{"id":35583,"date":"2025-10-30T20:07:07","date_gmt":"2025-10-30T20:07:07","guid":{"rendered":"https:\/\/www.europesays.com\/lv\/35583\/"},"modified":"2025-10-30T20:07:07","modified_gmt":"2025-10-30T20:07:07","slug":"daugavpils-teatri-pirmizradi-piedzivos-eiripida-tragedija-hekube-latgaliski-lente-lv","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/lv\/35583\/","title":{"rendered":"Daugavpils te\u0101tr\u012b pirmizr\u0101di piedz\u012bvos Eirip\u012bda tra\u0123\u0113dija \u00abHekube\u00bb latgaliski\u00a0\u2014\u00a0Lente.lv"},"content":{"rendered":"<p>Daugavpils te\u0101tris gatavo jauniestud\u0113jumu, kas sola ne tikai dzi\u013ci aizkustin\u0101t, bet ar\u012b rais\u012bt p\u0101rdomas par cilv\u0113ka sp\u0113ju izdz\u012bvot un atrast taisn\u012bgumu pat visatst\u0101t\u0101kajos dz\u012bves br\u012b\u017eos. Dr\u012bzum\u0101, 15. novembr\u012b, uz liel\u0101s skatuves pirmizr\u0101di piedz\u012bvos sengrie\u0137u dramaturga Eirip\u012bda slaven\u0101 tra\u0123\u0113dija \u201cHekube\u201d, kas uzvesta unik\u0101l\u0101 latgalie\u0161u valod\u0101. \u0160is notikums iez\u012bm\u0113 noz\u012bm\u012bgu br\u012bdi gan te\u0101tra v\u0113stur\u0113, gan latgalie\u0161u kult\u016bras att\u012bst\u012bb\u0101, jo sevi\u0161\u0137i t\u0101d\u0113\u013c, ka iestud\u0113jumu veido un diri\u0123\u0113 re\u017eisore no Francijas, Tatjana Stepan\u010denko-Bogdana, kurai \u0161\u012b ir debija Latvij\u0101. Vi\u0146as starptautisk\u0101 pieredze un rado\u0161\u0101 v\u012bzija sola ienest jaunu elpu klasiskaj\u0101 dramatur\u0123ij\u0101, pie\u0161\u0137irot tai negaid\u012btu un sp\u0113c\u012bgu latgalisku skan\u0113jumu.<\/p>\n<p>Tra\u0123\u0113dijas dzi\u013cums un Hekubes liktenis<\/p>\n<p>\u201cHekube\u201d ir ne vien izcils Eirip\u012bda darbs, bet ar\u012b sp\u0113c\u012bgs st\u0101sts par kara posto\u0161aj\u0101m sek\u0101m un cilv\u0113ka iztur\u012bbas robe\u017e\u0101m. Izr\u0101des darb\u012bba norisin\u0101s neilgi p\u0113c Trojas kri\u0161anas, laik\u0101, kad karalienes Hekubes dz\u012bve ir sagrauta. Vi\u0146a ir zaud\u0113jusi visu: v\u012bru, troni, br\u012bv\u012bbu, un, kas viss\u0101p\u012bg\u0101k, gandr\u012bz visus savus b\u0113rnus. \u0160\u0137iet, ka cie\u0161anu kauss ir pilns, ta\u010du liktenis Hekubei sag\u0101d\u0101 v\u0113l vienu, gandr\u012bz neizturamu triecienu \u2013 nepiedodamu nodev\u012bbu. \u0160\u012b nodev\u012bba nevis salau\u017e Hekubi, bet gan dzemd\u0113 vi\u0146as sird\u012b dedz\u012bgas alkas p\u0113c taisn\u012bgas atmaksas. Tas ir st\u0101sts par p\u0101rveidi no upura par likte\u0146a noteic\u0113ju, par sp\u0113ju atrast sev\u012b sp\u0113kus turpin\u0101t c\u012b\u0146u, pat kad \u0161\u0137iet, ka viss ir zudis. \u0160is dzi\u013ci emocion\u0101lais si\u017eets p\u0113ta cilv\u0113ka sp\u0113ju iztur\u0113t p\u0101rbaud\u012bjumus, mekl\u0113t un piepras\u012bt taisn\u012bgumu pat vissare\u017e\u0123\u012bt\u0101kajos dz\u012bves apst\u0101k\u013cos.