Jaunums Latvijas kult\u016bras dz\u012bv\u0113: Fran\u010da Leh\u0101ra operete “D\u017eudita” pirmo reizi uz skatuves<\/p>\n
No 3. oktobra skat\u012bt\u0101jiem Latvij\u0101 b\u016bs unik\u0101la iesp\u0113ja baud\u012bt Fran\u010da Leh\u0101ra iem\u012b\u013cot\u0101s operetes “D\u017eudita” pirminz\u012bst\u012bjumu. \u0160is notikums ne vien bag\u0101tina Latvijas muzik\u0101l\u0101s skatuves pied\u0101v\u0101jumu, bet ar\u012b godina izcil\u0101 komponista 155. dzim\u0161anas dienu.<\/p>\n
Austrie\u0161u re\u017eisora Gernota Krannera v\u012bzija<\/p>\n
Iestud\u0113juma re\u017eija uztic\u0113ta austrie\u0161u re\u017eisoram ar pla\u0161u starptautisku pieredzi Gernotam Kranneram. Vi\u0146\u0161 jau iepriek\u0161 ir veiksm\u012bgi interpret\u0113jis \u0161o darbu, radot t\u0101 pirmo iestud\u0113jumu 2007. gad\u0101 Leh\u0101ra festiv\u0101l\u0101 B\u0101di\u0161l\u0101, Austrij\u0101. Kranners ir paz\u012bstams ne tikai k\u0101 re\u017eisors, bet ar\u012b k\u0101 talant\u012bgs dzied\u0101t\u0101js (tenors), aktieris un humorists, kur\u0161 guvis atzin\u012bbu ar\u012b seri\u0101la “Komis\u0101rs Reksis” skat\u012bt\u0101ju vid\u016b. Vi\u0146a rado\u0161\u0101 biogr\u0101fija ir bag\u0101ta un daudzpus\u012bga, aptverot gan te\u0101tra, gan kino jomu. Kranners str\u0101d\u0101 kop\u0101 ar domubiedru komandu, kur\u0101 iek\u013cauti ar\u012b V\u0101cijas un Austrijas speci\u0101listi \u2013 kost\u012bmu m\u0101ksliniece Aleksandra Brandnere un scenogr\u0101fs Herwigs Libovicky.<\/p>\n
Dramatisks st\u0101sts par m\u012blest\u012bbu un izv\u0113l\u0113m<\/p>\n
Fran\u010da Leh\u0101ra “D\u017eudita” tiek uzskat\u012bta par vi\u0146a p\u0113d\u0113jo un, iesp\u0113jams, visambicioz\u0101ko darbu, ko pats komponists d\u0113v\u0113jis par “opereti ar operas dv\u0113seli”. \u0160\u012b operete at\u0161\u0137iras no daudziem citiem Leh\u0101ra darbiem ar savu dramatisko dzi\u013cumu un emocion\u0101lo intensit\u0101ti, apl\u016bkojot m\u016b\u017eam aktu\u0101lu st\u0101stu par kaisl\u012bgu m\u012blest\u012bbu, aps\u0113st\u012bbu, izv\u0113l\u0113m un to sek\u0101m. Si\u017eeta centr\u0101 ir valdzino\u0161\u0101 D\u017eudita, kura, ilgojoties p\u0113c br\u012bv\u012bbas un paties\u0101m j\u016bt\u0101m, pamet savu v\u012bru un dodas l\u012bdzi armijas kapteinim Oktavio uz Zieme\u013c\u0101friku. Vi\u0146u m\u012bla plaukst tuksne\u0161a karstum\u0101, ta\u010du frontes draudi un milit\u0101rie pien\u0101kumi rada spriedzi un liek saskarties ar dz\u012bves un n\u0101ves izv\u0113l\u0113m. \u0160is st\u0101sts par kaisl\u012bbu, ilgu un br\u012bv\u012bbas alk\u0101m rezon\u0113 ar m\u016bsdienu pasaules nestabilit\u0101ti un politiskaj\u0101m noris\u0113m.<\/p>\n
Muzik\u0101l\u0101 bag\u0101t\u012bba un talant\u012bgi m\u0101kslinieki<\/p>\n
Operetes m\u016bzika, kas rakst\u012bta lielam or\u0137estrim, ir pies\u0101tin\u0101ta ar Leh\u0101ra rakstur\u012bgaj\u0101m, neaizmirstamaj\u0101m melodij\u0101m. Viena no slaven\u0101kaj\u0101m ir D\u017euditas \u0101rija “Manas l\u016bpas skurbina k\u0101 v\u012bns”. Iestud\u0113jum\u0101 piedal\u012bsies gan Operetes te\u0101tra solisti, gan viesm\u0101kslinieki ar pieredzi It\u0101lijas un \u0160veices opernamos. Vi\u0146u vid\u016b b\u016bs dzirdami t\u0101di solisti k\u0101 Anta Jankovska (sopr\u0101ns), Dainis Skutelis (tenors), Andrejs Krutojs (tenors) un citi talant\u012bgi dzied\u0101t\u0101ji. Izr\u0101di kuplin\u0101s ar\u012b Operetes te\u0101tra koris, dejot\u0101ji un simfoniskais or\u0137estris diri\u0123enta Atvara Lakst\u012bgas vad\u012bb\u0101.<\/p>\n
