{"id":39515,"date":"2025-11-04T08:24:09","date_gmt":"2025-11-04T08:24:09","guid":{"rendered":"https:\/\/www.europesays.com\/lv\/39515\/"},"modified":"2025-11-04T08:24:09","modified_gmt":"2025-11-04T08:24:09","slug":"starp-austrumiem-un-rietumiem-saruna-ar-slaveno-pianistu-behzodu-abduraimovu","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/lv\/39515\/","title":{"rendered":"Starp Austrumiem un Rietumiem. Saruna ar slaveno pianistu Behzodu Abduraimovu"},"content":{"rendered":"

Ja pasaul\u0113 past\u0101v vieta, kur Austrumi un Rietumi ne tikai satiekas, bet sapl\u016bst ekst\u0101z\u0113, tad t\u0101 ir klasisk\u0101 m\u016bzika. \u0160\u0101du piem\u0113ru ir daudz, piem\u0113ram, it\u0101\u013cu klasikas citadele \u2013 Mil\u0101nas “La Scala”, kuru dr\u012bzum\u0101 vad\u012bs korejietis Mjangvans \u010cangs. Bet mums nav j\u0101brauc uz It\u0101liju. 6. novembr\u012b Latvijas Nacion\u0101laj\u0101 te\u0101tr\u012b notiks solokoncerts, kur\u0101 uzst\u0101sies Behzods Abduraimovs \u2013 uzbeku pianists ar pasaules slavu, fenomen\u0101lu tehniku un p\u0101rsteidzo\u0161u sp\u0113ju uz skatuves b\u016bt gan e\u0146\u0123elim, gan reizumis ar\u012b d\u0113monam.<\/p>\n

K\u0101d\u0101 recenzij\u0101 par jums raksta, ka esat dzimis liri\u0137is, cit\u0101 \u2013 ka j\u016bsu talants ir piln\u012bgi d\u0113monisks. K\u0101 j\u016bs pats sevi redzat? Vai esat atradis v\u0101rdus, lai sevi raksturotu k\u0101 pianistu?<\/p>\n

Par to nekad neesmu dom\u0101jis, un man ar\u012b neviens nav jaut\u0101jis. Kad vajag, cen\u0161os b\u016bt lirisks, bet, kad vajag dr\u0101mu, tad to dodu. (Smejas.) Lai p\u0113c iesp\u0113jas lab\u0101k atbilstu komponista iecer\u0113m. Tik vien.<\/p>\n

Lasiet ar\u012b<\/p>\n

\"R\u012bg\u0101<\/a>\"R\u012bg\u0101<\/a><\/p>\n

J\u016bsu profesija ir \u013coti specifiska: j\u016bs daudz laika pavad\u0101t ar sevi un instrumentu un uz skatuves bie\u017ei vien esat viens. Vai tas jums ir k\u013cuvis par ieradumu? Vai \u0123imeni \u0146emat l\u012bdzi koncertbraucienos?<\/p>\n

Ar \u0123imeni ce\u013coju \u013coti reti, jo mar\u0161ruti parasti ir sare\u017e\u0123\u012bti. Piem\u0113ram, \u0161onakt es lidoju no Ta\u0161kentas uz Baku, ierodos pulksten 5 no r\u012bta, pulksten 11 man ir m\u0113\u0123in\u0101jums, n\u0101kamaj\u0101 dien\u0101 v\u0113l viens m\u0113\u0123in\u0101jums, vakar\u0101 sp\u0113l\u0113ju ar or\u0137estri un, kad tas beidzas, s\u0113\u017eos lidma\u0161\u012bn\u0101 un dodos uz \u010cik\u0101gu, n\u0101kamaj\u0101 dien\u0101 sniedzu koncertu, p\u0113c tam lidoju uz R\u012bgu…<\/p>\n

