Jap\u0101\u0146u postroka le\u0123endas \u201cMono\u201d atgrie\u017eas R\u012bg\u0101 ar elpu aizraujo\u0161u pieredzi<\/p>\n
R\u012bg\u0101 uzst\u0101sies viena no iem\u012b\u013cot\u0101kaj\u0101m un kriti\u0137u augsti nov\u0113rt\u0113taj\u0101m instrument\u0101l\u0101 roka grup\u0101m pasaul\u0113 \u2013 jap\u0101\u0146u kvartets \u201cMono\u201d. Koncerts notiks 30. novembr\u012b ikoniskaj\u0101 Palladium koncertz\u0101l\u0113, solot neaizmirstamu muzik\u0101lu ce\u013cojumu, kur\u0101 klusums p\u0101rtop ska\u0146\u0101, bet ska\u0146a \u2013 nebeidzam\u012bb\u0101.<\/p>\n
M\u016bzika k\u0101 pieredze, nevis vienk\u0101r\u0161s koncerts<\/p>\n
\u201cMono\u201d ir paz\u012bstami ar savu unik\u0101lo sp\u0113ju rad\u012bt m\u016bziku, kas p\u0101rsniedz parastus \u017eanru r\u0101mjus. Vi\u0146u dai\u013crad\u0113, ko bie\u017ei raksturo k\u0101 postroku, bet pa\u0161i m\u016bzi\u0137i to noraida, mekl\u0113jot dzi\u013c\u0101ku saikni, savijas elementi no avangarda, akad\u0113misk\u0101s m\u016bzikas un pat kinematogr\u0101fisk\u0101s ska\u0146u ainavas. Grupa ir izdevusi divpadsmit studijas albumus, s\u0101kot ar \u201cUnder the Pipal Tree\u201d (2001) un nesen\u0101ko \u201cOath\u201d (2024), kas ir viens no p\u0113d\u0113jiem ierakstiem, ko produc\u0113jis le\u0123end\u0101rais St\u012bvs Albini. \u201cMono\u201d m\u016bzika nav tikai ska\u0146as virkn\u0113jums \u2013 t\u0101 ir emocion\u0101la pieredze, kas sp\u0113j laiku iz\u0161\u0137\u012bdin\u0101t un p\u0101rv\u0113rst saj\u016btas vibr\u0113jo\u0161\u0101s st\u012bgu ska\u0146\u0101s. T\u0101 ir ainava, kur\u0101 klusums run\u0101 ska\u013c\u0101k par v\u0101rdiem, radot dzi\u013cu, personisku un bie\u017ei vien dziedino\u0161u pieredzi klaus\u012bt\u0101jam.<\/p>\n
Atgrie\u0161an\u0101s pie m\u012b\u013cot\u0101s publikas<\/p>\n
\u0160is koncerts iez\u012bm\u0113 ilgoto atgrie\u0161anos R\u012bg\u0101 p\u0113c vienpadsmit gadu p\u0101rtraukuma, apliecinot grupas cie\u0161o saikni ar Latvijas publiku. \u201cMono\u201d jau iepriek\u0161 ir sp\u0113l\u0113ju\u0161i R\u012bg\u0101, un iepriek\u0161\u0113jie tr\u012bs koncerti izpeln\u012bju\u0161ies publikas milzu atsauc\u012bbu, p\u0101rliecinot daudzus, ka grupa patiesi ir viena no lab\u0101kaj\u0101m koncertu izpild\u012bt\u0101j\u0101m pasaul\u0113. Vi\u0146u dz\u012bvie uzst\u0101\u0161an\u0101s ir paz\u012bstami ar intens\u012bvu emocion\u0101lo piepild\u012bjumu un dinamisk\u0101m ska\u0146as sv\u0101rst\u012bb\u0101m, radot patiesi iespaid\u012bgu atmosf\u0113ru. Grupa ir devusies iespaid\u012bg\u0101s pasaules t\u016br\u0113s, uzst\u0101joties vair\u0101k nek\u0101 60 valst\u012bs, un katrs vi\u0146u koncerts ir apliecin\u0101jums vi\u0146u unik\u0101lajai sp\u0113jai savald\u012bt auditoriju ar savu ska\u0146darbu sp\u0113ku un nians\u0113m.<\/p>\n
M\u016bzikas arhitekt\u016bra un St\u012bva Alibi\u0146a mantojums<\/p>\n
