{"id":34111,"date":"2025-10-29T08:56:11","date_gmt":"2025-10-29T08:56:11","guid":{"rendered":"https:\/\/www.europesays.com\/lv\/34111\/"},"modified":"2025-10-29T08:56:11","modified_gmt":"2025-10-29T08:56:11","slug":"labakas-lomas-atnak-pasas-jubilejas-reizes-saruna-ar-aktieri-kasparu-znotinu-raksts","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/lv\/34111\/","title":{"rendered":"Lab\u0101k\u0101s lomas atn\u0101k pa\u0161as. Jubilejas reizes saruna ar aktieri Kasparu Znoti\u0146u \/ Raksts"},"content":{"rendered":"

Henrieta Verhoustinska: Sveicinu studij\u0101 br\u012bni\u0161\u0137\u012bgo Jaun\u0101 R\u012bgas te\u0101tra aktieri, manu laikabiedru, nu jau piecdesmitgadnieku \u2013 Kasparu Znoti\u0146u! Apsveicu tevi dzim\u0161anas dien\u0101!<\/p>\n

Kaspars Znoti\u0146\u0161: Paldies, Henriet! Sveiki!<\/p>\n

S\u0101ksim ar dzeju. Ko aktierim \u012bsti noz\u012bm\u0113 las\u012bt dzeju?<\/p>\n

T\u0101 ir sava veida m\u016bzika, tu esi t\u0101d\u0101 sentimenta up\u0113. Tas ir cit\u0101di nek\u0101 ar prozu vai dramatur\u0123iju.\u00a0<\/p>\n

Tev nupat bija piedz\u012bvojums \u2013 tu las\u012bji “Faustu”, kam\u0113r Iveta Apkalna sp\u0113l\u0113ja \u0113r\u0123eles Latgales kult\u016brtelp\u0101 “Gors”. Vai las\u012bt “Faustu” \u0113r\u0123e\u013cu ska\u0146u pavad\u012bb\u0101 ir kaut kas t\u0101ds…<\/p>\n

Tas ir tas, k\u0101, manupr\u0101t, \u0161obr\u012bd, \u0161odien “Faustu” var\u0113tu pacelt. J\u0101, tie\u0161i t\u0101 \u2013 \u0113r\u0123e\u013cu pavad\u012bjum\u0101 lugas sa\u012bsin\u0101ts las\u012bjums, lai cilv\u0113kiem nestu \u0161o klasikas tekstu. Es nevaru iedom\u0101ties, k\u0101 to var\u0113tu te\u0101tr\u012b uztais\u012bt. Kaut gan var\u0113tu. Protams, “Fausta” otr\u0101 da\u013ca ir nosl\u0113pumaina, tur ir daudz j\u0101zina no sengrie\u0137u un romie\u0161u klasikas, bet pirm\u0101 da\u013ca \u2013 Margar\u0113tas l\u012bnija, pamatst\u0101sts, ko izmanto ar\u012b oper\u0101 \u2013 ir sirdi ploso\u0161a un pacil\u0101jo\u0161a reiz\u0113. Tas ir intelektu\u0101ls un m\u0101ksliniecisks prieks kaut ko t\u0101du dab\u016bt sev gan k\u0101 skat\u012bt\u0101jam, gan k\u0101 izpild\u012bt\u0101jam.\u00a0<\/p>\n

Man pacil\u0101jo\u0161s piedz\u012bvojums bija skat\u012bties Jaun\u0101 R\u012bgas te\u0101tra jaun\u0101ko izr\u0101di “Kritiens aug\u0161up”, kur\u0101 ar\u012b tu sp\u0113l\u0113 noz\u012bm\u012bgas lomas. Past\u0101st\u012b\u0161u skat\u012bt\u0101jiem, ka runa ir par v\u0101cu aktiera un rakstnieka Joahima Meierhofa ce\u013cojumu p\u0113c insulta, jau piecdesmitgadnieka vecum\u0101 pie savas mammas; t\u0101 ir divus m\u0113ne\u0161us kop\u0101 b\u016b\u0161ana ar mammu vi\u0146as laukos. T\u0101ds \u012bsum\u0101 ir si\u017eets. J\u016bs \u0161aj\u0101 izr\u0101d\u0113 sp\u0113l\u0113jat visi visus.\u00a0<\/p>\n

