{"id":35764,"date":"2025-10-31T05:26:19","date_gmt":"2025-10-31T05:26:19","guid":{"rendered":"https:\/\/www.europesays.com\/lv\/35764\/"},"modified":"2025-10-31T05:26:19","modified_gmt":"2025-10-31T05:26:19","slug":"par-teliem-tad-un-tagad-recenzija-par-liepajas-teatra-iestudejumu-baltijas-tels","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/lv\/35764\/","title":{"rendered":"Par te\u013ciem tad un tagad. Recenzija par Liep\u0101jas te\u0101tra iestud\u0113jumu “Baltijas te\u013c\u0161”"},"content":{"rendered":"

Latvijas te\u0101tra repertu\u0101r\u0101 ar teicamu regularit\u0101ti ien\u0101k iestud\u0113jumi, kas tie\u0161\u0101 veid\u0101 reflekt\u0113 par m\u016bsu neseno v\u0113sturi un p\u0113ta vec\u0101ku paaudzes pieredzes. \u0160ie st\u0101sti diezgan skarb\u0101 veid\u0101 izgaismo ar\u012b \u0161odienu. Tie ir jaut\u0101jumi par nacion\u0101lo identit\u0101ti, demokr\u0101tijas “blakn\u0113m”, Latvijas vietu un noz\u012bmi pasaules kart\u0113. T\u0101 tikai \u0161\u0137iet, ka \u0161\u012bs liel\u0101s t\u0113mas ir kaut kur \u0101rpus ikdienas r\u016bp\u0113m. Visticam\u0101k, ar\u012b re\u017eisora Elm\u0101ra Se\u0146kova iestud\u0113jums “Baltijas te\u013c\u0161” Liep\u0101jas te\u0101tr\u012b skat\u012bt\u0101jam var likt intens\u012bv\u0101k parevid\u0113t gan savus uzskatus, gan priek\u0161status un stereotipus.<\/p>\n

Uz \u017eurn\u0101la “Te\u0101tra V\u0113stnesis” \u0161\u0101 gada II numura v\u0101ka redzams izr\u0101des Dainis (M\u0101rti\u0146\u0161 Kalita) un las\u0101ms paraksts “K\u0101p\u0113c te\u013c\u0161 \u2013 joproj\u0101m nesaprotu”. \u0160is teksts uzreiz iespied\u0101s atmi\u0146\u0101, un ieintri\u0123\u0113ta gaid\u012bju iesp\u0113ju noskat\u012bties izr\u0101di. Mani vienm\u0113r ir interes\u0113jis tas, ko te\u0101tr\u012b v\u0113las pateikt re\u017eisors Elm\u0101rs Se\u0146kovs<\/a>. V\u0113l jo vair\u0101k \u2013 sadarb\u012bb\u0101 ar dramaturgu Art\u016bru D\u012bci. Jau izr\u0101des nosaukums “Baltijas te\u013c\u0161” rosin\u0101ja dom\u0101t par k\u0101du devu ironijas, iesp\u0113jamu soci\u0101lo kritiku, mekl\u0113jumiem Atmodas laika v\u0113stur\u0113. Ta\u010du iestud\u0113jums, kura pirmizr\u0101de bija jau \u0161\u012b gada pavasar\u012b, tie\u0161i \u0161oruden p\u0101rsteidz ar to, cik prec\u012bzi izr\u0101des t\u0113mas tr\u0101pa pa\u0161os aktu\u0101l\u0101kajos soci\u0101lpolitiskajos notikumos. <\/p>\n

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Aktu\u0101lo notikumu kontekst\u0101 man \u0161\u0137iet \u012bpa\u0161i drosm\u012bgi Atmodas varo\u0146us par\u0101d\u012bt bez nimba, bez postamentiem, bez lieka sentimenta. <\/p>\n