<\/p>\n<p>Aktrise J\u016blija \u013baha, kura atveidos Hekubes titullomu, uzsver lugas satrieco\u0161o aktualit\u0101ti m\u016bsdien\u0101s. Vi\u0146a pau\u017e, ka Eirip\u012bda darbs v\u0113sta ne tikai par kara \u0113nu, kas sniedzas p\u0101ri cilv\u0113kiem v\u0113l ilgi p\u0113c t\u0101 beig\u0101m, bet ar\u012b par cilv\u0113ka neiedom\u0101jamo iek\u0161\u0113jo sp\u0113ku. \u201cSaskaroties ar gr\u016bt\u012bb\u0101m, cits sal\u016bst un aprok sevi, v\u0113l dz\u012bvam esot, bet k\u0101ds pat liel\u0101kaj\u0101 bezizej\u0101 atrod sev\u012b sp\u0113kus,\u201d p\u0101rdom\u0101s dal\u0101s \u013baha. \u201cHekub\u0113 ir milz\u012bga dz\u012bvotgriba, vi\u0146a ir cilv\u0113ks, kur\u0161, par sp\u012bti visam, nepadodas.\u201d Aktrise ar\u012b piebilst, ka Hekubes t\u0101 d\u0113v\u0113t\u0101 atrieb\u012bba paties\u012bb\u0101 ir \u201cr\u012bc\u012bbas neso\u0161a reakcija uz apk\u0101rt valdo\u0161o netaisn\u012bbu\u201d, jo past\u0101v mor\u0101les likumi, kurus p\u0101rk\u0101pjot, cilv\u0113ki p\u0101rtop par \u201cnezv\u0113riem\u201d. Ta\u010du Hekube, ieraugot apk\u0101rteso\u0161o vienaldz\u012bbu un bezdarb\u012bbu pret \u0161\u0101diem p\u0101rk\u0101pumiem, pat b\u016bdama verdzenes status\u0101, ar savu r\u012bc\u012bbu par\u0101da, ka taisn\u012bbai ir j\u0101b\u016bt.<\/p>\n<p>Starptautiska komanda un latgaliskais skan\u0113jums<\/p>\n<p>Iestud\u0113juma veido\u0161an\u0101 piedal\u0101s talant\u012bga un starptautiska rado\u0161\u0101 komanda, kas pie\u0161\u0137ir projektam \u012bpa\u0161u v\u0113rt\u012bbu. Re\u017eisore Tatjana Stepan\u010denko-Bogdana, kura ir absolv\u0113jusi presti\u017eo Maskavas A. Luna\u010darska Valsts te\u0101tra m\u0101kslas instit\u016btu (GITIS), ir uzkr\u0101jusi pla\u0161u pieredzi, str\u0101d\u0101jot gan te\u0101tra, gan kino projektos V\u0101cij\u0101 un Francij\u0101, k\u0101 ar\u012b pasniedzot aktiermeistar\u012bbu. Vi\u0146as debija Latvij\u0101 ar \u0161o iestud\u0113jumu sola ienest jaunas perspekt\u012bvas un rado\u0161us risin\u0101jumus. Scenogr\u0101fiju veido Lietuvas m\u0101kslinieks Marjus Jacovskis, kur\u0161 \u0161ogad tika godalgots ar orde\u0146a \u201cPar nopelniem Lietuvas lab\u0101\u201d Bru\u0146inieka krustu, apliecinot vi\u0146a augsto profesion\u0101lo meistar\u012bbu. Kost\u012bmu m\u0101ksliniece ir Inga Bermaka, bet gaismu m\u0101kslinieks \u2013 Sergejs Vasi\u013cjevs. \u0160\u012b rado\u0161\u0101 sadarb\u012bba starp m\u0101ksliniekiem no da\u017e\u0101d\u0101m valst\u012bm sola bag\u0101t\u012bgu un vizu\u0101li iespaid\u012bgu izr\u0101di.<\/p>\n<p>Daugavpils te\u0101tris jau gadiem ir paz\u012bstams ar savu centienu uztur\u0113t un att\u012bst\u012bt latgalie\u0161u valodu un kult\u016bru, pied\u0101v\u0101jot skat\u012bt\u0101jiem iestud\u0113jumus ar\u012b \u0161aj\u0101 valod\u0101. \u0160\u012b tendence ir apliecin\u0101jums te\u0101tra profesion\u0101lajai briedumam un sp\u0113jai uz\u0146emties izaicino\u0161us projektus, balstoties uz pasaules m\u0113roga dramatur\u0123ijas materi\u0101liem. Izr\u0101de \u201cHekube\u201d latgaliski ir ne tikai noz\u012bm\u012bgs notikums te\u0101tra dz\u012bv\u0113, bet ar\u012b svar\u012bgs solis latgalie\u0161u kult\u016bras dz\u012bv\u0101 sp\u0113ka saglab\u0101\u0161an\u0101 un att\u012bst\u012bb\u0101. Latgalie\u0161u valoda izr\u0101d\u0113 k\u013c\u016bst par daudzbals\u012bbu, kas pal\u012bdz veidot sp\u0113c\u012bgas emocion\u0101l\u0101s saites ar auditoriju, nostiprinot latgalie\u0161u valodas lomu k\u0101 izteiksmes l\u012bdzekli un tiltu starp pag\u0101tni un n\u0101kotni, starp individu\u0101lo un kolekt\u012bvo apzi\u0146u.