J\u0101. Tas ir sp\u0113les prieks.\u00a0<\/p>\n

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\u0160aj\u0101 izr\u0101d\u0113 var izpausties m\u016bsu aktieru sp\u0113les prieks, t\u0113lotprieks. Te to var at\u013cauties, jo nek\u0101 daudz jau nav uz skatuves. M\u0113s tur esam viss kas, ko nu vajag \u2013 no t\u012b\u0123era \u0160irhana l\u012bdz galven\u0101 varo\u0146a d\u0113l\u0113nam.\u00a0<\/p>\n<\/blockquote>\n

\u0160aj\u0101 izr\u0101d\u0113 mamma ir kaut kas vid\u0113js starp Ronju un Pepiju. Tik \u017eiper\u012bga, p\u0101rdabiski akt\u012bva un varo\u0161a savos 86 gados vi\u0146a ir. Vai j\u016bs izr\u0101des veido\u0161anas proces\u0101 dom\u0101j\u0101t ar\u012b par sav\u0101m mamm\u0101m?<\/p>\n

J\u0101, protams. Bija sarunas. Da\u017eiem kol\u0113\u0123iem mammas vairs nav. Ar\u012b par \u0161o saj\u016btu \u2013 k\u0101 tas ir, kad tev vairs nav mammas… Par m\u016bsu mamm\u0101m dom\u0101jot, m\u0113s \u0161o izr\u0101di tais\u012bj\u0101m. Tu\u00a0\u00a0piebildi par Pepiju \u2013 j\u0101, tas ir\u00a0lindgr\u0113nisks\u00a0varonis. Tur ar\u012b daudz no “Karlsona” ir: attiec\u012bbas k\u0101 Br\u0101l\u012btim ar Karlsonu, kur mamma \u0161oreiz ir Karlsona lom\u0101. Dz\u012bvesprieks, dz\u012bvotgriba un spars m\u016bs baroja, deva mums sp\u0113l\u0113tprieku. Tas ir ierakst\u012bts rom\u0101n\u0101 \u2013 \u0161\u012b mammas dz\u012bve parad\u012bzes viduc\u012b, k\u0101 vi\u0146a pati saka.\u00a0<\/p>\n

Vai tava mamma ar\u012b dz\u012bvo parad\u012bzes viduc\u012b?\u00a0<\/p>\n

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O j\u0101! Mana mamma, var teikt, ar\u012b dz\u012bvo parad\u012bzes viduc\u012b. Ar\u012b vi\u0146ai ir za\u013c\u0101 elle un dar\u012b\u0161anas ar malku. T\u0101pat k\u0101 galven\u0101 varo\u0146a mamma, vi\u0146a brauc ar ma\u0161\u012bnu, kur vajag. Bet mana mamma v\u0113l ir jauna.<\/p>\n<\/blockquote>\n

\u0160\u012b mamma ir 80 plus, kas mums ir izr\u0101d\u0113.\u00a0<\/p>\n

T\u0101 ir \u2013 86 gadi, b\u016bsim konkr\u0113ti. Savuk\u0101rt tev ir pien\u0101kusi t\u0101da robe\u017e\u0161\u0137irtne, kuru es ar\u012b nesen \u0161\u0137\u0113rsoju \u2013 tie ir 50 gadi. Vai tu piekr\u012bti tam, ko manas kol\u0113\u0123es Sandras Kir\u0161bergas videost\u0101st\u0101 par piecdesmitgadniekiem, taviem laikabiedriem, st\u0101sta Andris Kei\u0161s \u2013 ka 50 gados iest\u0101jas zin\u0101ms miers?<\/p>\n

Es jau visu dz\u012bvi esmu bijis sal\u012bdzino\u0161i mier\u012bgs.\u00a0<\/p>\n

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Miers man visp\u0101r ir rakstur\u012bgs, Man nepat\u012bk straujas emocion\u0101las kust\u012bbas un izl\u0113cieni, es vienk\u0101r\u0161i p\u0113c dabas t\u0101ds neesmu.<\/p>\n<\/blockquote>\n

Skolas laik\u0101 jau ar\u012b biju, t\u0101 teikt, likumpaklaus\u012bgs.\u00a0T\u0101d\u0101 zi\u0146\u0101 nekas nav main\u012bjies.\u00a0<\/p>\n

Tev ar\u012b t\u0113ls ir t\u0101ds, ka gr\u016bti to sam\u0113rot ar attiec\u012bgo ciparu, god\u012bgi sakot. Man liekas, ka tev v\u0113l lomu kl\u0101sts nemain\u0101s uz t\u0113vu un sirmgalvju pusi tik \u013coti.\u00a0<\/p>\n

