Vakar, 31. oktobr\u012b skat\u012bt\u0101ji Liep\u0101jas te\u0101tr\u012b baud\u012bja Franca Leh\u0101ra operetes
\n\u201cD\u017eudita\u201d iestud\u0113jumu, kura pirmizr\u0101de bija nesen, oktobra s\u0101kum\u0101
\nVEF Kult\u016bras pil\u012b. Par iestud\u0113jumu izskan daudz pozit\u012bvu atsauksmju. Ar\u012b pras\u012bgie
\nLiep\u0101jas skat\u012bt\u0101ji nov\u0113rt\u0113ja to ar st\u0101vov\u0101cij\u0101m un bravo saucieniem, sag\u0101d\u0101jot
\ngandar\u012bjumu Operetes te\u0101tra trupai un izr\u0101des veidot\u0101jiem, inform\u0113 Operetes te\u0101tris.<\/p>\n
\u201cLiep\u0101jas te\u0101tr\u012b ir \u013coti viegli sp\u0113l\u0113t, t\u0101da saj\u016bta, ka sienas un skatuves
\nd\u0113\u013ci pal\u012bdz izr\u0101des pl\u016bdumam. \u013boti laba saj\u016bta p\u0113c izr\u0101des. Manupr\u0101t, Liep\u0101jas
\nte\u0101tra skat\u012bt\u0101ji at\u0161\u0137iras no citiem. M\u0113s ar Daini Skuteli p\u0101rrun\u0101j\u0101m, ka ir
\nviegli dzied\u0101t un prieks sird\u012b par tik v\u0113r\u012bgu, iej\u016bt\u012bgu skat\u012bt\u0101ju. Fantastiska
\nener\u0123ijas apmaina!\u201d p\u0113c izr\u0101des prieku nesl\u0113pa D\u017euditas lomas
\natveidot\u0101ja Anta Jankovska un Oktavio lomas atveidot\u0101js Dainis
\nSktutelis.<\/p>\n
\u201dD\u017euditas\u201d iestud\u0113jums pie Latvijas skat\u012bt\u0101jiem non\u0101cis pirmo reizi
\nkult\u016brv\u0113stur\u0113, tas veidots par godu komponista Franca Leh\u0101ra 155. dzim\u0161anas
\ndienai. \u201cD\u017eudita\u201d bija pa\u0161a Franca Leh\u0101ra (1870\u20131948) m\u012b\u013c\u0101kais darbs,
\nvi\u0146\u0161 to m\u0113dza d\u0113v\u0113t par \u201copereti ar operas dv\u0113seli\u201d, uzsverot, ka \u0161aj\u0101
\noperet\u0113, sal\u012bdzinot ar daudz\u0101m cit\u0101m vi\u0146a operet\u0113m, ir padzi\u013cin\u0101ta dramatisk\u0101
\nl\u012bnija, tom\u0113r opereti caurvij ar\u012b sirsn\u012bgs un jauks humors. Taj\u0101 lirika, humors
\nun dr\u0101ma saviju\u0161\u0101s tik cie\u0161i, ka robe\u017ea k\u013c\u016bst gandr\u012bz neman\u0101ma.<\/p>\n
Ar \u0161o iestud\u0113jumu Operetes te\u0101tris viesojies Ventspils te\u0101tra nam\u0101 \u201cJ\u016bras
\nv\u0101rti\u201d, R\u012bg\u0101, un dosies ar\u012b uz C\u0113s\u012bm, Zieme\u013cbl\u0101zmas kult\u016bras pili, Goru,
\nAl\u016bksni. Par iecer\u0113to st\u0101sta Operetes te\u0101tra rado\u0161\u0101 direktore Agija
\nOzoli\u0146a-Kozlovska \u201cEsmu patie\u0161\u0101m aizkustin\u0101ta! Liep\u0101j\u0101 dzied gan v\u0113j\u0161, gan
\nskat\u012bt\u0101ju sirdis. Br\u012bni\u0161\u0137\u012bga publikas kult\u016bra! M\u0113s te vienm\u0113r j\u016btamies gaid\u012bti,
\nto dzird\u0113ju ar\u012b no Liep\u0101jas te\u0101tra kol\u0113\u0123iem, kuri m\u016bs sav\u0101 te\u0101tr\u012b uz\u0146\u0113ma
\npatie\u0161\u0101m sirsn\u012bgi un atsauc\u012bgi, un aicina atgriezties. Br\u012bni\u0161\u0137\u012bga atmosf\u0113ra. Esam
\nsaj\u016bsm\u0101! \u0160is te\u0101tra nams jau v\u0113sturiski ir paredz\u0113ts operai, operetei, t\u0101p\u0113c
\ntur muzic\u0113t ir \u013coti \u012bpa\u0161i. T\u0101 k\u0101 visi interesenti \u0161oreiz netika pie bi\u013cet\u0113m un
\nmums ir divi solistu sast\u0101vi, \u201cD\u017eudita\u201d atgriez\u012bsies Liep\u0101j\u0101 20. mart\u0101.\u201d<\/p>\n
Operetes te\u0101tra iestud\u0113jums k\u0101 arvien veidots ar pilnv\u0113rt\u012bgu trupu un sp\u0113c\u012bgu
\nstarptautisko rado\u0161o komandu \u2013 re\u017eisors Gernots Kranners (Austrija), kost\u012bmu