<\/p>\n<p>\u201cHekube\u201d k\u013c\u016bs par re\u017eisores Tatjanas Stepan\u010denko-Bogdanas pirmo noz\u012bm\u012bgo darbu Latvijas te\u0101tra vid\u0113, un t\u0101s iestud\u0113\u0161ana latgaliski pie\u0161\u0137ir tai papildu dimensiju. Izr\u0101des darb\u012bba risin\u0101s neilgi p\u0113c Trojas kara beig\u0101m, un Hekubes liktenis ir b\u0113d\u012bgs \u2013 zaud\u0113ti tuvinieki, izpost\u012bta dzimtene un samazin\u0101ta br\u012bv\u012bba. Tom\u0113r, saskaroties ar nodev\u012bbu un v\u0113l liel\u0101k\u0101m s\u0101p\u0113m, vi\u0146as dv\u0113sel\u0113 neatlaid\u012bgi deg alkas p\u0113c taisn\u012bgas atmaksas. Tas ir st\u0101sts par cilv\u0113ka sp\u0113ju atrast iek\u0161\u0113jo sp\u0113ku un c\u012bn\u012bties par taisn\u012bbu, pat tad, kad \u0161\u0137iet, ka viss ir zaud\u0113ts.<\/p>\n<p>Daugavpils te\u0101tris, \u012bpa\u0161i ar \u0161o iestud\u0113jumu, apliecina savu gatav\u012bbu ne tikai izklaid\u0113t, bet ar\u012b uzdot sare\u017e\u0123\u012btus jaut\u0101jumus un pied\u0101v\u0101t dzi\u013c\u0101kas te\u0101tra pieredzes. \u0160is iestud\u0113jums ir noz\u012bm\u012bgs solis uz priek\u0161u latgalie\u0161u kult\u016bras att\u012bst\u012bb\u0101, demonstr\u0113jot, k\u0101 valoda var k\u013c\u016bt par tiltu starp pag\u0101tni un n\u0101kotni.<\/p>\n","protected":false},"excerpt":{"rendered":"Daugavpils te\u0101tris gatavo jauniestud\u0113jumu, kas sola ne tikai dzi\u013ci aizkustin\u0101t, bet ar\u012b rais\u012bt p\u0101rdomas par cilv\u0113ka sp\u0113ju izdz\u012bvot&hellip;\n","protected":false},"author":2,"featured_media":35584,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[19],"tags":[6391,10241,89,10240,90,6394,35,39,38,36,37,34,40,10242],"class_list":{"0":"post-35583","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-izklaide","8":"tag-daugavpils-teatris","9":"tag-eiripids","10":"tag-entertainment","11":"tag-hekube","12":"tag-izklaide","13":"tag-latgaliesu-valoda","14":"tag-latvia","15":"tag-latvian","16":"tag-latviesu","17":"tag-latviesu-valoda","18":"tag-latviesuvaloda","19":"tag-latvija","20":"tag-lv","21":"tag-tatjana-stepancenko-bogdana"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@lv\/115464925514442266","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/35583","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/comments?post=35583"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/35583\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media\/35584"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media?parent=35583"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/categories?post=35583"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/tags?post=35583"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}