{"id":56696,"date":"2025-11-23T11:19:20","date_gmt":"2025-11-23T11:19:20","guid":{"rendered":"https:\/\/www.europesays.com\/lv\/56696\/"},"modified":"2025-11-23T11:19:20","modified_gmt":"2025-11-23T11:19:20","slug":"kuldiga-un-salacgriva-uznems-starptautisku-vesternu-wild-wild-east-lente-lv","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/lv\/56696\/","title":{"rendered":"Kuld\u012bg\u0101 un Salacgr\u012bv\u0101 uz\u0146ems starptautisku vesternu &#8220;Wild, Wild East&#8221;\u00a0\u2014\u00a0Lente.lv"},"content":{"rendered":"<p>Starptautiska vesterna uz\u0146em\u0161ana Latvij\u0101: Kuld\u012bga un Salacgr\u012bva k\u013c\u016bst par 1943. gada Poliju<\/p>\n<p>Decembra s\u0101kum\u0101 Latvij\u0101, \u012bpa\u0161i Kuld\u012bg\u0101 un Salacgr\u012bv\u0101, s\u0101ksies po\u013cu re\u017eisora Jana Holubeka gaid\u0101m\u0101s filmas &#8220;Wild, Wild East&#8221; (&#8220;Me\u017eon\u012bgie, me\u017eon\u012bgie austrumi&#8221;) uz\u0146em\u0161ana. \u0160is v\u0113sturiskais vesterns, kas tapis k\u0101 starptautisks kopra\u017eojums, sol\u0101s ievest skat\u012bt\u0101jus Otr\u0101 pasaules kara laik\u0101, atkl\u0101jot intrigu pilnu st\u0101stu par nodev\u012bbu, alkat\u012bbu un nosl\u0113pumiem nacistisk\u0101s V\u0101cijas okup\u0113taj\u0101 Polij\u0101. Filmas uz\u0146em\u0161ana Latvij\u0101 ir noz\u012bm\u012bgs notikums kult\u016bras jom\u0101, kas veicin\u0101s starptautisk\u0101s sadarb\u012bbas att\u012bst\u012bbu un populariz\u0113s Latvijas ainavisk\u0101s pils\u0113tas pasaules kino industrij\u0101.<\/p>\n<p>Filmas rado\u0161\u0101 komanda un st\u0101sts<\/p>\n<p>Re\u017eisors Jans Holubeks ir viens no m\u016bsdienu Polijas talant\u012bg\u0101kajiem kino profesion\u0101\u013ciem, kur\u0161 jau guvis atzin\u012bbu par saviem iepriek\u0161\u0113jiem darbiem, tostarp Netflix seri\u0101lu &#8220;The Mire&#8221; un sp\u0113lfilmu &#8220;Doppelganger \/ The Double&#8221;. &#8220;Wild, Wild East&#8221; pied\u0101v\u0101 dramatisku un vizu\u0101li izsmalcin\u0101tu st\u0101stu, kas norisin\u0101s 1943. gad\u0101. Galvenais varonis, v\u0101cu virsnieks Martins Volfs, tiek nos\u016bt\u012bts uz noma\u013cu ciemu, lai izmekl\u0113tu pazudu\u0161a ebreju jurista lietu. Vi\u0146a iera\u0161an\u0101s izjauc trauslo l\u012bdzsvaru starp kara traum\u0113tajiem viet\u0113jiem iedz\u012bvot\u0101jiem, korump\u0113tiem kolaborantiem un nacistu varas iest\u0101d\u0113m. Atkl\u0101jas sare\u017e\u0123\u012bts nodev\u012bbas, alkat\u012bbas un tum\u0161u nosl\u0113pumu t\u012bkls, kas saist\u012bts ar baum\u0101m par jurista sl\u0113pto bag\u0101t\u012bbu. \u0160is aizraujo\u0161ais vesterna \u017eanra darbs sola dzi\u013cu ieskatu cilv\u0113ku likte\u0146os un ekstr\u0113m\u0101s izv\u0113l\u0113s kara apst\u0101k\u013cos.<\/p>\n<p>Galven\u0101s lomas film\u0101 atveido talant\u012bgi aktieri: izra\u0113lie\u0161u zvaigzne Itajs Tirans, po\u013cu aktrise D\u017eoanna Kuliga un Jans B\u00fclovs. Filmas tap\u0161an\u0101 iesaist\u012btas ar\u012b pieredz\u0113ju\u0161as po\u013cu producentes \u2013 Klaudia \u015amieja, Bogna Szewczyk-Skupie\u0144 un Ewa Puszczy\u0144ska \u2013 sadarb\u012bb\u0101 ar Latvijas producenti Alisi \u0122elzi, p\u0101rst\u0101vot studiju &#8220;White Picture&#8221;. Studija &#8220;White Picture&#8221; nodro\u0161ina film\u0113\u0161anas norisi Latvij\u0101, k\u0101 ar\u012b piesaista rado\u0161o un tehnisko komandu.<\/p>\n<p>Latvijas pils\u0113tas k\u013c\u016bst par film\u0113\u0161anas laukumu<\/p>\n<p>Kuld\u012bgas un Salacgr\u012bvas pils\u0113tas izv\u0113l\u0113tas film\u0113\u0161anas vietnes to unik\u0101l\u0101s v\u0113sturisk\u0101s arhitekt\u016bras un autentisko eksterjeru d\u0113\u013c. Kuld\u012bga \u0161aj\u0101 projekt\u0101 p\u0101rtaps par Mazo Zalesi, noma\u013cu ciemu \u0123ener\u0101lgubernat\u016bras teritorij\u0101, radot iespaid\u012bgu laikmeta vesterna atmosf\u0113ru. Pils\u0113tas vizu\u0101l\u0101 koncepcija cie\u0161i saist\u012bta ar t\u0101s v\u0113sturisko apb\u016bvi, kas b\u016btiski veido filmas noska\u0146u un m\u0101ksliniecisko ieceri. Sagatavo\u0161an\u0101s darbi Kuld\u012bg\u0101 jau s\u0101ku\u0161ies novembra vid\u016b, ietverot dekor\u0101ciju uzst\u0101d\u012b\u0161anu un \u0113ku piel\u0101go\u0161anu, lai rad\u012btu atbilsto\u0161u 1943. gada Polijas mazpils\u0113tas ainu. Lai sasniegtu v\u0113lamo autentiskumu, tiks nomain\u012btas m\u016bsdienu z\u012bmes un ielu elementi, uzkl\u0101ts m\u0101ksl\u012bgais sniegs un izveidotas koka pieb\u016bves. Film\u0113\u0161ana Kuld\u012bg\u0101 pl\u0101nota no 1. l\u012bdz 4. decembrim, un \u0161aj\u0101 laik\u0101 paredzamas izmai\u0146as satiksmes organiz\u0101cij\u0101.