Pirmizr\u0101de Latvijas Nacion\u0101laj\u0101 oper\u0101 un balet\u0101: “Koncerts (jeb Briesmas ikvienam). Kaktusi”<\/p>\n
\u0160ovakar, 13. novembr\u012b, plkst. 19:00 Latvijas Nacion\u0101laj\u0101 oper\u0101 un balet\u0101 (LNOB) norisin\u0101sies ilgi gaid\u012bt\u0101 jauniestud\u0113juma “Koncerts (jeb Briesmas ikvienam). Kaktusi” pirmizr\u0101de. \u0160is unik\u0101lais divu da\u013cu baleta vakars apvieno divu pasaulslavenu horeogr\u0101fu \u2013 D\u017eeroma Robinsa un Aleksandra Ekmana \u2013 meistardarbus, radot aizraujo\u0161u un intri\u0123\u0113jo\u0161u skat\u012bt\u0101ju pieredzi. Iestud\u0113jums sola gan smaidu rais\u012bt\u0101ju humoru, gan ar\u012b asu skat\u012bjumu uz m\u0101kslas pasauli.<\/p>\n
D\u017eeroms Robins un Frederika \u0160op\u0113na m\u016bzika<\/p>\n
Pirm\u0101 da\u013ca skat\u012bt\u0101jus iepaz\u012bstin\u0101s ar amerik\u0101\u0146u horeogr\u0101fa D\u017eeroma Robinsa 1956. gad\u0101 rad\u012bto baletu “Koncerts (jeb Briesmas ikvienam)”. \u0160is darbs ir nevis par pa\u0161u m\u016bziku, bet gan par cilv\u0113kiem, kas to klaus\u0101s. T\u0101 ir komiska parodija par klasisk\u0101s m\u016bzikas cien\u012bt\u0101jiem, kas darb\u012bbas gait\u0101 atkl\u0101j klaus\u012bt\u0101ju v\u0101j\u012bbas, fant\u0101zijas un neapzin\u0101tos t\u0113lus, kas rodas m\u016bzikas iespaid\u0101. Izr\u0101de norisin\u0101s Frederika \u0160op\u0113na klavierm\u016bzikas koncert\u0101, kur\u0101 negaid\u012bti atdz\u012bvojas da\u017e\u0101di iedomu t\u0113li, radot gan smalku liriku, gan spo\u017eu kom\u0113diju. Robins atzinis, ka viena no koncerta baud\u0101m ir iesp\u0113ja piln\u012bb\u0101 iegrimt m\u016bzik\u0101, \u013caujot izt\u0113lei br\u012bvi pl\u016bst. Latvij\u0101 \u0161o Robinsa meistardarbu iestud\u0113 Kiplings Hj\u016bstons, kur\u0161 vair\u0101k nek\u0101 20 gadus bijis Robinsa dejot\u0101js. Galvenaj\u0101s lom\u0101s redz\u0113sim Jolantu Lub\u0113ju, Elzu Leimani, J\u016bliju Braueri, Sab\u012bni Strok\u0161u, Amiru Dodarhod\u017eajevu un Dariusu Florianu Katanu, bet pianistu partijas izpild\u012bs Nat\u0101lija Dirvuka vai Edgars Tom\u0161evics. Vi\u0146u sniegums atkl\u0101s \u0160op\u0113na m\u016bziku, ko komponists iecien\u012bjis ar saviem po\u0113tiski nosauktajiem ska\u0146darbiem, piem\u0113ram, “Tauri\u0146a et\u012bdi” vai “Lietus l\u0101\u0161u prel\u016bdiju”.<\/p>\n
Aleksandrs Ekmans un ironijas piln\u0101 pasaule<\/p>\n
Otraj\u0101 da\u013c\u0101 skat\u012bt\u0101jus sagaida zviedru horeogr\u0101fa Aleksandra Ekmana 2010. gad\u0101 rad\u012btais balets “Kaktusi”. \u0160is darbs ir dedz\u012bgs un ironisks skat\u012bjums uz m\u0101kslas kritiku un katra cilv\u0113ka ties\u012bb\u0101m interpret\u0113t m\u0101kslu p\u0113c savas izpratnes. Ekmans baletu nod\u0113v\u0113jis par “Kaktusiem”, jo \u0161im augam piem\u012bt daudzas po\u0113tiskas noz\u012bmes: tas ir iztur\u012bgs, sp\u0113j augt skarbos apst\u0101k\u013cos, ir skaists, ta\u010du mazliet ar\u012b smiekl\u012bgs, un, l\u012bdz\u012bgi k\u0101 cilv\u0113ki, m\u0113dz sevi sarg\u0101t ar adati\u0146\u0101m, lai gan iek\u0161pus\u0113 var b\u016bt maigs un trausls. \u0160is balets ir aspr\u0101t\u012bgs