\nm\u0101ksliniece Aleksandra Brandnere (V\u0101cija), scenogr\u0101fs Hervigs Liboviczkis
\n(Austrija), re\u017eisora asistente \u2013 Sonora Vaice, operd\u012bva, kuras darbs re\u017eij\u0101 \u2013
\n\u201cCilv\u0113ka balss.Telefons\u201d nov\u0113rt\u0113ts ar Lielo m\u016bzikas balvu 2021. Rado\u0161\u0101
\ndirektore Agija Ozoli\u0146a-Kozlovska, tulkot\u0101ja Evita Mamaja, or\u0137estr\u0101ciju autors
\nPols Bernards Bernots, video m\u0101ksliniece Ineta Sipunova u.c..<\/p>\n
Gernots Kranners (Gernot Kranner) ir austrie\u0161u izcelsmes re\u017eisors,
\nsolists (tenors), aktieris, dejot\u0101js, m\u012bms, operetes un m\u016bzikla jomas
\nspeci\u0101lists ar pla\u0161u rado\u0161o biogr\u0101fiju. Pla\u0161\u0101kai Latvijas publikai vi\u0146\u0161 var\u0113tu
\nb\u016bt paz\u012bstams ar\u012b no seri\u0101la \u201cKomis\u0101rs Reksis\u201d. Vi\u0146a pirmais \u201cD\u017euditas\u201d
\niestud\u0113jums 2007. gad\u0101 Leh\u0101ra festiv\u0101l\u0101 B\u0101di\u0161l\u0101 (Austrija) guva milz\u012bgus
\npan\u0101kumus.<\/p>\n
Operetes centr\u0101 ir m\u016b\u017eam aktu\u0101ls st\u0101sts par D\u017euditas un Oktavio satik\u0161anos,
\npar ilg\u0101m, apreibino\u0161u
\niek\u0101ri, aps\u0113st\u012bbu un magn\u0113tiski kaisl\u012bgu m\u012blest\u012bbu, par izv\u0113l\u0113m
\nbr\u012bd\u012b, kad dz\u012bve un n\u0101ve st\u0101v l\u012bdz\u0101s. Fon\u0101 eso\u0161ie kara draudi vi\u0146u m\u012blas nakti
\npiepilda ar spriedzi un nolemt\u012bbu, un sasaucas ar situ\u0101ciju \u0161obr\u012bd pasaul\u0113.<\/p>\n
\u00a0<\/p>\n
Galvenaj\u0101s lom\u0101s:<\/p>\n
\u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0
\nD\u017euditas lom\u0101 Anta Jankovska, sopr\u0101ns, dzimusi
\nLatvij\u0101, bet vi\u0146as dz\u012bve un rado\u0161\u0101 darb\u012bba norit It\u0101lij\u0101. Starptautisku
\natzin\u012bbu guvusi ar Franca Leh\u0101ra \u201cJautr\u0101s atraitnes\u201d titullomu Parm\u0101,
\nLuk\u0101, Piz\u0101 un Livorno. Jankovskas balss apvieno lirisku smalkumu ar dramatisku
\nsp\u0113ku, padarot katru uzst\u0101\u0161anos par \u012bpa\u0161u notikumu.<\/p>\n
\u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0
\nOktavio lom\u0101 Dainis Skutelis, skat\u012bt\u0101ju
\niem\u012b\u013cot\u0101kais tenors Operetes te\u0101tra trup\u0101. Vi\u0146u raksturo samtains, silts balss tembrs
\nun skatuves \u0161arms.<\/p>\n
\u00a0<\/p>\n
Cit\u0101s lom\u0101s bija virkne spo\u017eu solistu: Jolanta
\nStrikaite, Patr\u012bcija Kozlovska, Em\u012bls Kivlenieks, Nauris Indzeris, Inm\u0101rs
\nSikle, Henrijs Kozlovskis, Ieva Kemlere, piedal\u012bj\u0101s ar\u012b koris, dejot\u0101ji un
\nsimfoniskais or\u0137estris. Diri\u0123ents Atvars Lakst\u012bgala, iestud\u0113juma horeogr\u0101fe
\nIeva Kemlere, multimediju m\u0101ksliniece Ineta Sipunova, gaismu m\u0101kslinieks Ivars
\nV\u0101cers.<\/p>\n
\u00a0<\/p>\n
\u201cD\u017euditas\u201d
\niestud\u0113juma muzik\u0101lais vad\u012bt\u0101js un galvenais diri\u0123ents Atvars Lakst\u012bgala
\nir gandar\u012bts par paveikto un aicina skat\u012bt\u0101jus uz izr\u0101d\u0113m:<\/p>\n
\u201cD\u017eudita ir viena no
\nskaist\u0101kaj\u0101m m\u016bzikas partit\u016br\u0101m, k\u0101du es jebkad esmu diri\u0123\u0113jis. Te m\u016bzikas
\naustrumnieciski eksotisk\u0101 kr\u0101su palete izstaro dzi\u013cu cilv\u0113c\u012bbu. \u0160is Franca
\nLeh\u0101ra meistardarbs ir lielisks muzik\u0101ls ce\u013cojums un atg\u0101din\u0101jums ikvienam par
\ncilv\u0113ka dv\u0113seles m\u016b\u017e\u012bgaj\u0101m alk\u0101m p\u0113c m\u012blest\u012bbas. Esmu p\u0101rliecin\u0101ts, ka t\u0101
