Ieskats Luka\u0161a Tvarkovska jaun\u0101kaj\u0101 izr\u0101d\u0113 “Or\u0101kuls” Dailes te\u0101tr\u012b<\/p>\n
Dailes te\u0101tris \u0161obr\u012bd uz skatuves aicina uz vienu no saviem v\u0113rien\u012bg\u0101kajiem un tehniski sare\u017e\u0123\u012bt\u0101kajiem iestud\u0113jumiem \u2013 po\u013cu re\u017eisora Luka\u0161a Tvarkovska re\u017eis\u0113to izr\u0101di “Or\u0101kuls”. \u0160is iestud\u0113jums, kura kop\u0113j\u0101s izmaksas p\u0101rsniegu\u0161as iespaid\u012bgu pusmiljonu eiro, ir k\u013cuvis par vienu no d\u0101rg\u0101kajiem Latvijas te\u0101tra v\u0113stur\u0113. Izr\u0101de, kas ilgst \u010detras stundas, jau izrais\u012bjusi pla\u0161as diskusijas un spraigas skat\u012bt\u0101ju atsauksmes, dalot tos pret\u0113jos nometn\u0113s \u2013 vieni to d\u0113v\u0113 par “drausm\u012bgu, psihod\u0113lisku darbu”, citi pau\u017e saj\u016bsmu par t\u0101s tehnisko un m\u0101ksliniecisko v\u0113rienu.<\/p>\n
Tematiskais kodols: Zin\u0101tne, kar\u0161 un n\u0101kotne<\/p>\n
“Or\u0101kuls” iedzi\u013cin\u0101s Alana Tj\u016bringa, slaven\u0101 ang\u013cu matem\u0101ti\u0137a un lo\u0123i\u0137a, kur\u0161 paz\u012bstams k\u0101 m\u0101ksl\u012bg\u0101 intelekta testa rad\u012bt\u0101js, atkl\u0101jumos Otr\u0101 pasaules kara laik\u0101. Izr\u0101de izgaismo gan vi\u0146a darbu pie nacistisk\u0101s V\u0101cijas zi\u0146ojumu at\u0161ifr\u0113\u0161anas Blet\u010dlija park\u0101, kas, iesp\u0113jams, sa\u012bsin\u0101ja kara gaitu par diviem gadiem, gan m\u0101ksl\u012bg\u0101 intelekta pirms\u0101kumus, kas aizs\u0101k\u0101s ar pirmaj\u0101m datoru tehnolo\u0123ij\u0101m. Re\u017eisors Tvarkovskis p\u0113ta zin\u0101tnes un kara sare\u017e\u0123\u012bto savstarp\u0113jo saist\u012bbu, vienlaikus raugoties uz m\u0101ksl\u012bg\u0101 intelekta att\u012bst\u012bbu no m\u016bsdienu perspekt\u012bvas un uzdodot jaut\u0101jumus par to, kas paties\u012bb\u0101 notiek neizp\u0113t\u012btajos m\u0101ksl\u012bgajos neironu t\u012bklos.<\/p>\n
Tehnisk\u0101 un m\u0101ksliniecisk\u0101 meistar\u012bba<\/p>\n
Paral\u0113li dramatiskajam st\u0101stam, “Or\u0101kuls” izce\u013cas ar savu iespaid\u012bgo tehnisko un vizu\u0101lo pusi. Izr\u0101de ir tapis k\u0101 starptautisks projekts, un taj\u0101 tiek izmantoti gan te\u0101tra, gan kino izteiksmes l\u012bdzek\u013ci, apvienojot tos ar dinamisk\u0101m video projekcij\u0101m un gaismu dizainu. Aktieru meistar\u012bba ir augst\u0101 l\u012bmen\u012b, un skat\u012bt\u0101ju uzman\u012bbu piesaista gan uz skatuves notieko\u0161ais, gan uz ekr\u0101na redzamie tuvpl\u0101ni. Izr\u0101de ir unik\u0101la ar\u012b ar valodu daudzveid\u012bbu \u2013 taj\u0101 skan latvie\u0161u, ang\u013cu, lietuvie\u0161u un \u0137\u012bnie\u0161u valoda, nodro\u0161inot sinhronos titrus latvie\u0161u un ang\u013cu valod\u0101. Tas padara iestud\u0113jumu pieejamu pla\u0161\u0101kai auditorijai un apliecina t\u0101 starptautisko m\u0113rogu, jo “Or\u0101kuls” jau ir sa\u0146\u0113mis atzin\u012bbu pasaules presti\u017eajos m\u0101kslas forumos, piem\u0113ram, V\u0101cijas R\u016bras trienn\u0101l\u0113.<\/p>\n
Skat\u012bt\u0101ju un kriti\u0137u atsauksmes: pretstat\u012bti viedok\u013ci<\/p>\n