Izr\u0101des varo\u0146i atg\u0101dina par br\u012bdi 80. gadu nogal\u0113, kad visiem vajadz\u0113ja sadoties rok\u0101s (burtiski “Baltijas ce\u013c\u0101”, p\u0113c tam manifest\u0101cij\u0101s, tad barik\u0101d\u0113s), lai Latvija atg\u016btu br\u012bv\u012bbu un valsts piedz\u012bvotu demokr\u0101tiju. \u0160odien atkal, \u0161\u0137iet, j\u0101sadodas rok\u0101s, lai br\u012bv\u012bbu un demokr\u0101tiju nepazaud\u0113tu. Ta\u010du \u0161odienas situ\u0101cija ir daudz neskaidr\u0101ka, jo liela sabiedr\u012bbas da\u013ca ar Latvijas v\u0101rdu uz l\u016bp\u0101m, piln\u012bgi p\u0101rliecin\u0101ta par savu patriotismu un t\u012bro latviet\u012bbu, gatava demokr\u0101tisk\u0101s idejas nodot. Nep\u0101rtraukti uzpeld idejas, k\u0101 main\u012bt Satversmi vai k\u0101p\u0113c mums nevajag Eiropas konvencijas un regulas. Aktu\u0101lo notikumu kontekst\u0101 man \u0161\u0137iet \u012bpa\u0161i drosm\u012bgi Atmodas varo\u0146us par\u0101d\u012bt bez nimba, bez postamentiem, bez lieka sentimenta. <\/p>\n

Lasiet ar\u012b<\/p>\n

\"Koris<\/a>\""Baltijas<\/a><\/p>\n

K\u0101p\u0113c uz \u0161\u0101du versiju par konkr\u0113tu v\u0113sturisko laiku vajag skat\u012bties bez sa\u0161utuma, prec\u012bzi defin\u0113jusi Valda \u010cakare rakst\u0101 “Turpin\u0101jum\u0101 b\u016bs br\u012bv\u012bba<\/a>” \u017eurn\u0101l\u0101 “Te\u0101tra V\u0113stnesis”: “J\u0101atceras [..], ka st\u0101sts vienm\u0113r b\u016bs subjekt\u012bvs. T\u0101tad uz skatuves redzamajam nevis j\u0101atbilst realit\u0101tei, bet j\u0101rada priek\u0161stats par subjekt\u012bvo izj\u016btu, k\u0101du \u0161\u012b realit\u0101te rais\u012bjusi. Savuk\u0101rt subjekt\u012bvo izj\u016btu m\u0101ksl\u0101 \u013cauj par\u0101d\u012bt vien\u012bgi forma.” Ac\u012bmredzot paaudzei, kas jau dzimusi p\u0113c Atmodas, nav nek\u0101du lielo il\u016bziju, ka ir iesp\u0113jams dz\u012bvot piena upes \u0137\u012bse\u013ca krastos.<\/p>\n

Kad viens no “Baltijas te\u013ca” galvenajiem varo\u0146iem Dainis (Edgars Ozoli\u0146\u0161) s\u0101kum\u0101 st\u0101sta, ka “Dievs vakar pie manis piek\u0101pa”, uzreiz ir skaidrs, ka izr\u0101des kamertonis b\u016bs r\u016bgta ironija. Ar\u012b m\u016bsdien\u0101s ik pa laikam pie k\u0101da politi\u0137a piek\u0101pj Dievs. Un ir bail, ka, cita izr\u0101des varo\u0146a M\u0101rti\u0146a v\u0101rdiem run\u0101jot, m\u0113s atkal b\u016bsim “m\u012bze\u013cu tauta”. Savuk\u0101rt tre\u0161ais izr\u0101des centr\u0101lais varonis Andris (Gatis Maliks) audz\u0113 rozes, skaita dol\u0101rus, \u0161tuko savam biznesam sh\u0113mas, \u0146em kuku\u013cus, bet uz visiem Atmodas laika protestiem, m\u012bti\u0146iem un revol\u016bcij\u0101m noraug\u0101s no malas. Kam\u0113r Dainis c\u012bn\u0101s par Daugavas HES aptur\u0113\u0161anu, es dom\u0101ju par to, k\u0101 \u0161odien ir j\u0101c\u012bn\u0101s par Latvijas dabas v\u0113rt\u012bbu saglab\u0101\u0161anu. <\/p>\n

