M\u016bzikas ierakstu industrijas aizs\u0101kumi \u2013 opera k\u0101 pirmatkl\u0101j\u0113ja<\/p>\n
Kad dom\u0101jam par m\u016bzikas ierakstu industrijas pirms\u0101kumiem, pr\u0101t\u0101 bie\u017ei vien n\u0101k t\u0101di m\u016bsdien\u0101s popul\u0101ri \u017eanri k\u0101 rokenrols, popm\u016bzika vai d\u017eezs. Tom\u0113r paties\u012bb\u0101 m\u016bzikas ierakstu piram\u012bdas pamati likti daudz sen\u0101k, mekl\u0113jami operm\u0101kslas audz\u0113. Lai gan m\u016bsdien\u0101s opera var \u0161\u0137ist k\u0101 sena un pat nedaudz ekskluz\u012bva m\u0101kslas forma, t\u0101s v\u0113sturisk\u0101 noz\u012bme ska\u0146u ierakstu industrijas att\u012bst\u012bb\u0101 ir nep\u0101rv\u0113rt\u0113jama. Paties\u012bb\u0101, tie\u0161i opera, ar savu dramatisko sp\u0113ku un izteiksm\u012bgo vok\u0101lu, aizs\u0101ka ce\u013cu uz m\u016bzikas ierakstu komercializ\u0101ciju, atkl\u0101jot durvis uz pla\u0161\u0101ku auditoriju un t\u0101d\u0113j\u0101di veicinot jaunas industrijas dzim\u0161anu.<\/p>\n
Enriko Kar\u016bzo un miljonu p\u0101rdoto kopiju fenomens<\/p>\n
Pagrieziena punkts m\u016bzikas ierakstu v\u0113stur\u0113 notika 1902. gad\u0101, kad slavenais it\u0101\u013cu tenors Enriko Kar\u016bzo iem\u016b\u017ein\u0101ja savu balsi, dziedot \u0101riju “Vesti la giubba” no Ruggero Leoncavallo operas “Pajaci”. \u0160is nebija vienk\u0101r\u0161s ieraksts; tas k\u013cuva par pirmo pasaul\u0113, kas sasniedza miljonu p\u0101rdoto kopiju, un \u0161is iespaid\u012bgais sasniegums ir pat atz\u012bm\u0113ts Ginesa rekordu gr\u0101mat\u0101. Lai gan m\u016bsdien\u0101s miljona kopiju p\u0101rdo\u0161ana var \u0161\u0137ist sasniedzams m\u0113r\u0137is, taj\u0101 laik\u0101 tas bija revolucion\u0101rs notikums, kas piln\u012bb\u0101 main\u012bja m\u016bzikas industrijas ainavu. Kar\u016bzo un vi\u0146a operas ieraksti atv\u0113ra jaunas iesp\u0113jas ne tikai dzied\u0101t\u0101jiem, bet ar\u012b ska\u0146u in\u017eenieriem un m\u016bzikas izdev\u0113jiem, par\u0101dot komerci\u0101lo potenci\u0101lu, kas sl\u0113pjas m\u016bzikas fiks\u0113\u0161an\u0101 un izplat\u012b\u0161an\u0101. Vi\u0146a unik\u0101l\u0101 balss, kas bija sp\u0113c\u012bga, skaidra un tembr\u0101li bag\u0101ta, sp\u0113ja p\u0101rvar\u0113t t\u0101 laika tehnolo\u0123iskos ierobe\u017eojumus, piepildot ierakstu ar t\u0101du jaudu un emocion\u0101lu dzi\u013cumu, k\u0101du klaus\u012bt\u0101ji v\u0113l nebija pieredz\u0113ju\u0161i.<\/p>\n
Tehnolo\u0123iskie izaicin\u0101jumi un Kar\u016bzo balss triumfs<\/p>\n
Enriko Kar\u016bzo balss tika iem\u016b\u017ein\u0101ta, izmantojot t\u0101 d\u0113v\u0113to akustisko ierakst\u012b\u0161anas metodi. \u0160\u012b sist\u0113ma bija t\u012bri meh\u0101niska: ska\u0146as vi\u013c\u0146i tika sav\u0101kti ar met\u0101la ragu, kas vizu\u0101li atg\u0101din\u0101ja lielu konfek\u0161u t\u016btu, un novad\u012bti uz diafragmu. Diafragma, vibr\u0113jot ska\u0146as spiediena ietekm\u0113, savuk\u0101rt meh\u0101niski kustin\u0101ja adatu, kas iegrieza \u0161\u012bs kust\u012bbas vaska cilindr\u0101. Taj\u0101 laik\u0101 nebija pieejami mikrofoni vai ska\u0146as pastiprin\u0101t\u0101ji, un elektr\u012bba v\u0113l nebija pla\u0161i izplat\u012bta, neraugoties uz to, ka t\u0101 jau bija s\u0101cis savu ce\u013cu ar\u012b ska\u0146u ierakstu studij\u0101s. Ieraksta kvalit\u0101ti b\u016btiski