Dz\u012bvesprieks un kaisl\u012bba skatuves gaism\u0101s: Operetes te\u0101tra jaunais iestud\u0113jums \u00abD\u017eudita\u00bb<\/p>\n
Operete \u2013 tas ir dz\u012bvesprieks, m\u016bzika un neskait\u0101mas pozit\u012bvas emocijas, ko Operetes te\u0101tra valdes priek\u0161s\u0113d\u0113t\u0101ja un rado\u0161\u0101 direktore Agija Ozoli\u0146a-Kozlovska d\u0113v\u0113 par savu dz\u012bves kaisl\u012bbu. Vi\u0146a uzsver, ka operete at\u0161\u0137iras no operas ar savu vieglumu un optimistisko v\u0113st\u012bjumu, kas sp\u0113j uzrun\u0101t ikkatru skat\u012bt\u0101ju, liekot vi\u0146am baud\u012bt un m\u012bl\u0113t dz\u012bvi. \u0160\u012b filozofija ir \u012bpa\u0161i j\u016btama jaun\u0101kaj\u0101 iestud\u0113jum\u0101 \u00abD\u017eudita\u00bb \u2013 Fran\u010da Leh\u0101ra operet\u0113, kas Latvij\u0101 piedz\u012bvo savu pirmo iestud\u0113jumu. Agija Ozoli\u0146a-Kozlovska, b\u016bdama m\u016bzi\u0137e tre\u0161aj\u0101 paaudz\u0113, ir dzi\u013ci aizr\u0101vusi operetes \u017eanrs, ko vi\u0146a uztver k\u0101 prieka avotu un ener\u0123ijas l\u0101di\u0146u. Vi\u0146a atkl\u0101j, ka m\u012blest\u012bba pret m\u016bziku vi\u0146\u0101 m\u012bt jau no b\u0113rn\u012bbas, ko p\u0101rmantojusi no \u0123imenes, kur\u0101 m\u016bzika vienm\u0113r bijusi svar\u012bga sast\u0101vda\u013ca.\u0160is \u017eanrs dod iesp\u0113ju jaunajiem m\u0101ksliniekiem g\u016bt v\u0113rt\u012bgu skatuves pieredzi, att\u012bst\u012bt savas prasmes un iem\u0101c\u012bties uztvert un nodot skat\u012bt\u0101jiem prieku un aizraut\u012bbu. \u00abMan ir milz\u012bgs prieks, kad redzu \u2013 ar\u012b \u0161aj\u0101 iestud\u0113jum\u0101 \u2013, ka jaunie\u0161i aizkulis\u0113s dzied visas operetes melodijas, ne tikai kora partijas, bet ar\u012b visu p\u0101r\u0113jo materi\u0101lu. Vi\u0146i dzied ar saj\u016bsmu un prieku,\u00bb uzsver Ozoli\u0146a-Kozlovska.<\/p>\n
\u00abD\u017eudita\u00bb: Operetes ar operas dv\u0113seli<\/p>\n
Fran\u010da Leh\u0101ra operete \u00abD\u017eudita\u00bb, kas tapusi par godu komponista 155. dzim\u0161anas dienai, tiek rakturota k\u0101 \u00aboperete ar operas dv\u0113seli\u00bb. Tas noz\u012bm\u0113, ka, saglab\u0101jot opere\u0161u vieglumu un melodiskumu, iestud\u0113jums piev\u0113r\u0161as ar\u012b dzi\u013c\u0101k\u0101m, dramatisk\u0101k\u0101m t\u0113m\u0101m, kas rakstur\u012bg\u0101kas operai. Komponists pats \u0161o darbu d\u0113v\u0113ja par savu m\u012b\u013c\u0101ko, uzsverot t\u0101 nopietn\u0101ko un dramatisk\u0101ko raksturu sal\u012bdzin\u0101jum\u0101 ar daudz\u0101m cit\u0101m vi\u0146a publikai iem\u012b\u013cotaj\u0101m viegl\u0101kaj\u0101m operet\u0113m. \u00abD\u017eudita\u00bb pied\u0101v\u0101 ne tikai kaisl\u012bgu m\u012blas st\u0101stu, bet ar\u012b sp\u0113c\u012bgu fin\u0101lu, kas liek aizdom\u0101ties par dz\u012bves izv\u0113l\u0113m un to sek\u0101m. Si\u017eets v\u0113sta par D\u017euditas un kaptei\u0146a Oktavio satik\u0161anos, vi\u0146u ilg\u0101m, aps\u0113st\u012bbu un