113l\u0113ja. Mana mamma ar\u012b bija pianiste \u2013 pie vi\u0146as klaviersp\u0113li ir m\u0101c\u012bju\u0161ies daudzi \u0161odien zin\u0101mi m\u016bzi\u0137i. M\u0101sa man ir vijolniece, mammas dv\u012b\u0146u m\u0101sa ir \u010delliste, vect\u0113vs \u2013 \u010dellists.<\/p>\n

Br\u012bni\u0161\u0137\u012bgi! Bet k\u0101p\u0113c tie\u0161i operete?<\/p>\n

Agija Ozoli\u0146a-Kozlovska: Man bija iesp\u0113ja ar opereti str\u0101d\u0101t jau 2006. gad\u0101, kad es tiku tur uzaicin\u0101ta tie\u0161i k\u0101 pianiste. Toreiz Ieva Vi\u013cuma uzs\u0101ka t\u0101du R\u012bgas muzik\u0101l\u0101 te\u0101tra atdzim\u0161anu. Vi\u0146a iztur\u0113ja tr\u012bs gadus, es vi\u0146ai k\u013cuvu par labo roku, un mums tapa \u013coti skaisti iestud\u0113jumi. Viens no t\u0101diem b\u016btisk\u0101kajiem atkl\u0101jumiem Latvijas kult\u016bras pasaul\u0113 bija Inga \u0160\u013cubovska-Kanc\u0113vi\u010da, kurai bija pirm\u0101s lomas tie\u0161i Ievas Vi\u013cumas projektos. Operet\u0113\u00a0ir \u0101rk\u0101rt\u012bgi skaista m\u016bzika\u00a0un patie\u0161\u0101m daudz prieka. To var just gan m\u0113\u0123in\u0101jumu proces\u0101, gan taj\u0101, ar k\u0101du azartu un degsmi mani kol\u0113\u0123i un m\u0113s visi str\u0101d\u0101jam. Ar\u012b operetes skat\u012bt\u0101js ir cit\u0101d\u0101ks \u2013 vi\u0146\u0161 ir dz\u012bvespriec\u012bgs,\u00a0t\u0101ds, kur\u0161 bauda un m\u012bl dz\u012bvi.<\/p>\n

\"Operete<\/p>\n

Operete “D\u017eudita”<\/p>\n

Foto: J\u0101nis Porietis<\/p>\n<\/p>\n

Anta, ja jums b\u016btu j\u0101raksturo liel\u0101k\u0101s at\u0161\u0137ir\u012bbas starp opereti un operu, k\u0101das\u00a0t\u0101s b\u016btu?<\/p>\n

Anta Jankovska: Man tad ir j\u0101run\u0101 par opereti k\u0101 opereti, jo, ja es run\u0101tu par “D\u017euditu”, tad tur jau viss ir uz robe\u017eas. (..)<\/p>\n

\n

Operetei galvenok\u0101rt ir bezgala laim\u012bgi si\u017eeti ar lab\u0101m beig\u0101m un priec\u012bgu atrisin\u0101jumu, kaut ar\u012b pa vidu m\u0113dz b\u016bt da\u017e\u0101das probl\u0113mas. Iz\u0146\u0113mums ir “D\u017eudita” \u2013 tur viss beidzas ne tik labi.<\/p>\n<\/blockquote>\n

Bet t\u0101p\u0113c jau par\u00a0“D\u017euditu” run\u0101 atsevi\u0161\u0137i, jo tas ir t\u0101ds starp\u017eanrs. Operet\u0113, protams, ar\u012b m\u016bzika ir viegla \u2013 viegli uztverama un p\u0113c tam dungojama, kad cilv\u0113ks p\u0113c izr\u0101des iet m\u0101j\u0101s. [Opera un operete] at\u0161\u0137iras galvenok\u0101rt ar to,\u00a0\u2013 kas, manupr\u0101t, ir t\u0101 liel\u0101k\u0101 problem\u0101tika, \u2013\u00a0ka, ja oper\u0101 visu nosaka m\u016bzika un diri\u0123ents, kas vada \u0161o m\u016bziku, un m\u0113s esam tikai k\u0101 izpild\u012bt\u0101ji, tad operet\u0113 \u2013 es nebaid\u012b\u0161os teikt \u2013\u00a0m\u0101kslinieks ir vair\u0101k k\u0101 svar\u012bgs, jo vi\u0146\u0161 uztur visas izr\u0101des tempu. Un tas ir svar\u012bgi tie\u0161i t\u0101p\u0113c, ka \u0161eit ir \u0161ie p\u0101rr\u0101vumi starp dzied\u0101\u0161anu, run\u0101\u0161anu, tad v\u0113l pa vidu ien\u0101k kaut k\u0101da horeogr\u0101fiska darb\u012bba.<\/p>\n