ietekm\u0113ja ierobe\u017eotais dinamikas diapazons un frekven\u010du spektrs. Tas noz\u012bm\u0113ja, ka m\u016bzi\u0137iem un dzied\u0101t\u0101jiem bija j\u0101atrodas \u013coti tuvu pie mikrofona raga, lai vi\u0146u ska\u0146as visp\u0101r tiktu uztvertas. Klus\u0101ki instrumenti un dzied\u0101t\u0101ju balsis \u0161\u0101d\u0101 sist\u0113m\u0101 bie\u017ei vien pazuda, tom\u0113r Kar\u016bzo balss bija iz\u0146\u0113mums. T\u0101 bija tik sp\u0113c\u012bga un izteiksm\u012bga, ka sp\u0113ja p\u0101rvar\u0113t tehnolo\u0123ijas tr\u016bkumus, pie\u0161\u0137irot ierakstiem neparastu dz\u012bv\u012bgumu un emocion\u0101lo pies\u0101tin\u0101jumu.<\/p>\n
Operas mantojums m\u016bsdienu industrij\u0101<\/p>\n
Operas noz\u012bme m\u016bzikas ierakstu industrijas att\u012bst\u012bb\u0101 ir fundament\u0101la. T\u0101 ne tikai demonstr\u0113ja agr\u012bno ska\u0146u ierakstu tehnolo\u0123iju potenci\u0101lu, bet ar\u012b par\u0101d\u012bja, k\u0101 m\u0101ksla var sasniegt pla\u0161\u0101ku publiku, nek\u013c\u016bstot par ekskluz\u012bvu baud\u012bjumu tikai noteikt\u0101m aprind\u0101m. Kar\u016bzo pan\u0101kumi atv\u0113ra durvis citiem operm\u016bzikas izpild\u012bt\u0101jiem un vi\u0146u ierakstiem, radot pamatu ska\u0146uplat\u0113m un v\u0113l\u0101k cit\u0101m ierakstu form\u0101m. S\u0101kotn\u0113j\u0101 Victor Talking Machine Company, ar kuru Kar\u016bzo sadarboj\u0101s, k\u013cuva par RCA Red Seal klasisk\u0101s m\u016bzikas izdevniec\u012bbas z\u012bmola priek\u0161teci, apliecinot operm\u016bzikas noz\u012bmi ar\u012b m\u016bsdienu m\u016bzikas izdevniec\u012bbu strukt\u016br\u0101. L\u012bdz ar to, \u0161\u0137ietami sena un tradicion\u0101la m\u0101kslas forma k\u0101 opera, paties\u012bb\u0101 ir bijusi pionieris m\u016bsdienu m\u016bzikas ierakstu industrijas pirms\u0101kumos, pal\u012bdzot veidot pamatus, uz kuriem balst\u0101s visa m\u016bsdienu m\u016bzikas komercija un izplat\u012b\u0161ana.<\/p>\n","protected":false},"excerpt":{"rendered":"M\u016bzikas ierakstu industrijas aizs\u0101kumi \u2013 opera k\u0101 pirmatkl\u0101j\u0113ja Kad dom\u0101jam par m\u016bzikas ierakstu industrijas pirms\u0101kumiem, pr\u0101t\u0101 bie\u017ei vien…\n","protected":false},"author":2,"featured_media":5932,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[19],"tags":[2639,89,2641,90,35,39,38,36,37,34,40,2637,2638,2640],"class_list":{"0":"post-5931","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-izklaide","8":"tag-enriko-karuzo","9":"tag-entertainment","10":"tag-gramofona-plates","11":"tag-izklaide","12":"tag-latvia","13":"tag-latvian","14":"tag-latviesu","15":"tag-latviesu-valoda","16":"tag-latviesuvaloda","17":"tag-latvija","18":"tag-lv","19":"tag-muzikas-ierakstu-industrija","20":"tag-opera","21":"tag-skanu-ierakstu-vesture"},"share_on_mastodon":{"url":"","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/5931","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/comments?post=5931"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/5931\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media\/5932"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media?parent=5931"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/categories?post=5931"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/tags?post=5931"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}