M\u016bsdien\u0101s ienaidnieks nav aiz m\u016bsu robe\u017e\u0101m \u2013 pa\u0161u Saeima ir pilna ar t\u0101diem “andriem”, kurus demokr\u0101tisk\u0101s v\u0113l\u0113\u0161an\u0101s iev\u0113l\u0113jusi Latvijas tauta. Izr\u0101des programmi\u0146\u0101 ievietots Dai\u0146a \u012av\u0101na un Artura Snipa slaven\u0101 1986. gada raksta “Par Daugavas likteni dom\u0101jot” fragments, kur\u0101 ir ar\u012b \u0161\u0101di v\u0101rdi: “\u013boti mald\u0101s tie, kas Daugavas up\u0113 saskata tikai zin\u0101mu \u016bdens daudzumu savu praktisko, tehnisko vajadz\u012bbu apmierin\u0101\u0161anai.” (“Literat\u016bra un M\u0101ksla”, 1986. gada 17. okt.) Protams, \u0161odien es dom\u0101ju par likumprojektiem, kas paredz\u0113ti intens\u012bv\u0101kai me\u017eu izcir\u0161anai.<\/p>\n

\"ParFoto: Edgars Pohevi\u010ds <\/p>\n

St\u0101sts par Latvijas neseno v\u0113sturi, kuru iestud\u0113jum\u0101 izsp\u0113l\u0113 Ozoli\u0146a Dainis, Kalitas M\u0101rti\u0146\u0161 un Malika Andris, piebalsojot v\u0113l citiem t\u0101 laika varo\u0146iem, sav\u0101 zi\u0146\u0101 ir kari\u0137\u0113ts. Grup\u0113joties ap m\u0101kslinieka Rei\u0146a Suhanova uzmodel\u0113to “Noasa \u0161\u0137irstu”, skatuves st\u0101sta varo\u0146i aicina ieraudz\u012bt sevi \u0161odien\u0101 un saprast sevi laikmeta krustcel\u0113s. Tas, cik agres\u012bvi un ener\u0123iski plos\u0101s Kalitas bokseris M\u0101rti\u0146\u0161, man atg\u0101dina nacion\u0101lpatriotiski piel\u0101d\u0113tas tro\u013c\u013cu fermas soci\u0101lajos medijos. V\u0101rdos reiz\u0113m viss \u0161\u0137iet pareizi \u2013 c\u012bn\u0101mies par Latviju un savu nacion\u0101lo valsti, bet vienlaikus \u0161ie varo\u0146i sp\u0113j citus emocion\u0101li nodauz\u012bt l\u012bdz ment\u0101lam sabrukumam. T\u0101pat izr\u0101d\u0113 br\u0101lis gandr\u012bz nosit br\u0101li. Aiz izmisuma un taisnpr\u0101t\u012bbas. Te ar\u012b viens no “te\u013ca” skaidrojumiem \u2013 nevald\u0101ms sp\u0113ks un p\u0101rsp\u012bl\u0113ta taisn\u012bbas izj\u016bta ir vado\u0161\u0101 ener\u0123ija. <\/p>\n

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Izr\u0101des galvenajos varo\u0146os diezgan viegli saz\u012bm\u0113t prototipus, br\u012b\u017eiem rodas p\u0101rliec\u012bba, ka tekstos izmantots prec\u012bzi \u0161o cilv\u0113ku reiz run\u0101tais vai rakst\u012btais.<\/p>\n

