{"id":34198,"date":"2025-10-29T10:21:15","date_gmt":"2025-10-29T10:21:15","guid":{"rendered":"https:\/\/www.europesays.com\/lv\/34198\/"},"modified":"2025-10-29T10:21:15","modified_gmt":"2025-10-29T10:21:15","slug":"kroders-recenzijas-12","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/lv\/34198\/","title":{"rendered":"Kroders | Recenzijas"},"content":{"rendered":"

\t\t\t\t\t\t\"Skats <\/p>\n

\n\tKriti\u0137u \u012bsviedok\u013ci par te\u0101tra trupas KVADRIFRONS izr\u0101di\u00a0\u201cS\u0113ri kr\u0101ca \u016bdens vi\u013c\u0146i\u201d R\u016bdolfa Gedi\u0146a re\u017eij\u0101<\/p>\n

\tC\u012b\u0146a tie\u0161\u0101 un p\u0101rnest\u0101 noz\u012bm\u0113<\/p>\n

\n\tAtis Rozent\u0101ls:\u00a0Pirmais ac\u012bmredzamais fakts, ko var pateikt par te\u0101tra trupas KVADRIFRONS izr\u0101di \u201cS\u0113ri kr\u0101ca \u016bdens vi\u013c\u0146i\u201d \u2013 tas ir fiziskais te\u0101tris. \u0160is j\u0113dziens ir pietiekami konkr\u0113ts, tom\u0113r ar to vien nevar izskaidrot, k\u0101 izr\u0101de iedarbojas uz skat\u012bt\u0101ju.<\/p>\n

\n\tR\u016bdolfa Gedi\u0146a iestud\u0113taj\u0101 stundu garaj\u0101 priek\u0161nesum\u0101 notiek divu v\u012brie\u0161u nep\u0101rtraukta c\u012b\u0146a par domin\u0113\u0161anu, vienlaikus radot tie\u0161i tik neitr\u0101lus sp\u0113les noteikumus, lai skat\u012bt\u0101jam b\u016btu iesp\u0113ja izr\u0101di interpret\u0113t vispla\u0161\u0101kaj\u0101 spektr\u0101 \u2013 no re\u0101lu v\u012brie\u0161u attiec\u012bbu skaidro\u0161anas l\u012bdz ideju c\u012b\u0146\u0101m sabiedriski politiskaj\u0101 telp\u0101. \u0100ris Matesovi\u010ds un R\u016bdolfs Gedi\u0146\u0161 da\u013cu kust\u012bbu mar\u0137\u0113, pastiprinot ar ska\u0146as efektiem, kas rada iespaidu par sp\u0113li, bet tad ik pa br\u012bdim tom\u0113r \u0137erme\u0146i pavisam re\u0101li triecas pret gr\u012bdu, kas, lai gan ir elast\u012bga, tom\u0113r pietiekami cieta, lai triecienu \u0137ermenis justu gana stipri. M\u0113s nezin\u0101m iemeslu, k\u0101p\u0113c \u0161\u012b c\u012b\u0146a notiek, un varb\u016bt to nezina ar\u012b pa\u0161i iesaist\u012btie, jo teksta izr\u0101d\u0113 nav. Maz\u0101s uzvaras ir te vien\u0101, te otr\u0101 pus\u0113, bet br\u012bd\u012b, kad viena varo\u0146a p\u0101rsp\u0113ks \u0161\u0137iet neatgriezenisks, vi\u0146a pretinieks atdzimst cit\u0101 veidol\u0101, un c\u012b\u0146a turpin\u0101s.<\/p>\n