\n

Faktiski ir t\u0101:\u00a0m\u0101kslinieks pats sp\u0113j izr\u0101des\u00a0ritmu nosist\u00a0uz leju vai pacelt uz aug\u0161u.<\/p>\n<\/blockquote>\n

K\u0101 j\u016bs non\u0101c\u0101t l\u012bdz operetei? K\u0101 j\u016bs atkl\u0101j\u0101t sev \u0161o \u017eanru? Jo j\u016bs jau s\u0101k\u0101t k\u0101 operdzied\u0101t\u0101ja.<\/p>\n

Anta Jankovska: Es paties\u012bb\u0101 nekad neb\u016btu dom\u0101jusi, ka reiz to dar\u012b\u0161u, bet t\u0101 bija t\u0101da laim\u012bga sagad\u012b\u0161an\u0101s. J\u0101nis Kaijaks un Agija iestud\u0113ja “Jautro atraitni”, un t\u0101 kaut k\u0101 san\u0101ca, ka m\u0113s visi satik\u0101mies.<\/p>\n

Agija Ozoli\u0146a-Kozlovska: Vi\u0146a atbrauca un nodzied\u0101ja mums priek\u0161\u0101 tie\u0161i D\u017euditas \u0101riju.<\/p>\n

Anta Jankovska: Tie\u0161\u0101m! Tie\u0161i D\u017euditas\u00a0\u0101riju. Pirms 10 gadiem. Un J\u0101nis Kaijaks uzreiz kaut k\u0101 mani saredz\u0113ja \u2013 neskatoties uz to, ka es biju absol\u016bta ies\u0101c\u0113ja, \u2013 tie\u0161i Hannas Glavari lomai. Paties\u012bb\u0101 t\u0101 ir t\u0101da “pr\u012bmu loma”, kuru vienm\u0113r grib dzied\u0101t dzied\u0101t\u0101jas ar zin\u0101mu karjeru. Parasti liekas \u2013 ja jau Hanna ir atraitne, tad vi\u0146ai ir j\u0101b\u016bt ar pieredzi. Bet paties\u012bb\u0101 si\u017eets ir t\u0101ds, ka prec\u0113jusies jau vi\u0146a bija tikai ned\u0113\u013cu, un pag\u0101jis ir varb\u016bt gads\u00a0kop\u0161 vi\u0146as v\u012brs nomira.<\/p>\n

\"Operete<\/p>\n

Operete “D\u017eudita”<\/p>\n

Foto: Mat\u012bss Markovskis<\/p>\n<\/p>\n

Vi\u0146a ir pavisam jauna sieviete!<\/p>\n

Anta Jankovska: J\u0101! Pavisam jauna! Un ar \u0161o tas st\u0101sts\u00a0ieg\u016bst pavisam citu skan\u0113jumu. Ar\u012b vizu\u0101lo [skatu], un visp\u0101r t\u0101s attiec\u012bbas starp Danilo un Hannu [main\u0101s], ja to sp\u0113l\u0113 t\u0101d\u0101 jaun\u012bb\u0101. T\u0101 tas viss ar\u012b s\u0101k\u0101s, un t\u0101l\u0101k jau\u2026<\/p>\n

Anta, j\u016bs jau piesk\u0101r\u0101ties tam, ka “D\u017eudita” nav glu\u017ei tradicion\u0101la operete. Vair\u0101ki kriti\u0137i\u00a0to ir sal\u012bdzin\u0101ju\u0161i ar operu, un tai ir ar\u012b skumjas beigas. K\u0101 ir dzied\u0101t D\u017euditu? Kas vi\u0146a \u012bsti ir? Vi\u0146a nereti tiek sal\u012bdzin\u0101ta ar Karmenu.<\/p>\n

