Franc\u016b\u017eu diri\u0123ents \u017dans Kristofs Spinozi divas dienas diri\u0123\u0113s Latvijas Nacion\u0101lo simfonisko or\u0137estri<\/p>\n
\u0160\u012b gada 26. un 27. septembr\u012b Latvijas Nacion\u0101lais simfoniskais or\u0137estris (LNSO) sniegs divus unik\u0101lus koncertus, kuros pie diri\u0123enta pults st\u0101sies pasaul\u0113 atz\u012btais fran\u010du maestro \u017dans Kristofs Spinozi. \u0160\u012b b\u016bs vi\u0146a pirm\u0101 uzst\u0101\u0161an\u0101s Latvij\u0101, kas sol\u0101s b\u016bt neaizmirstams muzik\u0101ls notikums. Spinozi, kur\u0161 ir \u012bpa\u0161i slavens ar sav\u0101m baroka un klasicisma laikmeta m\u016bzikas interpret\u0101cij\u0101m, dosies aizraujo\u0161\u0101 ce\u013cojum\u0101 cauri gadsimtiem kop\u0101 ar LNSO un Valsts Akad\u0113misko kori \u201cLatvija\u201d.<\/p>\n
Koncerti notiks piektdien, 26. septembr\u012b, plkst. 19.00 R\u012bgas Kongresu nam\u0101 un sestdien, 27. septembr\u012b, plkst. 17.00 Ventspils koncertz\u0101l\u0113 \u201cLatvija\u201d. Programm\u0101 ar nosaukumu \u201cLNSO, Vasks, zelta baroks un For\u0113 Rekvi\u0113ms\u201d skan\u0113s daudzveid\u012bgi ska\u0146darbi, \u013caujot klaus\u012bt\u0101jiem izbaud\u012bt gan P\u0113tera Vaska \u201cCantabile\u201d st\u012bginstrumentiem, gan Antonio Vivaldi fragmentu \u201cSit nomen Domini\u201d no cikla \u201cLaudate pueri\u201d. T\u0101pat programm\u0101 iek\u013cauts Johana Sebasti\u0101na Baha Koncerts klaves\u012bnam un or\u0137estrim re minor\u0101 BWV 1052, un visskaist\u0101k\u0101s koncerta da\u013cas \u2013 Gabriela For\u0113 \u201cRekvi\u0113ms\u201d.<\/p>\n
\u017dans Kristofs Spinozi, Ensemble Matheus dibin\u0101t\u0101js un m\u0101kslinieciskais vad\u012bt\u0101js, ir iekarojis atzin\u012bbu daudz\u0101s presti\u017e\u0101s koncertz\u0101l\u0113s vis\u0101 pasaul\u0113, tostarp Par\u012bzes \u0160atl\u0113 te\u0101tr\u012b un V\u012bnes Konzerthaus. Vi\u0146a dzi\u013c\u0101 izpratne un unik\u0101l\u0101 pieeja interpret\u0101cij\u0101 sol\u012bs klaus\u012bt\u0101jiem neaizmirstamu pieredzi.<\/p>\n
Muzik\u0101ls ce\u013cojums cauri gadsimtiem<\/p>\n
Koncertu atkl\u0101s LNSO 100. sezonas rezid\u0113jo\u0161\u0101 komponista P\u0113tera Vaska darbs \u201cCantabile\u201d st\u012bginstrumentiem (1979), kas k\u013cuvis par vienu no latvie\u0161u m\u016bzikas simboliem, pau\u017eot dzi\u013cas filozofiskas p\u0101rdomas un pasaules harmoniju. \u0160\u012b ska\u0146darba filozofisko un muzik\u0101lo domu nomain\u012bs Antonio Vivaldi dai\u013crade \u2013 fragments \u201cSit nomen Domini\u201d no cikla \u201cLaudate pueri\u201d, kur\u0101 jaun\u0101s fran\u010du sopr\u0101na Ninas Spinozi balss sapl\u016bd\u012bs ar LNSO st\u012bgu grupu, radot elegantu un dv\u0113selisku dialogu. Nina Spinozi, dzimusi muzik\u0101l\u0101 \u0123imen\u0113, ir iekarojusi pla\u0161u atzin\u012bbu gan oper\u0101, gan koncertz\u0101l\u0113s, demonstr\u0113jot savu talantu pla\u0161\u0101 \u017eanru spektr\u0101.<\/p>\n
Pirm\u0101s da\u013cas nosl\u0113gum\u0101 izskan\u0113s Johana Sebasti\u0101na Baha Koncerts klaves\u012bnam un or\u0137estrim re minor\u0101 BWV 1052, demonstr\u0113jot baroka m\u016bzikai rakstur\u012bgo dramatisko spriegumu un melodisko izsmalcin\u0101t\u012bbu. Klaves\u012bna solo izpild\u012bs spo\u017e\u0101 latvie\u0161u klaves\u012bniste Ieva Saliete, kuras interpret\u0101cijas tiek augsti v\u0113rt\u0113tas par ori\u0123inalit\u0101ti un aizraut\u012bbu. Saliete ir br\u012bvm\u0101ksliniece, kas sadarbojas ar or\u0137estri \u201cSinfonietta R\u012bga\u201d baroka projektos un piedal\u0101s solo un kamerm\u016bzikas projektos V\u0101cij\u0101 un \u0160veic\u0113, k\u0101 ar\u012b ir Bernes sen\u0101s m\u016bzikas or\u0137estra \u201cLes Passions de l’Ame\u201d klaves\u012bniste.<\/p>\n
