Filmas \u00abDinam\u012bta nams\u00bb un \u00abBugonija\u00bb: glob\u0101lu fobiju un eksistenci\u0101lu jaut\u0101jumu spogulis<\/p>\n
Kult\u016bras kriti\u0137i D\u0101rta Ceri\u0146a un \u017dulijens Nuhums Kulibali Latvijas Radio raid\u012bjum\u0101 “Kur kriti\u0137iem nav vietas” padzi\u013cin\u0101ti analiz\u0113 divus jaun\u0101kos kinodarbus, kas nesen izr\u0101d\u012bti presti\u017eaj\u0101 Ven\u0113cijas kinofestiv\u0101l\u0101: Ketr\u012bnas Bigelovas trilleri “Dinam\u012bta nams” un Jorga Lantima absurdo kom\u0113diju “Bugonija”. Abi darbi, lai ar\u012b radik\u0101li at\u0161\u0137ir\u012bgi sav\u0101 pieej\u0101, kop\u012bgi pieskaras m\u016bsdienu sabiedr\u012bbas dzi\u013c\u0101kaj\u0101m bail\u0113m un eksistenci\u0101lajiem jaut\u0101jumiem, liekot skat\u012bt\u0101jam aizdom\u0101ties par glob\u0101laj\u0101m fobij\u0101m un personiskaj\u0101m paties\u012bb\u0101m.<\/p>\n
\u00abDinam\u012bta nams\u00bb: kodolspr\u0101dziena priek\u0161nojautu dr\u0101ma<\/p>\n
Ketr\u012bnas Bigelovas, amerik\u0101\u0146u kino klasi\u0137es un pirm\u0101s sievietes, kas sa\u0146\u0113musi “Oskaru” par lab\u0101ko re\u017eiju, jaun\u0101kais darbs “Dinam\u012bta nams” ir nospriegots trilleris, kas model\u0113 situ\u0101ciju, kur\u0101 ASV teritorijai strauji tuvojas neidentific\u0113ta kodolra\u0137ete. Filma, kuras pamat\u0101 ir Stenlija Kubrika 1964. gada sat\u012bra, uz\u0146emta ar v\u0113su un hiperre\u0101listisku pieeju. Cauri trim skatpunktiem tiek atkl\u0101ta vald\u012bbas un dro\u0161\u012bbas dienestu darb\u012bba apokalipses priek\u0161vakar\u0101. “Dinam\u012bta nams” veido paral\u0113les ar Enijas D\u017eeikobsenas gr\u0101matu “Atomkar\u0161: scen\u0101rijs” (2024), kas detaliz\u0113ti izkl\u0101sta iesp\u0113jamu kodolkara att\u012bst\u012bbu. \u0160is process nav vienk\u0101r\u0161i tehniskas simul\u0101cijas atspogu\u013cojums, bet gan dzi\u013c\u0161 p\u0113t\u012bjums par cilv\u0113ka psiholo\u0123iju kr\u012bzes situ\u0101cij\u0101, par spriedzi, kas rodas no nezi\u0146as un nesp\u0113jas kontrol\u0113t notikumus.<\/p>\n
\u00abBugonija\u00bb: sazv\u0113rest\u012bbas teoriju un cilv\u0113cisk\u0101s dabas absurda izp\u0113te<\/p>\n
Savuk\u0101rt grie\u0137u re\u017eisors Jorgs Lantims, kur\u0161 paz\u012bstams ar savu unik\u0101lo stilu un sadarb\u012bbu ar Emmu Stounu, pied\u0101v\u0101 filmu “Bugonija”. \u0160is darbs ir rimeiks 2003. gada Dienvidkorejas filmai “Gl\u0101biet Za\u013co plan\u0113tu”. Filmas centr\u0101 ir divi ar sazv\u0113rest\u012bbas teorij\u0101m aps\u0113sti jaunek\u013ci, kuri nolaupa ietekm\u012bgu komp\u0101nijas vad\u012bt\u0101ju, apgalvojot, ka vi\u0146a ir citplan\u0113tiete, kuras m\u0113r\u0137is ir izn\u012bcin\u0101t Zemi. Lantims ar rakstur\u012bgu melno humoru un absurda izj\u016btu p\u0113ta t\u0113mas, kas saist\u012btas ar m\u016bsdienu digit\u0101lo pasauli, dezinform\u0101ciju un cilv\u0113ku tendenci mekl\u0113t atbildes neparast\u0101s viet\u0101s. Filmas stilistiskais risin\u0101jums, aktiersp\u0113le un si\u017eeta pagriezieni rada spriedzi, kas liek skat\u012bt\u0101jam nep\u0101rtraukti \u0161aub\u012bties par notieko\u0161\u0101 paties\u012bgumu un varo\u0146u mot\u012bviem.<\/p>\n
