M\u0101kslas galerija \u00abMABOCA\u00bb Madon\u0101 iepaz\u012bstina ar D\u0101vi Ozolu un vi\u0146a unik\u0101lo izst\u0101di<\/p>\n
Madonas pils\u0113t\u0101, galerij\u0101 \u00abMABOCA\u00bb, kas sevi d\u0113v\u0113 par \u00abVisuma centru 2\u00bb, ir atv\u0113rta jauna un intrigu pilna laikmet\u012bg\u0101s m\u0101kslas izst\u0101de. T\u0101s autors ir D\u0101vis Ozols, kur\u0161 sav\u0101 jaun\u0101kaj\u0101 person\u0101lizst\u0101d\u0113 \u00abLip\u012bgie pirksti\u0146i\u00bb sniedz skat\u012bt\u0101jiem iesp\u0113ju iel\u016bkoties pasaul\u0113, kur otas viet\u0101 valda aerogr\u0101fs. \u0160\u012b tehnika \u013cauj rad\u012bt darbus ar \u012bpa\u0161u, d\u016bmakainu efektu, kas l\u012bdzin\u0101s atmi\u0146u fragmentiem vai sap\u0146a aprises. Ozola dai\u013crade ir sul\u012bgs velt\u012bjums pasaules slaven\u0101 pop\u0101rta ikonas Endija Vorhola est\u0113tikai, kur\u0161 savulaik ar sietspiedes tehniku atveidoja un populariz\u0113ja popkult\u016bras simbolus. Ozola darbos bie\u017ei vien komiskais un romantiskais savijas, radot neatk\u0101rtojamu vizu\u0101lu st\u0101stu. Izst\u0101de ir apl\u016bkojama l\u012bdz 11. novembrim.<\/p>\n
Aerogr\u0101fijas m\u0101ksla \u2013 bez otas triepieniem<\/p>\n
D\u0101vis Ozols ir m\u0101kslinieks, kur\u0161 apzin\u0101ti izv\u0113l\u0113jies darboties ar aerogr\u0101fu, piln\u012bb\u0101 atsakoties no tradicion\u0101l\u0101s otas izmanto\u0161anas. \u0160\u012b unik\u0101l\u0101 pieeja \u013cauj vi\u0146am sasniegt \u012bpa\u0161u, gandr\u012bz aizmirst\u012bbas apv\u012btu tehnisko izpild\u012bjumu. \u00abGlezniec\u012bb\u0101 mani interes\u0113 t\u012bras un skaistas formas, bie\u017ei vien saturs ir sekund\u0101rs,\u00bb atkl\u0101j Ozols. Vi\u0146a darbiem rakstur\u012bga d\u016bmakaina asums, kur att\u0113lotais sapl\u016bst un izpl\u016bst, radot efektu, kas atg\u0101dina sapni, kuru gr\u016bti atcer\u0113ties piln\u012bb\u0101. Katrs darbs k\u013c\u016bst par fragmentu, par mirkli, kas fiks\u0113ts laik\u0101. Aerogr\u0101fijas tehnika, kas balst\u012bta uz saspiesta gaisa un kr\u0101sas prec\u012bzu kontroli, \u013cauj Ozolam rad\u012bt smalkas l\u012bnijas un gradientus, kas padara vi\u0146a gleznojumus izsmalcin\u0101tus un unik\u0101lus. \u0160\u012b tehnika tiek izmantota da\u017e\u0101d\u0101s jom\u0101s, s\u0101kot no auto dizaina l\u012bdz pat k\u016bku dekor\u0113\u0161anai, ta\u010du Ozola interpret\u0101cij\u0101 t\u0101 ieg\u016bst jaunu, po\u0113tisku dimensiju. Ozola darbos bie\u017ei vien par\u0101d\u0101s cilv\u0113ka \u0137erme\u0146a da\u013cas, kas izmantotas k\u0101 simboli, atkl\u0101jot skaistuma ide\u0101lus un cilv\u0113cisk\u0101s formas. T\u0101pat k\u0101 Vorhols izmantoja sietspiedi, lai pavairotu un izceltu popkult\u016bras ikonas, Ozols izmanto aerogr\u0101fu, lai rad\u012btu un interpret\u0113tu savus vizu\u0101los mot\u012bvus. M\u0101kslinieks atz\u012bst, ka bie\u017ei vien komiskais vi\u0146a darbos sp\u0113l\u0113jas ar romantisko, pie\u0161\u0137irot tiem negaid\u012btu dzi\u013cumu.<\/p>\n
\u00abLip\u012bgie pirksti\u0146i\u00bb \u2013 atsauce uz popkult\u016bras ikonu un jaun\u0101m noz\u012bm\u0113m<\/p>\n
Izst\u0101des nosaukums \u00abLip\u012bgie pirksti\u0146i\u00bb ir ne tikai spilgta metafora, bet ar\u012b tie\u0161a atsauce uz le\u0123end\u0101r\u0101 britu rokgrupas \u00abRolling Stones\u00bb albuma \u00abSticky Fingers\u00bb v\u0101ci\u0146u. \u0160is ikonisko albumu noform\u0113ja neviens cits k\u0101 pop\u0101rta karalis Endijs Vorhols, izmantojot savu rakstur\u012bgo stencila tehniku. Vorhola rado\u0161ais mantojums ir neatsverams, jo vi\u0146\u0161 sp\u0113ja ikdieni\u0161\u0137us priek\u0161metus un popkult\u016bras simbolus p\u0101rv\u0113rst par m\u0101kslas darbiem, izmantojot atk\u0101rtojuma principu. D\u0101vis Ozols, iedvesmojoties no Vorhola pieejas, sav\u0101 izst\u0101d\u0113 ar\u012b izmanto mot\u012bvu atk\u0101rtojumus, lai pie\u0161\u0137irtu tiem jaunas noz\u012bmes un simboliku. Vi\u0146\u0161 \u012bpa\u0161i piev\u0113r\u0161as cilv\u0113ka \u0137erme\u0146a da\u013cu att\u0113lojumam, bie\u017ei