{"id":619,"date":"2025-09-21T13:20:17","date_gmt":"2025-09-21T13:20:17","guid":{"rendered":"https:\/\/www.europesays.com\/lv\/619\/"},"modified":"2025-09-21T13:20:17","modified_gmt":"2025-09-21T13:20:17","slug":"kaspara-zarina-gleznu-izstade-mana-pasaule-pulce-makslas-cienitajus-lente-lv","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/lv\/619\/","title":{"rendered":"Kaspara Zari\u0146a gleznu izst\u0101de &#8220;Mana pasaule&#8221; pulc\u0113 m\u0101kslas cien\u012bt\u0101jus\u00a0\u2014\u00a0Lente.lv"},"content":{"rendered":"<p>M\u0101kslas baud\u012bt\u0101ji vienkopus uz Kaspara Zari\u0146a gleznu pasaules atkl\u0101\u0161anu<\/p>\n<p>Kult\u016brtelpa &#8220;Ola Foundation&#8221; \u0161obr\u012bd priec\u0113 m\u0101kslas entuziastus ar jaunu un aizraujo\u0161u notikumu \u2013 iev\u0113rojam\u0101 latvie\u0161u gleznot\u0101ja Kaspara Zari\u0146a person\u0101lizst\u0101des &#8220;Mana pasaule&#8221; atkl\u0101\u0161anu. \u0160is notikums pulc\u0113ja kuplu kl\u0101tb\u016btni \u2013 m\u0101kslas gard\u0113\u017eus, kas alkst p\u0113c jaun\u0101m emocij\u0101m un vizu\u0101l\u0101m baud\u0101m. Izst\u0101de, kas durvis v\u0113ra 17. septembr\u012b, pied\u0101v\u0101 unik\u0101lu ieskatu m\u0101kslinieka jaunrad\u0113, apvienojot darbus, kas tapu\u0161i p\u0113d\u0113jo divu gadu laik\u0101, ar vair\u0101kiem darbiem no iepriek\u0161\u0113jiem periodiem. Tas \u013cauj skat\u012bt\u0101jam izsekot l\u012bdzi Kaspara Zari\u0146a ilgsto\u0161aj\u0101m t\u0113m\u0101m un vizu\u0101l\u0101s valodas evol\u016bcijai.<\/p>\n<p>Kaspara Zari\u0146a m\u0101ksliniecisk\u0101 pasaule: kr\u0101su eksplozija un dzi\u013cas p\u0101rdomas<\/p>\n<p>Kaspars Zari\u0146\u0161, kur\u0161 paz\u012bstams k\u0101 kr\u0101su meistars un noz\u012bm\u012bga Latvijas m\u0101kslas autorit\u0101te, sav\u0101 jaun\u0101kaj\u0101 izst\u0101d\u0113 &#8220;Mana pasaule&#8221; izsauc skat\u012bt\u0101j\u0101 spilgtas emocijas. Vi\u0146a glezniec\u012bba balst\u0101s uz vair\u0101k nek\u0101 tr\u012bsdesmit piecu gadu pieredzi, apvienojot Rietumeiropas trad\u012bcijas ar glob\u0101lo pieredzi vizu\u0101laj\u0101 m\u0101ksl\u0101. Zari\u0146\u0161 uzsver, ka kr\u0101sa vi\u0146am ir k\u0101 &#8220;paties\u0101 acs&#8221;, caur kuru vi\u0146\u0161 pau\u017e gan prieku, gan cie\u0161anas, gan dzi\u013cas p\u0101rdomas. Katrs otas triepiens ir k\u0101 atspulgs vi\u0146a dv\u0113selei, aicinot skat\u012bt\u0101ju l\u012bdzp\u0101rdz\u012bvot un rad\u012bt savas asoci\u0101cijas. Izst\u0101d\u0113 apskat\u0101mi 26 darbi, kas vibr\u0113 ar dz\u012bv\u012bgumu un dzi\u013cumu, liecinot par m\u0101kslinieka sp\u0113ju savienot tehnisko meistar\u012bbu ar emocion\u0101lu dzi\u013cumu. Lai gan da\u013ca darbu jau bija apl\u016bkojama Rotko centr\u0101 Daugavpil\u012b, divas gleznas rad\u012btas \u012bpa\u0161i \u0161ai &#8220;Ola Foundation&#8221; ekspoz\u012bcijai. T\u0101s ir monument\u0101l\u0101s divreiz divu metru kompoz\u012bcijas &#8220;Str\u016bklakas v\u0113j\u0101&#8221; un &#8220;Roz\u012bte no Porto&#8221;, kas radu\u0161\u0101s iedvesmojoties no ce\u013cojuma uz Portug\u0101li un simboliz\u0113 kust\u012bbu un dz\u012bv\u012bbas nep\u0101rtraukt\u012bbu.