{"id":44237,"date":"2025-11-09T13:49:07","date_gmt":"2025-11-09T13:49:07","guid":{"rendered":"https:\/\/www.europesays.com\/lv\/44237\/"},"modified":"2025-11-09T13:49:07","modified_gmt":"2025-11-09T13:49:07","slug":"izcilais-francu-dirigents-zans-kristofs-spinozi-divas-dienas-diriges-lnso-lente-lv-4","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/lv\/44237\/","title":{"rendered":"izcilais fran\u010du diri\u0123ents \u017dans Kristofs Spinozi divas dienas diri\u0123\u0113s LNSO\u00a0\u2014\u00a0Lente.lv"},"content":{"rendered":"<p>Lieliskais diri\u0123ents \u017dans Kristofs Spinozi vad\u012bs LNSO divos unik\u0101los koncertos<\/p>\n<p>Francijas maestro \u017dans Kristofs Spinozi, kur\u0161 ir \u012bpa\u0161i atz\u012bts k\u0101 baroka un klasicisma laikmetu m\u016bzikas interprets, Latvijas Nacion\u0101lo simfonisko or\u0137estri (LNSO) diri\u0123\u0113s divos koncertos, kas notiks 26. septembr\u012b R\u012bgas Kongresu nam\u0101 un 27. septembr\u012b Ventspils koncertz\u0101l\u0113 \u201cLatvija\u201d. \u0160\u012b b\u016bs pirm\u0101 reize, kad pieredz\u0113ju\u0161ais diri\u0123ents uzst\u0101sies Latvijas publikai, pied\u0101v\u0101jot aizraujo\u0161u un dzi\u013ci emocion\u0101lu muzik\u0101lu pieredzi. Spinozi, kur\u0161 ir ar\u012b presti\u017e\u0101 fran\u010du baroka or\u0137estra Ensemble Matheus dibin\u0101t\u0101js un m\u0101kslinieciskais vad\u012bt\u0101js, ir iekarojis atzin\u012bbu daudz\u0101s pasaules presti\u017e\u0101kaj\u0101s koncertz\u0101l\u0113s, apliecinot savu unik\u0101lo pieeju sen\u0101s m\u016bzikas interpret\u0101cij\u0101. Vi\u0146a diri\u0123\u0113\u0161anas stils tiek rakturots k\u0101 dinamisk un aizraujo\u0161s, radot \u201cprobl\u0113mas un haosu\u201d, lai modin\u0101tu m\u016bzi\u0137os jaunas idejas un pan\u0101ktu patiesi emocion\u0101lu izpild\u012bjumu.<\/p>\n<p>Muzik\u0101ls ce\u013cojums cauri gadsimtiem<\/p>\n<p>Koncertprogramma \u201cLNSO, Vasks, zelta baroks un For\u0113 Rekvi\u0113ms\u201d ir r\u016bp\u012bgi veidota moza\u012bka, kas atkl\u0101j da\u017e\u0101du laikmetu un stilu ska\u0146darbus, pied\u0101v\u0101jot klaus\u012bt\u0101jiem aizraujo\u0161u muzik\u0101lu ce\u013cojumu. Tas s\u0101ksies ar LNSO 100. sezonas rezid\u0113jo\u0161\u0101 komponista P\u0113tera Vaska darbu \u201cCantabile\u201d st\u012bginstrumentiem (1979). \u0160is ska\u0146darbs, kas ir k\u013cuvis par vienu no latvie\u0161u m\u016bzikas simboliem, pau\u017e dzi\u013cas filozofiskas p\u0101rdomas un mekl\u0113 pasaules harmoniju, radot mierpilnu un gaismas piepild\u012btu skan\u0113jumu, kas aicina ieklaus\u012bties cilv\u0113ka iek\u0161\u0113j\u0101 pasaul\u0113. T\u0101l\u0101k klaus\u012bt\u0101ji dosies uz baroka laikmeta spo\u017eumu, baudot fragmentu \u201cSit nomen Domini\u201d no Antonio Vivaldi cikla \u201cLaudate pueri\u201d. \u0160aj\u0101 ska\u0146darb\u0101 \u012bpa\u0161i izcili skan\u0113s jaun\u0101s fran\u010du sopr\u0101na Ninas Spinozi balss, radot elegantu un dv\u0113selisku dialogu ar LNSO st\u012bgu grupu. Pirm\u0101s da\u013cas nosl\u0113gum\u0101 izskan\u0113s Johana Sebasti\u0101na Baha Koncerts klaves\u012bnam un or\u0137estrim re minor\u0101 BWV 1052. \u0160is baroka laikmeta paraugs demonstr\u0113 m\u016bzikai rakstur\u012bgo dramatisko spriegumu un melodisko izsmalcin\u0101t\u012bbu, bet klaves\u012bna solo partiju atska\u0146os talant\u012bg\u0101 latvie\u0161u klaves\u012bniste Ieva Saliete, kuras interpret\u0101cijas tiek augsti v\u0113rt\u0113tas par ori\u0123inalit\u0101ti un aizraut\u012bbu. Vi\u0146a pati raksturojusi Baha koncertu k\u0101 \u201caugst\u0101k\u0101 m\u0113r\u0101 gar\u012bgu m\u016bziku\u201d, kas sp\u0113j satricin\u0101t l\u012bdz sirds dzi\u013cumiem un liek aizdom\u0101ties par m\u016b\u017e\u012bbas un cilv\u0113ka eksistences jaut\u0101jumiem.