Mulsina M\u0101rti\u0146a jaka Ukrainas karoga kr\u0101s\u0101s. Ukraina jau ceturto gadu c\u012bn\u0101s pret agresoru Krieviju. M\u0101rti\u0146\u0161 gan ar\u012b lasa Kl\u0101va Elsberga dzeju un visai labi orient\u0113jas Latvijas kult\u016brtelp\u0101. Vai \u0161\u012b ir z\u012bme tam, ka \u0101r\u0113ji m\u0113s redzam brut\u0101lu sp\u0113ku, bet zem t\u0101 pasl\u0113pta dzi\u013c\u0101ka kult\u016bra? Vien\u0101 t\u0101d\u0101 M\u0101rti\u0146\u0101 vienlaikus var sadz\u012bvot gan fizisks sp\u0113ks, gan absol\u016bti god\u012bga nacion\u0101l\u0101s identit\u0101tes apzi\u0146a. Ar\u012b vien\u0101 \u0123imen\u0113 p\u0113k\u0161\u0146i var izr\u0101d\u012bties baisi pretpoli \u2013 t\u0101 Ineses Ku\u010dinskas Katr\u012bna paral\u0113li c\u012bn\u0101s ar v\u012bru dz\u0113r\u0101ju (skolot\u0101js?) un br\u012b\u017eiem destrukt\u012bvas ener\u0123ijas uzl\u0101d\u0113tajiem d\u0113liem pusaud\u017eiem, kas abi v\u0113l\u0101k izdara diametr\u0101li pret\u0113jas izv\u0113les (Art\u016brs Irbe \u2013 Viesturs un Kaspars K\u0101rkli\u0146\u0161 \u2013 J\u0101nis).<\/p>\n

Izr\u0101des galvenajos varo\u0146os diezgan viegli saz\u012bm\u0113t prototipus, br\u012b\u017eiem rodas p\u0101rliec\u012bba, ka tekstos izmantots prec\u012bzi \u0161o cilv\u0113ku reiz run\u0101tais vai rakst\u012btais. \u0160odien daudz kas no t\u0101 skan naivi un pat komiski. \u0160\u012bs izr\u0101des sarkastiski groteskais vieglums, iesp\u0113jams, ir vien\u012bgais veids, k\u0101 pal\u016bkoties gan uz to laiku, gan uz \u0161odienas situ\u0101ciju. Inteli\u0123entu nodzer\u0161an\u0101s, nesp\u0113jot iztur\u0113t dz\u012bvi totalit\u0101raj\u0101 realit\u0101t\u0113, vistra\u0123isk\u0101k\u0101 ir vi\u0146u tuviniekiem. Tikm\u0113r m\u016bsdien\u0101s inteli\u0123enti dal\u012bbu politik\u0101 uzskata teju par ne\u0113tisku, jo ir p\u0101rliec\u012bba, ka tur sirdsapzi\u0146a b\u016bs j\u0101sasm\u0113r\u0113 v\u0113l vair\u0101k nek\u0101 padomju varas nomenklat\u016br\u0101. <\/p>\n

\"ParFoto: Edgars Pohevi\u010ds <\/p>\n

K\u0101 toreiz, t\u0101 tagad sievietes r\u016bp\u0113s par \u0123imeni var m\u0113\u0123in\u0101t attur\u0113t savus v\u012brie\u0161us no varon\u012bbas augst\u0101kas idejas v\u0101rd\u0101. K\u0101 saka izr\u0101des Sarma, M\u0101rti\u0146a sieva (Agnese J\u0113kabsone): “M\u0113s glab\u0101jam Latviju, kam\u0113r v\u012brie\u0161i to plosa.” T\u0101pat gaum\u012bgi ekscentriskas katra sav\u0101 veid\u0101 ir Andra un Dai\u0146a sievas. Everitas Pjatas-Gertneres Rita (Andra sieva) atg\u0101dina smalku virves dejot\u0101ju, kura eleganti un ap\u0146\u0113m\u012bgi balans\u0113 starp spekulanta v\u012bra nodro\u0161in\u0101to sadz\u012bvi un aizraut\u012bbu, sekojot p\u0101rmai\u0146\u0101m sabiedr\u012bb\u0101 un valsts v\u0113stur\u0113. Ar\u012b Lauras Jerumas Daina (Dai\u0146a sieva) sav\u0101 zi\u0146\u0101 \u017eongl\u0113 \u2013 starp gr\u016bpijas t\u0113lu (fanojot par tautas sirdsapzi\u0146u) un m\u0101jsaimnieces vajadz\u012bb\u0101m, kurai v\u012bra mision\u0101ra gaitas ar\u012b drusku trauc\u0113. Un kur \u0161aj\u0101 apjukum\u0101 ir vieta jaunie\u0161iem? Izr\u0101d\u0113 “pionieri” p\u0101rtop “pankos” un s\u0101kotn\u0113ji drosm\u012bgi iesaist\u0101s m\u012bti\u0146os un protesta akcij\u0101s. Kintijas St\u016bres Lelde un Hugo Puri\u0146a Juris ir amizanti gan k\u0101 st\u016braini pusaud\u017ei, gan k\u0101 dz\u012bves “vektoru” atradu\u0161i jaunie\u0161i. Puisis vispirms aizraujas ar gar\u012bgaj\u0101m praks\u0113m, bet p\u0113c laika abi atrod veidu, k\u0101 \u013cauties net\u012bra biznesa sar\u016bp\u0113tas naudas iesp\u0113j\u0101m.<\/p>\n

