{"id":5665,"date":"2025-09-26T14:31:26","date_gmt":"2025-09-26T14:31:26","guid":{"rendered":"https:\/\/www.europesays.com\/lv\/5665\/"},"modified":"2025-09-26T14:31:26","modified_gmt":"2025-09-26T14:31:26","slug":"georgijs-osokins-debite-deutsche-grammophon-ar-arvo-perta-skanam-lente-lv","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/lv\/5665\/","title":{"rendered":"Georgijs Osokins debit\u0113 \u201cDeutsche Grammophon\u201d ar Arvo Perta ska\u0146\u0101m\u00a0\u2014\u00a0Lente.lv"},"content":{"rendered":"<p>Pianista Georgija Osokina debija presti\u017eaj\u0101 \u201cDeutsche Grammophon\u201d ar Arvo Perta velt\u012bjumu<\/p>\n<p>Izcilais latvie\u0161u pianists Georgijs Osokins turpina savu spo\u017eo karjeru, debit\u0113jot k\u0101 \u201cDeutsche Grammophon\u201d m\u0101kslinieks ar jauno koncertprogrammu \u201cFor Arvo\u201d. \u0160is notikums iez\u012bm\u0113 noz\u012bm\u012bgu pagrieziena punktu ne tikai Osokina dai\u013crad\u0113, bet ar\u012b apliecina vi\u0146a starptautisko atzin\u012bbu. Albums un koncerti velt\u012bti le\u0123end\u0101r\u0101 igau\u0146u komponista Arvo Perta 90. jubilejai, atkl\u0101jot Perta m\u016bzikas dzi\u013cumu un Osokina unik\u0101lo interpret\u0101ciju.<\/p>\n<p>\u201cFor Arvo\u201d \u2013 Velt\u012bjums un Jauns S\u0101kums<\/p>\n<p>Georgija Osokina jaun\u0101 koncertprogramma \u201cFor Arvo\u201d ir ne tikai velt\u012bjums igau\u0146u komponistam Arvo Pertam, atz\u012bm\u0113jot vi\u0146a 90. dzim\u0161anas dienu, bet ar\u012b vi\u0146a person\u012bg\u0101 debija k\u0101 \u201cDeutsche Grammophon\u201d m\u0101ksliniekam. \u0160\u012b sadarb\u012bba ar vienu no pasaul\u0113 presti\u017e\u0101kaj\u0101m m\u016bzikas izdevniec\u012bb\u0101m ir augstas raudzes atzin\u012bba, kas piel\u012bdzin\u0101ma noz\u012bm\u012bg\u0101kaj\u0101m starptautiskaj\u0101m m\u016bzikas balv\u0101m. Albums \u201cFor Arvo\u201d, kas klaj\u0101 n\u0101cis m\u016bzikas izdevniec\u012bbas pasp\u0101rn\u0113, ir pianista pirmais kop\u012bgais projekts ar \u201cDeutsche Grammophon\u201d. \u0160aj\u0101 album\u0101 Osokins ne tikai atska\u0146o Perta ori\u0123in\u0101ldarbus, bet ar\u012b pied\u0101v\u0101 jaunas, pa\u0161a rad\u012btas klavieru transkripcijas, sniedzot negaid\u012btu un svaigu skat\u012bjumu uz komponista dai\u013cradi. Daudzi Perta ska\u0146darbi pirmo reizi izskan\u0113s tie\u0161i \u0161\u0101d\u0101 solo klavieru versij\u0101, pie\u0161\u0137irot tiem jaunu j\u0113gu un dzi\u013cumu caur Osokina pieredzes prizmu.<\/p>\n<p>Koncertu Virkne Latvij\u0101 un Pasaul\u0113<\/p>\n<p>P\u0113c albuma izdo\u0161anas, s\u0101kot ar 4. oktobri, Georgijs Osokins ar programmu \u201cFor Arvo\u201d uzst\u0101sies vair\u0101k\u0101s Latvijas koncertz\u0101l\u0113s. Koncerti notiks Liep\u0101jas koncertz\u0101l\u0113 \u201cLielais Dzintars\u201d, C\u0113su koncertz\u0101l\u0113, Ventspils koncertz\u0101l\u0113 \u201cLatvija\u201d un Latvijas Nacion\u0101laj\u0101 te\u0101tr\u012b. \u0160ie \u010detri Latvijas koncerti ir jaun\u0101 albuma pirmatska\u0146ojums Latvij\u0101. Osokina koncertu