Glob\u0101las fobijas un person\u012bg\u0101s paties\u012bbas<\/p>\n
Abi kriti\u0137i uzsver, ka “Dinam\u012bta nams” un “Bugonija” ir vair\u0101k nek\u0101 tikai izklaide; t\u0101s ir filmas, kas izmanto kino valodu, lai koment\u0113tu m\u016bsdienu pasaules st\u0101vokli. “Dinam\u012bta nams” atspogu\u013co glob\u0101lo atomkara trauksmi un vald\u012bbas l\u0113mumu pie\u0146em\u0161anas sare\u017e\u0123\u012bt\u012bbu, savuk\u0101rt “Bugonija” piev\u0113r\u0161as individu\u0101laj\u0101m bail\u0113m, nezi\u0146ai un tendencei mekl\u0113t k\u0101rt\u012bbu haotisk\u0101 pasaul\u0113, bie\u017ei vien izmantojot sazv\u0113rest\u012bbas teorijas k\u0101 aizsargmeh\u0101nismu. \u0160\u012bs filmas aicina skat\u012bt\u0101ju ne tikai izbaud\u012bt kinematogr\u0101fisko pieredzi, bet ar\u012b iesaist\u012bties dialog\u0101 par glob\u0101l\u0101m probl\u0113m\u0101m un sav\u0101m person\u012bgaj\u0101m dom\u0101m un j\u016bt\u0101m. D\u0101rta Ceri\u0146a sal\u012bdzina Bigelovas darbu ar hiperre\u0101lisma m\u0101kslinieci Viju Celmi\u0146u, uzsverot detaliz\u0101ciju un t\u0113lu dzi\u013cumu. Kulibali nor\u0101da uz Lantima sp\u0113ju apl\u016bkot gan glob\u0101lus, gan int\u012bmus skatpunktus vienlaic\u012bgi.<\/p>\n","protected":false},"excerpt":{"rendered":"Filmas \u00abDinam\u012bta nams\u00bb un \u00abBugonija\u00bb: glob\u0101lu fobiju un eksistenci\u0101lu jaut\u0101jumu spogulis Kult\u016bras kriti\u0137i D\u0101rta Ceri\u0146a un \u017dulijens Nuhums…\n","protected":false},"author":2,"featured_media":42113,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[19],"tags":[8236,11964,89,11966,90,11963,35,39,38,36,37,34,40,11965],"class_list":{"0":"post-42112","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-izklaide","8":"tag-bugonija","9":"tag-dinamita-nams","10":"tag-entertainment","11":"tag-globalas-fobijas","12":"tag-izklaide","13":"tag-kinokritika","14":"tag-latvia","15":"tag-latvian","16":"tag-latviesu","17":"tag-latviesu-valoda","18":"tag-latviesuvaloda","19":"tag-latvija","20":"tag-lv","21":"tag-venecijas-kinofestivals"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@lv\/115506378394366859","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/42112","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/comments?post=42112"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/42112\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media\/42113"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media?parent=42112"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/categories?post=42112"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/tags?post=42112"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}