\n\tIzr\u0101de prasa no skat\u012bt\u0101ja veidot dramatur\u0123iju katra pa\u0161a pr\u0101t\u0101. No te\u0101tra puses ir nodro\u0161in\u0101ts atbilsto\u0161s fons \u2013 Ingas Sili\u0146as scenogr\u0101fija, K\u0101r\u013ca Tones m\u016bzika, Nika Ciprusa gaismas. Likumsakar\u012bgi, ka ticis pieaicin\u0101ts ar\u012b c\u012b\u0146as treneris Sergejs Fjodorovs. Ta\u010du \u0161o maskul\u012bno priek\u0161nesumu, protams, ir j\u0101v\u0113rt\u0113 ar\u012b horeogr\u0101fijas diskurs\u0101, jo abu \u0137erme\u0146u mijiedarb\u012bba ir strikti organiz\u0113ta. Izr\u0101d\u0113 netr\u016bkst pa\u0161ironijas, t\u0101 nesl\u0113pj, ka nepiecie\u0161am\u012bba nemit\u012bgi c\u012bn\u012bties abus pretiniekus nogurdina, ta\u010du, \u012bsti nesaprotot c\u012b\u0146as iemeslu, vi\u0146iem nav iesp\u0113ju ar\u012b apst\u0101ties (bet var\u0113tu ta\u010du). Man gan liekas diskusijas v\u0113rta izr\u0101des anot\u0101cij\u0101 paust\u0101 atzi\u0146a, ka \u201csabiedr\u012bba, aizvien no jauna konstru\u0113jot uzvar\u0113t\u0101jus un zaud\u0113t\u0101jus, turpina atk\u0101rtot vienu un to pa\u0161u k\u013c\u016bdu \u2013 tic\u0113t, ka k\u0101ds uzvar\u0113s.\u201d J\u0101, c\u012b\u0146a, ja t\u0101 zaud\u0113 j\u0113gu, tie\u0161\u0101m ir posto\u0161a, vienlaikus c\u012b\u0146as elements ir neizb\u0113gams jebkuras idejas virz\u012bb\u0101, jo m\u0113s dz\u012bvojam tom\u0113r \u013coti saskald\u012bt\u0101 pasaul\u0113. Ejot uz izr\u0101di R\u012bgas cirk\u0101, bija iesp\u0113jams v\u0113rot visai daudz jaunu cilv\u0113ku telp\u0101 ar lieliem logiem, kuri z\u012bm\u0113ja plak\u0101tus piketam pret Stambulas konvencijas denons\u0113\u0161anu. Ar\u012b t\u0101 ir c\u012b\u0146as forma.\u00a0<\/p>\n

\n\t\u00a0\"Skats<\/p>\n

\tIevainojam\u012bbas un ne\u017e\u0113l\u012bbas po\u0113tika<\/p>\n

\n\tKetija Jur\u010denko: Te\u0101tra trupas KVADRIFRONS izr\u0101de \u201cS\u0113ri kr\u0101ca \u016bdens vi\u013c\u0146i\u201d R\u016bdolfa Gedi\u0146a re\u017eij\u0101 ir te\u0101tris, kas sit un tr\u0101pa m\u0113r\u0137\u012b. Kritieni, cel\u0161an\u0101s, metieni p\u0101ri plecam, p\u013caukas, \u017e\u0146aug\u0161ana, br\u0101l\u012bga pakau\u0161a paberz\u0113\u0161ana, sk\u016bpsts un absol\u016bts knockout veido izr\u0101des dialogu, kas \u013cauj reflekt\u0113t par da\u017e\u0101dajiem vardarb\u012bbas veidiem un aizdom\u0101ties ar\u012b par skat\u012bt\u0101ja lomu uz skatuves notieko\u0161aj\u0101 \u2013 l\u012bdzjut\u0113js, l\u012bdzdal\u012bbnieks vai aculiecinieks?<\/p>\n

\n\tR\u016bdolfa Gedi\u0146a rad\u012btaj\u0101 horeogr\u0101fij\u0101, kas izpild\u012bta kop\u0101 ar aktieri \u0100ri Matesovi\u010du, redzama precizit\u0101te un uztic\u012bba. Abi metas viens otram pret\u012b ar fizisku un emocion\u0101lu atkl\u0101t\u012bbu. V\u0113rojot m\u0101kslinieku duetu darb\u012bb\u0101, k\u013c\u016bst skaidrs, ka vi\u0146i ne tikai c\u012bn\u0101s, bet ar\u012b uztur viens otru l\u012bdzsvar\u0101.<\/p>\n

\n\tM\u0101kslinieces Ingas Sili\u0146as veidot\u0101 zil\u0101 scenogr\u0101fija un t\u0113rpi ievelk sirre\u0101l\u0101 pasaul\u0113, kur zilas ir pat asinis. \u0160ajos \u201cs\u0113ri kr\u0101co\u0161ajos \u016bdens vi\u013c\u0146os\u201d, kuru nosaukums aizg\u016bts no Andreja Pumpura eposa \u201cL\u0101\u010dpl\u0113sis\u201d, var saskat\u012bt nevis varon\u012bbas, bet ievainojam\u012bbas un ne\u017e\u0113l\u012bbas po\u0113tiku. Zil\u0101 pasaule it k\u0101 atsve\u0161ina no c\u012b\u0146as karstuma, vienlaikus ievelkot trauksmain\u0101 skaistum\u0101. Vien\u012bgi zilumi un sviedri uz aktieru \u0137erme\u0146iem kalpo k\u0101 atg\u0101din\u0101jums, ka zem zil\u0101s virsmas nemit\u012bgi d\u016bc dz\u012bv\u012bba, kas j\u016bt un pretojas.<\/p>\n

