Latvijas Nacion\u0101lais balets ar jauniestud\u0113jumu iepaz\u012bstina ar divu laikmetu horeogr\u0101fiju meistariem<\/p>\n
No 2025. gada 13. novembra Latvijas Nacion\u0101l\u0101 opera un balets aicina skat\u012bt\u0101jus uz gaid\u012bto jauniestud\u0113jumu “Koncerts (jeb Briesmas ikvienam). Kaktusi”. \u0160is unik\u0101lais vakars uz skatuves apvienos divus diametr\u0101li pret\u0113jus, ta\u010du vienl\u012bdz spo\u017eus pasaules klases horeogr\u0101fu darbus, \u013caujot baud\u012bt gan 20. gadsimta baleta klasi\u0137a, gan m\u016bsdienu horeogr\u0101fijas talant\u012bg\u0101k\u0101 p\u0101rst\u0101vja dai\u013cradi. Iestud\u012bjums sola ne tikai vizu\u0101li baud\u0101mu pieredzi, bet ar\u012b dzi\u013cas p\u0101rdomas par m\u0101kslas b\u016bt\u012bbu un t\u0101s daudzveid\u012bgo uztveri.<\/p>\n
D\u017eeroms Robins un vi\u0146a ironisk\u0101 pasaule<\/p>\n
Amerik\u0101\u0146u horeogr\u0101fs D\u017eeroms Robinss, kur\u0161 savulaik tiek d\u0113v\u0113ts par baleta v\u0113stures le\u0123endu, 1956. gad\u0101 rad\u012bja darbu “Koncerts (jeb Briesmas ikvienam)”. \u0160is balets nav vienk\u0101r\u0161a deju izr\u0101de, bet gan dzirksto\u0161a kom\u0113dija, kas ar vieglu ironiju un aspr\u0101t\u012bgu skat\u012bjumu parod\u0113 klasisk\u0101s m\u016bzikas koncertu apmekl\u0113t\u0101ju ritu\u0101lus un uzved\u012bbu. Robins, kur\u0161 bija paz\u012bstams ar savu pedantismu un sp\u0113ju dzi\u013ci izprast cilv\u0113ka psiholo\u0123iju, \u0161aj\u0101 darb\u0101 atkl\u0101j smalku izpratni par sabiedr\u012bbas eti\u0137eti un t\u0101s bie\u017ei vien absurdo dabu. Horeogr\u0101fija ir pilna negaid\u012btiem pav\u0113rsieniem un komisk\u0101m situ\u0101cij\u0101m, kas skat\u012bt\u0101jiem \u013cauj pa\u0161iem sevi raudz\u012bties no malas un pasmieties par saviem paradumiem. Robins pats ir teicis, ka viena no koncerta apmekl\u0113juma baud\u0101m ir iesp\u0113ja piln\u012bb\u0101 iegrimt m\u016bzikas klaus\u012b\u0161an\u0101s proces\u0101, kur izt\u0113l\u0113 s\u0101k veidoties t\u0113li un ainas, ko ietekm\u0113 dzird\u0113t\u0101 m\u016bzika un pa\u0161a klaus\u012bt\u0101ja sap\u0146i un fant\u0101zijas. Tie\u0161i Frederika \u0160op\u0113na m\u016bzikai rakstur\u012bgi izdom\u0101ti, “ieprogramm\u0113ti” nosaukumi, piem\u0113ram, “Tauri\u0146a et\u012bde” vai “Lietus l\u0101\u0161u prel\u016bdija”, kas v\u0113l vair\u0101k bag\u0101tina \u0161o horeogr\u0101fiski izsmalcin\u0101to darbu.<\/p>\n
Aleksandrs Ekmans \u2013 laikmet\u012bg\u0101s dejas provokators<\/p>\n
Zviedru horeogr\u0101fs Aleksandrs Ekmans, kur\u0161 m\u016bsdien\u0101s ir viens no pasaul\u0113 piepras\u012bt\u0101kajiem laikmet\u012bgajiem horeogr\u0101fiem, pied\u0101v\u0101s savu radik\u0101li at\u0161\u0137ir\u012bgo skat\u012bjumu ar baletu “Kaktusi”, kas rad\u012bts 2010. gad\u0101. \u0160is darbs ir drosm\u012bgs un aspr\u0101t\u012bgs koment\u0101rs par m\u0101kslas kritiku un skat\u012bt\u0101ju ties\u012bb\u0101m br\u012bvi interpret\u0113t un izjust m\u0101kslu. Ekmans, kur\u0161 pats savulaik ir atzinis, ka vi\u0146u \u013coti satrauc un pat kaitina kriti\u0137u p\u0101rsp\u012bl\u0113t\u0101 anal\u012bze par vi\u0146a darbiem, \u0161aj\u0101 izr\u0101d\u0113 ironiski izsp\u0113l\u0113jas ar gaid\u0101m un dogm\u0101m, kas bie\u017ei vien pavada dejas uztveri. Vi\u0146a horeogr\u0101fija ir ener\u0123iska, strauja un negaid\u012bta, ar rakstur\u012bgu \u0137erme\u0146a valodu un inovat\u012bvu telpas