Pirm\u0101s atsauksmes par “Or\u0101kulu” ir \u013coti polariz\u0113tas. Da\u017ei skat\u012bt\u0101ji uzskata, ka izr\u0101de rada p\u0101rm\u0113r\u012bgu vizu\u0101lo un audiotekstisko stimul\u0101ciju, kas da\u017ek\u0101rt patrauc\u0113 saikni ar st\u0101stu. Viens no piem\u0113riem ir dzied\u0101t\u0101ja Linda Leen, kura atzina, ka izr\u0101des skat\u012b\u0161an\u0101s pras\u012bjusi daudz sp\u0113ka un rad\u012bjusi saj\u016btu, ka “j\u0101iztur”. Tom\u0113r pat tie, kuri pau\u017e kritisku viedokli, bie\u017ei vien atz\u012bst izr\u0101des formu un tehnisko risin\u0101jumu iespaid\u012bgumu, uzsverot, ka “ir labi, ka \u0161\u0101di pasaules l\u012bme\u0146a darbi top Latvijas te\u0101tr\u012b un uzliek m\u016bs uz Eiropas skatuvju kartes”. Citiem skat\u012bt\u0101jiem izr\u0101de \u0161\u0137iet fascin\u0113jo\u0161a, pied\u0101v\u0101jot jaunus skatupunktus un liekot aizdom\u0101ties par n\u0101kotnes tehnolo\u0123ij\u0101m un cilv\u0113ces att\u012bst\u012bbu. Sal\u012bdzinot ar iepriek\u0161\u0113jo Tvarkovska darbu “Rotkho”, “Or\u0101kuls” \u0161\u0137iet v\u0113l ambicioz\u0101ks un radik\u0101l\u0101ks sav\u0101 izpild\u012bjum\u0101.<\/p>\n
Filozofiskais d\u0101rzs: “Ko tu dar\u012bsi p\u0113c kara?”<\/p>\n
K\u0101 paral\u0113le un atspulgs izr\u0101des tematiskajam lokam, tiek min\u0113ts ar\u012b \u0112riha Marijas Remarka rom\u0101ns “Rietumu front\u0113 bez p\u0101rmai\u0146\u0101m”. Abu darbu varo\u0146i saskaras ar kara un nezi\u0146as rad\u012bto trauksmi, liekot skan\u0113t fundament\u0101lam jaut\u0101jumam: “Ko tu dar\u012bsi p\u0113c kara?” \u0160is jaut\u0101jums k\u013c\u016bst par atskaites punktu ne tikai karav\u012bru, bet ar\u012b m\u016bsdienu cilv\u0113ka eksistenci\u0101laj\u0101m p\u0101rdom\u0101m. Atbildes viet\u0101, iesp\u0113jams, domin\u0113 vispirms v\u0113lme, lai konflikts beidzas, ta\u010du dzi\u013c\u0101k\u0101 skat\u012bjum\u0101 tas aicina apzin\u0101ties savu lomu un iesp\u0113jas n\u0101kotnes veido\u0161an\u0101, neatkar\u012bgi no \u0101r\u0113jiem apst\u0101k\u013ciem. “Control-Alt-Delete” \u2013 \u0161is fr\u0101zes kodols izr\u0101d\u0113 “Or\u0101kuls” liek dom\u0101t par pamata komandu, kas var\u0113tu atjaunot sist\u0113mu vai iziet no strupce\u013ca, atspogu\u013cojot nepiecie\u0161am\u012bbu p\u0113c radik\u0101l\u0101m p\u0101rmai\u0146\u0101m un jaunas dom\u0101\u0161anas gan individu\u0101l\u0101, gan kolekt\u012bv\u0101 l\u012bmen\u012b.<\/p>\n","protected":false},"excerpt":{"rendered":"Ieskats Luka\u0161a Tvarkovska jaun\u0101kaj\u0101 izr\u0101d\u0113 “Or\u0101kuls” Dailes te\u0101tr\u012b Dailes te\u0101tris \u0161obr\u012bd uz skatuves aicina uz vienu no saviem…\n","protected":false},"author":2,"featured_media":4309,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[19],"tags":[1019,89,90,35,39,38,36,37,34,455,40,87,2080,614],"class_list":{"0":"post-4308","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-izklaide","8":"tag-alans-tjurings","9":"tag-entertainment","10":"tag-izklaide","11":"tag-latvia","12":"tag-latvian","13":"tag-latviesu","14":"tag-latviesu-valoda","15":"tag-latviesuvaloda","16":"tag-latvija","17":"tag-lukass-tvarkovskis","18":"tag-lv","19":"tag-maksligais-intelekts","20":"tag-orakuls-dailes-teatris","21":"tag-teatra-pirmizrade"},"share_on_mastodon":{"url":"","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/4308","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/comments?post=4308"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/4308\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media\/4309"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media?parent=4308"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/categories?post=4308"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/tags?post=4308"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}