Es, protams, ar\u012b raugos uz \u0161o vecumu k\u0101 nedaudz izbr\u012bn\u012bts cilv\u0113ks.<\/p>\n

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20 gadu vecum\u0101 tie\u0161\u0101m lik\u0101s, ka 50 gados cilv\u0113ks ir vecs, bet tagad tu saproti, ka tur iek\u0161\u0101 ir aptuveni tas pats, kas tajos 20 un 30 gados, tur nav t\u0101das b\u016btiskas kvalitat\u012bvas izmai\u0146as. Tas ar\u012b nav nekas ori\u0123in\u0101ls.<\/p>\n<\/blockquote>\n

T\u0101 visi piecdesmitgadnieki p\u0101rsvar\u0101 izsak\u0101s un se\u0161desmitgadnieki t\u0101 izsak\u0101s. Ar\u012b asto\u0146desmitgadnieki t\u0101 izsak\u0101s, kad pien\u0101ks tas vecums.\u00a0<\/p>\n

Bet k\u0101 aktieris tu to robe\u017e\u0161\u0137irtni j\u016bti, ka viss, vairs tu nenosp\u0113l\u0113si, nezinu, mazu gani\u0146u?\u00a0<\/p>\n

Zini, p\u0113c m\u016bsu uzst\u0101d\u012bjuma ar\u012b mazos gani\u0146us m\u0113s v\u0113l varam, jo te\u0101tr\u012b var visu. Te\u0101tr\u012b jau m\u0113s vis kaut kas varam b\u016bt.\u00a0<\/p>\n

Tas gan! Sav\u0101 50. dzim\u0161anas dien\u0101 tu p\u0113d\u0113jo reizi sp\u0113l\u0113ji Ziedo\u0146a lomu izr\u0101d\u0113 “Ziedonis un Visums”. Vai bija gr\u016bti atvad\u012bties no \u0161\u012bs, nu jau var\u0113tu teikt, ikonisk\u0101s lomas?<\/p>\n

Nu n\u0113. Varb\u016bt tas ar\u012b ir saist\u012bts ar manu mieru un \u013cau\u0161an\u0101s procentu, kas ir man\u012b.\u00a0Es ar\u012b nekad \u012bpa\u0161i neesmu r\u0101vies p\u0113c lom\u0101m, m\u0113r\u0137tiec\u012bgi str\u0101d\u0101jis uz k\u0101das lomas ieg\u016b\u0161anu. T\u0101pat ar\u012b Ziedo\u0146a t\u0113ls atn\u0101ca man ne saukts, ne aicin\u0101ts un, iesp\u0113jams, vi\u0146\u0161 tagad ir ar\u012b aizg\u0101jis.\u00a0Viss n\u0101k un aiziet t\u0101lum\u0101, k\u0101 saka klasi\u0137is. Es apbr\u012bnojami mier\u012bgi to uztv\u0113ru.<\/p>\n

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Tie nenoliedzami bija sv\u0113tki \u2013 \u0161\u012bs \u010detras izr\u0101des \u2013, t\u0101 bija apzin\u0101\u0161anas, ka \u0161ie teksti v\u0113l joproj\u0101m str\u0101d\u0101. Nostiprin\u0101j\u0101s apzi\u0146a, ka Ziedonis ir m\u016bsu klasi\u0137is. Pirms tam bija Rainis, p\u0113c tam mums ir Ziedonis un tagad gaid\u0101m 21. gadsimta klasi\u0137i.\u00a0<\/p>\n<\/blockquote>\n

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\"Kaspars<\/p>\n

Kaspars Znoti\u0146\u0161 un Henrieta Verhoustinska<\/p>\n

Foto: Aigars Bumburs \/ LTV<\/p>\n<\/p>\n

Man ir da\u017ei kandid\u0101ti! Run\u0101jot par “Ziedoni un Visumu” \u2013 k\u0101 \u0161\u012b izr\u0101de main\u012bj\u0101s \u0161o gadu laik\u0101? Jo tu ta\u010du main\u012bjies.\u00a0<\/p>\n

