{"id":49650,"date":"2025-11-15T03:49:09","date_gmt":"2025-11-15T03:49:09","guid":{"rendered":"https:\/\/www.europesays.com\/lv\/49650\/"},"modified":"2025-11-15T03:49:09","modified_gmt":"2025-11-15T03:49:09","slug":"nacionalaja-teatri-pirmizradi-piedzivo-viss-par-ievu-stasts-par-karjeru-slavu-un-paaudzu-mainu-lente-lv-2","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/lv\/49650\/","title":{"rendered":"Nacion\u0101laj\u0101 te\u0101tr\u012b pirmizr\u0101di piedz\u012bvo \u201cViss par Ievu\u201d \u2013 st\u0101sts par karjeru, slavu un paaud\u017eu mai\u0146u\u00a0\u2014\u00a0Lente.lv"},"content":{"rendered":"<p>Par jauniestud\u0113jumu \u201cViss par Ievu\u201d Latvijas Nacion\u0101laj\u0101 te\u0101tr\u012b<\/p>\n<p>15. novembr\u012b Latvijas Nacion\u0101l\u0101 te\u0101tra Lielaj\u0101 z\u0101l\u0113 notiks re\u017eisores In\u0101ras Sluckas jaun\u0101k\u0101 darba pirmizr\u0101de \u2013 amerik\u0101\u0146u aktrises un rakstnieces M\u0113rijas Orras lugas \u201cViss par Ievu\u201d iestud\u0113jums. \u0160\u012b ir pirm\u0101 reize, kad \u0161\u012b luga tiek iestud\u0113ta Latvij\u0101, lai gan pasaul\u0113 t\u0101 ir pla\u0161i paz\u012bstama k\u0101 liter\u0101rais pamats D\u017eozefa Mankevi\u010da godalgotajai Holivudas filmai, kas tapusi 1950. gad\u0101. Izr\u0101de sola aizraujo\u0161u ieskatu te\u0101tra pasaules aizkulis\u0113s, atkl\u0101jot Brodvejas te\u0101tru intrigas un atmosf\u0113ru. Tom\u0113r te\u0101tra pasaule \u0161eit kalpo k\u0101 fons, lai dzi\u013c\u0101k piev\u0113rstos m\u016bsdienu sabiedr\u012bb\u0101 aktu\u0101l\u0101m t\u0113m\u0101m, piem\u0113ram, karjerai, person\u012bbas kulta veido\u0161anai, paaud\u017eu mai\u0146ai un nenov\u0113r\u0161amaj\u0101m pretrun\u0101m starp piepras\u012bto pieredzi un nepiecie\u0161amaj\u0101m \u201cjaunaj\u0101m asin\u012bm\u201d darba tirg\u016b.<\/p>\n<p>Skatuves pjedest\u0101ls un sievietes karjera: izr\u0101des \u201cViss par Ievu\u201d tematiskais kodols<\/p>\n<p>Izr\u0101des centr\u0101 ir le\u0123end\u0101r\u0101 te\u0101tra aktrise Margo Kreina, kura joproj\u0101m bauda publikas atzin\u012bbu. Vi\u0146as spo\u017eo karjeru izaicina jauna talanta \u2013 divdesmit piecus gadus vec\u0101s \u012avas Heringtones \u2013 par\u0101d\u012b\u0161an\u0101s. \u012ava, kas s\u0101kum\u0101 uzdodas par kaisl\u012bgu te\u0101tra fanu un talanta piel\u016bdz\u0113ju, tiek pie\u0146emta darb\u0101 k\u0101 aktrises person\u012bg\u0101 pal\u012bdze. Ta\u010du izr\u0101de atkl\u0101j, ka \u0161\u012b ir tikai viena no vi\u0146as sej\u0101m un patiesaj\u0101m amb\u012bcij\u0101m, padarot vi\u0146u par \u012bstu \u201cIevas meitu\u201d, kas gatava izmantot visus l\u012bdzek\u013cus, lai sasniegtu savus m\u0113r\u0137us. Izr\u0101de v\u0113sta par laiku, kas rit un liek main\u012bties pa\u0161iem, lai turpin\u0101tu dz\u012bvot, str\u0101d\u0101t, k\u0101pt pa karjeras k\u0101pn\u0113m un ne tikai sasniegt virsotnes, bet ar\u012b sp\u0113tu baud\u012bt dz\u012bvi. Galvenais dzin\u0113jsp\u0113ks ir jaut\u0101jumi par to, k\u0101 sabalans\u0113t amb\u012bcijas un person\u012bgo dz\u012bvi, kad karjera prasa arvien vair\u0101k, un k\u0101 pie\u0146emt neizb\u0113gamo noveco\u0161anu laik\u0101, kad jaun\u012bba tiek cildin\u0101ta k\u0101 augst\u0101k\u0101 v\u0113rt\u012bba. Ja cilv\u0113ks nesp\u0113j piel\u0101goties p\u0101rmai\u0146\u0101m, vi\u0146\u0161 tiek ieskait\u012bts aizejo\u0161aj\u0101 paaudz\u0113, jo pie durv\u012bm vienm\u0113r st\u0101v n\u0101kamie. Re\u017eisore In\u0101ra Slucka uzsver, ka te\u0101tris \u0161aj\u0101 darb\u0101 k\u013c\u016bst par spogu\u013cmetaforu jebkurai publiskai platformai, kur notiek c\u012b\u0146a par slavu un varu. T\u0101 ir vieta, kur cilv\u0113ki apzin\u0101s, ka tam, kur\u0161 st\u0101v uz skatuves, ir vara \u2013 run\u0101t, p\u0101rliecin\u0101t, ietekm\u0113t, ievainot un satricin\u0101t.