Liep\u0101jas te\u0101tris atdz\u012bvina latvie\u0161u klasiku jaun\u0101 gaism\u0101<\/p>\n
Liep\u0101jas te\u0101tris gatavo jaunu laikmeta tra\u0123ikom\u0113diju \u201cTr\u012bs b\u0113res un divas k\u0101zas\u201d, kas balst\u012bta uz slaven\u0101 latvie\u0161u dramaturga R\u016bdolfa Blauma\u0146a darbu mot\u012bviem. \u0160is aizraujo\u0161ais iestud\u0113jums ir z\u012bm\u012bgs ar re\u017eisora M\u0101rti\u0146a Eihes atgrie\u0161anos Liep\u0101j\u0101 p\u0113c ilga p\u0101rtraukuma. Izr\u0101de, kuras dramatur\u0123e ir Laila Bur\u0101ne, sola skat\u012bt\u0101jiem dzi\u013cdom\u012bgu ieskatu latvie\u0161u dv\u0113sel\u0113 un sabiedr\u012bbas aktualit\u0101t\u0113s.<\/p>\n
Re\u017eisora M\u0101rti\u0146a Eihes atgrie\u0161an\u0101s un darbs ar Blauma\u0146a mantojumu<\/p>\n
M\u0101rti\u0146\u0161 Eihe, kura re\u017eijas talants jau iepriek\u0161 apliecin\u0101ts vair\u0101kos Latvijas te\u0101tros, atgrie\u017eas Liep\u0101jas te\u0101tr\u012b, lai vad\u012btu jauno iestud\u0113jumu \u201cTr\u012bs b\u0113res un divas k\u0101zas\u201d. \u0160is darbs re\u017eisoram ir \u012bpa\u0161s, jo tas ir vi\u0146a person\u012bgais atgrie\u0161an\u0101s ce\u013c\u0161 pie R\u016bdolfa Blauma\u0146a dai\u013crades. Lai gan Eihe iepriek\u0161 nav iestud\u0113jis nevienu pilnv\u0113rt\u012bgu Blauma\u0146a lugu, vi\u0146\u0161 atz\u012bst, ka latvie\u0161u klasi\u0137is ir vi\u0146a \u201csava veida latvie\u0161u dramatur\u0123ijas fundaments\u201d. Interesanti, ka iepriek\u0161 re\u017eisors ir veidojis iestud\u0113jumu p\u0113c Blauma\u0146a noveles \u201cN\u0101ves \u0113n\u0101\u201d pirms div\u0101m desmitgad\u0113m Valmieras te\u0101tr\u012b. \u0160oreiz Eihe izv\u0113l\u0113jies nevis vienu konkr\u0113tu lugu, bet gan veido \u201cbezkaun\u012bgu remiksu\u201d, kur\u0101 satiekas un savijas da\u017e\u0101di Blauma\u0146a nove\u013cu un lugu t\u0113li. \u0160\u0101da pieeja \u013cauj dzi\u013c\u0101k izp\u0113t\u012bt un aktualiz\u0113t klasikas daudzsl\u0101\u0146ain\u012bbu, par\u0101dot t\u0101s sasaisti ar m\u016bsdienu sabiedr\u012bbu.<\/p>\n
Dramatur\u0123e Laila Bur\u0101ne un laikmeta tra\u0123ikom\u0113dijas atsl\u0113gas<\/p>\n
Dramatur\u0123e Laila Bur\u0101ne, kas paz\u012bstama ar savu rado\u0161o pieeju un sp\u0113ju dzi\u013ci analiz\u0113t liter\u0101ros materi\u0101lus, ir rad\u012bjusi \u201cTr\u012bs b\u0113ru un divu k\u0101zu\u201d dramatur\u0123isko audumu. Vi\u0146a uzsver, ka darbs ar Blauma\u0146a tekstiem m\u016bsdien\u0101s prasa ne tikai cie\u0146u, bet ar\u012b \u201cvieglumu un sp\u0113les saj\u016btu\u201d. Bur\u0101ne raksturo Blauma\u0146a pasauli k\u0101 \u201cdz\u012bvu multiversu\u201d, kur\u0101 savijas autora darbi un to atbalsis cilv\u0113kos. \u0160\u012b izr\u0101de tiek sal\u012bdzin\u0101ta ar ienir\u0161anu \u201cdzi\u013c\u0101, vij\u012bg\u0101 up\u0113\u201d, lai taj\u0101 \u201cmazliet paplun\u010d\u0101tos\u201d, kas nor\u0101da uz rota\u013c\u012bgu, bet vienlaikus ar\u012b nopietnu pieeju materi\u0101lam. Izr\u0101des si\u017eets atspogu\u013co laikmeta probl\u0113mas, kur int\u012bm\u0101kie cilv\u0113cisk\u0101s dz\u012bves mirk\u013ci k\u013c\u016bst par publisku \u0161ovu, izdz\u012bvo\u0161anas st\u0101sts p\u0101rtop par preci, un pat sen ieaudzin\u0101tie tikumi var k\u013c\u016bt par smagu nastu. Tas ir spogulis, kas par\u0101da, cik gr\u016bti m\u016bsdien\u0101s ir uztic\u0113ties pat savai sirdsbalsij, radot patiesu laikmeta tra\u0123ikom\u0113diju.<\/p>\n
Dz\u012bv\u012bbas un latviet\u012bbas atspulgi Blauma\u0146a pasaul\u0113<\/p>\n