magn\u0113tiski kaisl\u012bgu m\u012blest\u012bbu, kas norisin\u0101s kara draudu ieskaut\u0101 vid\u0113. \u0160is fons pie\u0161\u0137ir m\u012blas st\u0101stam papildu spriedzi un nolemt\u012bbas saj\u016btu, kas atsaucas uz m\u016bsdienu pasaules nestabilit\u0101ti. Izr\u0101de ir pies\u0101tin\u0101ta ar juteklisku iek\u0101ri, aps\u0113st\u012bbu un nep\u0101rvaram\u0101m alk\u0101m p\u0113c m\u012blest\u012bbas, ko D\u017eudita izdz\u012bvo p\u0113c tam, kad Oktavio spiests doties kar\u0101. Vi\u0146a atrod sev\u012b sp\u0113ku k\u013c\u016bt par m\u0101kslinieci, iekarojot skat\u012bt\u0101ju sirdis sav\u0101 spo\u017eaj\u0101 pasaul\u0113, ta\u010du zem mirdzo\u0161\u0101s maskas sl\u0113pjas dzi\u013ca vientul\u012bba.<\/p>\n
Starptautiska rado\u0161\u0101 komanda un talant\u012bgi izpild\u012bt\u0101ji<\/p>\n
\u00abD\u017euditas\u00bb iestud\u0113jums apvieno sp\u0113c\u012bgu starptautisku rado\u0161o komandu. Izr\u0101di veido austrie\u0161u re\u017eisors Gernots Kranners, kur\u0161 jau iepriek\u0161 ir str\u0101d\u0101jis pie \u0161\u012bs operetes ar lieliem pan\u0101kumiem Austrij\u0101. Vi\u0146u papildina scenogr\u0101fs Herwigs Libovickis no Austrijas un kost\u012bmu m\u0101ksliniece Aleksandra Brandnere no V\u0101cijas. Par re\u017eisora asistenti str\u0101d\u0101 Latvijas izcil\u0101 operd\u012bva Sonora Vaice, kuras darbs re\u017eij\u0101 jau nov\u0113rt\u0113ts ar Lielo m\u016bzikas balvu. Vaice atz\u012bst, ka sadarb\u012bba ar talant\u012bgiem m\u0101ksliniekiem no \u00abVec\u0101s Eiropas\u00bb ir liels ieguvums, kas \u013cauj jaun\u0101 veid\u0101 interpret\u0113t klasisko darbu. Uz skatuves satiksies gan Operetes te\u0101trim jau paz\u012bstami solisti, gan ar\u012b dzied\u0101t\u0101ji ar pieredzi It\u0101lijas un \u0160veices opernamos. Galvenaj\u0101 D\u017euditas lom\u0101 iej\u016btas sopr\u0101ns Anta Jankovska, kura dzimusi Latvij\u0101, bet da\u013cu savas karjeras pavada It\u0101lij\u0101, un Anastasija Dolgo\u0146enko, kura ir pirm\u0101 Starptautisk\u0101 Marinas Zirdzi\u0146as vok\u0101listu konkursa laure\u0101te. Daini Skuteli Oktavio lom\u0101 papildina citi talant\u012bgi solisti. Izr\u0101di izpilda ar\u012b Operetes te\u0101tra koris, dejot\u0101ji un simfoniskais or\u0137estris, radot bag\u0101t\u012bgu un iespaid\u012bgu muzik\u0101lo baud\u012bjumu.<\/p>\n
Operetes un operas at\u0161\u0137ir\u012bbas un \u00abD\u017euditas\u00bb \u012bpa\u0161\u0101 loma<\/p>\n
At\u0161\u0137ir\u012bb\u0101 no operas, operetei parasti ir laim\u012bgi si\u017eeti ar priec\u012bg\u0101m beig\u0101m, kaut ar\u012b pa vidu var rasties da\u017e\u0101das probl\u0113mas. \u00abD\u017eudita\u00bb gan ir iz\u0146\u0113mums, jo t\u0101s st\u0101sts nebeidzas tik laim\u012bgi, kas ar\u012b padara to \u012bpa\u0161u un liek uzskat\u012bt to par \u00abopereti ar operas dv\u0113seli\u00bb. \u0160\u012b pies\u0101tin\u0101t\u0101 emocion\u0101l\u0101 un dramatisk\u0101 l\u012bnija, apvienojum\u0101 ar Leh\u0101ra