<\/p>\n<p>Koncerta kulmin\u0101cija un izcilie solisti<\/p>\n<p>Koncerta kulmin\u0101ciju piedz\u012bvosim otraj\u0101 da\u013c\u0101, kad skan\u0113s Gabriela For\u0113 monument\u0101lais \u201cRekvi\u0113ms\u201d. At\u0161\u0137ir\u012bb\u0101 no daudziem citiem \u0161\u012b \u017eanra darbiem, For\u0113 \u201cRekvi\u0113ms\u201d n\u0101ves t\u0113mu nevis pau\u017e k\u0101 s\u0113ras, bet gan k\u0101 p\u0101reju uz cer\u012bbu, gaismu un dv\u0113seles mieru, radot pacil\u0101jo\u0161u un mierino\u0161u pieredzi. \u0160aj\u0101 grandiozaj\u0101 ska\u0146darb\u0101 kop\u0101 ar LNSO un Valsts Akad\u0113misko kori \u201cLatvija\u201d uzst\u0101sies ar\u012b starptautiski atz\u012btie solisti: fran\u010du sopr\u0101ns Nina Spinozi un norv\u0113\u0123u baritons Halvors Meliens. Nina Spinozi, dzimusi m\u016bzi\u0137u \u0123imen\u0113, ir iekarojusi pla\u0161u atzin\u012bbu gan oper\u0101, gan koncertz\u0101l\u0113s, demonstr\u0113jot savu talantu pla\u0161\u0101 \u017eanru spektr\u0101. Savuk\u0101rt Halvors Meliens ir bie\u017es Eiropas koncertz\u0101\u013cu un operu viesis, kur\u0161 \u012bpa\u0161u uzman\u012bbu piev\u0113r\u0161 baroka m\u016bzikai un v\u0101cu vok\u0101lajai kamerm\u016bzikai. Vi\u0146\u0161 ir paz\u012bstams ar\u012b k\u0101 viens no vado\u0161ajiem 20. un 21. gadsimta m\u016bzikas interpret\u0113t\u0101jiem Skandin\u0101vij\u0101, un vi\u0146a pla\u0161ais koncertrepertu\u0101rs aptver m\u016bziku no 17. gadsimta l\u012bdz pat m\u016bsdien\u0101m, ieskaitot \u012bpa\u0161u interesi par Johana Sebastiana Bahs dai\u013cradi.<\/p>\n<p>M\u0101kslinieku spo\u017eums un pieredze<\/p>\n<p>Ieva Saliete ir ne tikai talant\u012bga latvie\u0161u klaves\u012bniste, bet ar\u012b akt\u012bva solo un kamerm\u016bzikas projektu dal\u012bbniece Latvij\u0101, V\u0101cij\u0101 un \u0160veic\u0113. Vi\u0146a ir ar\u012b Bernes sen\u0101s m\u016bzikas or\u0137estra Les Passions de l\u2019Ame klaves\u012bniste. Salietes interpret\u0101cijas tiek augsti v\u0113rt\u0113tas par ori\u0123inalit\u0101ti un aizraut\u012bbu, un vi\u0146a ir sa\u0146\u0113musi ar\u012b Latvijas Lielo m\u016bzikas balvu par izcilu darbu ansambl\u012b. \u017dana Kristofa Spinozi vad\u012btais Ensemble Matheus ir iekarojis publikas sirdis vis\u0101 pasaul\u0113 ar sav\u0101m autentiskaj\u0101m un aizraujo\u0161aj\u0101m baroka m\u016bzikas interpret\u0101cij\u0101m. Vi\u0146a karjera ir bijusi bag\u0101ta ar sadarb\u012bb\u0101m ar t\u0101diem iev\u0113rojamiem kolekt\u012bviem k\u0101 Berl\u012bnes Filharmonijas or\u0137estris, V\u012bnes filharmoni\u0137i un Par\u012bzes Nacion\u0101lais or\u0137estris, uzst\u0101joties presti\u017e\u0101kaj\u0101s koncertz\u0101l\u0113s no Berl\u012bnes Filharmonijas l\u012bdz pat Carnegie Hall \u0145ujork\u0101. Vi\u0146a iera\u0161an\u0101s Latvij\u0101 ir ne tikai muzik\u0101ls notikums, bet ar\u012b iesp\u0113ja iepaz\u012bt jaunu diri\u0123entu perspekt\u012bvu uz klasisko un baroka m\u016bziku.<\/p>\n","protected":false},"excerpt":{"rendered":"Lieliskais diri\u0123ents \u017dans Kristofs Spinozi vad\u012bs LNSO divos unik\u0101los koncertos Francijas maestro \u017dans Kristofs Spinozi, kur\u0161 ir \u012bpa\u0161i&hellip;\n","protected":false},"author":2,"featured_media":44238,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[19],"tags":[896,89,90,2527,202,35,39,38,36,37,34,5365,40,2922],"class_list":{"0":"post-44237","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-izklaide","8":"tag-baroka-muzika","9":"tag-entertainment","10":"tag-izklaide","11":"tag-klasiska-muzika","12":"tag-koncerts","13":"tag-latvia","14":"tag-latvian","15":"tag-latviesu","16":"tag-latviesu-valoda","17":"tag-latviesuvaloda","18":"tag-latvija","19":"tag-lnso","20":"tag-lv","21":"tag-zans-kristofs-spinozi"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@lv\/115520062423179658","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/44237","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/comments?post=44237"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/44237\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media\/44238"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media?parent=44237"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/categories?post=44237"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/tags?post=44237"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}