J\u0101, bet… K\u0101 Silvija Radzobe rakst\u012bja vien\u0101 sav\u0101 recenzij\u0101: t\u0101 ir da\u013ca no izr\u0101des efekta, ka ir \u0161is jaunais \u0137ermenis, kur\u0161 sp\u0113l\u0113 veco Ziedon\u012bti, k\u0101ds vi\u0146\u0161 mums tai izr\u0101de ir \u2013 ce\u013cot\u0101js, dom\u0101t\u0101js. Ar\u012b lik\u0101s, cik tad tu ilgi sp\u0113l\u0113si, lai b\u016btu \u0161is efekts. Taj\u0101 br\u012bd\u012b, kad m\u0113s to iestud\u0113j\u0101m, man bija 35 gadi.. Bet no otras puses, kas tas ir \u2013 35 un 50 gadi? Ar\u012b nek\u0101da at\u0161\u0137ir\u012bba.\u00a0<\/p>\n

Vienk\u0101r\u0161i tu tuvojies tam Ziedo\u0146a vecumam.<\/p>\n

J\u0101, j\u0101. Bija agr\u0101k t\u0101da teorija, kas m\u0113s “Garo dz\u012bvi” var\u0113tu sp\u0113l\u0113t l\u012bdz tam vecumam, kad m\u0113s sasniegtu m\u016bsu varo\u0146u vecumu taj\u0101 komun\u0101laj\u0101 dz\u012bvokl\u012b. T\u0101 ar\u012b ir \u2013 saj\u016bta, ka nekas nemain\u0101s. Zini, ir izbr\u012bns par to, ka tik maz main\u0101s, ka t\u0101 izr\u0101de v\u0113l joproj\u0101m str\u0101d\u0101 un kaut k\u0101 tr\u0101pa. Tu j\u016bti, ka tie teksti tr\u0101pa. Tu pats to nemaz neesi gaid\u012bjis, tu pats to nemaz nevar\u0113ji apr\u0113\u0137in\u0101t.\u00a0Okei, varb\u016bt re\u017eisors Alvis Hermanis to t\u0101 saprata, juta, ka tas var\u0113tu atst\u0101t t\u0101du efektu uz skat\u012bt\u0101jiem, bet man tas v\u0113l joproj\u0101m ir iek\u0161\u0113js izbr\u012bns, ar\u012b \u0161\u012bs \u010detras p\u0113d\u0113j\u0101s izr\u0101des sp\u0113l\u0113jot, k\u0101 tas str\u0101d\u0101, k\u0101 tas sasniedz to efektu, ko \u0161\u012b izr\u0101de sasniedz. Es nezinu, man tas ir nosl\u0113pums, man nav atbildes. Bet t\u0101 ar\u012b ir mana apzin\u0101ta izv\u0113le, es negribu atmin\u0113t \u0161o nosl\u0113pumu. Ja es atmin\u0113\u0161u, tad gan, man liekas, es nevar\u0113\u0161u pasp\u0113l\u0113t.\u00a0<\/p>\n

Tas ir t\u0101, k\u0101 pateikt, ka R\u012bga ir gatava.\u00a0<\/p>\n

Kaut kas t\u0101ds, j\u0101. Tu atst\u0101j to zonu starp mums un skat\u012bt\u0101jiem un lai tas tur ir, lai tas notiek pats no sevis \u2013 tas gaiss, tas \u0113ters starp mums un skat\u012bt\u0101jiem.<\/p>\n

Kaspar, k\u0101das ir liel\u0101k\u0101s il\u016bzijas, kas tev ir sabruku\u0161as, kop\u0161 tu esi aktieris? Jo dro\u0161i vien tu, k\u0101 visi jaunie aktieri, s\u0101ki ar kaut k\u0101du sapni par te\u0101tri, bet ikdienas rut\u012bnas un pieredzes priek\u0161\u0101 kaut kas sabr\u016bk.\u00a0<\/p>\n

Varb\u016bt tas, ko tu saki \u2013 ikdiena, rut\u012bna ir t\u0101, kas liek sabrukt priek\u0161tatiem, ka tas ir kaut kas unik\u0101ls, izcils un \u012bpa\u0161s. T\u0101 ir tava darba zona, kur\u0101 tu esi no tikiem l\u012bdz tikiem, centies b\u016bt god\u012bgs pret izdar\u0101mo darbu. Un ka tas varb\u016bt ir tik vienk\u0101r\u0161i da\u017ek\u0101rt \u2013 tev ir tikos un tikos j\u0101b\u016bt tur, j\u0101izdara tas un tas un tu dodies t\u0101l\u0101k, m\u0101cies tekstus, ilgi m\u0101cies, gr\u016bti m\u0101cies, kal…\u00a0<\/p>\n