<\/p>\n<p>T\u0113lu transform\u0101cijas: no Pedanta l\u012bdz Sv\u0113t\u0101 Vakar\u0113diena interpret\u0101cij\u0101m<\/p>\n<p>K\u0101 neat\u0146emama Kaspara Zari\u0146a m\u0101ksliniecisk\u0101s identit\u0101tes sast\u0101vda\u013ca izst\u0101d\u0113 &#8220;Mana pasaule&#8221; ir ar\u012b vi\u0146a rad\u012btais &#8220;Pedanta&#8221; t\u0113ls. Ta\u010du \u0161oreiz &#8220;Pedants&#8221; nav tik robusts k\u0101 agr\u0101k, bet gan ieguvis lirisk\u0101ku un transform\u0113t\u0101ku veidolu, k\u013c\u016bstot par atspogu\u013cojumu pa\u0161a m\u0101kslinieka iek\u0161\u0113jai pasaulei un pieredzei. \u0160is t\u0113ls, kas s\u0101kotn\u0113ji bija m\u0101kslinieka alter ego, ar laiku ir k\u013cuvis par visas vi\u0146a rado\u0161\u0101s darb\u012bbas z\u012bmolu. Izst\u0101d\u0113 piesk\u0101riens tiek dots ar\u012b &#8220;Sv\u0113t\u0101 Vakar\u0113diena&#8221; t\u0113mai, ko Zari\u0146\u0161 interpret\u0113 nevis reli\u0123isk\u0101, bet gan k\u0101 refleksiju par m\u016b\u017e\u012bg\u0101m v\u0113rt\u012bb\u0101m \u2013 m\u012blest\u012bbu, prieku, nodev\u012bbu un uztic\u012bbu ide\u0101liem. \u0160\u012bs t\u0113mas kalpo k\u0101 spogulis, kur\u0101 atspogu\u013cojas m\u016bsdienu pasaules notikumi, cilv\u0113ku daba, t\u0101s k\u0101rt\u012bba un nek\u0101rt\u012bba, k\u0101 ar\u012b aktualiz\u0113 diskusiju par dz\u012bves j\u0113gu un savstarp\u0113j\u0101m attiec\u012bb\u0101m. K\u0101 st\u0101sta m\u0101kslinieks, vi\u0146u interes\u0113 &#8220;subjektiviz\u0113t objekt\u012bvo&#8221; \u2013 no\u0137ert mirkli un to fiks\u0113t glezn\u0101, kas ir \u012bsts izaicin\u0101jums.<\/p>\n<p>Kr\u0101sa k\u0101 valoda un m\u0101kslinieka dv\u0113seles atspulgs<\/p>\n<p>Kaspara Zari\u0146a glezniec\u012bba ir k\u0101 vizu\u0101ls ce\u013cojums vi\u0146a dv\u0113sel\u0113, kur\u0101 vi\u0146\u0161 atkl\u0101j savas saj\u016btas un pasaules redz\u0113jumu, izmantojot spilgtas kr\u0101sas un simbolisko valodu. Katra otas triepiens ir k\u0101 atspulgs m\u0101kslinieka dv\u0113selei, aicinot skat\u012bt\u0101ju l\u012bdzp\u0101rdz\u012bvot un rast savas asoci\u0101cijas. M\u0101kslinieks pats uzsver, ka &#8220;kr\u0101sa ir m\u0101kslinieka paties\u0101 acs&#8221;, un \u0161\u012b izst\u0101de ir spilgts apliecin\u0101jums \u0161ai atzi\u0146ai. Vi\u0146a darbi atspogu\u013co ne tikai person\u012bg\u0101s emocijas, bet ar\u012b