rakstur\u012bgaj\u0101m burv\u012bgaj\u0101m melodij\u0101m, veido unik\u0101lu skan\u0113jumu, kas aizrauj gan jaunie\u0161us, gan pieaugu\u0161os. Anta Jankovska, atveidojot D\u017euditas t\u0113lu, atz\u012bst, ka \u0161is t\u0113ls vi\u0146ai ir n\u0101cis gr\u016bti, jo D\u017eudita ir dzi\u0146u un kaisles moc\u012bta sieviete, kuru liktenis aiznes nepareiz\u0101 gultn\u0113 apst\u0101k\u013cu d\u0113\u013c. Lai gan operetes \u017eanrs kopum\u0101 ir optimistisks un prieka pilns, \u00abD\u017eudita\u00bb par\u0101da, ka operete var sniegt ar\u012b dzi\u013c\u0101kas, p\u0101rdomas raiso\u0161as emocion\u0101l\u0101s nianses, padarot to par daudzsl\u0101\u0146ainu un aizraujo\u0161u m\u0101kslas darbu. Operetes skat\u012bt\u0101js, p\u0113c Agijas Ozoli\u0146as-Kozlovskas dom\u0101m, ir \u00abdz\u012bvespriec\u012bgs, t\u0101ds, kur\u0161 bauda un m\u012bl dz\u012bvi\u00bb. T\u0101d\u0113j\u0101di \u00abD\u017eudita\u00bb ne tikai pied\u0101v\u0101 baud\u012bt skaistu m\u016bziku, bet ar\u012b aicina skat\u012bt\u0101jus uz br\u012bdi apst\u0101ties un padom\u0101t par dz\u012bves v\u0113rt\u012bb\u0101m, m\u012blest\u012bbu un izv\u0113l\u0113m, kas form\u0113 m\u016bsu likteni.<\/p>\n","protected":false},"excerpt":{"rendered":"Dz\u012bvesprieks un kaisl\u012bba skatuves gaism\u0101s: Operetes te\u0101tra jaunais iestud\u0113jums \u00abD\u017eudita\u00bb Operete \u2013 tas ir dz\u012bvesprieks, m\u016bzika un neskait\u0101mas…\n","protected":false},"author":2,"featured_media":34682,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5],"tags":[10257,23,28,29,2061,32,33,10256,22,30,31,35,39,38,36,37,34,40,20,2062,10255,26,27,24,25,21],"class_list":{"0":"post-34681","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-aktualitates","8":"tag-agija-ozolina-kozlovska","9":"tag-aktualitates","10":"tag-breaking-news","11":"tag-breakingnews","12":"tag-dzudita","13":"tag-featured-news","14":"tag-featurednews","15":"tag-franca-lehara-muzika","16":"tag-headlines","17":"tag-latest-news","18":"tag-latestnews","19":"tag-latvia","20":"tag-latvian","21":"tag-latviesu","22":"tag-latviesu-valoda","23":"tag-latviesuvaloda","24":"tag-latvija","25":"tag-lv","26":"tag-news","27":"tag-operete","28":"tag-operetes-teatris","29":"tag-popularakas-zinas","30":"tag-popularakaszinas","31":"tag-top-stories","32":"tag-topstories","33":"tag-zinas"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@lv\/115459613169247385","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/34681","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/comments?post=34681"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/34681\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media\/34682"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media?parent=34681"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/categories?post=34681"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/tags?post=34681"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}