Koncerta kulmin\u0101cija un v\u0113st\u012bjums<\/p>\n
Koncerta otraj\u0101 da\u013c\u0101 klaus\u012bt\u0101jus sagaid\u012bs Gabriela For\u0113 monument\u0101lais \u201cRekvi\u0113ms\u201d. \u0160is darbs, at\u0161\u0137ir\u012bb\u0101 no daudziem citiem \u0161\u012b \u017eanra ska\u0146darbiem, n\u0101ves t\u0113mu nevis pau\u017e k\u0101 s\u0113ras, bet gan k\u0101 p\u0101reju uz cer\u012bbu, gaismu un dv\u0113seles mieru. Kop\u0101 ar LNSO un Valsts Akad\u0113misko kori \u201cLatvija\u201d uzst\u0101sies ar\u012b fran\u010du sopr\u0101ns Nina Spinozi un norv\u0113\u0123u baritons Halvors Meliens, kuri piepild\u012bs solo partijas. Meliens pla\u0161i paz\u012bstams Eiropas koncertz\u0101l\u0113s un oper\u0101s, \u012bpa\u0161i izce\u013coties ar savu baroka m\u016bzikas interpret\u0101ciju un v\u0101cu vok\u0101l\u0101s kamerm\u016bzikas prasm\u0113m. Vi\u0146a pla\u0161ais koncertrepertu\u0101rs sniedzas no 17. gadsimta l\u012bdz pat m\u016bsdien\u0101m, \u012bpa\u0161i piev\u0113r\u0161oties J. S. Baha dai\u013cradei.<\/p>\n
Gabriels For\u0113 (1845-1924) bija fran\u010du romantisma m\u016bzikas komponists, pianists un \u0113r\u0123elnieks, viens no sava laika izcil\u0101kajiem fran\u010du m\u016bzi\u0137iem, kura darbi ietekm\u0113ju\u0161i daudzus 20. gadsimta komponistus. Vi\u0146a \u201cRekvi\u0113ms\u201d tiek uzskat\u012bts par vienu no emocion\u0101li aizkustino\u0161\u0101kajiem un iem\u012b\u013cot\u0101kajiem ska\u0146darbiem, kas caurstr\u0101vots ar cer\u012bbu un apceri par m\u016b\u017e\u012bbu, dz\u012bves skaistumu un trauslumu. Pats komponists \u0161o darbu raksturojis k\u0101 \u201cmiera rekvi\u0113mu\u201d, uzskatot n\u0101vi par \u201cpriec\u012bgu atbr\u012bvo\u0161anos\u201d.<\/p>\n
\u0160ie divi koncerti sol\u0101s b\u016bt ne tikai LNSO 100. sezonas noz\u012bm\u012bgs notikums, bet ar\u012b spo\u017ea lappuse Latvijas kult\u016bras dz\u012bv\u0113. Aicin\u0101m iegrimt m\u016bzikas skaistum\u0101 un atkl\u0101t jaunas, iedvesmojo\u0161as saj\u016btas kop\u0101 ar izciliem m\u0101ksliniekiem.<\/p>\n","protected":false},"excerpt":{"rendered":"Franc\u016b\u017eu diri\u0123ents \u017dans Kristofs Spinozi divas dienas diri\u0123\u0113s Latvijas Nacion\u0101lo simfonisko or\u0137estri \u0160\u012b gada 26. un 27. septembr\u012b…\n","protected":false},"author":2,"featured_media":38724,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[19],"tags":[89,5955,90,202,35,39,38,36,37,34,5365,40,997,2922],"class_list":{"0":"post-38723","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-izklaide","8":"tag-entertainment","9":"tag-gabriels-fore-rekviems","10":"tag-izklaide","11":"tag-koncerts","12":"tag-latvia","13":"tag-latvian","14":"tag-latviesu","15":"tag-latviesu-valoda","16":"tag-latviesuvaloda","17":"tag-latvija","18":"tag-lnso","19":"tag-lv","20":"tag-peteris-vasks","21":"tag-zans-kristofs-spinozi"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@lv\/115485400438377178","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/38723","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/comments?post=38723"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/38723\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media\/38724"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media?parent=38723"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/categories?post=38723"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/tags?post=38723"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}