Ka tas ir darbs.\u00a0<\/p>\n

J\u0101, ka tas ir darbs.\u00a0<\/p>\n

Tu sp\u0113l\u0113 mazliet apbru\u017e\u0101tu m\u016bzi\u0137i savas meitas R\u016btas Znoti\u0146as diplomdarba film\u0101 “S\u0101c visu no jauna”, kas ar\u012b cil\u0101ja vecuma t\u0113mu. Vai tu juties pagodin\u0101ts vai aizkustin\u0101ts, kad vi\u0146a tev uztic\u0113ja \u0161o lomu?<\/p>\n

Man tas lik\u0101s no vi\u0146as puses t\u0101ds drosm\u012bgs g\u0101jiens. Es pat m\u0113\u0123in\u0101ju vi\u0146u atrun\u0101t. Tas vienm\u0113r ir sare\u017e\u0123\u012bts temats \u2013 str\u0101d\u0101t ar \u0161iem robe\u017ecilv\u0113kiem. Tu saproti, ka negribi padar\u012bt \u0161o varoni par komisku person\u0101\u017eu, ciema mu\u013c\u0137\u012bti; tu atrodies uz trausla ledus, lai to neuztais\u012btu vienk\u0101r\u0161i par kaut k\u0101du kom\u0113diju, bet filmu par m\u0101ksliniecisku dv\u0113seli, kur\u0161 ar\u012b v\u0113las sasniegt m\u0101ksliniecisku rezult\u0101tu, ko citi nov\u0113rt\u0113tu. Tur mums ar meitu saskan\u0113ja un, manupr\u0101t, m\u0113s \u0161\u0101du t\u0113lu ar\u012b izveidoj\u0101m. Tik daudzi no mums grib sasniegt kaut ko, nu vismaz vienreiz m\u016b\u017e\u0101 nodot pa bund\u017e\u0101m t\u0101, lai visi redz. \u0160aj\u0101 film\u0101 ir \u0161\u0101ds t\u0113ls, un \u0161\u012b meitene, radiniece, ir t\u0101, kas vi\u0146u virza taj\u0101 virzien\u0101, iedro\u0161ina vi\u0146u, kur vi\u0146\u0161 pats baid\u0101s un neiet l\u012bdz galam. T\u0101ds ir m\u016bsu t\u0113ls.\u00a0<\/p>\n

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Latvijas \u012bsfilmas. S\u0101c visu no jauna35min<\/p>\n<\/p>\n

Tu run\u0101 par t\u0113la balans\u0113\u0161anu uz t\u0101da ciema mu\u013c\u0137\u012b\u0161a robe\u017eas. L\u012bdz\u012bgs balanss tev bija j\u0101notur ar\u012b Arn\u012b\u0161a lom\u0101 daudzs\u0113riju film\u0101 “Pansija pil\u012b”.\u00a0<\/p>\n

J\u0101. Tur ir iek\u0161\u0113jais pa\u0161lepnums \u2013 \u0161im Arn\u012btim. Vi\u0146\u0161 savu zonu, savu vietu pil\u012b izkarojis, past\u0101v uz to un sev atv\u0113l\u0113taj\u0101 telp\u0101 j\u016btas gandr\u012bz jau k\u0101 karalis. P\u0113c An\u0161lava Egl\u012b\u0161a t\u0101 ar\u012b ir, ka vi\u0146\u0161 p\u0113d\u0113jais palika mui\u017e\u0101. Vi\u0146\u0161 v\u0113l izvad\u0101ja An\u0161lavu pa mui\u017eas telp\u0101m, kad visi jau bija prom 1944. gad\u0101. Tas gan nav seri\u0101l\u0101. \u0160iem t\u0113liem ir iek\u0161\u0113j\u0101 pa\u0161v\u0113rt\u012bbas apzi\u0146a \u013coti sp\u0113c\u012bga. Tas ir j\u0101notur \u0161ajos t\u0113los, lai tas neb\u016btu vienk\u0101r\u0161i t\u0101ds… lai ar vi\u0146u r\u0113\u0137in\u0101s.\u00a0<\/p>\n

Run\u0101jot par pa\u0161v\u0113rt\u012bbas apzi\u0146u \u2013 es tikko k\u0101 noskat\u012bjos izr\u0101di “Ledus gar\u0161a” Jaun\u0101j\u0101 R\u012bgas te\u0101tr\u012b, kur tavs kol\u0113\u0123is aktieris Vilis Daudzi\u0146\u0161 ir pozicion\u0113jies k\u0101 re\u017eisors. Vai tev ir \u0161\u0101das amb\u012bcijas? Vai tu v\u0113lies iestud\u0113t k\u0101du izr\u0101di? Varb\u016bt tev ir t\u0101ds klusais sapnis?<\/p>\n