Re\u017eisors M\u0101rti\u0146\u0161 Eihe \u0161o iestud\u0113jumu d\u0113v\u0113jis par \u201cfeinu kopsavilkumu par latviet\u012bbu\u201d. Izr\u0101de p\u0113ta t\u0113lus, kuru dz\u012bves krustojas un savijas likten\u012bg\u0101 gobel\u0113n\u0101, veidojot ar\u012b \u0161odienas sabiedr\u012bbas portret\u0113jumu. Tas ir aicin\u0101jums padom\u0101t par m\u016bsu identit\u0101ti, v\u0113rt\u012bb\u0101m un to, k\u0101 m\u0113s izdz\u012bvojam dinamiskaj\u0101 un bie\u017ei vien d\u012bvainaj\u0101 pasaul\u0113. Blauma\u0146a darbiem piem\u012bt sp\u0113ja atkl\u0101t dzi\u013cas psiholo\u0123iskas un eksistenci\u0101las probl\u0113mas, kas joproj\u0101m ir aktu\u0101las. Vi\u0146a varo\u0146i, lai ar\u012b dz\u012bvo 19. gadsimta beigu Latvijas provinc\u0113, sastopas ar \u0161eksp\u012brisk\u0101m kaisl\u012bb\u0101m un mor\u0101l\u0101m dilemm\u0101m, liekot apzin\u0101ties, ka cilv\u0113cisk\u0101s dzi\u0146as un likte\u0146grie\u017ei ir univers\u0101li. Izr\u0101de \u201cTr\u012bs b\u0113res un divas k\u0101zas\u201d sola \u0161o bag\u0101to mantojumu aktualiz\u0113t, padarot to saisto\u0161u m\u016bsdienu skat\u012bt\u0101jam.<\/p>\n
Pirmizr\u0101de un aktu\u0101l\u0101 inform\u0101cija<\/p>\n
Izr\u0101de \u201cTr\u012bs b\u0113res un divas k\u0101zas\u201d ir iek\u013cauta Liep\u0101jas te\u0101tra liel\u0101s z\u0101les abonement\u0101. T\u0101s pirmizr\u0101de paredz\u0113ta 29. novembr\u012b. Papildu izr\u0101des notiks 30. novembr\u012b un 6. decembr\u012b. P\u0113c 30. novembra izr\u0101des paredz\u0113ta tik\u0161an\u0101s ar izr\u0101des rado\u0161o komandu, kas sniegs iesp\u0113ju skat\u012bt\u0101jiem padzi\u013cin\u0101t savu izpratni par iestud\u0113jumu un t\u0101 tap\u0161anas procesu. Izr\u0101des rado\u0161aj\u0101 komand\u0101 str\u0101d\u0101 scenogr\u0101fs M\u0101ris Ruskulis, kost\u012bmu m\u0101ksliniece Inga Sili\u0146a, horeogr\u0101fs Aigars Apinis un gaismu m\u0101kslinieks M\u0101rti\u0146\u0161 Feldmanis. Lielu ieguld\u012bjumu iestud\u0113jum\u0101 sniedz ar\u012b aktieru ansamblis, kur\u0101 iek\u013cauti Agnese J\u0113kabsone, M\u0101rti\u0146\u0161 Kalita, Anda Albu\u017ee, Inese Ku\u010dinska, Agnija Dreimane, Kaspars Gods, Rolands Be\u0137eris, Hugo Puri\u0146\u0161 un Armands Kau\u0161elis.<\/p>\n","protected":false},"excerpt":{"rendered":"Liep\u0101jas te\u0101tris atdz\u012bvina latvie\u0161u klasiku jaun\u0101 gaism\u0101 Liep\u0101jas te\u0101tris gatavo jaunu laikmeta tra\u0123ikom\u0113diju \u201cTr\u012bs b\u0113res un divas k\u0101zas\u201d,…\n","protected":false},"author":2,"featured_media":49870,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[19],"tags":[89,90,13641,35,39,38,36,37,34,507,40,13639,13649,13638],"class_list":{"0":"post-49869","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-izklaide","8":"tag-entertainment","9":"tag-izklaide","10":"tag-laikmeta-tragikomedija","11":"tag-latvia","12":"tag-latvian","13":"tag-latviesu","14":"tag-latviesu-valoda","15":"tag-latviesuvaloda","16":"tag-latvija","17":"tag-liepajas-teatris","18":"tag-lv","19":"tag-martins-eihe","20":"tag-rudolfa-blaumana-darbi","21":"tag-tris-beres-un-divas-kazas"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@lv\/115553092433431826","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/49869","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/comments?post=49869"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/49869\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media\/49870"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media?parent=49869"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/categories?post=49869"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/tags?post=49869"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}