Holivudas cer\u012bbas izgaisu: “Skrieno\u0161ais cilv\u0113ks” piedz\u012bvo krauju<\/p>\n
Jaun\u0101k\u0101 filmas “Skrieno\u0161ais cilv\u0113ks” (The Running Man) ekraniz\u0101cija, kas tapis ar ambiciozu 110 miljonu dol\u0101ru bud\u017eetu, ir piedz\u012bvojusi dramatisku izg\u0101\u0161anos pasaules kases ie\u0146\u0113mumu zi\u0146\u0101. Pirm\u0101s ned\u0113\u013cas nogales rezult\u0101ti ir \u0101rk\u0101rt\u012bgi vilino\u0161i \u2013 vien 28,2 miljoni dol\u0101ru vis\u0101 pasaul\u0113. \u0160ie skait\u013ci ne tikai atpaliek no ra\u017eo\u0161anas izmaks\u0101m, bet ar\u012b rada nopietnas ba\u017eas par filmas finansi\u0101lo n\u0101kotni un potenci\u0101lo atdevi.<\/p>\n
S\u0101p\u012bg\u0101 atsk\u0101rsme un iepriek\u0161\u0113j\u0101s k\u013c\u016bdas<\/p>\n
\u0160\u012b ir jau otr\u0101 reize, kad slavenais St\u012bvena Kinga rom\u0101ns tiek adapt\u0113ts kino, iepriek\u0161\u0113j\u0101 reiz\u0113 to 1987. gad\u0101 uz ekr\u0101niem izveda Arnolds \u0160varceneggers. Ta\u010du jaun\u0101 versija, ko re\u017eis\u0113jis Edgars Raits, bet galvenaj\u0101 lom\u0101 redzams Glens Pauels, nav sp\u0113jusi aizraut auditoriju l\u012bdzv\u0113rt\u012bgi. \u017durn\u0101ls Deadline sav\u0101 anal\u012bz\u0113 nor\u0101da, ka viens no galvenajiem neveiksmes iemesliem mekl\u0113jams studijas Paramount, kas atbild par filmu, administr\u0101cijas p\u0101rmai\u0146\u0101s. \u012apa\u0161i izceltas probl\u0113mas m\u0101rketinga departament\u0101, kur jaun\u0101 vad\u012bt\u0101ja iera\u0161an\u0101s tika gaid\u012bta ilgi. D\u017eo\u0161s Gold\u0161teins, kur\u0161 iepriek\u0161 veiksm\u012bgi vad\u012bjis rekl\u0101mas kampa\u0146as t\u0101d\u0101m film\u0101m k\u0101 “D\u012bna 2” un “Betmens”, pievienoj\u0101s tikai m\u0113nesi pirms filmas izn\u0101k\u0161anas. Vi\u0146a vad\u012bb\u0101 tika laists klaj\u0101 jaunais rekl\u0101mas materi\u0101lu vilnis, kas, lai gan vizu\u0101li pievilc\u012bgs, rad\u012bja neskaidr\u012bbu, jo at\u0161\u0137\u012br\u0101s no pirm\u0101 rekl\u0101mas uz\u0146\u0113muma pazi\u0146ot\u0101. \u0160\u0101da komunik\u0101cijas neskaidr\u012bba un nesteidz\u012bga r\u012bc\u012bba, ko papildin\u0101ja darbinieku ba\u017eas par iesp\u0113jamiem atlai\u0161anu, ac\u012bmredzami negat\u012bvi ietekm\u0113ja filmas publicit\u0101ti.<\/p>\n
Kritikas un auditorijas at\u0161\u0137ir\u012bg\u0101 uztvere<\/p>\n
Neraugoties uz v\u0101ju kases rezult\u0101tu, filma tom\u0113r ir sa\u0146\u0113musi pozit\u012bvas atsauksmes no kriti\u0137iem. Tiek slav\u0113ta t\u0101s asa sat\u012bra, dinamisk\u0101 darb\u012bba un tehnisk\u0101 izpilde. Ar\u012b Glena Pauela atveidot\u0101 galven\u0101 varo\u0146a Bena Ri\u010dardsa, kas sp\u0113l\u0113 n\u0101v\u0113jo\u0161u realit\u0101tes \u0161ovu, lai iz\u0101rst\u0113tu savu slimo b\u0113rnu un laim\u0113tu miljardu “jauno dol\u0101ru”, interpret\u0101cija tiek v\u0113rt\u0113ta atzin\u012bgi. Tom\u0113r daudzi kriti\u0137i atz\u012bm\u0113 filmas nosl\u0113gumu k\u0101 v\u0101j\u0101ko posmu. Deniss Fedoruks no ITC atz\u012bm\u0113, ka Raits m\u0113\u0123in\u0101jis apvienot Kinga ori\u0123in\u0101la garu, savu individu\u0101lo stilu un pievilc\u012bgu, popkult\u016brai atbilsto\u0161u fin\u0101lu, k\u0101 rezult\u0101t\u0101 nosl\u0113gums k\u013c\u016bst par “visv\u0101j\u0101ko posmu”. Neskatoties uz to, Fedoruks gan piebilst, ka “Skrieno\u0161ais cilv\u0113ks” tom\u0113r ir peln\u012bjis vietu veiksm\u012bgo St\u012bvena Kinga ekraniz\u0101ciju sarakst\u0101.<\/p>\n