\u201cMono\u201d rado\u0161ais process bie\u017ei vien notiek studij\u0101, ierakstot m\u016bziku dz\u012bvaj\u0101, izmantojot gan senus, gan jaunus instrumentus. Vi\u0146u ska\u0146darbos, s\u0101kotn\u0113ji balst\u012btos uz \u0123it\u0101ru un met\u0101lafona ska\u0146\u0101m, laika gait\u0101 ir integr\u0113ti ar\u012b st\u012bgu instrumenti un pat veseli or\u0137estri, radot bag\u0101t\u012bgu un daudzsl\u0101\u0146ainu skan\u0113jumu. \u0160\u012b pieeja m\u016bzikas rad\u012b\u0161anai atspogu\u013cojas ar\u012b vi\u0146u jaun\u0101kaj\u0101 album\u0101 \u201cOath\u201d, kas tapis sadarb\u012bb\u0101 ar St\u012bvu Albini, kura produc\u0113tais darbs vienm\u0113r ir bijis augstu nov\u0113rt\u0113ts. Albini, kur\u0161 aizg\u0101ja m\u016b\u017e\u012bb\u0101 2024. gad\u0101, ir str\u0101d\u0101jis ar t\u0101diem grandiem k\u0101 \u201cPixies\u201d, PJ Harvey un \u201cNirvana\u201d, pie\u0161\u0137irot \u201cOath\u201d \u012bpa\u0161u dzi\u013cumu un autentiskumu. Albuma ska\u0146darbi vari\u0113 no hipnotiski mier\u012bgiem l\u012bdz pat monument\u0101l\u0101m ska\u0146as v\u0113tr\u0101m, atspogu\u013cojot grupas sp\u0113ju rad\u012bt pla\u0161as emocion\u0101las amplit\u016bdas.<\/p>\n
Par grupu \u201cMono\u201d<\/p>\n
\u201cMono\u201d ir instrument\u0101l\u0101 roka grupa, kas dibin\u0101ta 1999. gad\u0101 Tokij\u0101. T\u0101s sast\u0101v\u0101 ir Takaakira \u201cTaka\u201d Goto (\u0123it\u0101ra), Hideki \u201cYoda\u201d Suematsu (\u0123it\u0101ra), Tamaki Kunishi (bass, tausti\u0146instrumenti) un Dahm Majuri Cipolla (bungas). Grupa ir ieguvusi starptautisku atzin\u012bbu par savu unik\u0101lo ska\u0146u, ko britu m\u016bzikas \u017eurn\u0101ls NME reiz raksturojis k\u0101 \u201cm\u016bziku Dieviem\u201d. \u201cMono\u201d nav tikai m\u016bzi\u0137i \u2013 vi\u0146i ir ska\u0146u arhitekti, kas veido pieredzes, kur\u0101s auditorija var zaud\u0113t laika izj\u016btu un \u013cauties emociju pl\u016bdumam.<\/p>\n","protected":false},"excerpt":{"rendered":"Jap\u0101\u0146u postroka le\u0123endas \u201cMono\u201d atgrie\u017eas R\u012bg\u0101 ar elpu aizraujo\u0161u pieredzi R\u012bg\u0101 uzst\u0101sies viena no iem\u012b\u013cot\u0101kaj\u0101m un kriti\u0137u augsti…\n","protected":false},"author":2,"featured_media":52209,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[19],"tags":[89,14306,90,656,35,39,38,36,37,34,14307,40,14304,14305],"class_list":{"0":"post-52208","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-izklaide","8":"tag-entertainment","9":"tag-instrumentala-muzika","10":"tag-izklaide","11":"tag-koncerts-riga","12":"tag-latvia","13":"tag-latvian","14":"tag-latviesu","15":"tag-latviesu-valoda","16":"tag-latviesuvaloda","17":"tag-latvija","18":"tag-live","19":"tag-lv","20":"tag-mono","21":"tag-postroks"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@lv\/115567645340662551","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/52208","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/comments?post=52208"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/52208\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media\/52209"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media?parent=52208"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/categories?post=52208"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/tags?post=52208"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}