Zin\u0101t, da\u017ek\u0101rt dom\u0101ju, ka pat tad, ja cilv\u0113ks atp\u016b\u0161as, vi\u0146am ir gr\u016bti iztur\u0113t t\u0101dus ce\u013cojumus. Bet m\u016bzi\u0137iem tas ir ierasts. Protams, tas nav viegli. Un v\u0113l gribu uzsv\u0113rt: m\u0113s, pianisti, pie instrumenta pavad\u0101m daudz vair\u0101k laika nek\u0101 citi solisti \u2013 vienk\u0101r\u0161i t\u0101p\u0113c, ka mums ir vair\u0101k no\u0161u, vair\u0101k fakt\u016bras, vair\u0101k visa. Es noteikti negribu teikt, ka sp\u0113l\u0113t klavieres ir gr\u016bt\u0101k nek\u0101 vijoli vai \u010dellu. Tas ir kas cits. Bet, p\u0113c maniem nov\u0113rojumiem, m\u0113s patie\u0161\u0101m tren\u0113jamies vair\u0101k nek\u0101 citi.<\/p>\n

J\u016bs bij\u0101t jaun\u0101kais no \u010detriem b\u0113rniem \u0123imen\u0113, un j\u016bs visus klavieres m\u0101c\u012bja sp\u0113l\u0113t m\u0101j\u0101s. Vai jums pa\u0161am tas patika? J\u016bs ta\u010du redz\u0113j\u0101t un dzird\u0113j\u0101t, k\u0101 tas ir.<\/p>\n

Man grib\u0113j\u0101s! Jo m\u0101j\u0101s es dzird\u0113ju izcilu m\u016bziku. Es dzird\u0113ju Frideriku \u0160op\u0113nu, Sergeju Rahma\u0146inovu, Pjotru \u010caikovski \u2013 tas mani \u013coti fascin\u0113ja, mani aizr\u0101va visi \u0161ie or\u0137estra un klavieru skan\u0113jumi, visas nianses, visa virtuozit\u0101te. Lai gan, god\u012bgi sakot, neviens b\u0113rns nepriec\u0101jas par vair\u0101k\u0101m stund\u0101m pie instrumenta. (Smejas.)<\/p>\n

Kad mamma m\u0101ca klavieres un m\u0101sa m\u0101c\u0101s konservatorij\u0101, vai \u0123imen\u0113 past\u0101v\u012bgi tiek run\u0101ts par m\u016bziku?<\/p>\n

Nu, j\u0101, 80 procentus laika, iesp\u0113jams. (Smejas.) Vai pat vair\u0101k.<\/p>\n

\"StarpFoto: Publicit\u0101tes foto <\/p>\n

Vai b\u0113rn\u012bb\u0101 reiz\u0113m jut\u0101ties k\u0101 upuris, jo bija tik daudz j\u0101tren\u0113jas?<\/p>\n

Tas notika, j\u0101. Nezinu, cik nopietni tas bija, bet atceros, k\u0101 mamma reiz man teica: “Negribi \u2013 p\u0101rst\u0101j. Ej uz citu skolu, visp\u0101r nepieskaries instrumentam.” Man bija apm\u0113ram devi\u0146i gadi. S\u0101kum\u0101 \u013coti priec\u0101jos, ka vairs neb\u016bs j\u0101m\u0101c\u0101s. Bet p\u0113c da\u017e\u0101m stund\u0101m k\u013cuva \u013coti, \u013coti skumji. Man kaut k\u0101 pietr\u016bka. Es g\u0101ju, aps\u0113dos pie klavier\u0113m un s\u0101ku sp\u0113l\u0113t.<\/p>\n

Vai tad ar\u012b grib\u0113j\u0101s b\u016bt uz skatuves?<\/p>\n

J\u0101. Man grib\u0113j\u0101s sp\u0113l\u0113t cilv\u0113kiem jau pirmaj\u0101 koncert\u0101: man bija asto\u0146i gadi, es sp\u0113l\u0113ju ar or\u0137estri, izpildot Mocarta “Rondo”, un man patika. Es jutu atbild\u012bbu, protams, biju satraukts, bet man patika! (Smejas.) Visvair\u0101k man patika tas, ka cilv\u0113ki atn\u0101ca un klaus\u012bj\u0101s m\u016bziku, ko es sp\u0113l\u0113ju. Tas ir br\u012bni\u0161\u0137\u012bgi!<\/p>\n