Anta Jankovska: J\u0101, bet vi\u0146a nav Karmena. N\u0113, n\u0113. Tur ir zin\u0101mas l\u012bdz\u012bbas, protams. Oktavio ar\u012b ir kareivis, un vi\u0146\u0101 m\u012bt tiek\u0161an\u0101s p\u0113c br\u012bv\u012bbas un apzi\u0146as, ka vi\u0146a \u012bsti nevienam v\u012brietim nevar un nesp\u0113j pieder\u0113t.\u00a0Bet tur vair\u0101k ir paral\u0113les ar filmu, kas izn\u0101ca [20. gadsimta] 30. gados \u2013 “Maroka”. Tur ar\u012b bija \u013coti l\u012bdz\u012bgas t\u0101s attiec\u012bbas. D\u017eudita ir neparasts t\u0113ls operetei, un<\/p>\n

\n

man pat s\u0101kum\u0101 bija \u013coti gr\u016bti\u00a0sev\u012b atrast jebk\u0101das paral\u0113les ar vi\u0146u, jo jebkur\u0101 cit\u0101 t\u0113l\u0101, ko es l\u012bdz \u0161im esmu operet\u0113 sp\u0113l\u0113jusi, vienm\u0113r esmu atradusi gan lab\u0101ko, gan slikt\u0101ko no sevis pa\u0161as, bet \u0161eit\u2026<\/p>\n<\/blockquote>\n

Vi\u0146ai jau t\u0101d\u0101 l\u012bmen\u012b bija da\u017eas \u012bpa\u0161\u012bbas, kuras man s\u0101kum\u0101 pat bija gr\u016bti pie\u0146emt. Bet \u2013\u00a0jo es vair\u0101k \u0161o lomu dziedu, jo vair\u0101k vi\u0146u dz\u012bvoju. Un re\u017eisors mums ar\u012b deva zin\u0101mu br\u012bv\u012bbu \u2013 atrast to saikni ar t\u0113liem, k\u0101 m\u0113s vi\u0146us redzam un j\u016btam. Un es vi\u0146u arvien vair\u0101k iem\u012blu, arvien vair\u0101k sp\u0113ju vi\u0146ai piedot, atrast attaisnojumu un saprast, k\u0101p\u0113c vi\u0146a r\u012bkoj\u0101s t\u0101, k\u0101 r\u012bkoj\u0101s.<\/p>\n

Paties\u012bb\u0101 vi\u0146a ir t\u0101da \u012bsti moderna sieviete.<\/p>\n

Anta Jankovska: \u013boti moderna. It \u012bpa\u0161i tam laikam.<\/p>\n

\"Operete<\/p>\n

Operete “D\u017eudita”<\/p>\n

Foto: Mat\u012bss Markovskis<\/p>\n<\/p>\n

Anta piemin\u0113ja re\u017eisoru. Izr\u0101des komanda ir starptautiska. Varb\u016bt j\u016bs, Agija, par to varat mazliet past\u0101st\u012bt?<\/p>\n

Agija Ozoli\u0146a-Kozlovska: Tad, kad es apsv\u0113ru ieceri iestud\u0113t \u0161o opereti, \u013coti nopietni dom\u0101ju par to, kur\u0161 to var\u0113tu iestud\u0113t. Opereti ir j\u0101m\u012bl, lai to iestud\u0113tu. Opereti ir j\u0101paz\u012bst, lai to iestud\u0113tu. Un es mekl\u0113ju re\u017eisoru pasaul\u0113. Latvij\u0101 ir br\u012bni\u0161\u0137\u012bgi re\u017eisori, bet tie p\u0101rsvar\u0101 ir dramatisk\u0101 te\u0101tra re\u017eisori. T\u0101p\u0113c es skat\u012bjos, kas ir iestud\u0113jis “D\u017euditu” pasaul\u0113. Un, pateicoties labajai sadarb\u012bbai ar Leh\u0101ra festiv\u0101lu un t\u0101 vad\u012bbu, uzzin\u0101ju, ka savulaik tie\u0161i Gernots Kranners bija iestud\u0113jis “D\u017euditu” ar \u013coti lieliem pan\u0101kumiem.<\/p>\n

\n

Tad Leh\u0101ra festiv\u0101la direktors teica \u2013 j\u016bs daudz ieg\u016bsiet, ja sastr\u0101d\u0101sieties\u00a0ar \u0161o re\u017eisoru un ja jums b\u016bs t\u0101 iesp\u0113ja. Gernots Kranners pats\u00a0ir stud\u0113jis gan opereti, gan m\u016bziklu, gan solo dzied\u0101\u0161anu V\u012bnes konservatorij\u0101.<\/p>\n<\/blockquote>\n

