\u017dana Kristofa Spinozi un LNSO divk\u0101rt\u0113jais muzik\u0101lais sar\u012bkojums<\/p>\n
Fran\u010du diri\u0123ents \u017dans Kristofs Spinozi, kur\u0161 ir starptautiski atz\u012bts par savu meistar\u012bgo baroka un klasicisma laikmetu m\u016bzikas interpret\u0101ciju, debit\u0113ja Latvij\u0101, diri\u0123\u0113jot Latvijas Nacion\u0101lo simfonisko or\u0137estri (LNSO) divos grandiozos koncertos. \u0160ie notikumi, kas norisin\u0101j\u0101s 2025. gada 26. septembr\u012b R\u012bgas Kongresu nam\u0101 un 27. septembr\u012b Ventspils koncertz\u0101l\u0113 \u201cLatvija\u201d, iez\u012bm\u0113ja noz\u012bm\u012bgu br\u012bdi Latvijas kult\u016bras dz\u012bv\u0113, sniedzot klaus\u012bt\u0101jiem aizraujo\u0161u muzik\u0101lu ce\u013cojumu cauri gadsimtiem. Spinozi, kur\u0161 ir ar\u012b presti\u017e\u0101 fran\u010du baroka or\u0137estra Ensemble Matheus dibin\u0101t\u0101js un m\u0101kslinieciskais vad\u012bt\u0101js, savu karjeru veidojis kop\u0161 1991. gada, iekarojot atzin\u012bbu pasaules presti\u017e\u0101kaj\u0101s koncertz\u0101l\u0113s, tostarp Par\u012bzes \u0160atl\u0113 te\u0101tr\u012b un V\u012bnes Konzerthaus. Vi\u0146a ener\u0123iskais un aizraujo\u0161ais diri\u0123\u0113\u0161anas stils tiek raksturots k\u0101 sp\u0113j\u012bgs modin\u0101t m\u016bzi\u0137os jaunas idejas un pan\u0101kt dzi\u013cu, emocion\u0101lu izpild\u012bjumu. Maestro uzskata, ka m\u016bsdienu pasaul\u0113 m\u016bzika ir k\u0101 dievi\u0161\u0137\u0101 gaisma, kas sp\u0113j sniegt mieru un iedvesmu.<\/p>\n
Muzik\u0101la moza\u012bka cauri gadsimtiem<\/p>\n
Koncertprogramma ar nosaukumu \u201cLNSO, Vasks, zelta baroks un For\u0113 Rekvi\u0113ms\u201d pied\u0101v\u0101ja klaus\u012bt\u0101jiem r\u016bp\u012bgi veidotu moza\u012bku, kas aptv\u0113ra da\u017e\u0101dus laikmetus un muzik\u0101los stilus. T\u0101 atkl\u0101j\u0101s ar LNSO 100. sezonas rezid\u0113jo\u0161\u0101 komponista P\u0113tera Vaska darbu \u201cCantabile\u201d st\u012bginstrumentiem (1979). \u0160is ska\u0146darbs, kas ir k\u013cuvis par vienu no latvie\u0161u m\u016bzikas simboliem, pau\u017e dzi\u013cas filozofiskas p\u0101rdomas un mekl\u0113 pasaules harmoniju, radot mierpilnu un gaismas piepild\u012btu skan\u0113jumu. P\u0113c Vaska kompoz\u012bcijas klaus\u012bt\u0101ji tika aicin\u0101ti uz baroka laikmeta spo\u017eumu ar fragmentu \u201cSit nomen Domini\u201d no Antonio Vivaldi cikla \u201cLaudate pueri\u201d. \u0160aj\u0101 ska\u0146darb\u0101 \u012bpa\u0161i izcili skan\u0113ja jaun\u0101s fran\u010du sopr\u0101na Ninas Spinozi balss, radot elegantu un dv\u0113selisku dialogu ar LNSO st\u012bgu grupu. Nina Spinozi, dzimusi muzik\u0101l\u0101 \u0123imen\u0113, ir iekarojusi pla\u0161u atzin\u012bbu gan oper\u0101, gan koncertos, demonstr\u0113jot savu talantu pla\u0161\u0101 \u017eanru spektr\u0101. T\u0101l\u0101k sekoja Johana Sebasti\u0101na Baha Koncerts klaves\u012bnam un or\u0137estrim re minor\u0101 BWV 1052. \u0160is baroka laikmeta paraugs demonstr\u0113 m\u016bzikai rakstur\u012bgo dramatisko spriegumu un melodisko izsmalcin\u0101t\u012bbu. Klaves\u012bna solo partiju atska\u0146oja spo\u017e\u0101 latvie\u0161u klaves\u012bniste Ieva Saliete, kura ir ieguvusi Lielo m\u016bzikas balvu un sadarbojas ar Eiropas sen\u0101s m\u016bzikas or\u0137estriem. Spinozi pats raksturojis Baha koncertu k\u0101 \u201caugst\u0101k\u0101 m\u0113r\u0101 gar\u012bgu m\u016bziku\u201d, kas sp\u0113j satricin\u0101t l\u012bdz sirds dzi\u013cumiem un liek aizdom\u0101ties par m\u016b\u017e\u012bbas un cilv\u0113ka eksistences jaut\u0101jumiem, radot \u201c\u0161ok\u0113jo\u0161u\u201d un \u201cemocion\u0101li v\u0113trainu\u201d pieredzi.<\/p>\n