Vai uz skatuves jums vienm\u0113r ir \u0113rti?<\/p>\n

\u013boti reti.<\/p>\n

K\u0101p\u0113c?<\/p>\n

Tas ir milz\u012bgs adrenal\u012bns, emociju uzpl\u016bdums. Ja padom\u0101, m\u016bsu darbs \u2013 ja to dari patiesi \u2013 ir k\u0101pt uz skatuves un izraut da\u017e\u0101das emocijas no da\u017e\u0101diem cilv\u0113kiem, neskatoties uz savu st\u0101vokli. T\u0101 es to redzu.\u012apa\u0161i, kad runa ir par solokoncertu: tev b\u016bt\u012bb\u0101 j\u0101st\u0101sta \u013coti interesanta, gara pasaka v\u0101rds v\u0101rd\u0101 un j\u0101piesaista klaus\u012bt\u0101ji.<\/p>\n

Es atceros, k\u0101 to dar\u012bja Aleksejs Sultanovs (le\u0123end\u0101rs uzbeku pianists, miris jauns). P\u0113c vi\u0146a R\u012bgas koncerta rad\u0101s saj\u016bta, ka vi\u0146\u0161 vald\u012bja p\u0101r katru z\u0101l\u0113 eso\u0161o. Vi\u0146\u0161 taj\u0101 br\u012bd\u012b bija k\u0101 karalis un dievs.<\/p>\n

Protams. Vi\u0146am bija neticama ener\u0123ija, vienk\u0101r\u0161i traka.<\/p>\n

Un vi\u0146\u0161 man p\u0113c tam teica \u2014 vi\u0146a pr\u0101t\u0101 nemaz nebija domas k\u0101du iekarot.<\/p>\n

Protams. M\u0113r\u0137is nav \u0161\u0101ds. M\u016bzika pati iekaros klaus\u012bt\u0101ju, ja t\u0101 tiek d\u0101v\u0101ta kvalitat\u012bvi, pareiz\u0101k sakot, ja t\u0101 tiek nodota daudz dzi\u013c\u0101k nek\u0101 vienk\u0101r\u0161i kvalitat\u012bvi. M\u0113r\u0137is ir \u013caut m\u016bzikai run\u0101t pa\u0161ai par sevi. J\u0113gas iekarot, p\u0101r\u0146emt vai pak\u013caut nav. Absol\u016bti.<\/p>\n

K\u0101 j\u016bs dom\u0101jat, vai \u0161obr\u012bd stereotipu vara ir stipra? Vai solistiem j\u0101atbilst klaus\u012bt\u0101ju un kriti\u0137u gaid\u0101m \u2013 sp\u0113l\u0113t Debis\u012b “M\u0113nesgaismu” maigi, uz pirkstu galiem, Bahu bez ped\u0101\u013ca utt.? Vai past\u0101v standarti, kuriem j\u0101seko, lai nevienu nesamulsin\u0101tu? Un cik liela ir individu\u0101l\u0101s interpret\u0101cijas da\u013ca?<\/p>\n

Es saprotu j\u016bsu jaut\u0101jumu, bet dom\u0101ju, ka tagad ir tik daudz izcilu un savstarp\u0113ji at\u0161\u0137ir\u012bgu m\u016bzi\u0137u, ka visi stereotipi kaut k\u0101 ir izzudu\u0161i… un vienlaikus nav izzudu\u0161i. K\u0101ds sp\u0113l\u0113 piln\u012bgi br\u012bvi, bet p\u0101rliecino\u0161i \u2013 un visiem pat\u012bk, k\u0101ds turas pie trad\u012bcij\u0101m. K\u0101 es uz to skatos? Mani m\u0101c\u012bja \u2013 \u012bpa\u0161i Sta\u0146islavs Judeni\u010ds (uzbeku izcelsmes ASV profesors un pianists, Van Kl\u012bberna starptautisk\u0101 konkursa laure\u0101ts) \u2013 pirmk\u0101rt b\u016bt god\u012bgam pret komponistu. Skaidri saprast, ko vi\u0146\u0161 grib\u0113ja. Un p\u0113c tam pie\u0146emt l\u0113mumus. Galu gal\u0101 viss tom\u0113r iet caur man\u0101m rok\u0101m un galvu \u2013 t\u0101 ir interpret\u0101cija, mans person\u012bgais viedoklis, mans redz\u0113jums.<\/p>\n