N\u0113, nav. Es kratos va\u013c\u0101, ja k\u0101ds k\u0101dreiz kaut ko taj\u0101 virzien\u0101 man jaut\u0101 vai interes\u0113jas.\u00a0<\/p>\n

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Man tie\u0161\u0101m liekas \u0161is aktier\u0113\u0161anas arods t\u0101 v\u0113rts, lai tur visu savu uzman\u012bbu, sp\u0113jas un sp\u0113kus liktu iek\u0161\u0101 v\u0113l un v\u0113l.<\/p>\n<\/blockquote>\n

Man\u00a0ir augstas pras\u012bbas pret re\u017eisoriem.<\/p>\n

L\u016bk, m\u016bsu “Kult\u016brdevas ABC” \u0161oreiz ir ne par vienu citu k\u0101 re\u017eisoru Alvi Hermani. Kaspar, vai tu esi k\u0101dreiz run\u0101jis pret\u012b Alvim Hermanim?<\/p>\n

J\u0101, esmu da\u017ereiz, drusci\u0146. Tas ar\u012b Ziedonim bija, ka vi\u0146\u0161 ar saviem tekstiem provoc\u0113ja uz intelektu\u0101lu izkau\u0161anos. Alvis ar\u012b bie\u017ei vien provoc\u0113. Vi\u0146am pat pat\u012bk, ja vi\u0146am pret\u012b kaut ko saka. Var\u0113tu gan dom\u0101t \u2013 \u0101rpr\u0101ts, vi\u0146\u0161 to necie\u0161. N\u0113, n\u0113, vi\u0146am vajag pretst\u0101vi.\u00a0<\/p>\n

Alvis Hermanis ir rad\u012bjis savu aktieru turpu un savu te\u0101tri, bet vienlaikus ir ar\u012b t\u0101, ka vi\u0146a priek\u0161tats par te\u0101tri ir main\u012bjies no t\u0101das \u0123imeniskas saj\u016btas l\u012bdz br\u012bdim, kad vi\u0146\u0161 atjaunoja aktieru turpu, atlaida vair\u0101kus aktierus un [iest\u0101j\u0101s] par to, ka aktieriem tom\u0113r ir j\u0101dz\u012bvo br\u012bvaj\u0101 tirg\u016b. K\u0101 tu j\u016bties Jaunaj\u0101 R\u012bgas te\u0101tr\u012b \u2013 k\u0101 \u0123imen\u0113 vai tom\u0113r k\u0101 darb\u0101?<\/p>\n

Gan, gan. Bet ar\u012b ar apzi\u0146u, ka m\u0113s tom\u0113r esam darb\u0101, j\u0101. T\u0101 \u012bpa\u0161i \u0101rpus te\u0101tra, t\u0101 teikt, ar \u0123imen\u0113m nedraudz\u0113jamies.\u00a0<\/p>\n

J\u016bs ar Vili Daudzi\u0146u braucat laivu braucien\u0101.<\/p>\n

J\u0101, un gandr\u012bz tas ar\u012b ir viss. M\u0113s \u013coti reti t\u0101 viens pie otra. Es sen pie Daudzi\u0146a neesmu bijis, ja t\u0101 padom\u0101. Apzi\u0146a, ka tas ir darbs, bet taj\u0101 pa\u0161\u0101 laik\u0101 \u2013 un Zaiga Gaile to ar\u012b sav\u0101 projekt\u0101 uztv\u0113ra \u2013, ka mums t\u0101s ir k\u0101 m\u0101j\u0101s. M\u016bsu \u0113rt\u0101s aktieru grim\u0113tvas \u2013 \u0113rt\u0101k\u0101s Latvij\u0101 \u2013 atg\u0101dina m\u0101jas. J\u0101, tas ir t\u0101ds hibr\u012bds.\u00a0<\/p>\n

Jaunais R\u012bgas te\u0101tris ir ar\u012b absol\u016bti slavens ar to, ka bi\u013cetes uz \u0161\u012b te\u0101tra izr\u0101d\u0113m tiek izpirktas burtiski da\u017eu min\u016b\u0161u laik\u0101. Ar ko tu skaidro \u0161o fenomenu? Man liekas, ka tur liels nopelns ir tie\u0161i jums.\u00a0<\/p>\n