Vi\u0146\u0161 ir stud\u0113jis aktiermeistar\u012bbu un re\u017eiju Par\u012bz\u0113,\u00a0deju un pantom\u012bmu London\u0101, pats k\u0101 solists un aktieris nu jau 30 gadus ir uz skatuves liel\u0101kajos te\u0101tros Eirop\u0101. Tas viss veido \u0161o bag\u0101\u017eu, kuru j\u016bs redzat ar\u012b izr\u0101des veidol\u0101. Man bija \u013coti svar\u012bgi, ka mums ir l\u012bdz\u012bgs skat\u012bjums uz pamatv\u0113rt\u012bb\u0101m, kas veido izr\u0101di, bet ar m\u016bsdien\u012bg\u0101m iesp\u0113j\u0101m.<\/p>\n

Jo operetes darb\u012bba princip\u0101 notiek m\u016bsdien\u0101s.<\/p>\n

Agija Ozoli\u0146a-Kozlovska: J\u0101, bet tur\u00a0tom\u0113r ir sava nosac\u012bt\u012bba.<\/p>\n

Tas t\u0101ds visp\u0101r\u012bgs laiks.<\/p>\n

Agija Ozoli\u0146a-Kozlovska: J\u0101, dr\u012bz\u0101k t\u0101 es teiktu. Man bija \u0101rk\u0101rt\u012bgi liels prieks, ka p\u0113c ilgsto\u0161\u0101m sarun\u0101m vi\u0146\u0161 atrada iesp\u0113ju p\u0101rk\u0101rtot savus pl\u0101nus un atrast to laiku atbraukt uz Latviju un ar mums str\u0101d\u0101t. Vi\u0146a laiks ir rezerv\u0113ts jau l\u012bdz 2030. gadam. T\u0101p\u0113c t\u0101 bija liela laime.<\/p>\n

(..) Viens no jaunie\u0161iem, kas piedal\u0101s izr\u0101d\u0113, teica, ka vi\u0146\u0161 labpr\u0101t redz\u0113tu modernu opereti par citplan\u0113tie\u0161iem, tarak\u0101niem, kas n\u0101k no mutes\u2026 Modern\u0101 operete, m\u0101ksl\u012bgais intelekts \u2013 cik tas ir iesp\u0113jams? Vai operete tom\u0113r ir \u017eanrs, kuram j\u0101iev\u0113ro trad\u012bcijas?<\/p>\n

Agija Ozoli\u0146a-Kozlovska: Operet\u0113 ir iesp\u0113jams \u013coti daudz. Tas ir sint\u0113tisks \u017eanrs, kas ietver milz\u012bgu daudzveid\u012bbu un elementus. Es neesmu par modernismu modernisma p\u0113c \u2013 tam ir j\u0101b\u016bt pamatotam.<\/p>\n

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Ja kaut ko dara, tam j\u0101b\u016bt pamatotam. Es nezinu, vai par citplan\u0113tie\u0161iem, bet k\u0101p\u0113c gan ne?<\/p>\n<\/blockquote>\n

Ja tur ir j\u0113ga, saturs un skaista m\u016bzika. \u0160is est\u0113tiskais aspekts mums ir \u013coti svar\u012bgs.<\/p>\n

Anta, vai j\u016bs operet\u0113, glu\u017ei k\u0101 oper\u0101, iev\u0113rojat ritu\u0101lu, ka dzied\u0101t\u0101ji pirms izr\u0101des k\u0101du dienu nerun\u0101? Vai varb\u016bt jums ir k\u0101di citi sagatavo\u0161an\u0101s ritu\u0101li D\u017euditas lomai?<\/p>\n

Anta Jankovska: Ja ir laba vesel\u012bba, tad viss ir labi. Man nav t\u0101du\u2026 Vien\u012bgais, ko es daru ne tikai D\u017euditas gad\u012bjum\u0101, bet visp\u0101r \u2013 izr\u0101des dien\u0101 es \u013coti maz komunic\u0113ju ar cilv\u0113kiem, bet tas ir vienk\u0101r\u0161i ener\u0123ijas saglab\u0101\u0161anai, jo es neesmu tik ener\u0123\u0113tisks cilv\u0113ks, lai\u00a0izr\u0101des dien\u0101 var\u0113tu \u0161\u0137aid\u012bties ar to.<\/p>\n