grafiks ir pla\u0161s un aptver ne tikai Latvijas, bet ar\u012b starptautiskas skatuves, liecinot par vi\u0146a nemit\u012bgo piepras\u012bjumu un akt\u012bvo koncertdarb\u012bbu. Vi\u0146\u0161 uzst\u0101sies V\u0101cij\u0101, Somij\u0101, ASV un cit\u0101s valst\u012bs, pied\u0101v\u0101jot klaus\u012bt\u0101jiem gan Perta, gan citu komponistu, piem\u0113ram, Sergeja Rahma\u0146inova, ska\u0146darbus. Bi\u013cetes uz Latvijas koncertiem ir pieejamas \u201cBi\u013ce\u0161u Parad\u012bzes\u201d t\u012bkl\u0101.<\/p>\n<p>Arvo Perts \u2013 M\u016bzikas Filozofs un Minim\u0101lisma Meistars<\/p>\n<p>Arvo Perts, kura 90. jubileju \u0161ogad atz\u012bm\u0113 vis\u0101 pasaul\u0113, ir viena no 20. un 21. gadsimta noz\u012bm\u012bg\u0101kaj\u0101m person\u012bb\u0101m akad\u0113miskaj\u0101 m\u016bzik\u0101. Vi\u0146a unik\u0101lais \u201ctintinnabuli\u201d stils, ko raksturo klusums, gaisma un dzi\u013ca dv\u0113seliskums, ir iedvesmojis daudzus m\u016bzi\u0137us un klaus\u012bt\u0101jus. Perta m\u016bzika, kas bie\u017ei vien tiek raksturota k\u0101 sakr\u0101lais minim\u0101lisms vai \u201cjaun\u0101 vienk\u0101r\u0161\u012bba\u201d, sniedz klaus\u012bt\u0101jam iesp\u0113ju apst\u0101ties, p\u0101rdom\u0101t un izjust klusuma noz\u012bmi. Vi\u0146a dai\u013crade ir k\u0101 gar\u012bgs mekl\u0113jums, kas atspogu\u013co laikmeta iek\u0161\u0113j\u0101s transform\u0101cijas, pied\u0101v\u0101jot mieru, spriedzi, b\u0113rni\u0161\u0137\u012bgu t\u012br\u012bbu un metafizisku dzi\u013cumu. Perta m\u016bzikas klusums un meditativit\u0101te rezon\u0113 ar Osokina sp\u0113les stilu, radot unik\u0101lu un dzi\u013ci emocion\u0101lu klaus\u012b\u0161an\u0101s pieredzi.<\/p>\n","protected":false},"excerpt":{"rendered":"Pianista Georgija Osokina debija presti\u017eaj\u0101 \u201cDeutsche Grammophon\u201d ar Arvo Perta velt\u012bjumu Izcilais latvie\u0161u pianists Georgijs Osokins turpina savu&hellip;\n","protected":false},"author":2,"featured_media":5666,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[19],"tags":[2525,2524,89,2526,2523,90,2527,35,39,38,36,37,34,40],"class_list":{"0":"post-5665","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-izklaide","8":"tag-arvo-perts","9":"tag-deutsche-grammophon","10":"tag-entertainment","11":"tag-for-arvo","12":"tag-georgijs-osokins","13":"tag-izklaide","14":"tag-klasiska-muzika","15":"tag-latvia","16":"tag-latvian","17":"tag-latviesu","18":"tag-latviesu-valoda","19":"tag-latviesuvaloda","20":"tag-latvija","21":"tag-lv"},"share_on_mastodon":{"url":"","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/5665","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/comments?post=5665"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/5665\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media\/5666"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media?parent=5665"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/categories?post=5665"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/tags?post=5665"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}