\u0122it\u0101rista M\u0101rca Auzi\u0146a monumentalais opuss \u201cMaiden Voyage\u201d piedz\u012bvo koncertieraksta izn\u0101k\u0161anu<\/p>\n
Pla\u0161\u0101k paz\u012bstam\u0101 solo m\u0101kslinieka, \u0123it\u0101rista M\u0101rcis Auzi\u0146a rado\u0161aj\u0101 kont\u0101 nu papildin\u0101jies noz\u012bm\u012bgs sasniegums \u2013 klaj\u0101 laists vi\u0146a jaun\u0101k\u0101 opusa \u201cMaiden Voyage\u201d pirmatska\u0146ojuma ieska\u0146ojums. \u0160is monument\u0101lais ska\u0146darbs, kas s\u0101kotn\u0113ji rad\u012bts k\u0101 velt\u012bjums valsts sv\u0113tkiem un pirmatska\u0146ots kop\u0101 ar sp\u0113c\u012bgo p\u016bt\u0113ju or\u0137estri \u201cR\u012bga\u201d, nu ir pieejams klaus\u012bt\u0101jiem pla\u0161\u0101k\u0101 form\u0101t\u0101, pied\u0101v\u0101jot dzi\u013cu un emocion\u0101li pies\u0101tin\u0101tu muzik\u0101lu ce\u013cojumu. Auzi\u0146a jaunrad\u012bt\u0101, gandr\u012bz pusstundu ilg\u0101 kompoz\u012bcija, kas sadal\u012bta \u010detr\u0101s da\u013c\u0101s, simboliz\u0113 jauna s\u0101kuma un neizzin\u0101tu piedz\u012bvojumu ideju, glu\u017ei k\u0101 ku\u0123a do\u0161an\u0101s sav\u0101 pirmaj\u0101, likten\u012bgaj\u0101 braucien\u0101.<\/p>\n
Muzik\u0101la simbioze un rado\u0161i izaicin\u0101jumi<\/p>\n
Opusa \u201cMaiden Voyage\u201d rad\u012b\u0161anas proces\u0101 M\u0101rcis Auzi\u0146\u0161 guvis iedvesmu no p\u016bt\u0113ju or\u0137estru pla\u0161\u0101s skan\u0113juma gammas, vienlaikus veiksm\u012bgi integr\u0113jot taj\u0101 savas person\u012bg\u0101s muzik\u0101l\u0101s atsauces. V\u0113r\u012bg\u0101kie klaus\u012bt\u0101ji var\u0113s atpaz\u012bt d\u017eeza, \u201cfusion\u201d un \u201cfingerstyle\u201d \u0123it\u0101ras elementus, kas veido br\u012bvu, \u017eanru robe\u017eas neiev\u0113rojo\u0161u kol\u0101\u017eu. \u201c\u0160is ska\u0146darbs man bija noz\u012bm\u012bgs izaicin\u0101jums \u2013 l\u012bdz \u0161im nebiju kompon\u0113jis p\u016bt\u0113ju or\u0137estrim, ta\u010du ar degsmi pie\u0146\u0113mu \u0161o iesp\u0113ju,\u201d atz\u012bst pats Auzi\u0146\u0161. Vi\u0146a jaun\u0101k\u0101 br\u0101\u013ca, talant\u012bg\u0101 saksofonista un komponista K\u0101r\u013ca Auzi\u0146a, unik\u0101lais sp\u0113les rokraksts izcilaj\u0101s improviz\u0101cij\u0101s lieliski papildina kop\u0113jo noska\u0146u, padarot ierakstu par patiesi unik\u0101lu sadarb\u012bbu. K\u0101r\u013ca Auzi\u0146a dai\u013crad\u0113 bie\u017ei j\u016btama d\u017eeza un da\u017e\u0101du pasaules tautu folkm\u016bzikas ietekme, kas pie\u0161\u0137ir kompoz\u012bcijai papildu dzi\u013cumu un kr\u0101\u0161\u0146umu.<\/p>\n
\u201cR\u012bgas\u201d or\u0137estra un Auzi\u0146a siner\u0123ija<\/p>\n
Sadarbojoties ar p\u016bt\u0113ju or\u0137estri \u201cR\u012bga\u201d, M\u0101rcis Auzi\u0146\u0161 sask\u0101r\u0101s ar jaunu un aizraujo\u0161u rado\u0161o izaicin\u0101jumu. Lai gan vi\u0146\u0161 iepriek\u0161 rad\u012bjis darbus kameror\u0137estrim, st\u012bgu kvartetam un bigbendam, kompoz\u012bcija tie\u0161i p\u016bt\u0113ju or\u0137estrim bija k\u0101 \u201cmuzik\u0101la pagrie\u0161an\u0101s par 180 gr\u0101diem\u201d. \u0160is drosm\u012bgais eksperiments, kas piedz\u012bvoja pasaules pirmatska\u0146ojumu VEF Kult\u016bras pil\u012b 18. novembr\u012b