\n

T\u0101 ener\u0123ijas deva, kas man\u00a0tr\u012bs izr\u0101des stund\u0101s\u00a0j\u0101ieliek, ir vajadz\u012bga uz visiem simts procentiem. T\u0101p\u0113c to da\u017ek\u0101rt k\u0101ds var trakt\u0113t t\u0101, ka es nesarun\u0101jos un\u00a0t\u0101da un \u0161\u0101da staig\u0101ju apk\u0101rt, bet tas ir tikai un vien\u012bgi \u0161\u012b iemesla d\u0113\u013c.<\/p>\n<\/blockquote>\n

Katrs jau sav\u0101d\u0101k to dara. Ir cilv\u0113ki, kuriem tie\u0161i vajag jokus dz\u012bt un izlikties, ka viss ir \u013coti labi. Bet es esmu tas [cilv\u0113ks], kas ielien sev\u012b. Pat grima m\u0101kslinieks zina, ka man nevajag uzdot liekus jaut\u0101jumus un pras\u012bt, k\u0101 man \u0161odien g\u0101ja pa dz\u012bvi un t\u0101 t\u0101l\u0101k.<\/p>\n

\"Operete<\/p>\n

Operete “D\u017eudita”<\/p>\n

Foto: Mat\u012bss Markovskis<\/p>\n<\/p>\n

\u013boti labi j\u016bs saprotu! Anta, bet kur j\u016bs esat apguvusi \u0161o daudzpus\u012bgo pieredzi? Jo j\u016bs izr\u0101d\u0113 gan run\u0101jat tekstus, t\u0101tad esat aktrise, gan dziedat, gan dejojat. Kas ir j\u016bsu skola vis\u0101 \u0161aj\u0101?<\/p>\n

Anta Jankovska: Dejo\u0161an\u0101, protams, R\u012bgas Horeogr\u0101fijas vidusskola, kas ir bijusi manos pamatos. Es to pabeidzu. Un ar\u012b Latvijas Nacion\u0101laj\u0101 oper\u0101 dejoju da\u017eus gadus. Tas ir t\u0101ds pamat\u012bgs pamats tie\u0161i horeogr\u0101fiskajai pusei.<\/p>\n

Protams.<\/p>\n

Anta Jankovska: Un ar visu to, ka man \u0161is ir bijis, katru reizi ir sevi j\u0101lau\u017e. Nav t\u0101, ka man tas n\u0101k tik element\u0101ri. Protams, skatuves organika un koordin\u0101cija ir iem\u0101c\u012bta, bet, apg\u016bstot deju so\u013cus, tas ir darbs ar sevi. T\u0101p\u0113c es v\u0113l jo vair\u0101k apbr\u012bnoju savus kol\u0113\u0123us, kuriem nav \u0161\u012bs skolas, bet kuri lieliski tiek gal\u0101 ar \u0161iem uzdevumiem. Es tie\u0161\u0101m vi\u0146us apbr\u012bnoju! Un dzied\u0101\u0161ana man n\u0101k no J\u0101zepa Medi\u0146a R\u012bgas M\u016bzikas vidusskolas, p\u0113c tam es m\u0101c\u012bjos Parmas konservatorij\u0101. Te\u0101tris \u2013 \u0161is ir t\u0101ds\u2026 Nu, tikai tik, cik man ir bijusi iesp\u0113ja str\u0101d\u0101t ar lieliskiem re\u017eisoriem, kuri pal\u012bdz veidot t\u0113lu.<\/p>\n

\n

Es atceros savu pirmo izr\u0101di \u2013 man bija diezgan lielas probl\u0113mas ar runu, jo es run\u0101ju t\u0101d\u0101 \u013coti augst\u0101 bals\u012b.\u00a0Tad es g\u0101ju pie Zanes Daudzi\u0146as un teicu, ka man vajag pal\u012bdz\u012bbu.<\/p>\n<\/blockquote>\n

Kam\u0113r es sapratu, ka j\u0101run\u0101 kr\u016b\u0161u bals\u012b\u2026 Tas viss n\u0101ca ar laiku, un t\u0101 te\u0101tra da\u013ca man, iesp\u0113jams, ir gr\u016bt\u0101k\u0101. Es taj\u0101 nej\u016btos tik profesion\u0101la, k\u0101 grib\u0113tos.<\/p>\n