Starptautiska rado\u0161\u0101 komanda un Latvijas pirmatska\u0146ojums<\/p>\n
Operetes te\u0101tris, cen\u0161oties bag\u0101tin\u0101t Latvijas kult\u016bras dz\u012bvi, ir pulc\u0113jis sp\u0113c\u012bgu starptautisku rado\u0161o komandu “D\u017euditas” iestud\u0113jumam. Projekt\u0101 iesaist\u012bti m\u0101kslinieki no Austrijas un V\u0101cijas, tai skait\u0101 kost\u012bmu m\u0101ksliniece Aleksandra Brandnere un scenogr\u0101fs Herwigs Libovicky. Re\u017eisora asistente ir paz\u012bstam\u0101 latvie\u0161u operdzied\u0101t\u0101ja Sonora Vaice, kura ir nov\u0113rt\u0113jusi iesp\u0113ju str\u0101d\u0101t ar pieredz\u0113ju\u0161iem kol\u0113\u0123iem un atzin\u012bgi izsak\u0101s par Krannera humoru un profesion\u0101lismu. “Ne katru dienu rodas iesp\u0113ja veidot iestud\u0113jumu kop\u0101 ar m\u0101ksliniekiem no zelta Vec\u0101s Eiropas,” atz\u012bst Vaice, uzsverot atbild\u012bbu pret partit\u016bru, horeogr\u0101fiju un v\u0113rt\u012bb\u0101m, vienlaikus saglab\u0101jot novatorisku pieeju.<\/p>\n
V\u0113sturisks notikums un emocion\u0101ls baud\u012bjums<\/p>\n
\u0160is ir pirmais iestud\u0113jums “D\u017euditai” Latvijas muzik\u0101laj\u0101 te\u0101tr\u012b, un tas tiek sagaid\u012bts ar lielu interesi. Operetes “D\u017eudita” pied\u0101v\u0101 ne tikai izbaud\u012bt skaistu m\u016bziku, bet ar\u012b izjust dzi\u013cas emocijas, ko rada aizraujo\u0161ais st\u0101sts par m\u012blest\u012bbu, kaisl\u012bbu un dz\u012bves izv\u0113l\u0113m. Iestud\u0113jums, kas tapis ar Valsts kult\u016brkapit\u0101la fonda atbalstu, sola k\u013c\u016bt par noz\u012bm\u012bgu notikumu Latvijas kult\u016bras ainav\u0101.<\/p>\n","protected":false},"excerpt":{"rendered":"Jaunums Latvijas kult\u016bras dz\u012bv\u0113: Fran\u010da Leh\u0101ra operete “D\u017eudita” pirmo reizi uz skatuves No 3. oktobra skat\u012bt\u0101jiem Latvij\u0101 b\u016bs…\n","protected":false},"author":2,"featured_media":4259,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[19],"tags":[2061,89,2063,90,35,39,38,36,37,34,40,2062],"class_list":{"0":"post-4258","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-izklaide","8":"tag-dzudita","9":"tag-entertainment","10":"tag-franza-lehara","11":"tag-izklaide","12":"tag-latvia","13":"tag-latvian","14":"tag-latviesu","15":"tag-latviesu-valoda","16":"tag-latviesuvaloda","17":"tag-latvija","18":"tag-lv","19":"tag-operete"},"share_on_mastodon":{"url":"","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/4258","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/comments?post=4258"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/4258\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media\/4259"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media?parent=4258"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/categories?post=4258"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/tags?post=4258"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}