Pasaules pirmizr\u0101de presti\u017eaj\u0101 Jihavas festiv\u0101l\u0101<\/p>\n
Re\u017eisora D\u0101vja S\u012bma\u0146a jaun\u0101k\u0101 dokument\u0101l\u0101 filma \u00abFranken\u0161teins 2.0\u00bb piedz\u012bvos savu pasaules pirmizr\u0101di 30. oktobr\u012b presti\u017eaj\u0101 Jihavas Starptautiskaj\u0101 dokument\u0101lo filmu festiv\u0101l\u0101 (Ji.hlava IDFF) \u010cehij\u0101. \u0160is noz\u012bm\u012bgais festiv\u0101ls, kas tiek uzskat\u012bts par vienu no Eiropas iev\u0113rojam\u0101kajiem dokument\u0101l\u0101 kino forumiem, norisin\u0101s no 24. oktobra l\u012bdz 2. novembrim. Filma, kas tapusi studij\u0101 “Ego Media”, ir iek\u013cauta festiv\u0101la konkursa programm\u0101 “Testimonies”, kas \u012bpa\u0161i izce\u013c drosm\u012bgus un dzi\u013ci personiskus kino mekl\u0113jumus. Filma tiks demonstr\u0113ta festiv\u0101la skat\u012bt\u0101jiem divos seansos \u2013 30. oktobr\u012b un 1. novembr\u012b, un t\u0101s starptautiskais nosaukums ir “Death of Death”. Latviju festiv\u0101l\u0101 p\u0101rst\u0101v ar\u012b dokument\u0101l\u0101 filma “Podnieks par Podnieku. Laika liecinieks”.<\/p>\n
Eksistenci\u0101ls mekl\u0113jums tehnolo\u0123iju laikmet\u0101<\/p>\n
\u00abFranken\u0161teins 2.0\u00bb ir D\u0101vja S\u012bma\u0146a eksistenci\u0101ls un reiz\u0113 ironisks p\u0113t\u012bjums, kas aizs\u0101k\u0101s COVID-19 pand\u0113mijas laik\u0101, kad \u012bpa\u0161i pastiprin\u0101j\u0101s vientul\u012bbas saj\u016bta, bailes un skaidra apzi\u0146a par cilv\u0113ka mirst\u012bgumu. Filmas autori \u2013 re\u017eisors D\u0101vis S\u012bmanis, scen\u0101rija l\u012bdzautors Uldis T\u012brons un operators Andrejs Rudz\u0101ts \u2013 dev\u0101s aizraujo\u0161\u0101 odisej\u0101, lai noskaidrotu, vai zin\u0101tne un modern\u0101s tehnolo\u0123ijas sp\u0113j ne tikai pagarin\u0101t cilv\u0113ka m\u016b\u017eu, bet pat uzvar\u0113t n\u0101vi. Vi\u0146u ce\u013c\u0161 veda cauri ASV, Krievijai un Eiropai, sastopoties ar zin\u0101tniekiem, tehnolo\u0123iju pionieriem un pat pa\u0161pasludin\u0101tiem nemirst\u012bbas pravie\u0161iem. Filmas veidot\u0101ji ir uz\u0146\u0113mu\u0161ies m\u016bsdienu sabiedr\u012bbas aps\u0113st\u012bbu ar nemirst\u012bbu, vienlaikus izvairoties no p\u0101rsteidz\u012bgiem secin\u0101jumiem par n\u0101kotni bez noveco\u0161anas un n\u0101ves. K\u0101 st\u0101sta pats re\u017eisors D\u0101vis S\u012bmanis: \u201eUzs\u0101kot filmu, grib\u0113ju tikai noskaidrot, k\u0101 nodz\u012bvot mazliet ilg\u0101k. Bet tad viss k\u013cuva d\u012bvaini. Zin\u0101tnieki Jeil\u0101 atdz\u012bvina c\u016bkas, cilv\u0113ki implant\u0113 mikrosh\u0113mas smadzen\u0113s, biohakeri dal\u0101s ar m\u016b\u017e\u012bg\u0101s jaun\u012bbas padomiem. Cilv\u0113ce dz\u012bvo transhum\u0101nisma laikmet\u0101. Bet es esmu tas, kur\u0161 palicis aiz muguras.\u201d<\/p>\n
Filmas tap\u0161ana un starptautiskais atbalsts<\/p>\n