Bet man \u0161\u0137iet, ka jums izdodas \u013coti labi!<\/p>\n

Anta Jankovska: Paldies!<\/p>\n

\"Operete<\/p>\n

Operete “D\u017eudita”<\/p>\n

Foto: J\u0101nis Porietis<\/p>\n<\/p>\n

Agija, kur j\u016bs atrodat solistus? <\/p>\n

Agija Ozoli\u0146a-Kozlovska: Latvija ir \u013coti bag\u0101ta ar m\u0101ksliniekiem un solistiem. Katru gadu M\u016bzikas akad\u0113miju absolv\u0113 vair\u0101ki dzied\u0101t\u0101ji.<\/p>\n

J\u016bs ejat uz vi\u0146u koncertiem?<\/p>\n

Agija Ozoli\u0146a-Kozlovska: Kad es s\u0101ku te\u0101tri, kas mums \u0161obr\u012bd ir, pulc\u0113ju kop\u0101 savus kol\u0113\u0123us, ar kuriem man ir bijusi sadarb\u012bba iepriek\u0161 k\u0101 pianistei. Un tas pulks ir \u013coti liels \u2013 t\u0101 komanda \u0161\u0101dam te\u0101trim ir milz\u012bga. Dom\u0101jot par katru jaunu iestud\u0113jumu, es dom\u0101ju par katru konkr\u0113to solistu un dzied\u0101t\u0101ju konkr\u0113tai lomai.<\/p>\n

\"Operete<\/p>\n

Operete “D\u017eudita”<\/p>\n

Foto: Mat\u012bss Markovskis<\/p>\n<\/p>\n

Bet tas noz\u012bm\u0113, ka j\u016bs visu laiku sekojat l\u012bdzi muzik\u0101lajai ainavai, lai visp\u0101r zin\u0101tu, ka ir t\u0101di solisti?<\/p>\n

Agija Ozoli\u0146a-Kozlovska: J\u0101, protams! Bet tie jau nav tikai solisti! Mums ir ar\u012b or\u0137estris un visa rado\u0161\u0101 komanda. Un dejot\u0101ji! T\u0101s ir \u013coti daudzas profesijas, kas vajadz\u012bgas, lai taptu \u0161\u0101da izr\u0101de. M\u0113s dodam daudz iesp\u0113ju\u00a0ar\u012b jaunajiem, lai vi\u0146i var apg\u016bt skatuves pieredzi, dab\u016bt to gar\u0161u.<\/p>\n

\n

Man ir milz\u012bgs prieks, kad redzu \u2013 ar\u012b \u0161aj\u0101 iestud\u0113jum\u0101 \u2013, ka jaunie\u0161i aizkulis\u0113s dzied visas operetes melodijas, ne tikai kora partijas, bet ar\u012b visu p\u0101r\u0113jo materi\u0101lu. Vi\u0146i dzied ar saj\u016bsmu un prieku.<\/p>\n<\/blockquote>\n

J\u0101, m\u0113s dodam iesp\u0113jas jaunajiem, kas ir Latvijas bag\u0101t\u012bba, zelts un n\u0101kotne. Un ar\u012b m\u016bsu te\u0101tra n\u0101kotne. T\u0101 ir \u013coti b\u016btiska joma Operetes te\u0101tr\u012b.<\/p>\n","protected":false},"excerpt":{"rendered":"“Operet\u0113\u00a0ir \u0101rk\u0101rt\u012bgi skaista m\u016bzika\u00a0un patie\u0161\u0101m daudz prieka. To var just gan m\u0113\u0123in\u0101jumu proces\u0101, gan taj\u0101, ar k\u0101du azartu…\n","protected":false},"author":2,"featured_media":33429,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5],"tags":[23,28,29,32,33,22,30,31,35,39,38,36,37,34,40,20,26,27,24,25,21],"class_list":{"0":"post-33428","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-aktualitates","8":"tag-aktualitates","9":"tag-breaking-news","10":"tag-breakingnews","11":"tag-featured-news","12":"tag-featurednews","13":"tag-headlines","14":"tag-latest-news","15":"tag-latestnews","16":"tag-latvia","17":"tag-latvian","18":"tag-latviesu","19":"tag-latviesu-valoda","20":"tag-latviesuvaloda","21":"tag-latvija","22":"tag-lv","23":"tag-news","24":"tag-popularakas-zinas","25":"tag-popularakaszinas","26":"tag-top-stories","27":"tag-topstories","28":"tag-zinas"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@lv\/115451611379749469","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/33428","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/comments?post=33428"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/33428\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media\/33429"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media?parent=33428"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/categories?post=33428"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/tags?post=33428"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}