Bahu, piem\u0113ram, es ne tik bie\u017ei sp\u0113l\u0113ju no skatuves, bet, kad sp\u0113l\u0113ju, pievienoju ped\u0101li. Nedaudz, lai b\u016btu stil\u0101, bet nepiecie\u0161am\u012bbas gad\u012bjum\u0101 \u2013 pievienoju. Ko teikt? Bahs patie\u0161\u0101m nezin\u0101ja, k\u0101 m\u016bsu instruments skan\u0113s, rakstot savus darbus, vi\u0146\u0161 to nezin\u0101ja. Klavieru v\u0113l nebija. T\u0101p\u0113c \u2013 vajadz\u012bgs ped\u0101lis vai n\u0113, tas ir sare\u017e\u0123\u012bts, atv\u0113rts jaut\u0101jums.<\/p>\n

Un v\u0113l par gaid\u0101m. K\u0101 j\u016bs dom\u0101jat, ko no jums k\u0101 m\u016bzi\u0137a ar \u0100zijas sakn\u0113m gaida? Neparastu skat\u012bjumu uz liet\u0101m? As\u0101ku harmonisko uztveri \u2013 jo Austrumu m\u016bzika dom\u0101 cit\u0101di nek\u0101 Rietumu, smalk\u0101k, ceturtda\u013cto\u0146os, un to skalas sist\u0113ma ir piln\u012bgi cita?<\/p>\n

Pat nezinu. Varb\u016bt zeme, kur\u0101 es piedzimu, Uzbekist\u0101na, devusi man nedaudz citu temperamentu, bet varb\u016bt es k\u013c\u016bdos.<\/p>\n

Jums nesen palika 35. Ko vecums un pieredze dod m\u016bzi\u0137im? Ko, iesp\u0113jams, at\u0146em?<\/p>\n

Ja run\u0101jam par tehnisko pusi, ar gadiem instrumenta p\u0101rvald\u012bba, pieradums pie t\u0101 un kontrole uzlabojas. Ar\u012b n\u0101k \u2013 nezinu, vai pareizi saku, \u2013 nobrie\u0161ana, t\u0101ds k\u0101 iek\u0161\u0113jais stienis palielin\u0101s, k\u013c\u016bst smag\u0101ks sp\u0113l\u0113. To \u012bpa\u0161i j\u016bt, klausoties savus ierakstus, kas veikti pirms pieciem, desmit gadiem: tad tas bija labi attiec\u012bgajam vecumam, sevi nevari p\u0101rsp\u0113t, bet tagad viss skan cit\u0101di.<\/p>\n

N\u0101k ar\u012b gudr\u012bba, Behzod. Sauksim lietas \u012bstajos v\u0101rdos.<\/p>\n

(Smejas.) Ceru.<\/p>\n

J\u016bs daudzus gadus dz\u012bvoj\u0101t Amerik\u0101\u2026<\/p>\n

Tagad vair\u0101k dz\u012bvoju Ta\u0161kent\u0101, lai gan, protams, ce\u013coju uz Ameriku \u2013 koncert\u0113t. Bet, zin\u0101t, m\u0113s, m\u016bzi\u0137i (vismaz es), paties\u012bb\u0101 dz\u012bvojam sav\u0101 pasaul\u0113. M\u0101jas, piem\u0113ram, man ir noteikts cilv\u0113ku loks, ar kuriem es sazinos, ir klavieres, pie kur\u0101m tren\u0113jos. Amerik\u0101 man joproj\u0101m ir m\u0101jas, es tur ar\u012b esmu, tikai tagad ret\u0101k. Un tur ar\u012b ir mani cilv\u0113ki un mans instruments. Bet, saprotat, pats m\u0101ju saj\u016btas j\u0113dziens m\u016bzi\u0137iem paz\u016bd. Jo past\u0101v\u012bgi esam ce\u013c\u0101. P\u0101r\u0101k ilgi esi m\u0101j\u0101s \u2013 tas nedaudz nom\u0101c. P\u0101r\u0101k daudz ce\u013co \u2013 gribas m\u0101j\u0101s. T\u0101ds paradokss. Ar to ir j\u0101samierin\u0101s.<\/p>\n