Par m\u016bsu pa\u0161u, par saviem nopelniem es parasti atturos spriest, lai sprie\u017e citi. Tur ir viss kop\u0101. J\u0101saka gan, ka ar\u012b Tabakas fabrik\u0101 m\u0113s bij\u0101m izp\u0101rdoti, bet \u0161is atjaunot\u0101s m\u0101jas fenomens daudzus pievelk. Es saku to, kas v\u0113l bez mums veicina, ka bi\u013cetes ir izpirktas. S\u0113dvietas var\u0113ja b\u016bt drusku vair\u0101k, bet t\u0101s ir tik, cik ir. \u012asi sakot, tas, protams, ir ar\u012b \u012bpa\u0161s kolekt\u012bvs, \u012bpa\u0161s gad\u012bjums, t\u0101da otra nav. Tas to ir veicin\u0101jis. Protams,\u00a0<\/p>\n

\n

gadu gait\u0101 m\u016bsu starp\u0101 ir izstr\u0101d\u0101jusies t\u0101da attiec\u012bbu un m\u0101ksliniecisk\u0101 snieguma \u0137\u012bmija, ka tas ar\u012b ir kaut kas dro\u0161i vien neatk\u0101rtojams.<\/p>\n<\/blockquote>\n

T\u0101 tas vienk\u0101r\u0161i ir gad\u012bjies, ka m\u0113s esam tur, kur m\u0113s esam.\u00a0<\/p>\n

Citi te\u0101tra aktieri \u0161o dzird un saka \u2013 n\u0113, ar\u012b mums ir \u0161\u012b \u0137\u012bmija, ar\u012b m\u0113s to rad\u0101m. Es zinu, ka, piem\u0113ram, tava kol\u0113\u0123e Guna Zari\u0146a k\u0101 viesm\u0101ksliniece ir viesojusies gan Nacion\u0101laj\u0101 te\u0101tr\u012b Kairi\u0161a uzvedum\u0101 “Uguns un nakts”, gan M\u0113dejas lom\u0101 \u010cehova te\u0101tr\u012b. Vai tev nav k\u0101rdin\u0101jums k\u0101dreiz tom\u0113r paviesoties k\u0101d\u0101 cit\u0101 te\u0101tr\u012b? Tu jau s\u0101ki k\u0101 Dailes te\u0101tra aktieris.\u00a0<\/p>\n

J\u0101. Bija man t\u0101 pieredze ar\u012b uztais\u012bt monoizr\u0101di par m\u0101kslinieku Pau\u013cuku \u2013 “Pau\u013cuks. R\u0101mji” “Arsen\u0101l\u0101”. Taj\u0101 pa\u0161\u0101 laik\u0101 tas ir t\u012bri fiziski gr\u016bti apvienojams, jo slodze man pa\u0161am sav\u0101 te\u0101tr\u012b ir liela un, protams, priorit\u0101te man ir savs te\u0101tris, t\u0101p\u0113c nav san\u0101cis.\u00a0<\/p>\n

Bet grib\u0113tos?<\/p>\n

N\u0113. Pa pusei grib\u0113tos. Dr\u012bz\u0101k es Valmier\u0101 vai Liep\u0101j\u0101 aizbrauktu…<\/p>\n

Pie sava br\u0101\u013ca J\u0101\u0146a Znoti\u0146a k\u0101d\u0101 izr\u0101d\u0113 var\u0113tu nosp\u0113l\u0113t.\u00a0<\/p>\n

Nu j\u0101, bet \u0161obr\u012bd tas ir diezgan gr\u016bti. Bet, j\u0101, k\u0101p\u0113c ne \u2013 Liep\u0101ja pie j\u016bras k\u0101du br\u012bdi padz\u012bvot. J\u0101, t\u0101 visi dom\u0101, bet tad jau iekr\u012bt darbos.\u00a0<\/p>\n

Un ar to ar\u012b sap\u0146i beidzas.\u00a0<\/p>\n

Liep\u0101jnieki jau l\u012bdz j\u016brai nemaz neiet, k\u0101 zin\u0101ms.\u00a0<\/p>\n

\n

\"Kaspars<\/p>\n

Kaspars Znoti\u0146\u0161 un Henrieta Verhoustinska<\/p>\n

Foto: Aigars Bumburs \/ LTV<\/p>\n<\/p>\n

Kas ir tas, ko tu visvair\u0101k gaidi no darba te\u0101tr\u012b? Kas ir t\u0101 saj\u016bta, ko tu tur v\u0113lies no\u0137ert?<\/p>\n