Koncerta kulmin\u0101cija un \u012bpa\u0161ie viesi<\/p>\n
Koncerta kulmin\u0101ciju nodro\u0161in\u0101ja Gabriela For\u0113 Rekvi\u0113ms. At\u0161\u0137ir\u012bb\u0101 no daudziem citiem \u0161\u012b \u017eanra darbiem, For\u0113 \u201cRekvi\u0113ms\u201d n\u0101ves t\u0113mu nevis pau\u017e k\u0101 s\u0113ras, bet gan k\u0101 p\u0101reju uz cer\u012bbu, gaismu un dv\u0113seles mieru, radot pacil\u0101jo\u0161u un mierpilnu atmosf\u0113ru. \u0160o izcilo ska\u0146darbu atska\u0146oja Latvijas Nacion\u0101lais simfoniskais or\u0137estris kop\u0101 ar Valsts Akad\u0113misko kori \u201cLatvija\u201d, k\u0101 ar\u012b solisti \u2013 sopr\u0101ns Nina Spinozi un norv\u0113\u0123u baritons Halvors Meliens. Gabriels For\u0113 pats raksturojis savu darbu k\u0101 \u201cmiera rekvi\u0113mu\u201d, uzsverot t\u0101 emocion\u0101lo dzi\u013cumu un gai\u0161umu. \u0160\u012b m\u016bzika, ko komponists rad\u012bjis personisku p\u0101rdz\u012bvojumu ietekm\u0113, pied\u0101v\u0101 p\u0101rsteidzo\u0161i mierpilnu skat\u012bjumu uz n\u0101vi, interpret\u0113jot to k\u0101 \u201cpriec\u012bgu atbr\u012bvo\u0161anos, kas ved uz augst\u0101ku sv\u0113tlaimi, nevis k\u0101 s\u0101p\u012bgu beigu br\u012bdi\u201d. Kop\u0101 ar LNSO un kori \u201cLatvija\u201d uzst\u0101j\u0101s ar\u012b fran\u010du sopr\u0101ns Nina Spinozi un norv\u0113\u0123u baritons Halvors Meliens, kuru sadarb\u012bba pie\u0161\u0137\u012bra koncertam \u012bpa\u0161u v\u0113rt\u012bbu.<\/p>\n","protected":false},"excerpt":{"rendered":"\u017dana Kristofa Spinozi un LNSO divk\u0101rt\u0113jais muzik\u0101lais sar\u012bkojums Fran\u010du diri\u0123ents \u017dans Kristofs Spinozi, kur\u0161 ir starptautiski atz\u012bts par…\n","protected":false},"author":2,"featured_media":60367,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_share_on_mastodon":"0"},"categories":[19],"tags":[89,5955,90,104,35,39,38,36,37,34,2923,5365,40,2922],"class_list":["post-60366","post","type-post","status-publish","format-standard","has-post-thumbnail","category-izklaide","tag-entertainment","tag-gabriels-fore-rekviems","tag-izklaide","tag-koncertprogramma","tag-latvia","tag-latvian","tag-latviesu","tag-latviesu-valoda","tag-latviesuvaloda","tag-latvija","tag-latvijas-nacionalais-simfoniskais-orkestris","tag-lnso","tag-lv","tag-zans-kristofs-spinozi"],"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@lv\/115626093063950927","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/60366","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/comments?post=60366"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/60366\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media\/60367"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media?parent=60366"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/categories?post=60366"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/tags?post=60366"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}