koment\u0101rs par viedok\u013cu kult\u016bru, elitismu un m\u0101kslas pasaules izpausm\u0113m. R\u012bg\u0101 “Kaktusus” iestud\u0113 horeogr\u0101fa asistents D\u017eozefs Kudra, un uz skatuves redz\u0113sim t\u0101du dejot\u0101ju sniegumu k\u0101 Nikola Anna Bloma, Keita Marija Bloma, Roberts Naje un Eidens Viljams Konefrijs. \u0160aj\u0101 da\u013c\u0101 skan\u0113s Fran\u010da Jozefa Haidna, Ludviga van B\u0113thovena un Fran\u010da \u0160\u016bberta m\u016bzika, ko izpild\u012bs st\u012bgu kvartets. Iestud\u0113juma muzik\u0101lais vad\u012bt\u0101js un diri\u0123ents ir Farhads Stade.<\/p>\n
Satik\u0161an\u0101s div\u0101s paaudz\u0113s<\/p>\n
Latvijas Nacion\u0101l\u0101 baleta m\u0101kslinieciskais vad\u012bt\u0101js Aivars Leimanis uzsver, ka \u0161is vakars ir \u012bpa\u0161s ar to, ka uz vienas skatuves satiksies divu gadsimtu humors. D\u017eeroms Robinss ir pag\u0101ju\u0161\u0101 gadsimta baleta le\u0123enda, kura darbi joproj\u0101m tiek iestud\u0113ti pasaules lab\u0101kaj\u0101s komp\u0101nij\u0101s, piem\u0113ram, Tokij\u0101, Zviedrijas Karaliskaj\u0101 balet\u0101 un Par\u012bz\u0113. Savuk\u0101rt Aleksandrs Ekmans ir viens no m\u016bsdienu piepras\u012bt\u0101kajiem un talant\u012bg\u0101kajiem horeogr\u0101fiem, kura “Kaktusi” jau iestud\u0113ti vair\u0101k nek\u0101 divdesmit piec\u0101s komp\u0101nij\u0101s, pulc\u0113jot vair\u0101k nek\u0101 pusmiljonu skat\u012bt\u0101ju. \u0160is divu izcilu darbu apvienojums sol\u0101s b\u016bt ne tikai vizu\u0101li baud\u0101ms, bet ar\u012b intelektu\u0101li aizraujo\u0161s un ar humoru piepild\u012bts vakars, kas aicina gan uz p\u0101rdom\u0101m, gan ar\u012b uz smiekliem par sevi.<\/p>\n","protected":false},"excerpt":{"rendered":"Pirmizr\u0101de Latvijas Nacion\u0101laj\u0101 oper\u0101 un balet\u0101: “Koncerts (jeb Briesmas ikvienam). Kaktusi” \u0160ovakar, 13. novembr\u012b, plkst. 19:00 Latvijas Nacion\u0101laj\u0101…\n","protected":false},"author":2,"featured_media":49829,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[19],"tags":[10566,13634,10565,89,90,10564,35,39,38,36,37,34,7287,40],"class_list":{"0":"post-49828","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-izklaide","8":"tag-aleksandrs-ekmans","9":"tag-balets","10":"tag-dzeroms-robins","11":"tag-entertainment","12":"tag-izklaide","13":"tag-koncerts-jeb-briesmas-ikvienam-kaktusi","14":"tag-latvia","15":"tag-latvian","16":"tag-latviesu","17":"tag-latviesu-valoda","18":"tag-latviesuvaloda","19":"tag-latvija","20":"tag-latvijas-nacionala-opera-un-balets","21":"tag-lv"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@lv\/115552880103693504","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/49828","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/comments?post=49828"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/49828\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media\/49829"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media?parent=49828"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/categories?post=49828"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/tags?post=49828"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}