<\/p>\n<p>Ar\u012b Salacgr\u012bva k\u013c\u016bs par da\u013cu no filmas vizu\u0101l\u0101 st\u0101sta. Latvijas Invest\u012bciju un att\u012bst\u012bbas a\u0123ent\u016bra (LIAA) un R\u012bgas Filmu fonds sniedz finansi\u0101lu atbalstu filmas uz\u0146em\u0161anai Latvij\u0101, uzsverot valsts noz\u012bm\u012bgo lomu starptautisku kino projektu piesaist\u0113.<\/p>\n<p>Latvijas kino industrijas att\u012bst\u012bba un starptautisk\u0101 sadarb\u012bba<\/p>\n<p>Filmas &#8220;Wild, Wild East&#8221; uz\u0146em\u0161ana Latvij\u0101 ir spilgts piem\u0113rs veiksm\u012bgai starptautiskai sadarb\u012bbai un apliecina Latvijas sp\u0113ju piesaist\u012bt augstas klases kino projektus. Nacion\u0101lais kino centrs un citi atbalst\u012bt\u0101ji, piem\u0113ram, Latvijas Invest\u012bciju un att\u012bst\u012bbas a\u0123ent\u016bra un R\u012bgas Filmu fonds, akt\u012bvi str\u0101d\u0101, lai veicin\u0101tu filmu uz\u0146em\u0161anu Latvij\u0101, nodro\u0161inot gan finansi\u0101lu atbalstu, gan atbalstu film\u0113\u0161anas norises organiz\u0113\u0161an\u0101. \u0160\u0101du projektu realiz\u0101cija ne tikai bag\u0101tina Latvijas kino ainavu, bet ar\u012b sniedz b\u016btisku ieguld\u012bjumu valsts tautsaimniec\u012bb\u0101, veicinot t\u016brisma att\u012bst\u012bbu un populariz\u0113jot Latvijas kult\u016brv\u0113sturisko mantojumu pasaul\u0113. Filmas &#8220;Wild, Wild East&#8221; uz\u0146em\u0161ana ir apliecin\u0101jums Kuld\u012bgas pils\u0113tas k\u0101 v\u0113rt\u012bgas kult\u016brv\u0113sturiskas vietas noz\u012bmei, kas nov\u0113rt\u0113ta ar\u012b UNESCO Pasaules mantojuma sarakst\u0101.<\/p>\n<p>Visas vizu\u0101l\u0101s izmai\u0146as Kuld\u012bg\u0101 film\u0113\u0161anas laik\u0101 tiks veiktas, izmantojot pagaidu risin\u0101jumus, kas p\u0113c film\u0113\u0161anas tiks demont\u0113ti, atjaunojot pils\u0113tas s\u0101kotn\u0113jo izskatu. Tas apliecina r\u016bp\u012bgu pl\u0101no\u0161anu un cie\u0146u pret pils\u0113tas v\u0113sturisko mantojumu. &#8220;Wild, Wild East&#8221; ir ne tikai aizraujo\u0161s kino darbs, bet ar\u012b noz\u012bm\u012bgs solis Latvijas kino industrijas att\u012bst\u012bb\u0101 un t\u0101s starptautisk\u0101s konkur\u0113tsp\u0113jas stiprin\u0101\u0161an\u0101.<\/p>\n","protected":false},"excerpt":{"rendered":"Starptautiska vesterna uz\u0146em\u0161ana Latvij\u0101: Kuld\u012bga un Salacgr\u012bva k\u013c\u016bst par 1943. gada Poliju Decembra s\u0101kum\u0101 Latvij\u0101, \u012bpa\u0161i Kuld\u012bg\u0101 un&hellip;\n","protected":false},"author":2,"featured_media":56697,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[19],"tags":[89,90,15322,828,35,39,38,36,37,34,100,40,8148,15320,15321],"class_list":{"0":"post-56696","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-izklaide","8":"tag-entertainment","9":"tag-izklaide","10":"tag-jans-holubeks","11":"tag-kuldiga","12":"tag-latvia","13":"tag-latvian","14":"tag-latviesu","15":"tag-latviesu-valoda","16":"tag-latviesuvaloda","17":"tag-latvija","18":"tag-latvijas-kino","19":"tag-lv","20":"tag-salacgriva","21":"tag-wild","22":"tag-wild-east"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@lv\/115598744928345468","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/56696","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/comments?post=56696"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/56696\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media\/56697"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media?parent=56696"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/categories?post=56696"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/tags?post=56696"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}