Jaun\u0101 R\u012bgas te\u0101tra rudens programmi\u0146as sird\u012b \u2013 le\u0123endas un atgrie\u0161an\u0101s<\/p>\n
Ruden\u012bgaj\u0101 Jaun\u0101 R\u012bgas te\u0101tra (JRT) Jaunaj\u0101 z\u0101l\u0113 izskan\u0113s pirmais c\u0113liens jaunam iestud\u0113jumam, kur\u0101 re\u017eisors Alvis Hermanis p\u012bs te\u0101tra valodu no Aivara Freima\u0146a le\u0123end\u0101r\u0101s filmas “\u0100bols up\u0113” (1974) pavedieniem. Jaunais darbs, ko skat\u012bt\u0101ji iepaz\u012bs ar nosaukumu “\u0100be\u013cziedi up\u0113”, sol\u0101s atdz\u012bvin\u0101t Za\u0137usalas le\u0123endas un nost\u0101stus, vienlaikus iez\u012bm\u0113jot gaid\u012btu atgrie\u0161anos uz JRT skatuves.<\/p>\n
Za\u0137usalas st\u0101sts \u2013 metafora un atmi\u0146u audums<\/p>\n
Izr\u0101des “\u0100be\u013cziedi up\u0113” centr\u0101lais varonis Janka, kur\u0161 paz\u012bstams no Freima\u0146a filmas, atkal ienirst Za\u0137usalas dz\u012bvesst\u0101st\u0101. \u0160\u012b sala, ko d\u0113v\u0113 par “latvie\u0161u Atlant\u012bdu”, k\u013c\u016bst par metaforu ne tikai pag\u0101tnes liec\u012bb\u0101m, bet ar\u012b daudz\u0101m m\u016bsdienu aktualit\u0101t\u0113m. Re\u017eisors Alvis Hermanis uzsver, ka st\u0101sts par Za\u0137usalu ir metafora daudzos l\u012bme\u0146os \u2013 gan par cilv\u0113ka dz\u012bves amplit\u016bdu, gan par mazo Latvijas modeli, kur reiz k\u016bs\u0101ja dz\u012bva un spilgta kopiena. “Bet t\u0101 tika upur\u0113ta, lai t\u0101s viet\u0101 uzslietu divus tor\u0146us, kas tagad simboliz\u0113 ofici\u0101lo versiju par to, kas notiek vid\u0113j\u0101 latvie\u0161a smadzen\u0113s,” cit\u0113ts m\u0101kslinieks. Izr\u0101de tiek veidota, balstoties uz biju\u0161o Za\u0137usalas iedz\u012bvot\u0101ju atmi\u0146\u0101m, sen\u0101m fotogr\u0101fij\u0101m un apkopojot salas le\u0123endas un teikas, pied\u0101v\u0101jot skat\u012bt\u0101jiem po\u0113tiski lakonisku st\u0101st\u012bjumu, kas turpina filmas “\u0100bols up\u0113” garu, bet atspogu\u013co m\u016bsdienu realit\u0101ti.<\/p>\n
Ivara Kalni\u0146a atgrie\u0161an\u0101s \u2013 tilts starp paaudz\u0113m<\/p>\n
\u0160\u012b izr\u0101de iez\u012bm\u0113 \u012bpa\u0161u notikumu \u2013 uz Jaun\u0101 R\u012bgas te\u0101tra skatuves atkal k\u0101ps iem\u012b\u013cotais aktieris Ivars Kalni\u0146\u0161. P\u0113c ilg\u0101kas pauzes vi\u0146\u0161 atgrie\u017eas lom\u0101, kas vi\u0146am nav sve\u0161a, jo Janka ir filmas “\u0100bols up\u0113” galvenais varonis. Vi\u0146a kl\u0101tb\u016btne uz skatuves rada saj\u016btu, ka pag\u0101tnes elpa saskaras ar tagadni, veidojot neaizmirstamu te\u0101tra pieredzi. Kalni\u0146a un Herma\u0146a sadarb\u012bbai ir sena un augl\u012bga v\u0113sture, un “\u0100be\u013cziedi up\u0113” sol\u0101s b\u016bt k\u0101rt\u0113jais apliecin\u0101jums vi\u0146u kop\u012bgajai m\u0101kslinieciskajai v\u012bzijai. Aktieris Za\u0137usal\u0101 satiks aktrisi Agati Kristu, kura atveidos Meitenes lomu, t\u0101d\u0113j\u0101di izr\u0101de k\u013c\u016bst par tiltu starp paaudz\u0113m un aicina uz p\u0101rdom\u0101m par dzimteni un t\u0101s n\u0101kotni.<\/p>\n
