Par Artis Dz\u0113rvi: Neparast\u0101 ce\u013cojum\u0101 uz starptautisko atzin\u012bbu<\/p>\n
Latvie\u0161u videom\u0101kslinieks Artis Dz\u0113rve ir spo\u017ea zvaigzne m\u016bsdienu m\u0101kslas ainav\u0101, kura darbi nebeidz p\u0101rsteigt un iedvesmot. Vi\u0146a profesion\u0101l\u0101 karjera ir iespaid\u012bga, sniedzot vair\u0101k nek\u0101 15 gadus pieredzes audiovizu\u0101l\u0101s un interakt\u012bv\u0101s m\u0101kslas jom\u0101. Dz\u0113rves unik\u0101l\u0101 pieeja un sp\u0113ja integr\u0113t video elementus tik harmoniski, ka tie k\u013c\u016bst par neat\u0146emamu izr\u0101des vai operas da\u013cu, ir atnesusi vi\u0146am starptautisku atzin\u012bbu. Vi\u0146\u0161 ir ieguvis ar\u012b presti\u017eo “Sp\u0113lma\u0146u nakts” balvu k\u0101 “Gada videom\u0101kslinieks” par savu ieguld\u012bjumu operas “Fausts” iestud\u0113jum\u0101 Latvijas Nacion\u0101laj\u0101 oper\u0101 un balet\u0101.<\/p>\n
Ta\u010du viss s\u0101k\u0101s ar studij\u0101m Hamburgas M\u0101kslas akad\u0113mij\u0101, kur vi\u0146a ce\u013c\u0161 krustoj\u0101s ar pasaul\u0113 atz\u012bto performance m\u0101kslinieci Marinu Abramovi\u010du. \u0160\u012b tik\u0161an\u0101s bijusi iz\u0161\u0137iro\u0161a, jo Abramovi\u010da, apl\u016bkojusi Dz\u0113rves darbus, izteikusies, ka vi\u0146ai “to puiku” vajag. \u0160ie v\u0101rdi ir ne tikai apliecin\u0101jums Dz\u0113rves talantam, bet ar\u012b s\u0101kums jaunai, aizraujo\u0161ai noda\u013cai vi\u0146a rado\u0161aj\u0101 dz\u012bv\u0113.<\/p>\n
Video m\u0101kslinieka filozofija: Kopdarba un precizit\u0101tes mekl\u0113jumi<\/p>\n
Artis Dz\u0113rve pau\u017e dzi\u013cu p\u0101rliec\u012bbu par videom\u0101kslinieka lomu skatuves m\u0101ksl\u0101. Vi\u0146\u0161 uzskata, ka lielisks videom\u0101kslinieks nekad nem\u0113\u0123in\u0101s izvirz\u012bties priek\u0161pl\u0101n\u0101 vai domin\u0113t p\u0101r citiem elementiem. Glu\u017ei pret\u0113ji \u2013 vi\u0146a m\u0113r\u0137is ir k\u013c\u016bt par da\u013cu no kop\u012bg\u0101s saj\u016btas, radot harmonisku un elpojo\u0161u kopdarbu. Dz\u0113rve sal\u012bdzina labu darbu ar “\u0161\u016bpi\u0146u”, kas kustas un elpo, kur katrs elements, pat vismaz\u0101k\u0101 deta\u013ca, ir tik prec\u012bza un pareiza, ka nevajag neko vair\u0101k. \u0160\u012b filozofija atspogu\u013co vi\u0146a dzi\u013co izpratni par to, ka m\u0101ksla ir simfonija, kur\u0101 katram instrumentam ir sava noz\u012bme, bet kopskan\u0113jums ir tas, kas rada patiesu iespaidu.<\/p>\n
Vi\u0146\u0161 uzsver, ka m\u016bsdienu te\u0101tr\u012b un oper\u0101 videom\u0101ksla bie\u017ei vien ir kl\u0101teso\u0161a, ta\u010du ne vienm\u0113r ac\u012bmredzama skat\u012bt\u0101jam. Tas ir k\u0101 neredzams pavediens, kas savieno vizu\u0101lo, muzik\u0101lo un dramatisko st\u0101stu. Dz\u0113rve atz\u012bst, ka vi\u0146a profesijas apz\u012bm\u0113jums \u2013 “videom\u0101kslinieks” \u2013 var \u0161\u0137ist visp\u0101r\u012bgs, ta\u010du t\u0101 noz\u012bme main\u0101s atkar\u012bb\u0101 no konteksta. Str\u0101d\u0101jot uz skatuves, vi\u0146\u0161 bie\u017e\u0101k ie\u0146em video scenogr\u0101fa lomu, kur\u0101 video k\u013c\u016bst par vizu\u0101lu ainavu, kas papildina un bag\u0101tina notieko\u0161o.<\/p>\n