\n\tGaismu m\u0101kslinieks Niks Cipruss ir rad\u012bjis teju kinematogr\u0101fisku telpu, kur gaismas kadr\u0113 m\u0101kslinieku sejas un kust\u012bbas gandr\u012bz k\u0101 tuvpl\u0101n\u0101, uzsverot katru sitienu un aiztur\u0113to elpu. K\u0101r\u013ca Tones m\u016bzika rada trillerim rakstur\u012bgu spriedzi. \u012apa\u0161i tr\u0101p\u012bgs \u0161\u0137iet P\u0113tera \u010caikovska \u201cGulbju ezera\u201d mot\u012bvs, kas izskan sagroz\u012bti un ar pal\u0113cieniem, it k\u0101 imit\u0113jot c\u012b\u0146as strukt\u016bru \u2013 solis uz priek\u0161u, solis atpaka\u013c.<\/p>\n

\n\tUz skatuves j\u016btams Tarant\u012bno filmas cien\u012bgs draud\u012bgums \u2013 Gedi\u0146a t\u0113ls ar nel\u0101gu smaidu, kur\u0101 iemirdzas vardarb\u012bbas priek\u0161nojauta, un \u0137iveri, kas asoci\u0113jas ar romie\u0161u karav\u012bra galvassegu, rada iespaidu par \u013caundari, kas apzin\u0101s savas lomas absurdo skaistumu. \u0100ra Matesovi\u010da t\u0113ls \u0161\u0137iet iestr\u0113dzis laika cilp\u0101, kur nemit\u012bgi j\u0101aizst\u0101v sava eksistence. Nav skaidrs, vai vi\u0146\u0161 ir vain\u012bgs sav\u0101 vaj\u0101\u0161an\u0101, ta\u010du vi\u0146a skatuviskais eksistences veids rada l\u012bdzp\u0101rdz\u012bvojumu. Pat br\u012bd\u012b, kad Matesovi\u010ds aukstasin\u012bgi iegr\u016b\u017e nekust\u012bgo Gedi\u0146a \u0137ermeni izvelkam\u0101 d\u012bv\u0101na glab\u0101\u0161anas nodal\u012bjuma dz\u012bl\u0113, paliek nojauta, ka \u0161\u012b uzvara nav gal\u012bga \u2013 pretinieks dr\u012bz vien atgriez\u012bsies, un c\u012b\u0146a turpin\u0101sies, it k\u0101 nekas neb\u016btu noticis.<\/p>\n

\n\tIzr\u0101des kulmin\u0101cij\u0101 abu \u0137erme\u0146i sapl\u016bst vien\u0101 dz\u012bvniecisk\u0101 form\u0101, it k\u0101 r\u0101dot, ka vardarb\u012bba p\u0101rv\u0113r\u0161 par krop\u013cojo\u0161u vien\u012bbu, kas aprij abus. \u0160is t\u0113ls ir \u012bpa\u0161i sp\u0113c\u012bgs \u0161obr\u012bd, kad sabiedr\u012bb\u0101 tiek spriests par Stambulas konvencijas nepiecie\u0161am\u012bbu. Iestud\u0113jums kalpo k\u0101 tie\u0161s vizu\u0101ls pier\u0101d\u012bjums tam, kas notiek, ja vardarb\u012bba ilgsto\u0161i netiek atpaz\u012bta un defin\u0113ta, k\u0101 ar\u012b mudina dom\u0101t \u2013 kas ir tas, par ko \u0161odien izv\u0113lamies c\u012bn\u012bties?<\/p>\n

\n\t\"Skats<\/p>\n

<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"Kriti\u0137u \u012bsviedok\u013ci par te\u0101tra trupas KVADRIFRONS izr\u0101di\u00a0\u201cS\u0113ri kr\u0101ca \u016bdens vi\u013c\u0146i\u201d R\u016bdolfa Gedi\u0146a re\u017eij\u0101 C\u012b\u0146a tie\u0161\u0101 un p\u0101rnest\u0101 noz\u012bm\u0113…\n","protected":false},"author":2,"featured_media":34199,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[19],"tags":[89,90,35,39,38,36,37,34,40],"class_list":{"0":"post-34198","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-izklaide","8":"tag-entertainment","9":"tag-izklaide","10":"tag-latvia","11":"tag-latvian","12":"tag-latviesu","13":"tag-latviesu-valoda","14":"tag-latviesuvaloda","15":"tag-latvija","16":"tag-lv"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@lv\/115456959027807426","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/34198","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/comments?post=34198"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/34198\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media\/34199"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media?parent=34198"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/categories?post=34198"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/tags?post=34198"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}