Atlikt\u0101s izmai\u0146as un “D\u017eeimsa Bonda” efekts<\/p>\n
Filmas izn\u0101k\u0161anas datums tika main\u012bts vair\u0101kk\u0101rt \u2013 s\u0101kotn\u0113ji pl\u0101notais 21. novembris tika p\u0101rcelts uz 7. novembri, bet galu gal\u0101 tika noteikts 14. novembris. Lai gan \u0161\u012b p\u0113d\u0113j\u0101 datuma bie\u017ei tiek d\u0113v\u0113ta par “D\u017eeimsa Bonda datumu” un tiek uzskat\u012bta par ide\u0101lu br\u012bdi filmu izlai\u0161anai, \u012bpa\u0161i IMAX form\u0101t\u0101, pat \u0161\u012b strat\u0113\u0123isk\u0101 izv\u0113le nav sp\u0113jusi pasarg\u0101t filmu no kases neveiksmes.<\/p>\n
Rebootu \u0113na p\u0101r kino pasauli<\/p>\n
“Skrieno\u0161ais cilv\u0113ks” k\u013c\u016bst par k\u0101rt\u0113jo piem\u0113ru tam, k\u0101 80. gadu zin\u0101tnisk\u0101s fantastikas filmu p\u0101rlieku uz\u0146emt\u0101s atjauno\u0161anas nesp\u0113j iekarot publikas sirdis un kases. Deadline atg\u0101dina par neseno “Trona: Ares” (bud\u017eets 220 miljoni $, kase 141 miljons $) un “Betmena 2049” (bud\u017eets 150-185 miljoni $, kase 278 miljoni $) neveiksm\u0113m. \u0160ie gad\u012bjumi met \u0113nu uz jebkuru m\u0113\u0123in\u0101jumu atdz\u012bvin\u0101t kulta sci-fi projektus, pat ja tajos iesaist\u012btas zvaigznes un talant\u012bgi re\u017eisori. Vien\u012bgais iz\u0146\u0113mums \u0161aj\u0101 zi\u0146\u0101 ir Den\u012b Villeneuve “D\u012bna”. Rodas pamatots jaut\u0101jums: k\u0101p\u0113c visp\u0101r tika izlemts veidot “Skrieno\u0161\u0101 cilv\u0113ka” jauno versiju, ja ori\u0123in\u0101ls nekad nav bijis liels hits? \u0160is jaut\u0101jums paliek bez skaidras atbildes, kam\u0113r filma turpina ciest no vil\u0161an\u0101s.<\/p>\n","protected":false},"excerpt":{"rendered":"Holivudas cer\u012bbas izgaisu: “Skrieno\u0161ais cilv\u0113ks” piedz\u012bvo krauju Jaun\u0101k\u0101 filmas “Skrieno\u0161ais cilv\u0113ks” (The Running Man) ekraniz\u0101cija, kas tapis ar…\n","protected":false},"author":2,"featured_media":51684,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[19],"tags":[89,14154,14155,90,4173,35,39,38,36,37,34,40,14153,5275],"class_list":{"0":"post-51683","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-izklaide","8":"tag-entertainment","9":"tag-filmu-neveiksme","10":"tag-holivudas-kino","11":"tag-izklaide","12":"tag-kases-ienemumi","13":"tag-latvia","14":"tag-latvian","15":"tag-latviesu","16":"tag-latviesu-valoda","17":"tag-latviesuvaloda","18":"tag-latvija","19":"tag-lv","20":"tag-skrienosais-cilveks","21":"tag-stivens-kings"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@lv\/115564621615726990","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/51683","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/comments?post=51683"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/51683\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media\/51684"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media?parent=51683"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/categories?post=51683"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/tags?post=51683"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}