vien izmantojot v\u012brie\u0161a ide\u0101lo, musku\u013coto \u0137ermeni k\u0101 iedvesmas avotu, kas atspogu\u013co sp\u0113ka un piln\u012bbas mekl\u0113jumus. \u00abSievie\u0161u kurp\u012bte ir tikai kurp\u012bte, bet daudzk\u0101rt pavairota uz audekliem, t\u0101 veido st\u0101stu un ieg\u016bst jaunu noz\u012bmi,\u00bb skaidro Ozols, ilustr\u0113jot savu rado\u0161o procesu. \u0160\u012b koncepcija par atk\u0101rtojumu un transform\u0101ciju ir \u00abLip\u012bgo pirksti\u0146u\u00bb b\u016bt\u012bba, kas aicina skat\u012bt\u0101jus p\u0101rdom\u0101t skaistuma ide\u0101lus un simbolu rad\u012b\u0161anu laikmet\u012bgaj\u0101 m\u0101ksl\u0101. Izst\u0101des nosaukums rada intrigu un aicina uz dzi\u013c\u0101ku izpratni par m\u0101kslinieka iecer\u0113m un m\u0101kslas pasaules da\u017e\u0101daj\u0101m asoci\u0101cij\u0101m.<\/p>\n
\u00abMABOCA\u00bb \u2013 laikmet\u012bg\u0101s m\u0101kslas o\u0101ze Madon\u0101<\/p>\n
Galerija \u00abMABOCA\u00bb, kas sevi d\u0113v\u0113 par \u00abVisuma centru 2\u00bb, ir k\u013cuvusi par noz\u012bm\u012bgu laikmet\u012bg\u0101s m\u0101kslas centru Madon\u0101. T\u0101 jau tr\u012bsarpus gadus uztur rado\u0161u un dinamiskas kult\u016bras telpu pils\u0113t\u0101, pied\u0101v\u0101jot eklektisku un daudzveid\u012bgu programmu. Margrieta Griesti\u0146a, galerijas vad\u012bt\u0101ja un m\u0101ksliniece, uzsver \u00abMABOCA\u00bb lomu k\u0101 rado\u0161u un kult\u016bras telpu, kur\u0101 notiek ne tikai m\u0101kslas izst\u0101des, bet ar\u012b muzik\u0101li pas\u0101kumi. \u00abVarb\u016bt t\u0101 ir savdab\u012bga doma, pat mazliet absurda, veidot laikmet\u012bgas izst\u0101des nekomerci\u0101l\u0101 galerij\u0101 Madon\u0101, bet kaut k\u0101 tas ir \u013coti labi san\u0101cis,\u00bb atz\u012bst Griesti\u0146a. Galerija ir k\u013cuvusi par platformu jaunajiem un talant\u012bgajiem m\u0101ksliniekiem, k\u0101 ar\u012b par vietu, kur iepaz\u012bties ar jau atz\u012btiem m\u0101kslas profesion\u0101\u013ciem. D\u0101vja Ozola izst\u0101de \u00abLip\u012bgie pirksti\u0146i\u00bb ir k\u0101rt\u0113jais apliecin\u0101jums \u00abMABOCA\u00bb sp\u0113jai piesaist\u012bt interesantus m\u0101ksliniekus un pied\u0101v\u0101t publikai aizraujo\u0161u m\u0101kslas pieredzi. Izst\u0101de ir apskat\u0101ma l\u012bdz 11. novembrim, un t\u0101s darba laiki ir: pirmdien, otrdien, sestdien no plkst. 12:00 l\u012bdz 16:00, sv\u0113tdien no plkst. 12:00 l\u012bdz 18:00. Lai vienotos par individu\u0101l\u0101m ekskursij\u0101m vai citos laikos, l\u016bgums sazin\u0101ties ar galeriju. Izst\u0101de tiek atbalst\u012bta no Valsts kult\u016brkapit\u0101la fonda l\u012bdzek\u013ciem.<\/p>\n","protected":false},"excerpt":{"rendered":"M\u0101kslas galerija \u00abMABOCA\u00bb Madon\u0101 iepaz\u012bstina ar D\u0101vi Ozolu un vi\u0146a unik\u0101lo izst\u0101di Madonas pils\u0113t\u0101, galerij\u0101 \u00abMABOCA\u00bb, kas sevi…\n","protected":false},"author":2,"featured_media":44436,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[19],"tags":[12504,12501,89,90,3127,35,39,38,36,37,34,12502,40,12503],"class_list":{"0":"post-44435","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-izklaide","8":"tag-aerografija","9":"tag-davis-ozols","10":"tag-entertainment","11":"tag-izklaide","12":"tag-laikmetiga-maksla","13":"tag-latvia","14":"tag-latvian","15":"tag-latviesu","16":"tag-latviesu-valoda","17":"tag-latviesuvaloda","18":"tag-latvija","19":"tag-lipigie-pirkstini","20":"tag-lv","21":"tag-maboca-galerija"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@lv\/115521147717786340","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/44435","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/comments?post=44435"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/44435\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media\/44436"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media?parent=44435"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/categories?post=44435"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/tags?post=44435"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}