Dainis atg\u0101dina, ka mums vajadz\u0113ja visu dar\u012bt l\u0113n\u0101m, tikai ne\u0161\u016bpot visu p\u0101r\u0101k strauji… Paral\u0113li pakaus\u012b skan Eiropas un ASV l\u012bderu balsis \u2013 tikai nekaitiniet un lieki neprovoc\u0113jiet Putinu! Tikm\u0113r vien\u012bgais veids, k\u0101 Ukrainai nosarg\u0101t savu valsti, ir brut\u0101ls sp\u0113ks. Izr\u0101des laik\u0101 gaisma skat\u012bt\u0101ju z\u0101l\u0113 paliek v\u0101ji iesl\u0113gta, vienojot kop\u012bg\u0101 sp\u0113les piedz\u012bvojum\u0101 skat\u012bt\u0101jus, Atmodas laika varo\u0146us un nevaro\u0146us, un, protams, aktierus. Publika ne tikai ar prieku atsaucas ener\u0123iskaj\u0101m M\u0101rti\u0146a uzrun\u0101m, Andra pragmatiskajiem sh\u0113mu izkl\u0101stiem, Dai\u0146a pareizaj\u0101m un skaistaj\u0101m fr\u0101z\u0113m, bet pat aplaud\u0113 aktieru rad\u012btajiem performat\u012bvajiem mirk\u013ciem (visjauk\u0101k\u0101 epizode man \u0161\u0137ita Kintijas St\u016bres Leldes pa\u0161cie\u0146as piel\u0101d\u0113t\u0101 ko\u0137et\u0113\u0161ana ar Juri un J\u0101ni). Var\u0113tu teikt, ka izr\u0101de ir atrakt\u012bvs sp\u0113les te\u0101tris, tra\u0123ikomiski latvie\u0161u st\u0101sti un kop\u012bg\u0101s v\u0113stures s\u0101p\u012bga rev\u012bzija, kur\u0101 vai katram no aktieriem bijusi iesp\u0113ja izveidot “gar\u0161\u012bgus” tip\u0101\u017eus. Izr\u0101des veidot\u0101jiem, \u0161\u0137iet, ir izdevies atrast \u012bsto formu, lai reiz\u0113 gan pied\u0101v\u0101tu ko\u0161u teatr\u0101lu sp\u0113li, gan nopietni uzdotu jaut\u0101jumus par sabiedr\u012bbas kop\u012bgaj\u0101m v\u0113stures traum\u0101m.<\/p>\n

\"\"<\/p>\n

Seko “Delfi” ar\u012b Instagram<\/a> un YouTube<\/a> profil\u0101 \u2013 pievienojies, lai uzzin\u0101tu svar\u012bg\u0101ko un interesant\u0101ko pirmais!<\/p>\n

Publik\u0101cijas saturs vai t\u0101s jebk\u0101da apjoma da\u013ca ir aizsarg\u0101ts autorties\u012bbu objekts Autorties\u012bbu likuma izpratn\u0113, un t\u0101 izmanto\u0161ana bez izdev\u0113ja at\u013caujas ir aizliegta. Vair\u0101k lasi \u0161eit<\/a>