izmantojumu. Ekmans uzskata, ka kaktuss sp\u0113j izdz\u012bvot tuksne\u0161os, zied\u0113t, kad to vismaz\u0101k gaida, un tas nav apskaujams, bet to nav iesp\u0113jams ignor\u0113t. Vi\u0146am kaktuss atg\u0101dina cilv\u0113kus \u2013 m\u0113s sevi pasarg\u0101jam ar maz\u0101m “adati\u0146\u0101m”, bet iek\u0161pus\u0113 esam maigi, trausli un bie\u017ei vien smiekl\u012bgi. “Kaktusi” ir ne tikai vizu\u0101li iespaid\u012bgs, bet ar\u012b intelektu\u0101li stimul\u0113jo\u0161s darbs, kas aicina skat\u012bt\u0101ju akt\u012bvi l\u012bdzdarboties m\u0101kslas proces\u0101, nevis pas\u012bvi pie\u0146emt gatavus v\u0113rt\u0113jumus. Izr\u0101d\u0113 skan\u0113s Fran\u010da Jozefa Haidna, Ludviga van B\u0113thovena un Fran\u010da \u0160\u016bberta m\u016bzika st\u012bgu kvarteta izpild\u012bjum\u0101.<\/p>\n
Latvijas Nacion\u0101l\u0101 baleta sp\u0113jas un sezonas perspekt\u012bva<\/p>\n
\u0160is jauniestud\u0113jums ir apliecin\u0101jums Latvijas Nacion\u0101l\u0101 baleta sp\u0113jai iepaz\u012bstin\u0101t savu publiku ar pasaules dejas virsotn\u0113m un pied\u0101v\u0101t gan klasisku, gan m\u016bsdien\u012bgu pieredzi augst\u0101kaj\u0101 kvalit\u0101t\u0113. Latvijas Nacion\u0101l\u0101s operas un baleta valdes priek\u0161s\u0113d\u0113t\u0101js Sandis Voldi\u0146\u0161 uzsver, ka jaun\u0101 2025.\/2026. gada sezona ir veidota “pa\u0161apzi\u0146as z\u012bm\u0113 \u2013 ar amb\u012bciju, m\u0113rogu un lepnumu par m\u016bsu cilv\u0113kiem”. Vi\u0146\u0161 piebilst, ka “izaicino\u0161os laikos nekas nav svar\u012bg\u0101k, k\u0101 tur\u0113t taisnu muguru, un \u0161ai sezon\u0101 m\u0113s atg\u0101din\u0101sim gan pa\u0161i sev, gan pasaulei par patiesi v\u0113rt\u012bgo \u2013 m\u0113s esam kult\u016bras tauta, un klasisk\u0101 m\u016bzika tam ir lab\u0101kais pier\u0101d\u012bjums”. “Koncerts (jeb Briesmas ikvienam). Kaktusi” ir viens no gaid\u012bt\u0101kajiem jaunumiem sezon\u0101, kas pied\u0101v\u0101s neaizmirstamu m\u0101kslas baud\u012bjumu.<\/p>\n","protected":false},"excerpt":{"rendered":"Latvijas Nacion\u0101lais balets ar jauniestud\u0113jumu iepaz\u012bstina ar divu laikmetu horeogr\u0101fiju meistariem No 2025. gada 13. novembra Latvijas Nacion\u0101l\u0101…\n","protected":false},"author":2,"featured_media":36009,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[19],"tags":[10566,10567,10565,89,90,10564,35,39,38,36,37,34,10325,40],"class_list":{"0":"post-36008","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-izklaide","8":"tag-aleksandrs-ekmans","9":"tag-baleta-jauniestudejums","10":"tag-dzeroms-robins","11":"tag-entertainment","12":"tag-izklaide","13":"tag-koncerts-jeb-briesmas-ikvienam-kaktusi","14":"tag-latvia","15":"tag-latvian","16":"tag-latviesu","17":"tag-latviesu-valoda","18":"tag-latviesuvaloda","19":"tag-latvija","20":"tag-latvijas-nacionalais-balets","21":"tag-lv"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@lv\/115468071389467885","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/36008","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/comments?post=36008"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/36008\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media\/36009"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media?parent=36008"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/categories?post=36008"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/tags?post=36008"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}