<\/p>\n<p>Pasaules un Latvijas aktualit\u0101tes spogu\u013cojums<\/p>\n<p>Lai gan lugas darb\u012bba notiek te\u0101tra pasaul\u0113, t\u0101 atspogu\u013co pla\u0161\u0101kus sabiedr\u012bbas procesus. Izr\u0101de piev\u0113r\u0161as t\u0101d\u0101m m\u016bsdienu pasaul\u0113 un ar\u012b Latvij\u0101 aktu\u0101l\u0101m t\u0113m\u0101m k\u0101 karjera, person\u012bbas kulta rad\u012b\u0161anas meh\u0101nisms, paaud\u017eu mai\u0146a un nenov\u0113r\u0161am\u0101 pretruna starp darba tirg\u016b piepras\u012bto pieredzi un tikpat \u013coti nepiecie\u0161amaj\u0101m \u201cjaunaj\u0101m asin\u012bm\u201d. Re\u017eisore In\u0101ra Slucka nor\u0101da, ka \u201cTe\u0101tris ir dz\u012bves sast\u0101vda\u013ca\u201d \u2013 gan k\u0101 rado\u0161o cilv\u0113ku otr\u0101s m\u0101jas, gan k\u0101 sabiedr\u012bbas procesu atspogu\u013cot\u0101js. Vi\u0146a uzsver, ka m\u0113s dz\u012bvojam jaun\u012bbas kulta laikmet\u0101, un karjera aiz\u0146em aizvien liel\u0101ku m\u016bsu v\u0113lmju da\u013cu. Izr\u0101de nebaid\u0101s pieskarties ar\u012b skaudr\u0101kaj\u0101m t\u0113m\u0101m, \u013caujot skat\u012bt\u0101jiem saskat\u012bt l\u012bdz\u012bbu ar sav\u0101m dz\u012bves situ\u0101cij\u0101m. Brodvejas te\u0101tra aizkulises, kas \u0161\u0137ietami ir pasaulei atrauta vide, paties\u012bb\u0101 atspogu\u013co visp\u0101r\u0113jus sabiedr\u012bbas procesus \u2013 konkurenci, v\u0113lmi sevi pier\u0101d\u012bt un bailes no aizie\u0161anas neb\u016b\u0161an. Tas liek aizdom\u0101ties, cik bie\u017ei ar\u012b ikdien\u0101 saskaramies ar l\u012bdz\u012bg\u0101m situ\u0101cij\u0101m, cen\u0161oties notur\u0113ties virsotn\u0113 un ne\u013cauties laika straumei. Lai gan amerik\u0101\u0146u autores lugas pamatteksts ir rakst\u012bts 1946. gad\u0101, te\u0101tra \u201codele\u201d ir nemain\u012bga un sasaucas ar notieko\u0161o sabiedr\u012bb\u0101.<\/p>\n<p>M\u0101ksliniecisk\u0101 komanda un lomu atveidot\u0101ji<\/p>\n<p>Par izr\u0101des re\u017eisori ir In\u0101ra Slucka, scenogr\u0101fiju veidojusi Marija Ulmane, kost\u012bmus \u2013 Madara Botmane, m\u016bziku kompon\u0113jis Edgars M\u0101kens, bet gaismu m\u0101kslinieks ir Oskars Pauli\u0146\u0161. Lugas tulkot\u0101js ir Edv\u012bns Raups. Galvenaj\u0101s lom\u0101s iej\u016btas Maija Doveika vai Evija Kr\u016bze k\u0101 slavena aktrise Margo Kreina, un Daiga Ka\u017eoci\u0146a vai Daiga Gaismi\u0146a k\u0101 bijus\u012b aktrise K\u0101rena Robertsa. Jauno te\u0101tra fanu \u012avu Heringtoni atveido Madara Reijere vai Agate Marija Buk\u0161a. P\u0101r\u0113j\u0101s lom\u0101s redzami Normunds Laiz\u0101ns, Egons Dombrovskis, M\u0101rti\u0146\u0161 Br\u016bveris, Kaspars Ani\u0146\u0161, Inta Tirole, Elza R\u016bta Jord\u0101ne un Rom\u0101ns Bargais.<\/p>\n","protected":false},"excerpt":{"rendered":"Par jauniestud\u0113jumu \u201cViss par Ievu\u201d Latvijas Nacion\u0101laj\u0101 te\u0101tr\u012b 15. novembr\u012b Latvijas Nacion\u0101l\u0101 te\u0101tra Lielaj\u0101 z\u0101l\u0113 notiks re\u017eisores In\u0101ras&hellip;\n","protected":false},"author":2,"featured_media":49651,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[19],"tags":[89,4311,90,35,39,38,36,37,34,40,10888,537,13586,10887],"class_list":{"0":"post-49650","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-izklaide","8":"tag-entertainment","9":"tag-inara-slucka","10":"tag-izklaide","11":"tag-latvia","12":"tag-latvian","13":"tag-latviesu","14":"tag-latviesu-valoda","15":"tag-latviesuvaloda","16":"tag-latvija","17":"tag-lv","18":"tag-merija-orra","19":"tag-nacionalais-teatris","20":"tag-sievietes-karjera","21":"tag-viss-par-ievu"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@lv\/115551676856130275","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/49650","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/comments?post=49650"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/49650\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media\/49651"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media?parent=49650"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/categories?post=49650"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/tags?post=49650"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}