Starptautisk\u0101 darb\u012bba un n\u0101kotnes perspekt\u012bvas<\/p>\n
Artis Dz\u0113rve ir ne tikai Latvijas, bet ar\u012b Eiropas te\u0101tru un operu skatuvju akt\u012bvs dal\u012bbnieks. Vi\u0146a rado\u0161ais spriegums un sp\u0113ja piel\u0101goties da\u017e\u0101diem kult\u016bras kontekstiem ir \u013c\u0101vu\u0161i vi\u0146am sadarboties ar daudziem iev\u0113rojamiem re\u017eisoriem un veidot video integr\u0101cijas neskait\u0101m\u0101m izr\u0101d\u0113m. Neskatoties uz straujo tehnolo\u0123iju att\u012bst\u012bbu, Dz\u0113rve paliek uztic\u012bgs savai pamatidejai \u2013 ka tehnolo\u0123ijas ir instruments st\u0101sta atst\u0101st\u012b\u0161anai, nevis pa\u0161m\u0113r\u0137is. Vi\u0146\u0161 ir p\u0101rliecin\u0101ts, ka neatkar\u012bgi no izmantotaj\u0101m tehnolo\u0123ij\u0101m, galvenais ir sp\u0113c\u012bgs st\u0101sts, laba dramatur\u0123ija un profesion\u0101la re\u017eija.<\/p>\n
P\u0113d\u0113j\u0101 laik\u0101 Dz\u0113rves v\u0101rds bie\u017ei izskan\u0113jis saist\u012bb\u0101 ar jaun\u0101kaj\u0101m pirmizr\u0101d\u0113m, piem\u0113ram, izr\u0101d\u0113m “Indulis un \u0100rija” Nacion\u0101laj\u0101 te\u0101tr\u012b un “Telma un Lu\u012bze” Valmieras Dr\u0101mas te\u0101tr\u012b. Janv\u0101r\u012b vi\u0146\u0161 pl\u0101no piedal\u012bties Latvijas Radio 3 “Klasika” 30. jubilejas koncerta rado\u0161\u0101s komandas veido\u0161an\u0101. Ar savu darbu Artis Dz\u0113rve ne tikai bag\u0101tina Latvijas kult\u016bras dz\u012bvi, bet ar\u012b apliecina m\u016bsu valsts vietu starptautiskaj\u0101 m\u0101kslas pasaul\u0113, pier\u0101dot, ka ar\u012b no mazas valsts var n\u0101kt m\u0101kslinieki ar pasaules m\u0113roga talantu un v\u012bziju.<\/p>\n","protected":false},"excerpt":{"rendered":"Par Artis Dz\u0113rvi: Neparast\u0101 ce\u013cojum\u0101 uz starptautisko atzin\u012bbu Latvie\u0161u videom\u0101kslinieks Artis Dz\u0113rve ir spo\u017ea zvaigzne m\u016bsdienu m\u0101kslas ainav\u0101,…\n","protected":false},"author":2,"featured_media":38240,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[19],"tags":[11163,89,90,35,39,38,4459,36,37,34,40,11165,11166,11164],"class_list":{"0":"post-38239","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-izklaide","8":"tag-artis-dzerve","9":"tag-entertainment","10":"tag-izklaide","11":"tag-latvia","12":"tag-latvian","13":"tag-latviesu","14":"tag-latviesu-makslinieki","15":"tag-latviesu-valoda","16":"tag-latviesuvaloda","17":"tag-latvija","18":"tag-lv","19":"tag-marina-abramovica","20":"tag-skatuves-maksla","21":"tag-videomakslinieks"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@lv\/115483233745564094","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/38239","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/comments?post=38239"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/38239\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media\/38240"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media?parent=38239"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/categories?post=38239"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/tags?post=38239"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}