\n

Tas ir br\u012bdis, kad izr\u0101de dzimst un tu tad saproti, kas str\u0101d\u0101, kas nestr\u0101d\u0101, ko publika labpr\u0101t pa\u0146em, kas raisa vi\u0146os prieku \u2013 vai intelektu\u0101lu, vai emocion\u0101lu, vai m\u0101ksliniecisku. To var sajust pirmaj\u0101s izr\u0101d\u0113s.<\/p>\n<\/blockquote>\n

K\u0101 tas ir \u0161odien un vakar, k\u0101 tas bija publiskaj\u0101 \u0123ener\u0101lm\u0113\u0123in\u0101jum\u0101. Tu saproti \u2013 \u0161is str\u0101d\u0101, bet p\u0113k\u0161\u0146i tas nenostr\u0101d\u0101ja. Kad tu saproti, ka “o, tas str\u0101d\u0101” \u2013 tas ir br\u012bdis, kad ir t\u012bri personiska, egoistiska gandar\u012bjuma saj\u016bta.\u00a0<\/p>\n

Man pat\u012bk tav\u0101 aprakst\u0101, ka tu tik lielu uzman\u012bbu pie\u0161\u0137ir publikai.\u00a0<\/p>\n

Nu j\u0101. K\u0101 cit\u0101di? Tikai un vien\u012bgi t\u0101s d\u0113\u013c m\u0113s to dar\u0101m, tikai tad jau ir te\u0101tris \u2013 kad ir t\u0101 otra puse.\u00a0<\/p>\n

Ko tik tu neesi sp\u0113l\u0113jis \u2013 Ziedoni, Mi\u0161kinu (pat vair\u0101kk\u0101rt)… Varb\u016bt ir k\u0101da loma, ko tu labpr\u0101t pied\u0101v\u0101tu tam pa\u0161am Alvim Hermanim, lai vi\u0146\u0161 ar tevi iestud\u0113?<\/p>\n

\n

N\u0113, es nekad nepied\u0101v\u0101ju lomas re\u017eisoriem. Man t\u0101 ir jau gandr\u012bz k\u0101 m\u0101\u0146tic\u012bba \u2013 ka lab\u0101k\u0101s lomas atn\u0101k pa\u0161as, atn\u0101k k\u0101 t\u0101da Dieva \u017e\u0113last\u012bba vai d\u0101vana. Ir un ir.<\/p>\n<\/blockquote>\n

To man pieredze r\u0101da, ka tu nevari to t\u0101 ar m\u0113r\u0137tiec\u012bgu darb\u012bbu pan\u0101kt.\u00a0Tev ir visa lab\u0101k\u0101 poz\u012bcija, kas var b\u016bt, tu esi starp lieliskiem m\u0101ksliniekiem, tu esi lielisk\u0101 vid\u0113, tad…<\/p>\n

Tikai j\u0101gaida.\u00a0<\/p>\n

Un j\u0101dara savs darbs!\u00a0<\/p>\n

Nu tad es tev nov\u0113lu, lai \u0161\u012b Dieva \u017e\u0113last\u012bba tevi piemekl\u0113 bie\u017ei un kupli! V\u0113lreiz sveicinu tevi dzim\u0161anas diena!<\/p>\n","protected":false},"excerpt":{"rendered":"Henrieta Verhoustinska: Sveicinu studij\u0101 br\u012bni\u0161\u0137\u012bgo Jaun\u0101 R\u012bgas te\u0101tra aktieri, manu laikabiedru, nu jau piecdesmitgadnieku \u2013 Kasparu Znoti\u0146u! Apsveicu…\n","protected":false},"author":2,"featured_media":34112,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5],"tags":[23,28,29,32,33,22,30,31,35,39,38,36,37,34,40,20,26,27,24,25,21],"class_list":{"0":"post-34111","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-aktualitates","8":"tag-aktualitates","9":"tag-breaking-news","10":"tag-breakingnews","11":"tag-featured-news","12":"tag-featurednews","13":"tag-headlines","14":"tag-latest-news","15":"tag-latestnews","16":"tag-latvia","17":"tag-latvian","18":"tag-latviesu","19":"tag-latviesu-valoda","20":"tag-latviesuvaloda","21":"tag-latvija","22":"tag-lv","23":"tag-news","24":"tag-popularakas-zinas","25":"tag-popularakaszinas","26":"tag-top-stories","27":"tag-topstories","28":"tag-zinas"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@lv\/115456624923523314","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/34111","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/comments?post=34111"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/34111\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media\/34112"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media?parent=34111"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/categories?post=34111"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/tags?post=34111"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}