Filmas “\u0100bols up\u0113” mantojums un skatuves interpret\u0101cija<\/p>\n
Aivara Freima\u0146a filma “\u0100bols up\u0113”, kas uz ekr\u0101niem izn\u0101ca 1974. gad\u0101, bija novatoriska, apvienojot dokument\u0101l\u0101s un aktierfilmas veido\u0161anas pa\u0146\u0113mienus. T\u0101 st\u0101sta par Za\u0137usalu k\u0101 “veco laiku” dz\u012bves mode\u013ca sali\u0146u strauji augo\u0161\u0101s R\u012bgas vid\u016b, kur industrializ\u0101cijas procesi neizb\u0113gami izmain\u012bja iedz\u012bvot\u0101ju dz\u012bvi, nosl\u0113dzoties ar salas apb\u016bvi un iem\u012btnieku p\u0101rvieto\u0161anu. Filma ir iek\u013cauta Latvijas kult\u016bras kanon\u0101 un tiek uzskat\u012bta par unik\u0101lu darbu, kas neiek\u013caujas ierastos \u017eanru r\u0101mjos. Hermanis, veidojot izr\u0101di “\u0100be\u013cziedi up\u0113”, turpina \u0161o po\u0113tisko un lakonisko st\u0101st\u012bjuma veidu, piel\u0101gojot to m\u016bsdienu te\u0101tra valodai. Izr\u0101des autori ir Margarita Zieda un Alvis Hermanis, bet re\u017eija un scenogr\u0101fija uztic\u0113ta Alvim Hermanim.<\/p>\n
Izr\u0101des pirmizr\u0101de un bi\u013ce\u0161u pieejam\u012bba<\/p>\n
Pirmizr\u0101de gaid\u0101ma 2025. gada 25. novembr\u012b Jaun\u0101 R\u012bgas te\u0101tra Jaunaj\u0101 z\u0101l\u0113. Bi\u013cetes uz novembra un decembra izr\u0101d\u0113m jau ir izp\u0101rdotas, apliecinot lielo skat\u012bt\u0101ju interesi un gaidas p\u0113c \u0161\u012b notikuma. Bi\u013cetes uz 2026. gada janv\u0101ra izr\u0101d\u0113m b\u016bs pieejamas no 13. novembra.<\/p>\n","protected":false},"excerpt":{"rendered":"Jaun\u0101 R\u012bgas te\u0101tra rudens programmi\u0146as sird\u012b \u2013 le\u0123endas un atgrie\u0161an\u0101s Ruden\u012bgaj\u0101 Jaun\u0101 R\u012bgas te\u0101tra (JRT) Jaunaj\u0101 z\u0101l\u0113 izskan\u0113s…\n","protected":false},"author":2,"featured_media":50296,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[19],"tags":[13211,5992,89,6566,90,5272,35,39,38,36,37,34,40,13735],"class_list":{"0":"post-50295","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-izklaide","8":"tag-abelziedi-upe","9":"tag-alvis-hermanis","10":"tag-entertainment","11":"tag-ivars-kalnins","12":"tag-izklaide","13":"tag-jaunais-rigas-teatris","14":"tag-latvia","15":"tag-latvian","16":"tag-latviesu","17":"tag-latviesu-valoda","18":"tag-latviesuvaloda","19":"tag-latvija","20":"tag-lv","21":"tag-zakusala"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@lv\/115555734991516303","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/50295","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/comments?post=50295"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/50295\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media\/50296"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media?parent=50295"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/categories?post=50295"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/tags?post=50295"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}