par godu Latvijas valsts sv\u0113tkiem, tagad vainagojies ar izcilu koncertierakstu. Koncert\u0101 pie diri\u0123enta pults st\u0101v\u0113ja Valdis But\u0101ns, un ierakst\u0101 piedal\u012bj\u0101s ar\u012b profesion\u0101la ritma grupa \u2013 tausti\u0146instrument\u0101lists J\u0101nis Milti\u0146\u0161, basists Toms Poi\u0161s un bundzinieks M\u0101rti\u0146\u0161 Mi\u013cevskis. \u0160\u012b pla\u0161\u0101 muzik\u0101l\u0101 apvien\u012bba rad\u012bjusi patiesi grandiozu un klaus\u012bt\u0101ju aizraujo\u0161u ska\u0146darbu, kas apliecina M\u0101rca Auzi\u0146a k\u0101 komponista un \u0123it\u0101rista daudzpus\u012bbu un meistar\u012bbu.<\/p>\n
M\u0101rcis Auzi\u0146\u0161 \u2013 ce\u013c\u0161 uz \u201cMaiden Voyage\u201d<\/p>\n
M\u0101rcis Auzi\u0146\u0161 ir latvie\u0161u \u0123it\u0101rists, komponists un aran\u017e\u0113t\u0101js, kur\u0161 savu muzik\u0101lo karjeru veidojis jau vair\u0101kus gadus. Vi\u0146\u0161 ir paz\u012bstams ar savu pirmo solo albumu \u201cVIENS\u201d, kas tika nomin\u0113ts Latvijas m\u016bzikas ierakstu gada balvai instrument\u0101l\u0101s un starp\u017eanru m\u016bzikas kategorij\u0101. Auzi\u0146\u0161 ar\u012b agr\u0101k ir rad\u012bjis lieldarbus \u0123it\u0101rai ar or\u0137estri, ta\u010du \u201cMaiden Voyage\u201d ir \u012bpa\u0161s projekts, kas par\u0101da vi\u0146a att\u012bst\u012bbu un sp\u0113ju izpausties jaun\u0101s muzik\u0101l\u0101s form\u0101s. Vi\u0146a rado\u0161ais ce\u013c\u0161 ir apliecin\u0101jums tam, ka patiesa un ilgtsp\u0113j\u012bga m\u016bzika vispirms prasa smagu darbu ar sevi, bet p\u0113c tam \u013cauj sasniegt br\u012bvu lidojumu kompoz\u012bcij\u0101 un improviz\u0101cij\u0101.<\/p>\n","protected":false},"excerpt":{"rendered":"\u0122it\u0101rista M\u0101rca Auzi\u0146a monumentalais opuss \u201cMaiden Voyage\u201d piedz\u012bvo koncertieraksta izn\u0101k\u0161anu Pla\u0161\u0101k paz\u012bstam\u0101 solo m\u0101kslinieka, \u0123it\u0101rista M\u0101rcis Auzi\u0146a rado\u0161aj\u0101…\n","protected":false},"author":2,"featured_media":61919,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[19],"tags":[89,90,16309,35,39,38,194,36,37,34,40,16307,2604,16310],"class_list":{"0":"post-61918","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-izklaide","8":"tag-entertainment","9":"tag-izklaide","10":"tag-karlis-auzins","11":"tag-latvia","12":"tag-latvian","13":"tag-latviesu","14":"tag-latviesu-muzika","15":"tag-latviesu-valoda","16":"tag-latviesuvaloda","17":"tag-latvija","18":"tag-lv","19":"tag-maiden-voyage","20":"tag-marcis-auzins","21":"tag-puteju-orkestris-riga"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@lv\/115638550070306498","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/61918","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/comments?post=61918"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/posts\/61918\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media\/61919"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/media?parent=61918"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/categories?post=61918"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/lv\/wp-json\/wp\/v2\/tags?post=61918"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}