dzi\u013c\u0101kas p\u0101rdomas par cilv\u0113ka dabu, pasaules k\u0101rt\u012bbu un t\u0101s neparedzamo main\u012bbu. K\u0101 jaunus mot\u012bvus izst\u0101d\u0113 var apl\u016bkot ar\u012b iespaid\u012bgas str\u016bklaku kompoz\u012bcijas. \u0160ie darbi, kas tapu\u0161i p\u0113d\u0113jo divu gadu laik\u0101, demonstr\u0113 Zari\u0146a sp\u0113ju izmantot kr\u0101su k\u0101 valodu, lai pauztu gan prieku, gan cie\u0161anas, gan ar\u012b dzi\u013cas p\u0101rdomas. Gleznot\u0101js atz\u012bst, ka &#8220;t\u0101das milz\u012bg\u0101s str\u016bklakas, kas ir divi reiz divi metri, saucas &#8216;Str\u016bklakas v\u0113j\u0101&#8217; un &#8216;Roz\u012bte no Porto&#8217;, jo es biju Porto kaut kad vasaras s\u0101kum\u0101. Es nofotograf\u0113ju vienu roz\u012bti, kas man iekrita ac\u012bs, un es vi\u0146u uzgleznoju, atbraucot m\u0101j\u0101s.&#8221;<\/p>\n<p>Izst\u0101des ilgums un v\u0113st\u012bjums<\/p>\n<p>Kaspara Zari\u0146a person\u0101lizst\u0101de &#8220;Mana pasaule&#8221; kult\u016brtelp\u0101 &#8220;Ola Foundation&#8221; b\u016bs skat\u0101ma l\u012bdz pat 2026. gada 31. janv\u0101rim. T\u0101 pied\u0101v\u0101 ne tikai est\u0113tisku baud\u012bjumu, bet ar\u012b dzi\u013cumu un emocion\u0101lu pies\u0101tin\u0101jumu, aicinot ikvienu apmekl\u0113t\u0101ju doties sav\u0101 person\u012bgaj\u0101 ce\u013cojum\u0101 cauri m\u0101kslinieka iedvesmas pasaulei.<\/p>\n","protected":false},"excerpt":{"rendered":"M\u0101kslas baud\u012bt\u0101ji vienkopus uz Kaspara Zari\u0146a gleznu pasaules atkl\u0101\u0161anu Kult\u016brtelpa &#8220;Ola Foundation&#8221; \u0161obr\u012bd priec\u0113 m\u0101kslas entuziastus ar jaunu&hellip;\n","protected":false},"author":2,"featured_media":620,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[19],"tags":[89,90,458,35,39,38,157,36,37,34,40,459,460,461],"class_list":{"0":"post-619","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-izklaide","8":"tag-entertainment","9":"tag-izklaide","10":"tag-kaspars-zarins","11":"tag-latvia","12":"tag-latvian","13":"tag-latviesu","14":"tag-latviesu-gleznieciba","15":"tag-latviesu-valoda","16":"tag-latviesuvaloda","17":"tag-latvija","18":"tag-lv","19":"tag-mana-pasaule","20":"tag-ola-foundation","21":"tag-personalizstade"},"share_on_mastodon":{"url":"","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/619","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/comments?post=619"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/619\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media\/620"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media?parent=619"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/categories?post=619"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/tags?post=619"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}