\nikvienu klaus\u012bt\u0101ju aizved\u012bs uz pasauli, kur v\u0101rdi beidzas un valda kaisle,
\nilgas un likten\u012bgas izv\u0113les, kur operetes elegance sapl\u016bst ar operas
\ndramatismu. Aicinu klaus\u012bties \u0161o m\u016bziku ar atv\u0113rtu sirdi \u2013 t\u0101 atkl\u0101sies k\u0101
\ndz\u012bves kaisl\u012bbu spogulis.\u201d<\/p>\n
\u00a0<\/p>\n
Par
\n\u201cD\u017euditas\u201d iestud\u0113jumu atzin\u012bgus v\u0101rdus velt\u012bjusi muzikolo\u0123e Inese L\u016bsi\u0146a:
\n\u201cPateicoties re\u017eisoram (Gernots Kranners), iestud\u0113juma rit\u0113jums ir raits,
\ndz\u012bvs, emocion\u0101li piepild\u012bts, cilv\u0113ciski patiess un aspr\u0101t\u012bgs. Tas gan savi\u013c\u0146o,
\ngan izklaid\u0113. Pats galvenais \u2013 r\u016bp\u012bgi izstr\u0101d\u0101taj\u0101s mizansc\u0113n\u0101s ir atkl\u0101tas
\ncilv\u0113ku attiec\u012bbas, kuru, starp citu, \u013coti pietr\u016bkst Latvijas Nacion\u0101l\u0101s operas
\niestud\u0113jum\u0101\u00a0Jautr\u0101 atraitne. Sekot l\u012bdzi\u00a0D\u017euditas\u00a0st\u0101sta
\nnians\u0113m pal\u012bdz tas, ka izr\u0101de (iz\u0146emot divas \u0101rijas) ir latvie\u0161u valod\u0101 (Evitas
\nMamajas tulkojums).\u201d<\/p>\n
\u0160obr\u012bd iestud\u0113jums apce\u013co Latviju un ir
\nnosp\u0113l\u0113tas daudzas izr\u0101des R\u012bg\u0101, Ventspil\u012b, Liep\u0101j\u0101, bet tuv\u0101k\u0101s izr\u0101des
\niepl\u0101notas: 8. novembr\u012b Koncertz\u0101l\u0113 \u201cC\u0113sis\u201d, 30. decembr\u012b Kult\u016bras pil\u012b
\n\u201cZieme\u013cbl\u0101zma\u201d, 20. mart\u0101 Liep\u0101jas te\u0101tr\u012b, 22. mart\u0101 koncertz\u0101l\u0113 \u201cGors\u201d un 10.
\napr\u012bl\u012b Koncertz\u0101l\u0113 \u201cC\u0113sis\u201d u.c.. Bi\u013cetes var ieg\u0101d\u0101ties \u201cBi\u013ce\u0161u parad\u012bzes \u201c
\nkas\u0113s.<\/p>\n","protected":false},"excerpt":{"rendered":"Vakar, 31. oktobr\u012b skat\u012bt\u0101ji Liep\u0101jas te\u0101tr\u012b baud\u012bja Franca Leh\u0101ra operetes
\u201cD\u017eudita\u201d iestud\u0113jumu, kura pirmizr\u0101de bija nesen, oktobra s\u0101kum\u0101
…\n","protected":false},"author":2,"featured_media":36862,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5],"tags":[23,28,29,32,33,22,30,31,35,39,38,36,37,34,40,20,26,27,24,25,21],"class_list":{"0":"post-36861","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-aktualitates","8":"tag-aktualitates","9":"tag-breaking-news","10":"tag-breakingnews","11":"tag-featured-news","12":"tag-featurednews","13":"tag-headlines","14":"tag-latest-news","15":"tag-latestnews","16":"tag-latvia","17":"tag-latvian","18":"tag-latviesu","19":"tag-latviesu-valoda","20":"tag-latviesuvaloda","21":"tag-latvija","22":"tag-lv","23":"tag-news","24":"tag-popularakas-zinas","25":"tag-popularakaszinas","26":"tag-top-stories","27":"tag-topstories","28":"tag-zinas"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@lv\/115473851594763197","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/36861","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/comments?post=36861"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/36861\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media\/36862"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media?parent=36861"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/categories?post=36861"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/tags?post=36861"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}