Vai Ta\u0161kent\u0101 j\u016bs atpaz\u012bst uz ielas? J\u016bs ta\u010du d\u0113v\u0113 par nacion\u0101lo d\u0101rgumu.<\/p>\n

(Smejas.) Da\u017ereiz atpaz\u012bst, bet ne tik bie\u017ei. Klasisk\u0101 m\u016bzik\u0101, ja t\u0101 padom\u0101, interes\u0113 maz\u0101k nek\u0101 1 % plan\u0113tas iedz\u012bvot\u0101ju. Tas ir \u0161aurs, mazs loks…<\/p>\n

\"StarpFoto: Andrejs Strokins. Behzods Abduraimovs koncert\u0101 ar “Sinfonietta R\u012bga” <\/p>\n

Daudzveid\u012bgs? Vai tur visi vien\u0101di? K\u0101 jums, piem\u0113ram, pat\u012bk latvie\u0161u publika, latvie\u0161u m\u016bzi\u0137i? Vai vi\u0146i bija t\u0101di, k\u0101 j\u016bs gaid\u012bj\u0101t, pirms pirmoreiz ierad\u0101ties?<\/p>\n

Es jutu jau iepriek\u0161, ka viss b\u016bs lieliski. Es divas reizes esmu sp\u0113l\u0113jis pie jums, un tie bija divi piln\u012bgi at\u0161\u0137ir\u012bgi koncerti \u2013 pirmoreiz es sp\u0113l\u0113ju ar or\u0137estri “Sinfonietta R\u012bga” Ludvigu van B\u0113thovenu, otro reizi \u2013 ar tiem pa\u0161iem m\u016bzi\u0137iem Sergeju Prokofjevu, t\u0101ds milz\u012bgs kontrasts! Es biju tik saj\u016bsmin\u0101ts \u2013 k\u0101ds stils! Viss k\u0101rt\u012bb\u0101! J\u016bsu publika ir \u012bpa\u0161a. \u013boti uzman\u012bga. Man \u0161\u0137ita, ka visi z\u0101l\u0113 zina m\u016bziku, ko klaus\u0101s. Vi\u0146i noteikti zina, uz ko n\u0101k. Izgl\u012btota publika \u2013 un taj\u0101 pa\u0161\u0101 laik\u0101 neticami sirsn\u012bga un pateic\u012bga. Kopum\u0101 no R\u012bgas paliku\u0161as br\u012bni\u0161\u0137\u012bgas atmi\u0146as.<\/p>\n

Vai ir kaut kas, ko j\u016bs m\u012blat vair\u0101k par m\u016bziku?<\/p>\n

Dro\u0161i vien tikai savus tuviniekus.<\/p>\n

6. novembr\u012b Behzods Abduraimovs Latvijas Nacion\u0101laj\u0101 te\u0101tr\u012b izpild\u012bs programmu, kur\u0101 iek\u013cauti Johanesa Br\u0101msa, Ferenca Lista, Kloda Debis\u012b, Karla \u010cerni un Igora Stravinska darbi. Koncerta organizators \u2013 starptautisk\u0101 producentu komp\u0101nija “Winstag Production, OU”. Bi\u013cetes uz koncertu nop\u0113rkamas “Bi\u013ce\u0161u parad\u012bzes” kas\u0113s.<\/p>\n

Seko “Delfi” ar\u012b Instagram<\/a> un YouTube<\/a> profil\u0101 \u2013 pievienojies, lai uzzin\u0101tu svar\u012bg\u0101ko un interesant\u0101ko pirmais!<\/p>\n

Publik\u0101cijas saturs vai t\u0101s jebk\u0101da apjoma da\u013ca ir aizsarg\u0101ts autorties\u012bbu objekts Autorties\u012bbu likuma izpratn\u0113, un t\u0101 izmanto\u0161ana bez izdev\u0113ja at\u013caujas ir aizliegta. Vair\u0101k lasi \u0161eit<\/a>