\u00abFranken\u0161teins 2.0\u00bb ir Latvijas un \u010cehijas kopra\u017eojums, ko veidojusi studija “Ego Media”. Filma sa\u0146\u0113musi finansi\u0101lu atbalstu no Nacion\u0101l\u0101 kino centra un \u010cehijas Filmu fonda. T\u0101pat zin\u0101ms, ka filma tiks izr\u0101d\u012bta Latvijas kinote\u0101tros 2026. gada s\u0101kum\u0101.<\/p>\n
S\u012bma\u0146a autiskais rokraksts un kinematogr\u0101fisk\u0101 pieeja<\/p>\n
D\u0101vis S\u012bmanis ir re\u017eisors, kur\u0161 paz\u012bstams ar savu intelektu\u0101lo dzi\u013cumu un sp\u0113ju atkl\u0101t neparastus skatupunktus uz mums zin\u0101m\u0101m t\u0113m\u0101m. Vi\u0146a kinodarbiem rakstur\u012bga est\u0113tisk\u0101 izsmalcin\u0101t\u012bba, r\u016bp\u012bgi veidota atmosf\u0113ra un sp\u0113ja rad\u012bt sp\u0113c\u012bgu emocion\u0101lu un intelektu\u0101lu pieredzi. \u00abFranken\u0161teins 2.0\u00bb nav vienk\u0101r\u0161s st\u0101sts; t\u0101 ir r\u016bp\u012bgi auduma k\u0101rtaina p\u0101rdomu virkne par m\u016bsdienu cilv\u0113ka identit\u0101ti, tehnolo\u0123iju att\u012bst\u012bbas ietekmi uz m\u016bsu eksistenci un m\u016b\u017e\u012bgo cilv\u0113cisk\u0101s dabas mekl\u0113jumu. Filma nebaid\u0101s pieskarties sare\u017e\u0123\u012btiem un pat s\u0101p\u012bgiem jaut\u0101jumiem, aicinot skat\u012bt\u0101jus ne tikai v\u0113rot, bet ar\u012b iesaist\u012bties dialog\u0101 ar redz\u0113to. S\u012bmanis izmanto vizu\u0101lu po\u0113tiku, lai rad\u012btu sp\u0113c\u012bgu emocion\u0101lu rezonansi, liekot skat\u012bt\u0101jiem saskarties ar pa\u0161u fundament\u0101lajiem jaut\u0101jumiem par dz\u012bvi, n\u0101vi un cilv\u0113ka rad\u012b\u0161anas procesu.<\/p>\n","protected":false},"excerpt":{"rendered":"Pasaules pirmizr\u0101de presti\u017eaj\u0101 Jihavas festiv\u0101l\u0101 Re\u017eisora D\u0101vja S\u012bma\u0146a jaun\u0101k\u0101 dokument\u0101l\u0101 filma \u00abFranken\u0161teins 2.0\u00bb piedz\u012bvos savu pasaules pirmizr\u0101di 30.…\n","protected":false},"author":2,"featured_media":34733,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[19],"tags":[1223,2456,89,10267,90,10268,35,39,38,36,37,34,40,10269],"class_list":{"0":"post-34732","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-izklaide","8":"tag-davis-simanis","9":"tag-dokumentala-filma","10":"tag-entertainment","11":"tag-frankensteins-2-0","12":"tag-izklaide","13":"tag-jihavas-festivals","14":"tag-latvia","15":"tag-latvian","16":"tag-latviesu","17":"tag-latviesu-valoda","18":"tag-latviesuvaloda","19":"tag-latvija","20":"tag-lv","21":"tag-nemirstibas-meklejumi"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@lv\/115460116524206152","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/34732","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/comments?post=34732"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/34732\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media\/34733"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media?parent=34732"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/categories?post=34732"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/tags?post=34732"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}